Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

    A woman's journey ended at the altar. Professor Heilbrun notes that the diversity of women's lives now makes it possible for women to dare to choose their own scripts.

    The children of divorced parents and outcasts in their neighborhood, Carey and Peter supported, loved, and encouraged each other when it seemed no one else cared. It was a bond that grew through the years, and one that made Peter’s eventual decision to enlist in the Army all the more difficult for Carey. With Peter having stepped up to help her raise her young son, Carey was closer than ever to her brother, and the thought of him serving far from home was painful. While stationed in Iraq, Peter befriended a stray dog and her four puppies, only to watch three of the young pups die in the warzone. With only two surviving dogs—Mama and Boris—Peter became determined to save the strays. Carey helped her brother with his mission, but everything changed on Christmas Day in 2007 when word arrived at the Neesley household that Peter had been killed. Amidst the grief of coming to terms with her brother’s death and the turmoil of trying to plan his funeral, Carey devoted herself to bringing Peter’s dogs home to the U.S. It was the final honor she could pay to her brother and a way of keeping a piece of him with her. With the help of an unlikely network of heroes, including an animal rescue organization in Utah, a civilian airline, an Iraqi family, and a private security contractor with military connections, Mama and Boris mad the journey form the streets of Baghdad to Carey’s suburban house. Carey’s mission garnered widespread attention and requests from other soldiers for help in bringing home dogs they had become attached to on deployment, and she continues to work with organizations dedicated to bringing home wartime strays.

    Each essay takes a day as its point of inquiry, observing the body as it moves through time, architecture, and space, gradually demanding a new logic and level of consciousness from the narrator and reader.I was reading a line in a book, then reading a line in another book, and performing small acts in between: I sat at intervals on the toilet, I slept sporadically, I ate kale and "fish food," and called myself "Renee" for a time. Nobody knew who I was at the grocery store, but going there was my big event. I knew the books of these people; I knew these people and I didn't change their names, but when they appeared in my books it wasn't really their stories I was telling, so they didn't need my protection and I could go "Danielle, Danielle" all day.Born in Atlanta, GA, in 1971, Renee Gladman studied Philosophy at Vassar College and Poetics at New College of California. In addition to Calamities (Wave Books, 2016), she is the author of eight works of prose, including the Ravicka novels Event Factory (2010), The Ravickians (2011), and Ana Patova Crosses a Bridge (2013), as well as a book of poetry, A Picture-Feeling. Her most recent work of fiction Morelia is forthcoming in 2016. A longtime publisher and bookmaker, her projects include Clamour (1996-1999), Leroy Chapbook series (1999-2003), and Leon Works (since 2005). She is the recipient of a 2014-2015 fellowship from The Radcliffe Institute for Advanced Study at Harvard University and a 2016 grant to artists from Foundation for Contemporary Arts. She lives in New England with poet-ceramicist, Danielle Vogel.

    The book unveils a truth of universal importance, namely, by helping others in need we can become their miracles.

    Inside you will find:× The smell of honeysuckle× Heartbreak× A French-kissing rabbit× A haunted house× Death× A vagina singing sad old songs× Young geraniums in an ancient castle× Birth× A dog who appears in dreams as a spiritual guide× Divorce× Electromagnetic energy fields× Emotional horniness× The ghost of a sea captain× And moreI hope you enjoy these little weirds.Love,Jenny Slate

    As an admissions officer specializing in diversity recruitment for independent prep schools, she persuaded students and families to embark on the same perilous journey she herself had made—to attend cutthroat and largely white schools similar to The Taft School, where she had been the first African-American legacy student only a few years earlier. Her new job forced her to reflect on her own elite education experience, and to realize how disillusioned she had become with America’s inequitable system.In ADMISSIONS, Kendra looks back at the three years she spent at Taft, chronicling clashes with her lily-white roommate, how she had to unlearn the respectability politics she'd been raised with, and the fall-out from a horrifying article in the student newspaper that accused Black and Latinx students of being responsible for segregation of campus. Through these stories, some troubling, others hilarious, she deconstructs the lies and half-truths she herself would later tell as an admissions professional, in addition to the myths about boarding schools perpetuated by popular culture.With its combination of incisive social critique and uproarious depictions of elite nonsense, ADMISSIONS will resonate with anyone who has ever been The Only One in a room, dealt with racial microaggressions, or even just suffered from an extreme case of homesickness.

