There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.

     Although one in five Americans now takes at least one psychotropic drug, the fact remains that nearly seventy years after doctors first began prescribing them, we still don't know exactly how or why these drugs work--or don't work--on what ails our brains. Blue Dreams offers the explosive story of the discovery, invention, people, and science behind our licensed narcotics, as told by a riveting writer and psychologist who shares her own intimate experience with the highs and lows of psychiatry's drugs. Lauren Slater's account ranges from the earliest, Thorazine and lithium, up through Prozac and other antidepressants, as well as Ecstasy, "magic mushrooms," the most cutting-edge memory drugs, and even neural implants. Along the way, she narrates the history of psychiatry itself, illuminating the imprint its colorful little capsules have left on millions of brains worldwide, and demonstrating how these wonder drugs may heal us or hurt us.

    He's working at his family's restaurant, weathering his brother's blows, resenting his older sister's absence. And discovering he likes boys.This boy and his family experience the tumult of living in the margins, the heartbreak of ghosts, and the braveries of the human heart. The stories of others living and thriving and dying across Houston's myriad neighborhoods are woven throughout to reveal a young woman's affair detonating across an apartment complex, a rag-tag baseball team, a group of young hustlers, the aftermath of Hurricane Harvey, a local drug dealer who takes a Guatemalan teen under his wing, and a reluctant chupacabra.Bryan Washington's brilliant, viscerally drawn world leaps off the page with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot is about love in all its unsparing and unsteady forms.Lockwood --Alief --610 North, 610 West --Shepherd --Wayside --Bayou --Lot --South Congress --Navigation --Peggy Park --Fannin --Waugh --Elgin

    Although fluent in the native language, she quickly finds herself on the outside of every experience. Things happen to her, events transpire, but it is as if the city itself, the performance of life there, eludes her. Setting out to uncover the source of the city’s erosion, she is beset by this other crisis—an ontological crisis—as she struggles to retain a sense of what is happening.Event Factory is the first in a series of novels (also available are the second, The Ravickians; the third, Ana Patova Crosses a Bridge; and the fourth, Houses of Ravicka) that Renee Gladman is writing about the invented city-state of Ravicka, a foreign “other” place fraught with the crises of American urban experience, not least the fundamental problem of how to move through the world at all.

    He travels lightly, simply. To those who travel with him and those whom he meets on the way - including a handsome, enigmatic stranger, a group of careless backpackers and a woman on the edge - he is the Follower, the Lover and the Guardian. Yet, despite the man's best intentions, each journey ends in disaster. Together, these three journeys will change his whole life. A novel of longing and thwarted desire, rage and compassion, "In a Strange Room" is the hauntingly beautiful evocation of one man's search for love, and a place to call home.

    When he hears rumors of an exotic new orchid sighted at a local hobbyist’s house, though, he girds himself with opiates and determination to attend a house party, hoping to sneak a peek. He finds the orchid, yes…but he finds something else even more rare and exquisite: Michael Vallant. Professional sodomite.Michael climbed out of an adolescent hell as a courtesan’s bastard to become successful and independent-minded, seeing men on his own terms, protected by a powerful friend. He is master of his own world—until Wes. Not only because, for once, the sex is for pleasure and not for profit. They are joined by tendrils of a shameful, unspoken history. The closer his shy, poppy-addicted lover lures him to the light of love, the harder his past works to drag him back into the dark. There’s only one way out of this tangle. Help Wes face the fears that cripple him—right after Michael finds the courage to reveal the devastating truth that binds them.

    Miranda is, too, one who'll find her femme persona as intriguing and fuckable as she is in boy drag. Jack thinks she's hot no matter what she looks like, and after "introducing" her to a few of his friends, decides to keep her on. This is San Francisco's notorious SOMA/South of Market, a neighborhood colonized by leatherfolk long before the dot-commers and ravers arrived. From dark alleys to tastefully-appointed dungeons, from hotel penthouses to tranny bars, Randy/Miranda embraces her heart's, mind's, and body's desires with an assortment of sexes, genders, and sexual orientations. With Jack and others--all denizens of San Francisco's sexual fringes--she creates her own queer version of family. Mistress of sexual storytelling Carol Queen offers a fresh look at sexual lifestyles and choices that are misinterpreted and repudiated by the mainstream. Her perceptive and knowledgeable treatment inserts a new viewpoint into the carefully developed relationships of power play, destroying stereotypes and modeling open communication. A 1999 Firecracker Alternative Book Award-winner in the original edition (Cleis Press, 1998).

