This collection of writing by world-class writers including Frank Deford, Peter Gammons and Tom Verducci brings together the stories of football's greatest heroes and villains, legendary quests and pennant races.

    A fascinating insight into the enclosed world of football scouts in the UKA teenaged boy plays football in a suburban park. His name is Raheem Sterling. The call is made: “Get down here quick. This is something special”.Another boy is 8, going on 28. His name is Jack Wilshere. The referee, an Arsenal scout, spirits him away from Luton Town.A young goalkeeper struggles on loan at Cheltenham Town in League Two. His name is Jack Butland. Within months he will be playing for England.Welcome to football’s hidden tribe. Scouts are everywhere yet nowhere, faceless and nameless, despite making the informed decisions worth millions. Award-winning sportswriter Michael Calvin opens up their hidden world, examining their disconnected lifestyles, petty betrayals and unconsidered professionalism of men who spend long, lonely hours on the road.

    

    Team line-ups and statistical summaries are included.

    In Tiger, Meet My Sister, Reilly com­piles the best of his columns from his last five years with ESPN, columns that will make you laugh, cry—and quite a few that may make you want to throw this book across the room. Rick Reilly tends to get under people’s skin like that.He has no compunction telling readers, in his singular quick-witted style, how he really feels about some of the most popular sports figures of our time. Wondering about quarterback Jay Cutler? “Cutler is the kind of guy you just want to pick up and throw into a swimming pool, which is exactly what Peyton Manning and two linemen did one year at the Pro Bowl.” Or how about Tiger Woods? “Sometimes you wonder where Tiger Woods gets his public-relations advice. Gary Busey?” But for every brazen takedown, Reilly has written a heartwarming story of the power of sports to heal the wounded and lift the downtrodden: the young Ravens fan with cancer who called the plays for a few—victorious—games in 2012, or the onetime top NFL recruit who was finally exonerated after serving five years for a crime he didn’t commit.With a new introduction and updates from Reilly on his most talked-about col­umns, as well as his expert opinion on athlete tattoos, NFL cheerleaders, and running with the bulls in Pamplona, Tiger, Meet My Sister showcases an unparalleled sportswriter at the top of his game.

    Yet in the span of a single generation in postwar America, the game charted an extraordinary rise in popularity, becoming a smartly managed, keenly marketed sports entertainment colossus whose action is ideally suited to television and whose sensibilities perfectly fit the modern age. Pro football’s ascent is an epic American story, and America’s Game does it full justice.Beginning with the World War II years, when the NFL was fighting for its very existence, Michael MacCambridge traces the game’s grand transformation, with particular attention paid to six key franchises–the Rams, Browns, Colts, Cowboys, Chiefs, and Raiders–and how their fortunes reflected the larger growth of the game itself. Along the way we meet the sport’s legendary architects, men such as Pete Rozelle, George “Papa Bear” Halas, Bert Bell, Tex Schramm, and Lamar Hunt, as well as a wide range of its memorable characters–including Johnny Unitas, Paul Brown, Vince Lombardi, Jim Brown, Al Davis, Joe Namath, Bill Walsh, and Deion Sanders. In the process we witness the rivalries, the games themselves, and the passion that have made professional football the nation’s signature sport.MacCambridge continues the story through the turbulent 1980s and 1990s, when labor disputes and off-field scandals shook the game to its core, and up to the sport’s present-day preeminence under Paul Tagliabue. The unique portrait of the modern game’s inner workings and relentless competitiveness sheds light on contemporary stars such as Ray Lewis and Peyton Manning, as well as on the men whose leadership skills are scrutinized and second-guessed by much of the country, celebrated coaches such as Bill Parcells, Dick Vermeil, Tony Dungy, and Brian Billick.Magisterial and sweeping, definitive and unprecedented in scope, America’s Game is cultural history at its finest. A thoroughly entertaining account of the entire universe of professional football, from locker room to boardroom, from playing field to press box, it is a unique lens through which to view the past sixty years of American history.

