Great Short Short Stories: Quick Reads by Great Writers offers that opportunity. An outstanding collection of 30 brilliant short stories, each just six or fewer pages in length, it provides the chance to absorb an entire story (or two or three) in just one sitting.Well-known tales from masters of the short-story genre include: Mark Twain, "The Notorious Jumping Frog of Calaveras County"; Franz Kafka, "A Country Doctor"; Edgar Allan Poe, "The Cask of Amontillado"; Guy de Maupassant, "A Piece of String"; Stephen Crane, "The Veteran"; Kate Chopin, "A Pair of Silk Stockings"; plus works by Dickens, O. Henry, Chekhov, Wilde, and many others. Includes 2 selections from the Common Core State Standards Initiative: "A White Heron" and "Cask of Amontillado."The egg / Sherwood Anderson (1876-1941, American)An occurrence at Owl Creek Bridge / Ambrose Bierce (1842-1914?, American)The enchanted bluff / Willa Cather (1873-1947, American)A malefactor / Anton Chekhov (1860-1904, Russian)A pair of silk stockings / Kate Chopin (1851-1904, American)The veteran / Stephen Crane (1871-1900, American)The apparition of Mrs. Veal / Daniel Defoe (1660-1731, English)Nobody's story / Charles Dickens (1812-1870, English)If I were a man / Charlotte Perkins Gilman (1860-1935, American)Squire Petrick's lady / Thomas Hardy (1840-1928, English)The luck of Roaring Camp / Bret Harte (1836-1902, American)Dr. Heidegger's experiment / Nathaniel Hawthorne (1804-1864, American)A ghost story / Jerome K. Jerome (1859-1927, English)A white heron / Sarah Orne Jewett (1849-1909, American)A country doctor / Franz Kafka (1883-1924, Czech)Wee Willie Winkie / Rudyard Kipling (1865-1936, English)Sanctuary / Nella Larsen (1891-1964, American)Second best / D.H. Lawrence (1885-1930, English)The white silence / Jack London (1876-1916, American)Germans at meat / Katherine Mansfield (1888-1923, English)A piece of string / Guy de Maupassant (1850-1893, French)The open window / H.H. Munro, or Saki (1870-1916, English)The furnished room / O. Henry (1962-1910, American)With other eyes / Luigi Pirandello (1867-1936, Italian)The cask of Amontillado / Edgar Allan Poe (1809-1849, American)The coffin-maker / Alexander Pushkin (1799-1837, Russian)The three hermits / Leo Tolstoy (1828-1910, Russian)The notorious jumping frog of Calaveras County / Mark Twain (1835-1910, American)The remarkable case of Davidson's eyes / H.G. Wells (1866-1946, English)The sphinx without a secret / Oscar Wilde (1854-1900, Irish)

    Filled with odd tales, a wry wit, and creepy adventures this book will have you sleeping with the lights on, so grab a scythe and get ready for a frightful read.

    From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. She speaks to questions at the root of the contemporary experience, from the search for authenticity and interpersonal connection in a society defined by consumerism and media; to the disenchantment of working in a "glamour profession"; to the catastrophic effects of living among New York City's terminal hipsters. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her. In a review of The KGB Bar Reader, in which Daphne Merkin singled out Daum's essay about the inability to mourn a friend's death, Merkin wrote: "It's brutally quick, the way this happens, this falling in love with a writer's style. Daum's story hooked me by the second line. Hmm, I thought, this is a writer worth suspending my routines for."

    Maizes reminds us that even in our most isolated moments, we are never truly alone.In We Love Anderson Cooper, characters are treated as outsiders because of their sexual orientation, racial or religious identity, or simply because they look different. A young man courts the publicity that comes from outing himself at his bar mitzvah. When a painter is shunned because of his appearance, he learns to ink tattoos that come to life. A paranoid Jewish actuary suspects his cat of cheating on him—with his Protestant girlfriend.In this debut collection, humor complements pathos. Readers will recognize themselves in these stories and in these protagonists, whose backgrounds are vastly different from their own—we’ve all been outsiders at some point.

    It was written in a hurry. It is riddled with inconsistencies. And it never quite arrives at whatever point it sought to make. But remember: The $25 you donated to charity in exchange for this steaming mess of prose will help our species shuffle along, and I hope you’ll feel warmed by your good deed as you read. Thank you for decreasing the overall worldwide level of suck, and as they say in my hometown: Don’t forget to be awesome.Best wishes!John Green* The book has been made available under creative commons license, so it can be acquired legally here: http://effyeahnerdfighters.com/post/2... :)

    Then got out of bed and had a brisk rub down with the pumice stone. I opened the curtains and saw that the sun was shining brightly. (A suspicion is growing in my mind that the BBC is not to be trusted.)Margaret Hilda Roberts is a rather ambitious 14 � year old grocer's daughter from Grantham. She can't abide laziness, finds four hours of chemistry homework delightful and believes she is of royal birth - or at least destined for great things. But Margaret knows that good things never come to those who wait . . .These are the secret diary entries of a girl born into an ordinary life, yet who might just go on to become something really rather extraordinary, and she is brilliantly brought vividly to life by bestselling author Sue Townsend, Britain's favourite comic writer for over three decades.'Essential reading for Mole followers' Times Educational Supplement'Wonderfully funny and sharp as knives' Sunday TimesSue Townsend is Britain's favourite comic author. Her hugely successful novels include eight Adrian Mole books, The Public Confessions of a Middle-Aged Woman (Aged 55�), Number Ten, Ghost Children, The Queen and I, Queen Camilla and The Woman Who Went to Bed For a Year, all of which are highly acclaimed bestsellers. She has also written numerous well-received plays. She lives in Leicester, where she was born and grew up.

