Conflict photojournalists have the opposite reaction: they actually look for trouble, and when they find it, get as close as possible and stand up to get the best shot. This thirst for the shot and the seeming nonchalance to the risks entailed earned Greg Marinovich, Joao Silva, Ken Oosterbroek, and Kevin Carter the moniker of the Bang-Bang Club. Oosterbroek was killed in township violence just days before South Africa's historic panracial elections. Carter, whose picture of a Sudanese child apparently being stalked by a vulture won him a Pulitzer Prize, killed himself shortly afterwards. Another of their posse, Gary Bernard, who had held Oosterbroek as he died, also committed suicide. The Bang-Bang Club is a memoir of a time of rivalry, comradeship, machismo, and exhilaration experienced by a band of young South African photographers as they documented their country's transition to democracy. We forget too easily the political and ethnic violence that wracked South Africa as apartheid died a slow, spasmodic death. Supporters of the ANC and Inkatha fought bloody battles every day. The white security forces were complicit in fomenting and enabling some of the worst violence. All the while, the Bang-Bang Club took pictures. And while they did, they were faced with the moral dilemma of how far they should go in pursuit of an image, and whether there was a point at which they should stop their shooting and try to intervene. This is a riveting and appalling book. It is simply written--these guys are photographers, not writers--but extremely engaging. They were adrenaline junkies who partied hard and prized the shot above all else. None of them was a hero; these men come across as overweeningly ambitious, egotistical, reckless, and selfish, though also brave and even principled. As South Africans, they were all invested in their country's future, even though, as whites, they were strangers in their own land as they covered the Hostel wars in the black townships. The mixture of the romantic appeal of the war correspondent with honest assessments of their personal failings is part of what makes this account so compelling and so singular among books of its ilk. – J. Riches

    Peter Bagge’s Other Stuff includes a few lesser-known Bagge characters, including the wacky modern party girl “Lovey” and the aging bobo “Shut-Ins” — not to mention the self-explanatory “Rock ’N’ Roll Dad” starring Murry Wilson and the Beach Boys. But many of the strips are one-off gags or short stories, often with a contemporary satirical slant, including on-site reportage like “So Much Comedy, So Little Time” (from a comedy festival) and more. Also: Dick Cheney, The Matrix, and Alien! Other Stuff also includes a series of Bagge=written stories drawn by other cartoonists, including “Life in these United States” with Daniel Clowes, “Shamrock Squid” with Adrian Tomine, and the one-two parody punch of “Caffy” (with art by R. Crumb) and “Dildobert” (with art by Prison Pit’s Johnny Ryan)... plus a highlight of the book, the hilarious, literate and intricate exposé of “Kool-Aid Man” written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.) Bagge is one of the funniest cartoonists of the century (20th or 21st), and this collection shows him at his most free-wheeling and craziest... 50 times over.

    Kennedy assumed the presidency and stood to speak those words, America was divided, its citizens torn by fears of war. Kennedy's speech-called the finest since Lincoln at Gettysburg and the most memorable of any twentieth-century American politician-did more than reassure: it changed lives, marking the start of a brief, optimistic era of struggle against "tyranny, poverty, disease, and war itself." Ask Not is a beautifully detailed account of the week leading up to the inaugural which stands as one of the most moving spectacles in the history of American politics. At the heart of the narrative is Kennedy's quest to create a speech that would distill American dreams and empower a new generation. Thurston Clarke's portrait of JFK during what intimates called his happiest days is balanced, revealing the President at his most dazzlingly charismatic-and cunningly pragmatic. As the snow covers Washington in a blanket of white, as statesmen and celebrities arrive for candlelit festivities, the perfectionist Kennedy pushes himself to the limit, to find the words that would capture what he most truly believed and which would far outlast his own life. For everyone who seeks to understand the fascination with all things Kennedy, the answer can be found in Ask Not.

