A man and a woman are shot dead at a strip club in Miami Beach. A few hours later, an explosion rocks a child's birthday party, killing a father of three. The murders go unsolved and the blast is deemed an accident. Twelve years later, a blonde walks into the Miami Police Department's Cold Case Squad. She's been seeing her husband everywhere she goes. Trouble is, he's been dead for twelve years. Buchanan's crack team of detectives -- a dedicated, complicated crew with problems all their own -- is on the case in this brilliant, edge-of-your-seat read.

    It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

    The suggestively named Dix Steele, a cynical vet with a chip on his shoulder about the opposite sex, is the LAPD's top suspect. Dix knows enough to watch his step, especially since his best friend is on the force, but when he meets the luscious Laurel Gray—a femme fatale with brains—something begins to crack. The basis for extraordinary performances by Humphrey Bogart and Gloria Grahame in the 1950 film version of the book, In a Lonely Place tightens the suspense with taut, hard-boiled prose and stunningly undoes the conventional noir plot.

    This book also includes an introduction by Turow, as its team of top-notch authors take unique perspectives on our criminal justice system with crackling courtroom cases and whodunit suspense.Contents:Introduction by Scott TurowDogs and fleas by John LutzLou Monahan, County prosecutor by Andrew KlavanReal life by Sarah ShankmanKnives at midnight by Marcia MullerJustice by Stuart M. KaminskyCruel and unusual by Carolyn WheatGrip by Jay BrandonBeat routine by Stan WashburnLast licks by Valerie FrankelTurning the witness by Jeremiah HealyThat day at Eagle's Point by Ed GormanCelebrity and justice for all by John JakesFor the good of the firm by Maynard F. ThomsonDead drunk by Lia MateraCourt of celestial appeals by Susan DunlapBoobytrap by Bill Pronzini

    After leaving the Metropolitan Police Training Academy, 22 year-old Jane Tennison is placed on a probationary exercise in Hackney, London where criminality thrives. At first she struggles to deal with the shocking situations she faces, receiving no help or sympathy from her superiors. Jane feels out of her depth in this male-dominated, chauvinistic environment. Then she is given her first murder case . . .

    But the slain lawyer's notoriety—and his taste for illicit midday trysts—makes the case front-page news in every local paper except the Star, which crashed and burned before Abramowitz did.A former Star reporter who knows every inch of this town—from historic Fort McHenry to the crumbling projects of Cherry Hill—now-unemployed journalist Tess Monaghan also knows the primary suspect: cuckolded fiancé Darryl "Rock" Paxton. The time is ripe for a career move, so when rowing buddy Rock wants to hire her to do some unorthodox snooping to help clear his name, Tess agrees. But there are lethal secrets hiding in the Charm City shadows. And Tess's own name could end up on the ever-expanding list of Baltimore dead.

    In "Cielo Azul," Bosch is haunted by a long-ago closed case -- the murder of a teenage girl who was never identified. As her killer sits on death row, Bosch tries one last time to get the answers he has sought for years. In "One Dollar Jackpot," Bosch works the murder of a professional poker player whose skills have made her more than one enemy. Whether investigating a cold case or fresh blood, Bosch relentlessly pursues his quarry, always on the lookout for the "tell." In this first collection of Harry Bosch stories, Michael Connelly once again demonstrates that he is the master of "fast-paced, brilliantly plotted crime fiction.... Harry Bosch is back on the case, and not a moment too soon" (Chicago Sun Times).

    This final collection also features the story His Last Bow, the last outing of Holmes and Watson ...

    Decker, star tenant of the local trailer park and neophyte private eye is fishing for a killer. Thanks to a sportsman's scam that's anything but sportsmanlike, there's a body floating in Coon Bog, Florida -- and a lot that's rotten in the murky waters of big-stakes, large-mouth bass tournaments. Here Decker will team up with a half-blind, half-mad hermit with an appetite for road kill; dare to kiss his ex-wife while she's in bed with her new husband; and face deadly TV evangelists, dangerously seductive women, and a pistol-toting redneck with a pit bull on his arm. And here his own life becomes part of the stakes. For while the "double whammy" is the lure, first prize is for the most ingenious murder.