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    Cheerleaders are seriously injured and even killed at a higher rate than other high school sports. Their stunts are performed in skimpy uniforms without the benefit of proper safety equipment…and yet they love them, glittery eyeshadow, spirit bows, and all.And then there are the Fighting Pumpkins, who take that injury rate as a challenge. Students of Johnson’s Crossing High School, they answer to a higher calling than the pyramid and the basket toss, pursuing the pep rally that is rising up against mysteries and monsters, kicking gods with the pointed toes of professional athletes chasing a collegiate career.Meet Jude, half-vampire squad leader; Laurie, who can compel anyone to do as she asks; Heather, occasionally recreationally dead; Marti, strong enough to provide a foundation for any stunt; Colleen, who knows the rule book so well she may as well have written it; and Steph, who may or may not be the goddess of the harvest. The rest of the squad is ready to support them, and braced for the chaos of the big game, which may have a big body count. Prepare to jump high, yell loud, and look pretty with the Fighting Pumpkins, those glorious girls in the orange and green, whose high kicks could still be enough to save the world.And if they’re not, it isn’t going to be for lack of trying.Dying with Her Cheer Pants On includes three stories appearing for the first time anywhere: "Tryouts," "Trial by Fire," and "Compete Me."

    Edited by the award-winning, best-selling author Richard Russo, this year’s collection boasts a satisfying “chorus of twenty stories that are by turns playful, ironic, somber, and meditative” (Wall Street Journal). With the masterful Russo picking the best of the best, America’s oldest and best-selling story anthology is sure to be of “enduring quality” (Chicago Tribune) this year.

    Four works by great 19th-century Russian author - "The Nose," a savage satire of Russia's incompetent bureaucrats; "Old-Fashioned Farmers," a pleasant depiction of an elderly couple living in rustic seclusion; "The Tale of How Ivan Ivanovich Quarrelled with Ivan Nikiforovich," one of Gogol's most famous comic stories; and "The Overcoat," widely considered a masterpiece of form.

    O'Leary to Barack Obama. "Flexing impressive literary chops, the beer vendor/creative-writing professor captures both the tough, defensive exterior and the vulnerable, often-broken heart of his city."— Timeout Chicago"Chicago, a page at a time. Michael Czyzniejewski gets right to the point in telling the city's stories." — Chicago Tribune"...Michael Czyzniejewski’s “Chicago Stories,” forty fictional monologues riffing on the common culture of the Windy City’s shared history, projected forward into a possible future. Not quite historical fiction—more like historical jazz." — Newcity Lit"In 'Chicago Stories,' Michael Czyzniejewski summons all of Chicago — its ghosts, living and dead, its heroes and fools, sinners and saints, its people and places and all of its occasions — and in these pages they have gathered, strange and unlikely bedfellows, to sing a new song for Chicago. It will twist your arm behind your back, this song. It will break your fingers."— Billy Lombardo, author of The Man With Two Arms and The Logic of a Rose: Chicago Stories

    Exclusive bonus stories from the best-selling author of Lost at Sea, Them, The Psychopath Test and The Men Who Stare at Goats.

    In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America's greatest realist writers.

    When originally published in 1985 by Harry Morris’s Silver Scarab Press, the book was hardly noticed. In 1989, an expanded version appeared that garnered accolades from several quarters. Writing in the Washington Post, the celebrated science fiction and fantasy author Michael Swanwick extolled: “Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs.”The revisions in the present volume of Songs of a Dead Dreamer have been calculated to make its stories into enhanced incarnations of the originals. This edition is and will remain definitive.For those already familiar with the stories in Songs of a Dead Dreamer, an invitation is extended to return to them in their ultimate state. For those new to the collection, it is submitted to engage them with some of the most extraordinary tales of their kind. In either case, this publication of Songs of a Dead Dreamer offers evidence for why Ligotti has been judged to be among the most important authors in the history of supernatural horror.

    Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (“A Justice”) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.--back coverContains:Barn burning --Shingles for the Lord --The tall men --A bear hunt --Two soldiers --Shall not perish --A rose for Emily --Hair --Centaur in brass --Dry September --Death drag --Elly --Uncle Willy --Mule in the yard --That will be fine --That evening sun --Red leaves --A justice --A courtship --Lo! --Ad Astra --Victory --Crevasse --Turnabout --All the dead pilots --Wash --Honor --Dr. Martino --Fox hunt --Pennsylvania Station --Artist at home --The brooch --My Grandmother Millard --Golden land --There was a queen --Mountain victory --Beyond --Black music --The leg --Mistral --Divorce in Naples --Carcassonne.