    A brilliant 18th-century Irish philosopher and statesman, Burke was a fierce champion of human rights and the Anglo-American constitutional tradition, and a lifelong campaigner against arbitrary power. Revered by great Americans including Presidents Theodore Roosevelt and Woodrow Wilson, Burke has been almost forgotten in recent years. But as politician and political philosopher Jesse Norman argues in this penetrating biography, we cannot understand modern politics without him.As Norman reveals, Burke was often ahead of his time, anticipating the abolition of slavery and arguing for free markets, equality for Catholics in Ireland, and responsible government in India, among many other things. He was not always popular in his own lifetime, but his ideas about power, community, and civic virtue have endured long past his death. Indeed, Burke engaged with many of the same issues politicians face today, including the rise of ideological extremism, the loss of social cohesion, the dangers of the corporate state, and the effects of revolution on societies. He offers us now a compelling critique of liberal individualism, and a vision of society based not on a self-interested agreement among individuals, but rather on an enduring covenant between generations. Burke won admirers in the American colonies for recognizing their fierce spirit of liberty and for speaking out against British oppression, but his greatest triumph was seeing through the utopian aura of the French Revolution. In repudiating that revolution, Burke laid the basis for much of the robust conservative ideology that remains with us to this day: one that is adaptable and forward-thinking, but also mindful of the debt we owe to past generations and our duty to preserve and uphold the institutions we have inherited. He is the first conservative.A rich, accessible, and provocative biography, Edmund Burke describes Burke’s life and achievements alongside his momentous legacy, showing how Burke’s analytical mind and deep capacity for empathy made him such a vital thinker—both for his own age, and for ours.

    However, six years into his presidency, the former furniture maker is struggling to deliver the reforms that Indonesia desperately needs. Despite promising to build Indonesia into an Asian powerhouse, Jokowi, as he is known, has faltered in the face of crises, from COVID-19 to an Islamist mass movement.Man of Contradictions, the first English-language biography of Jokowi, argues that the president embodies the fundamental contradictions of modern Indonesia. He is caught between democracy and authoritarianism, openness and protectionism, Islam and pluralism. Jokowi’s incredible story shows what is possible in Indonesia – and it also shows the limits.

    Scruton explores the conflict between the Christian-inspired Enlightenment and Islam, and attempts to find a remedy for the void at the heart of our civilisation. Why do we capitulate before everyone more ignorant than ourselves? Why do we turn immediately on all those who wish to defend our rooted values against whatever invading force has appeared over the horizon? These hard-hitting essays from a profound intellect threaten the bedrock of conventional opinion.

    Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.

    You Are An Acceptable Level of Threat concentrates on this singular artist's iconic imagery, spanning the late '90s up until the end of 2011. The locations are from around the world (predominantly the UK, US and Europe), and many images have never been seen before. When Banksy started out painting, the political landscape was bleak. Fortunately now, it's ten times worse. As Banksy's cheerfully aggressive political work becomes ever more relevant, this comprehensive tome sets about presenting his art in the context of the era he was responding to.

    Over the past year, Garrett Carr has travelled this border, on foot and by canoe, to uncover a landscape with a troubled past and an uncertain future. Across this thinly populated line, travelling down hidden pathways and among ancient monuments, Carr encounters a variety of characters who have made the frontier their home. He reveals the turbulent history of this landscape and changes the way we look at nationhood, land and power.The book incorporates Carr's own maps and photographs.

    Both men came to power during World War II, reached their professional peaks during the Cold War's most frightening moments, and fought epic political battles that spanned decades. Yet despite their very different views, Paul Nitze and George Kennan dined together, attended the weddings of each other's children, and remained good friends all their lives.In this masterly double biography, Nicholas Thompson brings Nitze and Kennan to vivid life. Nitze--the hawk--was a consummate insider who believed that the best way to avoid a nuclear clash was to prepare to win one. More than any other American, he was responsible for the arms race. Kennan--the dove--was a diplomat turned academic whose famous "X article" persuasively argued that we should contain the Soviet Union while waiting for it to collapse from within. For forty years, he exercised more influence on foreign affairs than any other private citizen.As he weaves a fascinating narrative that follows these two rivals and friends from the beginning of the Cold War to its end, Thompson accomplishes something remarkable: he tells the story of our nation during the most dangerous half century in history.

