With the skill of a seasoned journalist and the passion of an amateur sleuth, he moves from scholarly conclave in California to archaeologcal digs in Israel, tracking down the story of the astounding consensus emerging from a varied group of experts.

    Dr. Hoeller traces this fascinating story throughout time and shows how Gnosticism has inspired such great thinkers as Voltaire, Blake, Yeats, Hesse, Melville, and Jung.

    In Timaeus, he gives a thorough account of the world in which we live, describing a cosmos composed of four elements earth, air, fire and water which combine to give existence to all things. An exploration of the origins of the universe, life and humanity, which outlines not just physical laws but also metaphysical and religious principles, it remained a paradigm of science for two thousand years. The mysterious preamble to Timaeus contains the first account in literature of Atlantis, while the fragmentary Critias, unfinished by its author, provides a spellbinding description of the lost continent's ideal society, which Critias asserts was created by the god-like children of Poseidon himself.

    __________'I love it. Will make you see the world differently' - 5* reader review'This book can and will change your life' - 5* reader review 'Anyone who has ever sensed that pull against the ego for a greater understanding and meaning to life, will feel blessed to have discovered this great work.' - 5* reader review

    this is one of those rare books that will change your beliefs - and in doing so will change your life. tHE ANt AND tHE FERRARI offers readers a clear, navigable path through the big questions that confront us all today. What is the meaning of life? Can we be ethical beings in today's world? Can we know if there is life after death? Is there such a thing as Absolute truth? What caused the Big Bang and why should you care?

    Metaphor, the authors explain, is a fundamental mechanism of mind, one that allows us to use what we know about our physical and social experience to provide understanding of countless other subjects. Because such metaphors structure our most basic understandings of our experience, they are "metaphors we live by", metaphors that can shape our perceptions and actions without our ever noticing them.In this updated edition of Lakoff and Johnson's influential book, the authors supply an afterword surveying how their theory of metaphor has developed within the cognitive sciences to become central to the contemporary understanding of how we think and how we express our thoughts in language.

    It is not a dry metaphysical treatise, as works on aesthetics so often are, but is itself a fascinating document: as much a revelation of the beauty of language as of the concept of beauty.This unabridged reproduction of the 1896 edition of lectures delivered at Harvard College is a study of "why, when, and how beauty appears, what conditions an object must fulfill to be beautiful, what elements of our nature make us sensible of beauty, and what the relation is between the constitution of the object and the excitement of our susceptibility."Santayana first analyzes the nature of beauty, finding it irrational, "pleasure regarded as the quality of a thing." He then proceeds to the materials of beauty, showing what all human functions can contribute: love, social instincts, senses, etc. Beauty of form is then analyzed, and finally the author discusses the expression of beauty. Literature, religion, values, evil, wit, humor, and the possibility of finite perfection are all examined. Presentation throughout the work is concrete and easy to follow, with examples drawn from art, history, anthropology, psychology, and similar areas.

    In this lively and accessible introduction, Graham Priest shows how wrong this conception is. He explores the philosophical roots of the subject, explaining how modern formal logic deals with issues ranging from the existence of God and the reality of time to paradoxes of probability and decision theory. Along the way, the basics of formal logic are explained in simple, non-technical terms, showing that logic is a powerful and exciting part of modern philosophy.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

    In this collection, you will find images and poems that relate to life, love, loss, gain, realisation and the final thing called Moksha. The poems may sound philosophical, intellectual and emotional from time to time. You will also find a surprise at the end of this wonderful poetry collection if you read everything carefully. And, like the previous poetry collection by Alok Mishra, this book will also not take more than 15 minutes from your daily routine. However, you may want to read the book at least twice or maybe thrice to understand what do the poems mean. Alok has devised a style of his own to communicate his thoughts to the readers of Indian English poetry. A 4-3-6 style has perfectly settled with this collection having 14 wonderful poems. Here are some reviews for Moving for Moksha:The collection of poems takes us on a journey to ponder the truth and fallacies of life that come our way. The poems are mostly mystic in nature, having more than what it seems to be... you will certainly love it if you have a taste for English poetry.by: Amit Mishra (founder of The Indian Authors & Indian Book Lovers)...beauty, truth, eternity.... a very close observation of life, these poems sneak into nothing but the philosophy of life that people confront during life-span.by: Ravi Kumar, Research Scholar with expertise in Indian English Literature, a writer for many online literary platformsThe poems reflect disillusion, rejection, realisation and answer to the final call – Moksha, as called in Indian philosophy. The innovative form with a 4-3-6 pattern looks very apt for the emotional and intellectual and also cryptic nature of the poems in this collection.The Last Critic

