What emerges is a vivid portrait of a reluctant leader, a young man forced by the death of his father into a role for which he was ill-equipped. A conformist andtraditionalist, Nicholas admired the order, ritual, and ceremony identified with the intangible grandeur of autocracy, and he hated everything that might shake that autocracy--the intelligentsia, the Jews, the religious sects. His reign, as Ferro documents, was one of continual trouble: ahumiliating war with Japan; the 1905 revolution that forced Nicholas to accept a constitutional assembly, the Duma; the international crisis of 1914, leading to World War I; and finally the Revolution of 1917, forcing his abdication. Throughout, we see a Tsar who was utterly opposed to change and tothe ferment of ideas that stirred his country, who felt it was his duty to preserve intact the powers God had entrusted in him. Ferro also provides an intimate portrait of Nicholas's personal life: his wife Alexandra; his four daughters, Olga, Tatiana, Maria, and Anastasia, sisters so close theysigned letters "OTMA," the initials of their Christian names; his son and heir Alexis, who suffered from hemophilia; and the various figures in the court, most notably Rasputin, whose ability to revive the frequently ailing Alexis made him indispensable to the Tsaritsa. (Ferro recounts that, whenAlexandra heard of Rasputin's murder, she collapsed in anguish, certain her son was lost; but when Nicholas heard the news while with the army, he simply walked off whistling cheerfully.) Perhaps most intriguing is Ferro's chapter on the fate of the Tsar and his family, examining all the rumors andcontradictory testimony that swirl around this still cloudy event. Ferro concludes that Alexandra and her daughters may have survived the revolution, and the woman who later surfaced in Europe claiming to be Anastasia may well have been so. This authoritative biography by one of the world's great historians shines a bright light on an ordinary man raised to an extraordinary station, who carried an unwanted burden, which crushed him.

    From 1962's Dr. No to 2012's Skyfall, this lavish film-by-film guide, written by Bond Production Designer Dennis Gassner, boasts the most impressive visual collection of James Bond movie posters to date. Featuring a gallery of rare and sought-after posters, as well as spectacular unused concept artwork, and unique teasers and lobby cards from virtually every country where Bond movies have screened, this is a gorgeous collection of the images that have defined cinema's most famous superspy. 007 (Gun Logo) and related James Bond Trademarks© 1962-2012 Danjaq, LLC and United Artists Corporation. All rights reserved. 007 (Gun Logo) and related James Bond Trademarks are trademarks of Danjaq, LLC, licensed by EON Productions Limited.

    Join the creator of Gilligan's Island for a three-hour tour!Just sit right back and you'll hear a tale,A tale of a fateful show,That started as just one man's dream,A long, long time ago.That man was a mightily wily guy,With smarts enough for eight.If the brass upstairs let him be,The program would be great.The program would be great.The meddlesome executivesBlew up a mighty storm,If not for the courage of the fearless man,The program would be lost.The program would be lost.The show's preserved in the leaves of thisTerrific kooky book.With anecdotes, synopses too,Rare photographs and drawings.The whole storyAnd lots, lots moreAre here Inside Gilligan's Island!Find out: Where the Howells got all those clothes!Learn: Did Gilligan and the Skipper ever get hurt when the coconuts hit them on the head?Discover: What was "Lovey's" real name?Imagine: What kind of a pet the studio almost gave Gilligan!Sing: The original lyrics to the theme song!

    . . a marvelous source for the social history of Russian peasant society in the years before the revolution. . . . The translation is superb." —Steven Hoch" . . . one of the best ethnographic portraits that we have of the Russian village. . . . a highly readable text that is an excellent introduction to the world of the Russian peasantry." —Samuel C. RamerVillage Life in Late Tsarist Russia provides a unique firsthand portrait of peasant family life as recorded by Olga Semyonova Tian-Shanskaia, an ethnographer and painter who spent four years at the turn of the twentieth century observing the life and customs of villagers in a central Russian province. Unusual in its awareness of the rapid changes in the Russian village in the late nineteenth century and in its concentration on the treatment of women and children, Semyonova's ethnography vividly describes courting rituals, marriage and sexual practices, childbirth, infanticide, child-rearing practices, the lives of women, food and drink, work habits, and the household economy. In contrast to a tradition of rosy, romanticized descriptions of peasant communities by Russian upper-class observers, Semyonova gives an unvarnished account of the harsh living conditions and often brutal relationships within peasant families.

    Then two stars came along: Greta Garbo, who turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale; and Norma Shearer, who succeeded in taking the ingenue to a place she'd never been: the bedroom. In their wake came a deluge of other complicated women-Marlene Dietrich, Jean Harlow, and Mae West, to name a few. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later.A thorough survey and a tribute to these films, Complicated Women reveals how this was the true Golden Age of women's films.

    In The Oxford History of World Cinema, an international team of film historians traces the history of this enduringly popular entertainment medium. Covering all aspects of its development, stars, studios, and cultural impact, the book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the avant-garde, and from Hollywood to Hong Kong. The Oxford History of World Cinema tells the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel, and they outline the evolution of national cinemas round the world--the varied and distinctive film traditions that have developed alongside Hollywood. A unique aspect of the book are the special inset features on the film-makers and personalities--Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman--who have had an enduring impact in popular memory and cinematic lore. With over 280 illustrations, a full bibliography, and an extensive index, this is the buff's ultimate guide to cinema worldwide.

