In this acclaimed number one national best-seller, one of our country's most distinguished political philosophers argues that the social/political crisis of 20th-century America is really an intellectual crisis. Allan Bloom's sweeping analysis is essential to understanding America today. It has fired the imagination of a public ripe for change.

    This volume provides basic writings of Dostoevsky, Kierkegaard, Nietzsche, Rilke, Kafka, Ortega, Jaspers, Heidegger, Sartre, and Camus, including some not previously translated, along with an invaluable introductory essay by Walter Kaufmann.

    In The Burden of Bad Ideas, Heather Mac Donald reports on their disastrous effects throughout our society. At a Brooklyn high school, students perfect their graffiti skills for academic credit. An Ivy League law professor urges blacks to steal from their employers. Washington bureaucrats regard theft by drug addicts as evidence of disability, thereby justifying benefits. Public health officials argue that racism and sexism cause women to get AIDS. America's premier monument to knowledge, the Smithsonian Institution, portrays science as white man's religion. Such absurdities, Ms. Mac Donald argues, grow out of a powerful set of ideas that have governed our public policy for decades, the product of university faculties and a professional elite who are convinced that America is a deeply unjust society. And while these beliefs have damaged the nation as a whole, she observes, they have hit the poor especially hard. Her reports trace the transformation of influential opinion-makers (such as the New York Times) and large philanthropic foundations from confident advocates of individual responsibility, opportunity, and learning into apologists for the welfare state. In a series of closely reported stories from the streets of New York to the seats of intellectual power, The Burden of Bad Ideas reveals an upside-down world and how it got that way.

    Published in 1950, one of the chillier moments of the Cold War, Trilling's essays examine the promise—and limits—of liberalism, challenging the complacency of a naïve liberal belief in rationality, progress, and the panaceas of economics and other social sciences, and asserting in their stead the irreducible complexity of human motivation and the tragic inevitability of tragedy. Only the imagination, Trilling argues, can give us access and insight into these realms and only the imagination can ground a reflective and considered, rather than programmatic and dogmatic, liberalism.Writing with acute intelligence about classics like Huckleberry Finn and the novels of Henry James and F. Scott Fitzgerald, but also on such varied matters as the Kinsey Report and money in the American imagination, Trilling presents a model of the critic as both part of and apart from his society, a defender of the reflective life that, in our ever more rationalized world, seems ever more necessary—and ever more remote.

    Routledge is an imprint of Taylor & Francis, an informa company.

    In this study, he reaches further and asks: “Can a society be sick?” He finds that it can, arguing that Western culture is immersed in a “pathology of normalcy” that affects the mental health of individuals. In The Sane Society, Fromm examines the alienating effects of modern capitalism, and discusses historical and contemporary alternatives, particularly communitarian systems. Finally, he presents new ideas for a re-organization of economics, politics, and culture that would support the individual’s mental health and our profound human needs for love and freedom.

    The contents are pure dynamite. He explains that you live in ant farm. That you are observed by the lords of lies, ritually probed. Ancient man had something you have lost: confidence in his instincts and strength, knowledge in his blood. BAP shows how the Bronze Age mindset can set you free from this Iron Prison and help you embark on the path of power. He talks about life, biology, hormones. He gives many examples from history, both ancient and modern. He shows the secrets of the detrimental robots, how they hide and fabricate. He helps you escape gynocracy and ascend to fresh mountain air. The pricing, he insisted on against all advice. It refers to the lucky 969 Movement of Burma, led by the noble monk Wirathu. Praise be to the Pervert. Praise be to his teaching of peace. Be careful.

    Like many of Lukacs's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl.The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukacs's last great work before he turned to Marxism-Leninism.

    

    The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Marcus Cicero—an ambitious young lawyer and spellbinding orator, who at the age of twenty-seven is determined to attain imperium—supreme power in the state. Of all the great figures of the Roman world, none was more fascinating or charismatic than Cicero. And Tiro—the inventor of shorthand and author of numerous books, including a celebrated biography of his master (which was lost in the Dark Ages)—was always by his side. Compellingly written in Tiro's voice, Imperium is the re-creation of his vanished masterpiece, recounting in vivid detail the story of Cicero's quest for glory, competing with some of the most powerful and intimidating figures of his—or any other—age: Pompey, Caesar, Crassus, and the many other powerful Romans who changed history. Robert Harris, the world's master of innovative historical fiction, lures us into a violent, treacherous world of Roman politics at once exotically different from and yet startlingly similar to our own—a world of Senate intrigue and electoral corruption, special prosecutors and political adventurism—to describe how one clever, compassionate, devious, vulnerable man fought to reach the top.