    It ultimately challenges the cultural assumptions of both conservatives and traditional liberals. 47 photographs.

    The fundamental questions are answered, leaving only the details to be filled in. In this book, Dr Rupert Sheldrake, one of the world's most innovative scientists, shows that science is being constricted by assumptions that have hardened into dogmas. The 'scientific worldview' has become a belief system. All reality is material or physical. The world is a machine, made up of dead matter. Nature is purposeless. Consciousness is nothing but the physical activity of the brain. Free will is an illusion. God exists only as an idea in human minds, imprisoned within our skulls. Sheldrake examines these dogmas scientifically, and shows persuasively that science would be better off without them: freer, more interesting, and more fun.In The God Delusion Richard Dawkins used science to bash God, but here Rupert Sheldrake shows that Dawkins' understanding of what science can do is old-fashioned and itself a delusion.

    Ryle's linguistic analysis remaps the conceptual geography of mind, not so much solving traditional philosophical problems as dissolving them into the mere consequences of misguided language. His plain language and esstentially simple purpose place him in the traditioin of Locke, Berkeley, Mill, and Russell.

    Written toward the end of his life in order to support a metaphysics of simple substances, it's thus about formal atoms which aren't physical but metaphysical. The Monadology is written in 90 logical paragraphs, each generally following from the previous. Its name is due to the fact that Leibniz, imitating Marsilio Ficino, Giordano Bruno & Viscountess Anne Conway, wanted to keep together the meanings of monas (Greek, unity) & logos (treatise/science/word/reason). Therefore, the Monadology came to be the science of the unity. The text is dialectically reasoned, facing questions & problems helping readers to advance. For instance, it can be accepted that composed bodies are something derived, extended, phenomenal or repeated according to simple substances (later expressed by Kant's phenomena-noumena dichotomy). Is the soul a monad? If affirmative, then the soul is a simple substance. If it's an aggregate of matter, then it cannot be a monad. Leibniz, 1st using the term in 1696, ties almost all ancient & early modern meanings of "monad" together in his metaphysical hypothesis of infinitely many simple substances. Monads are everywhere in matter & are either noticeably active (awake), when they form the central or governing monad, which is the center of activity & of perception within an organism, or they are only weakly active (asleep), when they belong to the countless subordinate monads w/in or outside of an organic body. Monads are the sources of any spontaneous action unexplainable in mechanical terms. They constitute the unity of any individual. All monads are living mirrors representing the whole universe, because of the lack of any vacuum they have an irrecognizably obscure recognition of every body in the world; & they appetite, which means they strive from one perception to the next. Nevertheless all monads differ in the degree of clarity & distinction with which they perceive the surrounding world according to the organic body in which they're incorporated. The most fundamental level in the hierarchy of monads are the entelechies, which are genuine centers of a non-physical force, namely a spontaneous activity in organisms. If these centers are capable of sentiment & memory, as in animals, they're called souls. The highest level of monads are souls endowed with reason, or spirits, reflectively self-conscious. Leibniz characterizes monads as metaphysical points, animate points or metaphysical atoms. In contrast to those physical atoms postulated by classic atomism they aren't extended & thus aren't bodies. As he explains in letters to Burchard de Volder & Bartholomew des Bosses, this doesn't imply that monads are immaterial. They rather consist of two inseparable principles constituting together a complete substance or monad: the innermost center of a monad, i.e. the mathematical point, where the entelechy, soul or spirit is located, is the monad's inner form. This form has no existence in itself, but is incarnated in a physical point or an infinitesimally small sphere, the "vehicle of the soul". This hull consists of a special matter, called primary matter (materia prima-matière primitive). The problem that monads are supposed to have some kind of matter on the one hand, but to have neither any parts nor extension on the other, may be explained by the dynamic nature of primary matter. Leibniz conceives primary matter in contrast to the 2nd matter (materia secunda), i.e. extended & purely phenomenal