    Scandalous affairs rage behind closed doors, broken hearts are tossed aside, fires rip through the wings of the house and paparazzi lie in wait outside the front door for the latest tragedy in this never-ending saga. This is the home of the great architect of the twentieth century, a man of extremes in both his work and his private life: at once a force of nature and an avalanche of need and emotion that sweeps aside everything in its path. Sharp, savage and subtle in equal measure, "The Women" plumbs the chaos, horrors and uncontainable passions of a formidable American icon.

    He has cult status and commands a respect that few, even in the violent world he moves in, can equal. To him, violence is simply an accepted part of his profession. He doesn't exaggerate it, he can't excuse it and he refuses to apologize for it. His name may mean nothing to you—he's no actor, no showman, no wannabe celebrity. He does, however, live by a merciless code, and though he may not have cloven hooves and a tail, if he goes after someone, all hell comes with him.

    In this exhilarating followup, Nafisi has written the book her fans have been waiting for: an impassioned, beguiling and utterly original tribute to the vital importance of fiction in a democratic society. What Reading Lolita in Tehran was for Iran, The Republic of Imagination is for America. Taking her cue from a challenge thrown to her in Seattle, where a skeptical reader told her that Americans don’t care about books the way they did back in Iran, she challenges those who say fiction has nothing to teach us. Blending memoir and polemic with close readings of her favorite American novels—from Huckleberry Finn to The Heart Is a Lonely Hunter—she invites us to join her as citizens of her "Republic of Imagination," a country where the villains are conformity and orthodoxy, and the only passport to entry is a free mind and a willingness to dream.

    This lavish volume examines the Lady's history and phenomenal rise, her music and videos, and her unique look and chameleon-like nature. Chock-full of photos that capture Gaga from childhood through stardom, it also includes images of those who have influenced her style and an appraisal of her place in the pantheon of performance artists.Gaga is a must-have for the millions who love this very special performer and celebrity.

    In seven separate sketches, he presents his picture of a man whose life is the key to his creation.

    For every incredible career high there was a hefty personal downside: divorce, drunkenness, and death seemed as synonymous with the Gibbs as falsetto harmonies, flares, and multi-platinum record sales.Not long before his death, Robin made it clear that he believed the Gibbs had been forced to pay the highest possible cost for their success. "All the tragedies my family has suffered . . . is a kind of karmic price we are paying for all the fame and fortune we've had." This is the story of the brothers' incredible careers and an examination of the Gibb 'curse'--an all-too-human look at the rollercoaster ride of fame.

    This collection of more than 100 poems that honestly and artfully confront topics ranging from poverty and motherhood to Van Gogh and Mandela is presented in Tupac Shakur's own handwriting on one side of the page, with a typed version on the opposite side.

    I just loved taking pictures and I still do.’ – Ringo Starr See Ringo growing up in Liverpool amidst the excitement of the emerging Merseybeat scene, as he remembers his time in hospital, his first car, drum-kits, girls and bands on his ‘road of happy drumming’. Ringo’s lens captures his Beatles bandmates in pensive and playful moments, portraying them from the point of view of an insider, friend and skilled photographer. From Pwllheli to Delhi, obscurity to superstardom, his travels are recounted with honesty and hilarity. The multi-touch edition allows readers to pick up, play with and zoom in on Ringo’s photographs as they scroll through his memories. Photograph features 69 audio stories and 11 exclusive videos, with music, animation and new interviews from Ringo Starr. Ringo’s first multimedia edition is a must-have for fans of The Beatles and anyone passionate about modern music.