    But when utopian programs clash with dissenters—and with reality itself—the result is chaos, which revolutionaries seek to quash with repression and terror. In Sexual Utopia in Power, F. Roger Devlin explores today’s sexual dystopia, with its loose morals and confused sexual roles; its soaring rates of divorce, celibacy, and childlessness; and the increasingly arbitrary and punitive attempts to regulate and police it. Devlin shows that the breakdown of monogamy results in promiscuity for the few, loneliness for the majority, and unhappiness for all. Every revolution gives rise to a reaction. Devlin, however, is very critical of mainstream conservative responses to the sexual revolution, which often eerily echo feminist complaints about innocent women being preyed upon by wicked men who must be scolded and punished. The most controversial aspect of Devlin’s work is his argument that today’s sexual dystopia is rooted just as much in women’s nature as men’s, exploring such taboo topics as female hypergamy (mating up), narcissism, infidelity, deceptiveness, and masochism. By showing their biological basis, F. Roger Devlin offers a non-traditional defense of traditional sexual morals and institutions and shows us the way out of today’s sexual dystopia. Contents Preface Introduction: The Facts of Life 1. Sexual Utopia in Power 2. Rotating Polyandry—& its Enforcers 3. The Female Sexual Counter-Revolution and its Limitations 4. Home Economics 5. The Family Way 6. Back to Africa: Sexual Atavism in the Modern West 7. The Question of Female Masochism Index (Print edition only) Praise for F. Roger Devlin “‘Sexual Utopia in Power,’ Devlin’s infamous essay that launched a thousand blog posts about female hypergamy, is highly quotable and insightful in its analysis of the contemporary struggle between the sexes. Its indictments of feminism and warnings to men have only become more relevant since it was written. ‘Sexual Utopia’ is also an important response to clueless conservatives who rush to blame men for not marrying and starting families with women who are in many (though not all) cases simply unmarriageable.”— Jack Donovan, author of The Way of Men “. . . outstanding (and MSM blacked out) essays on gender dynamics . . .”—Roissy/Heartiste “If Roissy has anything resembling a mentor, it is F. Roger Devlin.”— Charlotte Allen, The Weekly Standard “Love and sex have never been confusing to me. I have Roger Devlin to thank for that.”—Chloë Thurlow, best-selling author of The Secret Life of Girls “Dr. Devlin is perhaps best role model there is for independent scholars on the right. His writings can be found on nearly every website the mainstream fears.”— Benjamin Villaroel, American Renaissance “In a decent world, Devlin would be an instantly-recognizable name and a literary giant.”— Spirit/Water/Blood “I have admired F. Roger Devlin’s path-breaking writings in The Occidental Quarterly since I became aware of them, and I’ve emphatically recommended them to everyone within reach. Dr. Devlin is a writer — percipient, witty, and courageous — who simply must be read.”— Nicholas Strakon, The Last Ditch “I believe the author is evil.”— Tyler Cowan F. Roger Devlin, Ph.D.

    "We human beings have been 'programmed' biologically, intellectually, emotionally, psychologically through millions of years," he asserts, "and we repeat the pattern of the programs over and over again." His aim in The Network of Thought is to help clarify and free us from such programming, from the inner bonds that have restricted genuine awareness throughout the course of human existence."

    This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless . . . . In our brief mortal lives, we are grinders of these lenses."This brooding, provocative, and almost unbearably lovely book displays one of the great writers of our time at his freest and most direct, addressing the themes that run beneath the surface of all his work, from Ways of Seeing to his Into Their Labours trilogy.In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality and the steady backward tug of time. He re-creates the mysterious forces at work in a Rembrandt painting, transcribes the sensorial experience of viewing lilacs at dusk, and explores the meaning of home to early man and to the hundreds of thousands of displaced people in our cities today.A work of unclassifiable innovation and consummate beauty, And Our Faces, My Heart, Brief as Photos reminds us of Nabokov and Auden, Brecht and Lawrence, in its seamless fusion of the political and the personal.

    In this, his most accessible and evocative book, France’s leading philosopher of postmodernism takes to the freeways in a collection of traveler’s tales from the land of hyperreality.

    Adopting those aspects of the religion that suited his purposes, he turned Rome on a course from the relatively open, tolerant and pluralistic civilization of the Hellenistic world, towards a culture that was based on the rule of fixed authority, whether that of the Bible, or the writings of Ptolemy in astronomy and of Galen and Hippocrates in medicine. Only a thousand years later, with the advent of the Renaissance and the emergence of modern science, did Europe begin to free itself from the effects of Constantine's decision, yet the effects of his establishment of Christianity as a state religion remain with us, in many respects, today. Brilliantly wide-ranging and ambitious, this is a major work of history.