In this Octavo we have assembled scattered secrets for a Supreme Grimoire forRoundworld, the universe in which you're standing. To this end we have taken some inspiration from Pratchett's Discworld, and a lot from Theoretical Physics and Practical Chaos Magic. "The most original, and probably the most important, writer on Magick since Aleister Crowley." -Robert Anton Wilson, author of the Cosmic Trigger trilogy. Peter J. Carroll is one of the founders of the Magical Pact of the Illuminates of Thanateros (IOT) which he led for a decade. He has spent thirty-seven years in research and experiment and is the author of three other books Liber Null & Psychonaut, Liber Kaos: the Psychonomicon, and Psybermagic, and The Apophenion.

    Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.

    A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.

    Each powerful character will fire the imagination, entertain, and provoke debate.

    From the moment she introduces a group of self-professed vampires, who challenge her as to whether she is a victim, she sweeps us into some seriously cobwebby corners of the American psyche. Impeccably researched and filled with details on the prevalence of magic throughout American history, the book could be ponderous and freaky, but that Wicker's delightfully self-abnegating tone never allows. When she attends a ritual in Salem, Massachusetts, where historic witch-burning is the basis of a profitable commercial cult, her over-the-top costume makes it hard for her even to walk. Offered a chance for some good mojo to spice up her sex life, she decides to let well enough alone. Wicker never mocks the magicians' and witches' beliefs or their sometimes-extreme personal habits but rather constantly seeks the reasons for belief and the context for personal choice.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    What they don't know is that when you discover the universe is full of magic, you fall in love with the world."When high-powered Manhattan lawyer Phyllis Curott began exploring Witchcraft, she discovered a spiritual movement that defied all stereotypes. Encountering neither satanic rites nor eccentric spinsters, she came to know a clandestine religion of the Goddess that had been forced into hiding over the course of history. Book of Shadows recounts Curott's remarkable initiation into Wicca (meaning "wise one") and shares her insights as a high priestess of an elegant, ancient spirituality that celebrates the magic of being alive.An Ivy-league graduate and promising lawyer, Curott was a typical young woman in her twenties, determined to forge a law career within the burgeoning, male-dominated music industry. But when she began having prophetic dreams and mysterious visions of ancient female figures and unfamiliar symbols, she discovered an unexpected world of magic and began searching for a rational explanation. When her friend Sophia--a practicing Witch--suggested having her cards read by a Wiccan High Priestess, Curott instinctively dismissed the idea, but then forced her natural skepticism aside on the chance that this age-old practice might help her understand the unusual occurrences in her life.Thus begins her journey into the magical world of Witchcraft, a religion originally practiced by priestesses, shamans, and healers that empowers our lives by working with the natural cycles of nature. Fascinated by this pre-Judeo-Christian religion that honors women as the embodiment of the Goddess and emphasizes respect and love for the natural world, Curott began attending a local coven's weekly circle to learn the sacred arts. Her Book of Shadows chronicles her ascent to the position of Wiccan High Priestess and her efforts to reconcile her newfound spirituality with her struggles as a woman rising through the ranks of the corporate world. Along the way, Curott relates the history of Witchcraft and shares many traditional Wiccan practices, such as casting a circle, drawing down the Goddess, harnessing the powers of the natural world, and casting spells for health, prosperity, and love.Engagingly written and rich with detailed rituals and techniques, this inspirational book traces a modern woman's spiritual journey into a realm of extraordinary experience and enlightenment. Book of Shadows provides us with the keys to discover an enchanted world of divine empowerment so as to unlock the power that lies within us all

    Spellcrafting can help you find comfort in a stressful world. This book will give you the tools to take charge of defending yourself in both energy and physicality. With over 100 spells for protection and defense, and a glossary of protective symbols, stones, and other objects to keep on hand, this book can help you cleanse your room and cast out old negative energies, put a protective and peace-preserving bubble around yourself as you ride the bus, deflect grumpiness and negativity from people you work with—and so much more!

    Much of it is drawn from the oral testimony of countrymen (including poachers) still living when the book was written.'Here, from stubble to stewing pot, are all the facts that can be assembled; science, literature, mythology, superstition, semantics, venery, and a rich swathe of countryman's talk . . . This delightful book.' Observer

    It includes hands-on information for modern celebrations, spells and divination, recipes and crafts, invocations and prayers, and more!Samhain—also known as Halloween—is the final spoke in the wheel of the year. At this time, the harvest has finished and the veil between the worlds is at its thinnest. This guide shows you how to practice the serious work of divination and honoring the dead along with the more light-hearted activities of Halloween.

    In the 1st edition, published in 1962, he spoke to that perennial reader he gently called "the troubled layman." His opening paragraph revealed his sympathy: "Why is this supposed to be art?" he quoted rhetorically. "How often have we heard this question asked--or asked it ourselves, perhaps--in front of one of the strange, disquieting works that we are likely to find nowadays in the museum or art exhibition?" Keeping that curious, questioning perspective in mind, he wrote a history of art from cave painting to Picasso that was singularly welcoming, illuminating & exciting. Sojourning thru this book, a reader is offered every amenity for a comfortable trip. Because he never assumes knowledge on the part of the reader, a recent immigrant from Mars could comprehend Western art from this text. The only assumption the Jansons have made is that with a little guidance everyone can come to understand the artifacts that centuries of architecture, sculpture, design & painting have deposited in our paths. Countless readers have proven the Jansons right & found their lives enriched in the process.

    By the end of the trials, beyond the twenty who were executed and the five who perished in prison, 207 individuals had been accused, 74 had been "afflicted", 32 had officially accused their fellow neighbors, and 255 ordinary people had been inexorably drawn into that ruinous and murderous vortex, and this doesn’t include the religious, judicial, and governmental leaders. All this adds up to what the Rev. Cotton Mather called "a desolation of names."The individuals involved are too often reduced to stock characters and stereotypes when accuracy is sacrificed to indignation. And although the flood of names and detail in the history of an extraordinary event like the Salem witch trials can swamp the individual lives involved, individuals still deserve to be remembered and, in remembering specific lives, modern readers can benefit from such historical intimacy. By examining the lives of six specific women, Marilynne Roach shows readers what it was like to be present throughout this horrific time and how it was impossible to live through it unchanged.

    Learn how to explore your subconscious and enhance your spiritual development. Topics include:• How to read and interpret the cards• Tarot astrology and numerology• Games that can be played with Tarot cards

    Women, Art, and Power—seven landmark essays on women artists and women in art history—brings together the work of almost twenty years of scholarship and speculation.

    The worlds of Milan and Rome through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and prostitutes, prayer and violence. Graham-Dixon puts the murder of a pimp, Ranuccio Tomassoni, at the centre of his story. It occurred at the height of Caravaggio’s fame in Rome and probably brought about his flight through Malta and Sicily, which led to his death in suspicious circumstances off the coast of Naples. Graham-Dixon shows how Caravaggio’s paintings emerged from this extraordinarily wild and troubled life: his detailed readings of them explain their originality and Caravaggio’s mentality better than any of his predecessors.