    Each of these tiny stories was inspired by an event, an overheard conversation, a piece of art or just a fleeting glance of something worth thinking about further.Collected in one volume, Carson's postcards present a panoramic view of contemporary Belfast -- its coffee shops, streets and museums and airports -- and offer it to the wider world. Even as they seem to spring from a writer's solitary perspective, taken together, these observations and their distribution speak of human connectedness. Like a pleasant surprise in the mail, this collection reminds us how many friendships are born and strengthened in a story shared.Illustrated by Benjamin Phillips.

     With his critically acclaimed memoir This Just In, Schieffer proved himself a natural storyteller, a gifted writer able to capture the workings of television news with remarkable wit and insight. Now Schieffer focuses his keen reporter's eye on 50 years of Face the Nation's live broadcasts and the historic moments the program has captured. From its 1954 debut, an interview with Senator Joe McCarthy the day before the Senate debate that would condemn him, to the broadcast's 1957 groundbreaking interview with a candid and controversial Nikita Khrushchev; from the brilliant analysis of communism made by guest Martin Luther King Jr. to the sometimes stunning, always revealing interviews with each sitting president; from the heroic and moving coverage of the terrorist attacks of September 11 to the revolutionary coverage of the war in Iraq, Schieffer shares unforgettable anecdotes about the guests, the stories and the events captured by the venerable public affairs program. Marked by the author's candid personal observations and wise, good humor, and featuring a special companion DVD of broadcast highlights created by CBS News for this edition, Bob Schieffer's look at 50 years of Face the Nation shines an entertaining and nostalgic light on America's presidents, culture, foreign policy and domestic affairs.

    Signed flat (without inscription) by author; Stated First Edition and first printing. See scans and description. New York: Truman Talley Books (St. Martin 's Press), 2003. 'Boots On The Ground: A Month With The 82nd Airborne In The Battle For Iraq', by Karl Zinsmeister. Octavo, illustrated jacket, black boards with copper spine imprinting, buff endpapers, author-signed on first free endpaper ('flat' signed, i.e. without inscription - see scan), 255 pp. ( x + 213 + 32 pp. color photographic section). New, and immaculate, cover to cover, including jacket. An example for the collector. A first-hand account of the title experience, by the editor-in-chief of American Enterprise magazine, who was, in 2003, a frontline reporter embedded with the 82nd Airborne. Ships in a new, sturdy, protective box, of course - not a bag. L202

    Since the first thread was spun, the need for textiles has driven technology, business, politics, and culture.In The Fabric of Civilization, Virginia Postrel synthesizes groundbreaking research from archaeology, economics, and science to reveal a surprising history. From Minoans exporting wool colored with precious purple dye to Egypt, to Romans arrayed in costly Chinese silk, the cloth trade paved the crossroads of the ancient world. Textiles funded the Renaissance and the Mughal Empire; they gave us banks and bookkeeping, Michelangelo's David and the Taj Mahal. The cloth business spread the alphabet and arithmetic, propelled chemical research, and taught people to think in binary code.Assiduously researched and deftly narrated, The Fabric of Civilization tells the story of the world's most influential commodity.

    King, and Howlin' Wolf; the multicolored psychedelic hallucinations promoting the Grateful Dead, Dylan, and the Doors; the deliciously tasteless art for the Sex Pistols, Crime, and the Clash. From the Red Dog Saloon in San Francisco, where the psychedelic scene started, to CBGB, New York's punk Mecca, and beyond. 1,500 images searched out world-wide from clubs, attics, and bedrooms—as well as more formal collections—are reproduced in their original blazing colors. Replete with firsthand history—including exclusive interviews with scores of insiders, poster artists, musicians, and promoters—this is the ultimate high for the rock music fan, required reading for the poster collector, a treasure trove for the graphic artist, and a riotous feast for anyone who digs pop culture.