    When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women’s Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Córdova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution”---to change the world and end discrimination against gays and lesbians. Trying to compartmentalize her sexual life, she becomes an investigative reporter for the famous, underground L.A. Free Press and finds herself involved with covering the Weather Underground and Angela Davis, exposing neo-Nazi bomber Captain Joe Tomassi, and befriending Emily Harris of the Symbionese Liberation Army. At the same time she is creating what will be the center of her revolutionary lesbian world: her own newsmagazine, The Lesbian Tide, destined to become the voice of the national lesbian feminist movement.By turns provocative and daringly honest, Cordova renders emblematic scenes of the era---ranging from strike protests to utopian music festivals, to underground meetings with radical fugitives---with period detail and evocative characters. For those who came of age in the 70s, and for those who weren’t around but still ask, "What was it like?", Outlaws takes you back to re-live it. It also offers insights about ethics, decision making and strategy, still relevant today.With an introduction by renowned lesbian historian Lillian Faderman, When We Were Outlaws paints a vivid portrait of activism and the search for self-identity, set against the turbulent landscape of multiple struggles for social change that swept hundreds of thousands of Americans into the streets.

    Unable to face his family, Sutton heads to Manhattan with no plans and little money in his pocket but with a desire to call his life his own. Jack Bailey lost his parents to influenza and now hopes to save the family novelty shop by advertising on the radio, a medium barely more than a novelty, itself. His nights are spent in a careless and debauched romp through the gayer sections of Manhattan. When these two men cross paths, despite a world of differences separating them, their attraction cannot be denied. Sutton finds himself drawn to the piano, playing for Jack. But can his music heal them both, or will sudden prosperity jeopardize their chance at love?

    Modeled after popular bird spotters’ guides, Straight People is an affectionate and humorous guide to the varied species and subspecies of the sexual majority: the heterosexual. In this hilarious and easy-to-use field guide, actor and author Jeffery Self compiles everything you’ve ever wanted to know about heteros including their nesting behavior, feeding and mating habits, migration patterns, key identification features, and more. Complemented with fun two-color illustrations, interactive charts, graphs, and quizzes throughout, Straight People is sure entertain readers for all walks of life.

    The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    Unheard. Alone. Chilling words, but apt to describe the isolation and alienation of queer youth. In silence and fear they move from childhood memories of intolerance or violence to the unknown, unmentored landscape of queer adulthood, their voices stilled or ignored. No longer. Revolutionary Voices celebrates the hues and harmonies of the future of queer society, offering a collection of experiences, ideas, dreams, manifestos, and fantasies expressed through prose, poetry, artwork, and performance pieces. This one-of-a-kind collection is an all-encompassing, far-reaching call to action that provides the groundwork for a new community where all members are recognized as critical components to our future society.

    But when Nate learns that Cameron is the heir to a record label, the very one that destroyed his father's life, he runs away as fast as he can. The only evidence of their brief but intense connection is a blurry photo Cameron snaps of Nate's Sharpie-decorated Chuck Taylors as he flees. Considering that Cameron is a real life Prince Charming--he's handsome, famous, and rich--it's only fitting that he sets out to find the owner of the Sharpied shoes. Cameron's twin sister, a model and socialite, posts the picture of Nate's shoes on Instagram to her legions of fans with the caption, "Anyone know the gorgeous owner of these shoes? My hottie brother is looking for him." The internet just about breaks with the news of a modern fairy tale and the two become entwined in each other's lives in this sparkling story about the power of music, the demons that haunt us, and the flutterings of first real love.

    The introduction is by Doctor Who and Torchwood star John Barrowman, and his sister and frequent collaborator, Carole E Barrowman (Anything Goes, Torchwood: Exodus Code). The book’s cover art is by Colleen Coover (Small Favors).Essay contributors to this collection include Tanya Huff (Blood Ties), Melissa Scott (Trouble and Her Friends), John Richards (Outland), Paul Magrs (Hornets’ Nest), Gary Russell (Doctor Who script editor), Rachel Swirsky (Through the Drowsy Dark), Hal Duncan (Ink: The Book of All Hours), Amal El-Mohtar (The Honey Month), Brit Mandelo (Beyond Binary), Nigel Fairs (In Conversation with an Acid Bath Murderer), David Llewellyn (Night of the Humans), Susan J. Bigelow (Extrahumans), Jennifer Pelland (Machine), Mary Anne Mohanraj (Bodies in Motion), and Jed Hartman (Strange Horizons).

    No other book, movie, or exhibition has ever told this sweeping story. Not only has Brooklyn always lived in the shadow of queer Manhattan neighborhoods like Greenwich Village and Harlem, but there has also been a systematic erasure of its queer history—a great forgetting.Ryan is here to unearth that history for the first time, and show how the formation of Brooklyn is inextricably linked to the stories of the incredible people who created the Brooklyn we know today. Folks like Ella Wesner and Florence Hines, the most famous drag kings of the late-1800s; E. Trondle, a transgender man whose arrest in Brooklyn captured headlines for weeks in 1913; Hamilton Easter Field, whose art commune in Brooklyn Heights nurtured Hart Crane and John Dos Passos; Mabel Hampton, a black lesbian who worked as a dancer at Coney Island in the 1920s; Gustave Beekman, the Brooklyn brothel owner at the center of a WWII gay Nazi spy scandal; and Josiah Marvel, a curator at the Brooklyn Museum who helped create a first-of-its-kind treatment program for gay men arrested for public sex in the 1950s. Through their stories, WBWQ brings Brooklyn’s queer past to life.