    Throughout the period, Simpson and his partner, Jerry Bruckheimer, were the most successful independent producers in the history of moviemaking, responsible for the hit films Flashdance, Beverly Hills Cop, Top Gun, Crimson Tide, Bad Boys, and The Rock. But at the same time that his vision was driving the Hollywood bottom line, Simpson's lifestyle epitomized the pervasive dark side of the industry's power base. His legendary consumption knew no bounds. And as long as he continued to crank out box-office gold, his every desire was conspicuously indulged - an unrestrained excess that killed him and sent a warning cry throughout the entire industry.

    Hollywood studios had large stables of contract and stock players from all walks of life and in all shapes, sizes and ages. This great population of personalities formed the league of character actors. They played the sidekicks and best friends of the stars who headlined the movies in which they appeared. They also portrayed parents, grandparents, oddball relatives, wise-cracking neighbors, smart-aleck store clerks and loveable barkeeps. Lest we forget the sinister side of this society, villains also claimed a stake in this assembly of saints, sinners and every type in between. These colorful personalities were usually one-dimensional, someone to whom the star could confide secrets or vent frustrations. In many cases they carried the same persona over from one film to the next, perfecting their stereotype so that audiences knew what to expect from them in a positive and affectionate way, collecting their beloved favorites over the years. The Name Below the Title features 20 of the best and most fun examples of the Hollywood character actor during Hollywood's most famous era from the 1930s through the 1950s.

    A book that offers highly actionable ideas on how every Indian - from a child to a senior citizen can participate in nation building. Gender, age, education, socio economic status does not matter. You don't even have to be within the geographic borders of India. You can be anywhere on the planet and contribute towards making a positive difference in India.From food to environment to water to Swachh Bharat and many more aspects where we can make a positive difference to the country as we go about our daily lives.Stories of unsung heroes from across India will leave you enormously inspired. Citizens have shared their action ideas. The youngest contributor is 7.5 years. The oldest is 104 years.The author invites you to read, reflect and write your ideas and bring them to life with your actions. Inspire India with your actions. Get inspired by the actions of fellow citizens. Join the journey to be an #IndiaPositiveCitizen

    Revered by such filmmaking giants as Ingmar Bergman and Akira Kurosawa, Tarkovsky is famous for his use of long takes, languid pacing, dreamlike metaphorical imagery, and meditations on spirituality and the human soul. His "Andrei Roublev," "Solaris," and "The Mirror" are considered landmarks of postwar Russian cinema."Andrei Tarkovsky: Interviews" is the first English-language collection of interviews with and profiles of the filmmaker. It includes conversations originally published in French, Italian, Russian, and British periodicals. With pieces from 1962 through 1986, the collection spans the breadth of Tarkovsky's career.In the volume, Tarkovsky candidly and articulately discusses the difficulties of making films under the censors of the Soviet Union. He explores his aesthetic ideology, filmmakers he admires, and his eventual self-exile from Russia. He talks about recurring images in his movies--water, horses, fire, snow--but adamantly refuses to divulge what they mean, as he feels that would impose his own meaning onto the audience. At times cagey and resistant to interviewers, Tarkovsky nevertheless reveals his vision and his rigorous devotion to his art.John Gianvito is an assistant professor of visual and media arts at Emerson College as well as a filmmaker and film critic. His feature films include "The Flower of Pain," "Address Unknown," and "The Mad Songs of Fernanda Hussein." In 2001 Gianvito was made a Chevalier in the Order of Arts and Letters by the French Ministry of Culture.

    Woven throughout the ctional fun in Elliott's memoir are wonderful real-life anecdotes that will delight many new readers and loyal fans alike. "The arc of [Elliott's] career remains unique and inspiring . . . that he blazed a trail for Arrested Development and Community and all the other freaky, convention-outing TV comedies."—Grantland

    Beginning with a risky business venture inspired by British fast food, Mole attempts to submerge himself in Russian culture—but often finds himself in the middle of a fiasco instead.

    

    The result is a picture which both supports and contradicts the charming vagabond persona depicted in Niven’s own bestselling memoirs.While millions throughout his life were enchanted by Niven’s happy-go-lucky charisma and world-class anecdotage, he was in many respects a private figure, haunted by a fear of failure, and a victim of several key tragedies in his personal life. Morley’s biography is a warm, appreciative but perceptive account which captures both sides of one of Hollywood’s most enduringly lovable figures.‘A compassionate account that goes past the blithe persona … yet, there is much humor—the actor’s and his biographer’s—in this notable book’ Publishers Weekly‘Head and shoulders above the average showbiz biography … He understands many of Niven’s deeper feelings’ John Mortimer, Sunday Times‘A well-told story … the darker side as well as the mask of a complex and perhaps desperate character. He was a life-enhancer off-screen as well as on’ The Times‘Shrewd and pleasing; shows how dark Niven’s moon could be’ Alexander Walker, Evening Standard

    Cary Grant...Hollywood's ultimate ladies' man...the silver screen's most ardent lover. But beyond his portrayal of the sophisticated romantic hero in movies like "The Philadelphia Story" and "Notorious" was a man haunted by fear and self-doubt which affected his career as well as his personal life.