    This collection, the first of a two-volume omnibus, presents four classics of the 1940s overdue for fresh attention. Anticipating the “domestic suspense” novels of recent years, these four gripping tales explore the terrors of the mind and of family life, of split personality and conflicted sexual identity.Vera Caspary’s Laura (1943) begins with the investigation into a young woman’s murder and blossoms into a complex study, told from multiple viewpoints, of the pressures confronted by a career woman seeking to lead an independent life. Source of the celebrated film by Otto Preminger, Caspary’s novel has depths and surprises of its own. As much a novel of manners as of mystery, it remains a superb evocation of a vanished Manhattan.Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school (modeled on Eustis’s alma mater, Smith College) is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hothouse atmosphere of an English department rife with talk of Freud and Kafka.With In a Lonely Place (1947), Dorothy B. Hughes created one of the first full-scale literary portraits of a serial murderer. The streets of Los Angeles become a setting for random killings, and Hughes ventures, with unblinking exactness, into the mind of the killer. In the process she conjures up a potent mood of postwar dread and lingering trauma.Raymond Chandler called Elisabeth Sanxay Holding “the top suspense writer of them all.” In The Blank Wall (1947) she constructs a ferociously taut drama around the plight of a wartime housewife forced beyond the limits of her sheltered domestic world in order to protect her family. The barely perceptible constraints of an ordinary suburban life become a course of obstacles that she must dodge with the determination of a spy or criminal.Psychologically subtle, socially observant, and breathlessly suspenseful, these four spellbinding novels recapture a crucial strain of American crime writing.

    Robb, puts futuristic lieutenant Eve Dallas in a supernatural showdown with a most seductive criminal: a vampire in "Eternity in Death." An ancient coin whisks an American woman and a modern-day earl into the past-and into each other's arms-in a stirring tale from Mary Blayney's "Amy and the Earl's Amazing Adventure." When a city girl visits a Scottish castle in Ruth Ryan Langan's "Timeless," she is thrust into a timeless romance with a mighty Highland laird. And Mary Kay McComas gives an unhappy wife a magic-carpet ride into an alternate reality to show her the grass isn't always greener in "On the Fringe."

    Contributors include Russell Banks, James Lee Burke, Brendan DuBois, Lou Manfredo, Ed McBain, Joyce Carol Oates, and many others.

    MYSTERYIncludes the following stories:Find the womanGone girlThe bearded ladyThe suicideGuilt-edged blondeThe sinister habitWild goose chaseMidnight blueSleeping dog

    Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.

    . .All Denny Malone wants is to be a good cop.He is "the King of Manhattan North," a highly decorated NYPD detective sergeant and the real leader of "Da Force." Malone and his crew are the smartest, the toughest, the quickest, the bravest, and the baddest, an elite special unit given carte blanche to fight gangs, drugs, and guns. Every day and every night for the eighteen years he’s spent on the Job, Malone has served on the front lines, witnessing the hurt, the dead, the victims, the perps. He’s done whatever it takes to serve and protect in a city built by ambition and corruption, where no one is clean—including Malone himself.What only a few know is that Denny Malone is dirty: he and his partners have stolen millions of dollars in drugs and cash in the wake of the biggest heroin bust in the city’s history. Now Malone is caught in a trap and being squeezed by the Feds, and he must walk the thin line between betraying his brothers and partners, the Job, his family, and the woman he loves, trying to survive, body and soul, while the city teeters on the brink of a racial conflagration that could destroy them all.This is the great cop novel of our time and a book only Don Winslow could write: a haunting story of greed and violence, inequality and race, crime and injustice, retribution and redemption that reveals the seemingly insurmountable tensions between the police and the diverse citizens they serve. A searing portrait of a city on the edge and of a courageous, heroic, and deeply flawed man who stands at the edge of its abyss, The Force is a masterpiece of urban realism full of shocking and surprising twists, leavened by flashes of dark humor, a morally complex and utterly riveting dissection of modern American society and the controversial issues confronting us today.