bodies. Primary matter is a very fine, fluid & elastic matter, which he identifies in his early "Hypothesis physica nova" (1671) with aether, spiritus or matter of light, flowing anywhere thru every body. Strictly taken, this primary matter or matter of light doesn't consist in "extension, but in the desire to extension": "The nature of light strives to extend itself". The animate centre of a monad cannot exist w/out the encasing coating fluid of light, because 1stly monads w/out this passive principle couldn't perceive any impressions from the exterior world, & because 2ndly they'd have no limitation of power. "It follows that God can never strip any created substance bare of its primary matter, even tho by his absolute power he can take off her 2ndary matter; otherwise he would make it become pure activity, which can only be himself." Only God is free from any matter, he's the creating 1st monad, out of which all created monads derive by continuous effulgurations. The punch-line of the monad or metaphysical point is its dynamical unity of the mathematical centre & the encasing physical point: The fluid ethereal sphere of the monad is extended, has parts & can be destroyed, but in every deformation or division of the sphere the mathematical point in which the soul is incarnated shall outlive within the smallest remaining fluid. Indestructible therefore isn't the whole sphere consisting in matter of light, but only the dynamic point within the monad. Leibniz understands monads as the intellectual answer to the mind-body problem, radically exposed by Descartes. Because he conceives soul (not the monad) as an immaterial centre, he denies any direct interaction or physical influence (influxus physicus) between body & soul. He allocates the causal connection between both w/in the monad, because its fluid ethereal matter is the substantial bond (vinculum substantiale) between body & mind. The circulation of the aether or matter of light thru visible worldly bodies is the preestablished divine artifice, which constitutes the exact correspondence & harmony between the perceptions of the soul & the bodies' movements. Preestablished harmony doesn't only govern the relation between body & soul, but also between monads. According to Leibniz’ slogan, monads have "no windows" or portals, thru which something could enter from the outside or could escape from the inside since the monad's center in which the soul is incarnated is always encased by its own primary matter. Despite that, the monad represents in a spontaneous act the surrounding world with an individual perspective, constituted by its punctual structure of centre, radius & circumference. The Monadology tried to put an end from a monist point of view to the main question of what is reality & particularly to the problem of communication of substances, both studied by Descartes. Leibniz offered a new solution to mind/matter interaction by means of a preestablished harmony expressed as the Best of all possible worlds form of optimism; in other words, he drew the relationship between “the kingdom of final causes”, or teleological ones, & “the kingdom of efficient causes”, or mechanical ones, which wasn't causal, but synchronous. Monads & matter are only apparently linked. There isn't even any communication between different monads, as far as they act according to their degree of distinction only, as they were influenced by bodies & vice versa. Leibniz fought against Cartesian dualism in his Monadology & tried to surpass it thru a metaphysical system considered at the same time monist (since only the unextended is substantial) & pluralist (as substances are disseminated in the world in infinite number). For that reason the monad is an irreducible force, which makes it possible for the bodies to have the characteristics of inertia & impenetrability, & which contains in itself the source of all its actions. Monads are the 1st elements of every composed thing.

    The ideas will astonish you; and you'll feel empowered as they comfort, encourage, and enlighten you on your journey to financial deliverance. Hidden Treasures is about finding riches after having obtained a hope in Christ, for the intent to do good. But even more, it's about discovering treasures of wisdom and knowledge which have been promised to those who diligently seek. Many have wondered, "If the 'Righteous Shall Prosper, ' Why am I so Broke?" Or, "Should I just give in to 'setting my heart upon riches, ' or simply resign myself to the smothering prison of debt and the stain of poor credit?" This book addresses these questions and many more to help you attain your personal and financial goals.

    In it, Berger and Luckmann reformulate the task of the sociological subdicipline that, since Max Scheler, has been known as the sociology of knowledge.