    Here are Alexander von Humboldt, whose epic explorations of South America surpassed the Lewis and Clark expedition; Harriet Beecher Stowe, “the little woman who made the big war”; Frederic Remington; the extraordinary Louis Agassiz of Harvard; Charles and Anne Lindbergh, and their fellow long-distance pilots Antoine de Saint-Exupéry and Beryl Markham; Harry Caudill, the Kentucky lawyer who awakened the nation to the tragedy of Appalachia; and David Plowden, a present-day photographer of vanishing America. Different as they are from each other, McCullough’s subjects have in common a rare vitality and sense of purpose. These are brave companions: to each other, to David McCullough, and to the reader, for with rare storytelling ability McCullough brings us into the times they knew and their very uncommon lives.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    It is rare that a historian of the Left has managed to retain as much credibility while refusing to let his academic mantle change his beautiful writing style from being anything but direct, forthright, and accessible. Whether his subject is war, race, politics, economic justice, or history itself, each of his works serves as a reminder that to embrace one's subjectivity can mean embracing one's humanity, that heart and mind can speak with one voice. Here, in six sections, is the historian's own choice of his shorter essays on some of the most critical problems facing America throughout its history, and today.

    Vollmann, S.E. Hinton, Dave Eggers, Myla Goldberg, Rick Moody, and Alexander Payne.  Inspired by the Depression-era WPA guides and awarded an “A” grade by Entertainment Weekly, these delightful essays on the American character deliver “the full plumage of American life, in all its riotous glory” (The New Yorker).

    Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for the enduring relevance of Karl Marx. The book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens' credentials as (to quote Christopher Buckley) our "greatest living essayist in the English language."

    Love them or hate them, they cannot be ignored by anyone who professes to be a fan of the great game of baseball.With Damn Yankees, Rob Fleder, former Executive Editor for Sports Illustrated magazine, offers a timeless collection of original essays by some of the most prominent contemporary writers in America—from Pete Dexter to Jane Leavy, from Roy Blount Jr. to Colum McCann—each piece focusing on one uniquely colorful subject: the fanatically adored/resoundingly despised “Bronx Bombers.”Funny, moving, provocative, insightful appreciations and detractions—from Babe Ruth to Mickey Mantle to Derek Jeter—Damn Yankees offers twenty-four fascinating takes on the most storied franchise of baseball’s Major Leagues.

    My First New York is a glorious collection of recollections and reminiscences as fifty of the city’s most famous residents recapture the kicks and thrills of first arriving in the Big Apple. Actors and athletes, rock stars and porn stars, writers, artists, and politicos—from Yogi Berra to Liza Minnelli, from Chloe Sevigny to Andy Samberg to Diane Von Furstenberg—they all share their hilarious, touching, frightening, amazing early big city adventures in My First New York.

    Even before their epic pitching duel, Marichal and Spahn already had a lot in common. Future Hall of Famers with high-kicking deliveries, they were shaped into winners by character-building experiences in the military. Spahn had been baseball's most winning pitcher in the 1950s, and Marichal would be equally dominant in the 1960s. The Braves' Spahn and the Giants' Marichal began their duel in San Francisco's cold and windy Candlestick Park. Four hours later, the two pitching legends were deadlocked in a scoreless tie when Willie Mays hit a walk-off home run to end the greatest game ever pitched. In between, Marichal and Spahn each threw more than 200 pitches and went 16 innings without relief. Considering today's culture of pitch counts and coddled arms, it was proved to be a legendary night that won't be repeated ever again.

    Ted Williams was the best hitter in baseball history. This Red Sox legend's batting average of .406 in 1941 has not been topped since, and no player who has hit over 500 home runs has a higher career batting average. Those totals would have been even higher if Williams had not left baseball for nearly five years in the prime of his career to serve as a Marine pilot in World War II and Korea. He hit home runs as far as or farther than any player before him – and traveled a long way himself, as Ben Bradlee, Jr.'s, grand biography reveals. Born in 1918 in San Diego, Ted would spend most of his life disguising his Mexican heritage. During his 22 years with the Boston Red Sox, Williams electrified crowds across American–and shocked them, too: His notorious clashes with the press and fans threatened his reputation. Yet while he was a God in the batter's box, he was profoundly human once he stepped away from the plate. His ferocity came to define his troubled domestic life. While baseball might have been straightforward for Ted Williams, life was not. "The Kid" is biography of the highest literary order, a thrilling and honest account of a legend in all his glory and human complexity. In his final at-bat, Williams hit a home run. Bradlee's marvelous book clears the fences, too.