Best of
Movies

1988

Dead Poets Society


N.H. Kleinbaum - 1988
    As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count. But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?

The Genius of the System: Hollywood Filmmaking in the Studio Era


Thomas Schatz - 1988
    This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

Clara Bow: Runnin' Wild


David Stenn - 1988
    She catapulted to fame after winning Motion Picture magazine's 1921 "Fame and Fortune" contest. The greatest box-office draw of her day she once received 45,000 fan letters in a single month, Clara Bow's on screen vitality and allure that beguiled thousands, however, would be her undoing off-camera. David Stenn captures her legendary rise to stardom and fall from grace, her success marred by studio exploitation and sexual scandals.

Harlan Ellison's Watching


Harlan Ellison - 1988
    In this first collection of Harlan Ellison's cinema criticism (with expanded, never-before-collected articles as well as an essay written especially for this volume) come from the darkened interiors of a thousand movie houses where this most peculiar of all Observers of the Passing Scene has spent much of his life. The view is guaranteed to make you grind your teeth in anger, nod your head in blessed agreement, and open your eyes in a manner of judging films that is definitely not plebeian. Harlan Ellison's love affair with movies is obvious. As an essayist, he has no equal; as a film critic he has no friends. Take care.

Willow


Wayland Drew - 1988
    The mark of the one who would cause the downfall of Queen Bavmorda, and end her evil reign. If she survived...The ProphecyThe legend told the Queen that a child would be born who would destroy her. That prophecy was the Queen's greatest fear...and now it was about to come true. Unless she could stop it...The Power of MagicWillow Ufgood had always wanted to be a magician, to be wise and respected in the community. His dreams were about to come true...but in ways he could have never imagined.

Cult Movies 3: 50 More of the Classics, the Sleepers, the Weird, and the Wonderful


Danny Peary - 1988
    An invaluable reference source.

Trash Trio: Three Screenplays


John Waters - 1988
    Screenplays for Pink Flamingos and Desperate Living, and the unmade sequel Flamingos Forever.

A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration


Ronald Haver - 1988
    It was director George Cukor's first foray into musicals, his first color film, and it was, without a doubt, Judy Garland's greatest screen performance.With incredible detail and color, Ronald Haver gives us the fascinating story of the making, marketing and restoration of this groundbreaking classic. Here is how producer Sid Luft orchestrated the deal for his wife, how Cukor was selected to direct, how James Mason was cast to co-star and how Moss Hart's script was developed. Here are the myriad techincal problems, the clashes of personalities and the shocking emotional ups and downs of the film's star. Here, finally, is the author's own mission to restore the film to its original length and glory in the 1980s.

Kinski Uncut


Klaus Kinski - 1988
    Probably the most outrageous autobiography ever--less a memoir than a hyperbolically pornographic performance piece.--Newsweek. photos.

A Critical Cinema: Interviews with Independent Filmmakers


Scott MacDonald - 1988
    Over the past few decades, however, independent cinema has produced a body of fascinating films that provide intensive critiques of nearly every element of the cinematic apparatus. The experience of these films simultaneously depends on and redefines our relationship to the movies.Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. These interviews demonstrate the sophistication of their thinking about film (and a wide range of other concerns) and serve as an accessible introduction to this important area of independent cinema. Each interview is preceded by a general introduction to the filmmaker's work; detailed filmographies and bibliographies are included. Critical Cinema will be a valuable resource for all those involved in the formal study of film, and will be essential reading for film lovers interested in keeping abreast of recent developments in North American cinema.INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.

The Women Who Knew Too Much: Hitchcock and Feminist Theory


Tania Modleski - 1988
    In opposition to these positions, Modleski asserts that Hitchcock is deeply ambivalent towards his female characters. The Women Who Knew Too Much examines both the director's complex attitude toward femininity, and the implications of that attitutde for the audience. The book represents a significant contribution to the debates in film theory around the issue of gender and film spectatorship; in particular, it seeks to complicate the view that women's response to patriarchal cinema can only be masochistic, while men's response is necessarily sadistic.Applying the theories of psychoanalysis, mass culture, and a broad range of film (and) feminist criticism, Modleski offers compelling readings of seven Hitchcock films from various periods in his career.

A Fish Called Wanda: The Screenplay


John Cleese - 1988
    "Wanda defies gravity, in both senses of the word, and redefines a great comic tradition." - Time "The meanest, most consistently hysterical film in ages ... the writing is sharply pointed and delightfully irreverent." - Gannett Newspapers

Interviews with B Science Fiction and Horror Movie Makers: Writers, Producers, Directors, Actors, Moguls and Makeup


Tom Weaver - 1988
    This book turns a long-overdue spotlight on many who made memorable contributions to that crowded, exhilarating filmmaking scene. John Agar, Beverly Garland, Samuel Z. Arkoff, Gene Corman, and two dozen more reminisce about the most popular genre titles of the era. Lengthy, in-depth interviews feature canny questions, pointed observations, rare photos, and good fun.

Outrageous Conduct: Art, Ego, and the Twilight Zone Case


Stephen Farber - 1988
    But on July 23, 1982, a spectacular explosion on the set of Twilight Zone: The Movie knocked a helicopter out of the sky and into the path of two small children and veteran actor Vic Morrow, crushing one child and decapitating Morrow and the other youngster.How could this tragedy occur? Was anyone to blame? Outrageous Conduct reveals the facts behind the accident, when skilled movie-makers exceeded the bounds of safety; the anxiety, when Hollywood closed ranks to protect its own; and the raucous and very public trial, when countercharges of "outrageous conduct" flew between the attorney and the furious film director, John Landis.Here are the intimate stories of the people behind the headlines: Landis, the driven young director of Animal House and other hits; Steven Spielberg, the superstar co-producer; Deputy District Attorney Lea D'Agostino, who accused Landis of manslaughter, but would have preferred a charge of murder; Vic Morrow, the fading star who would risk everything to salvage his career; and Renee Chen, six, and Myca Lee [sic], seven, whose parents had emigrated to the United States in search of a better life only to lose their children in a "make-believe" war. Here too are the opinions of top Hollywood professionals, forced to choose sides in a legal battle that tore the movie world apart.Outrageous Conduct probes the boundaries between art and safety, daring and responsibility. Like Indecent Exposure and Final Cut, it exposes the excesses and hubris of the world's most glamorous and seductive profession.STEPHEN FARBER was the film critic for New West magazine. He has also written for The New York Times, Esquire, and Film Comment.MARC GREEN was the film critic for Books and Arts and has written for California Magazine. He and Stephen Farber have reported on the Hollywood scene for almost twenty years and are the authors of Hollywood Dynasties.

Reel Art: Great Posters From The Golden Age Of The Silver Screen


Richard Allen - 1988
    It was a time when big studios lavished fortunes on poster campaigns - from modest one-sheets posted on neighbourhood fences to the gargantuan forty-eight sheets that usurped entire sides of multi-storey buildings. Hollywood knew that the right image could seduce millions past the box office and into the theatre. Today such graphics fetch five-figure prices from collectors seeking a Casablanca or a King Kong.

The Best Of Disney


Neil Sinyard - 1988
    This comprehensive volume celebrates the innovative studio that gave birth to Mickey Mouse, Donald Duck, Snow White, Bambi and many other animated favorites.