Representing twenty years of research and reflection, Leni Yahil's book won the Shazar Prize, one of Israel's highest awards for historical work. Now available in English, The Holocaust offers a sweeping look at the Final Solution, covering not only Nazi policies, but also how Jews and foreign governments perceived and responded to the unfolding nightmare. The Holocaust is astonishingly comprehensive. Yahil weaves a gripping chronological narrative that stretches from the Norwegian fjords to the Greek islands, from Amsterdam to Tehran--and even Shanghai. Her writing is balanced, objective, and compelling, as she systematically explores the evolution of the Holocaust in German-occupied Europe, probing its politics, planning, goals, and key figures. Yahil uses her command of the many relevant languages to marshal an impressive array of documentary and statistical evidence, driving her narrative forward with telling details and personal accounts--such as a survivor's description of her perseverance during a death march, or the story of the Struma, a boat that sank with over 700 Jewish refugees when the British refused to receive it in Palestine. Along the way, she destroys persistent myths about the Holocaust: that Hitler had no plan for exterminating the Jews, that the Jews themselves went peacefully to the slaughter. Though Yahil finds that Nazi policies were often inconsistent, particularly during the years before the war, she conclusively demonstrates that Hitler was always working toward a final reckoning with world Jewry, envisioning his war as a war against the Jews. The book also recounts numerous uprisings and acts of resistance in ghettos and concentration camps, as well as the activities of Jewish partisan units. Yahil describes the work of Jews in America, Palestine, and world organizations on behalf of Hitler's victims--often in the face of resistance by the Allied governments and neutral states--and explores the factors that affected the success of rescue efforts. The Holocaust is a monumental work of history, unsurpassed in scope and insightful detail. Objective yet compassionate, Leni Yahil brings together the countless diverse strands of this epic event in a single gripping account.

    Throughout the war, Atkins recruited, trained, and mentored the agents for the SOE's French Section, which sent more than four hundred young men and women into occupied France, at least one hundred of whom never returned and were reported MPD (missing presumed dead) after the war. Twelve of these were women and among Atkins' most cherished spies. When the war ended in 1945, she made it her personal mission to find out what happened to them and the other agents lost behind enemy lines, tracing rigorously their horrific final journeys. But as the woman who carried out this astonishing search appeared quintessentially English, Atkins was nothing of the sort. As we follow her through the devastation of postwar Germany, we learn Atkins herself covered her life in mystery so that even her closest family knew almost nothing of her past.In A Life in Secrets Sarah Helm has stripped away Vera Atkins' many veils. Drawing on recently released sixty-year-old government files and her unprecedented access to the private papers of the Atkins family, Helm vividly reconstructs a complex and extraordinary life.

    His days are filled with drink, his nights with brief love affairs and the torments of his nightmares. What keeps him sane is his mission to collect the menorahs, kiddush cups, and holy books that have survived their vanished owners. And the hope that one day he will find the Nazi officer who murdered his parents--and have the strength to kill him.A haunting exploration of one survivor's complex, wrenching, inner world, The Iron Tracks is distinguished by the depth of insight and the distinctively stark, elegant style that have won Aharon Appelfeld recognition as one of the world's great writers.

    Gradually, what had begun as a personal journey broadened into a larger exploration of how the people of this country, Jews and non-Jews alike, are confronting their past in order to move forward into the future. How does a nation—how do successor generations, moral beings—overcome a bloody past? How do we judge the bystanders, collaborators, perpetrators, rescuers, and ourselves? These are the questions Cassedy confronts in We Are Here, one woman’s exploration of Lithuania’s Jewish history combined with a personal exploration of her own family’s place in it. Digging through archives with the help of a local whose motives are puzzling to her; interviewing natives, including an old man who wants to “speak to a Jew” before he dies; discovering the complications encountered by a country that endured both Nazi and Soviet occupation—Cassedy finds that it’s not just the facts of history that matter, but what we choose to do with them.

    When the hospital was forced to close the children that had survived were taken to the death-camps. Blady-Szwajger became a reluctant courier for the resistance. She left the ghetto and began to carry paper money pinned into her clothing to those in hiding. She and her flat-mate pretended to be good-time girls having fun and threw parties to disguise the coming and going of their male visitors. This heroic memoir pays tribute to all the men and women who paid with their lives for the safety of others.

    The strange thing is, these experiences didn’t happen to her. They happened to her grandmother decades earlier and thousands of miles away.Back in Belgium, Grandma Melly made unthinkable choices in order to save her family during WWII, including sending her two-year-old son, Bottner’s father, into hiding in a lonely Belgian convent. Did the trauma that Tammy Bottner’s predecessors experience affect their DNA? Did she inherit the “memories” of the war-time trauma in her very genes?In this moving family memoir, told partly from Melly’s perspective, the author, a physician, recounts the saga of her family’s experiences during the Holocaust. This tale, part history, part scientific reflection on epigenetics, takes the reader on a journey that may read like a novel but is all the more fascinating for being true.

    This serious adventure tale begins with Hélion’s infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run, “They shall not have me!” but are quickly captured and sent to hard labor. Writing in English in 1943, after his risky escape to freedom in the United States, Hélion vividly depicts the sights, sounds, and smells of the camps, and shrewdly sizes up both captors and captured. In the deep humanity, humor, and unsentimental intelligence of his observations, we can recognize the artist whose long career included friendships with the likes of Mondrian, Giacometti, and Balthus, and an important role in shaping modern art movements. Hélion’s picture of almost two years without his art is a self-portrait of the artist as a man.

    Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival.Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alongside Modigliani and Léger in the tumbledown tenement called La Ruche, where “one either died or came out famous.” But turmoil lay ahead—war and revolution; a period as an improbable artistic commissar in the young Soviet Union; a difficult existence in Weimar Germany, occupied France, and eventually the United States. Throughout, as Jackie Wullschlager makes plain in this groundbreaking biography, he never ceased giving form on canvas to his dreams, longings, and memories. His subject, more often than not, was the shtetl life of his childhood, the wooden huts and synagogues, the goatherds, rabbis, and violinists—the whole lost world of Eastern European Jewry. Wullschlager brilliantly describes this world and evokes the characters who peopled it: Chagall’s passionate, energetic mother, Feiga-Ita; his eccentric fellow painter and teacher Bakst; his clever, intense first wife, Bella; their glamorous daughter, Ida; his tough-minded final companion and wife, Vava; and the colorful, tragic array of artist, actor, and writer friends who perished under the Stalinist regime.Wullschlager explores in detail Chagall’s complex relationship with Russia and makes clear the Russian dimension he brought to Western modernism. She shows how, as André Breton put it, “under his sole impulse, metaphor made its triumphal entry into modern painting,” and helped shape the new surrealist movement. As art critic of the Financial Times, she provides a breadth of knowledge on Chagall’s work, and at the same time as an experienced biographer she brings Chagall the man fully to life—ambitious, charming, suspicious, funny, contradictory, dependent, but above all obsessively determined to produce art of singular beauty and emotional depth.Drawing upon hitherto unseen archival material, including numerous letters from the family collection in Paris, and illustrated with nearly two hundred paintings, drawings, and photographs, Chagall is a landmark biography to rank with Hilary Spurling’s Matisse and John Richardson’s Picasso.

    Raised Catholic, Cordelia Edvardson had little in common with her fellow inmates, some of whom despised her as a "German swine." Singled out for punishment, she was selected to act as a secretary for the monstrous "angel of Auschwitz," Josef Mengele. Impressionistic and naïve, Edvardson's third-person memoir retains a highly effective childlike quality ("she had learned that anything can happen, no matter what and no matter when, and for inexplicable reasons") that holds even in the most horrifying episodes. After World War II ended, Edvardson moved to Sweden, where this book was first published. She then converted to Judaism and moved to Israel.

    The French turned them over to the Gestapo, who imprisoned them. Dudach was executed by firing squad in May; Delbo remained in prison until January 1943, when she was deported to Auschwitz and then to Ravensbruck, where she remained until the end of the war. This book - Delbo's vignettes, poems and prose poems of life in the concentration camp and afterwards - is a literary memoir. It is a document by a female resistance leader, a non-Jew and a writer who transforms the experience of the Holocaust into prose.

    Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as "The Killer."  A surprise discovery — that his grandfather’s cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex — leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance — material, spiritual, familial, and emotional.

    But in the aftermath, Avi is forced to flee to America. His darling wife Sara and the rest of his family soon follow – all except his brother Lieb, who stubbornly refuses to abandon his home. In ensuing years, while Avi lives the American immigrant’s dream, Lieb lives Russia’s nightmare: World War I, the Communist revolution, civil war, typhus, and famine. Still Lieb rejects Avi’s pleas to leave Russia. Then on the eve of World War II, Stalin’s pathological purges finally ensnare Lieb’s family. At last he realizes he must escape the Communist nightmare, but now all avenues are blocked, and Hitler’s armies are gathering. He turns to Avi, his brother in America, who frantically tries to rescue Lieb and his family with little more to work with than his own wit. Stretching from pre-Revolution Russia to post-Holocaust America, A Fine September Morning blends historical facts and fictional characters into a compelling epic family saga.

     Cheyenne was an abused toddler, victimized first by her biological father, and then again by the family court system that knowingly refused to protect her from further abuse. Her family took her into hiding to help her escape a fate of a childhood filled with chronic sexual abuse. Bringing Cheyenne Home details the experiences of this family upon coming out of hiding, from their first day back in court through the tumultuous years afterward, including a peek into Cheyenne's life today.

    Their account is complete, covering the lives of Anne's parents, Edith and Otto; Anne's first years in Frankfurt; the rise of Nazism; the Franks' immigration to Amsterdam; war and occupation; Anne's years in the Secret Annex; betrayal and arrest; her deportation and tragic death in Bergen-Belsen; the survival of Anne's father; and his recovery and publication of her astounding diary.

    In the title novella and six subsequent stories, Lind distorts and refashions reality to make the deepest horrors of the twentieth century his own.Set during World War II, "Soul of Wood" is the story of Wohlbrecht, a peg-legged veteran of World War I, who smuggles Anton Barth, a paralyzed Jewish boy, to a mountain hideout after the boy's parents have been sent to their deaths. Abandoning the helpless boy to the elements, Wohlbrecht returns to Vienna, where, having been committed to an insane asylum, he helps the chief psychiatrist to administer lethal injections to other patients. But Germany is collapsing, and the war will soon be over. The one way, Wohlbrecht realizes, that he can evade retribution is by returning to the woods to redeem "his" hidden Jew. Others, however, have had the same bright idea.