This book features the most original and sought-after map illustrators whose work is in line with the zeitgeist. Drawing a map means understanding our world a bit better. For centuries, we have used the tools of cartography to represent both our immediate surroundings and the world at large--and to convey them to others. On the one hand, maps are used to illustrate areal relationships, including distances, dimensions, and topographies. On the other, maps can also serve as projection screens for a variety of display formats, such as illustration, data visualization, and visual storytelling. In our age of satellite navigation systems and Google Maps, personal interpretations of the world around us are becoming more relevant. Publications, the tourism industry, and other commercial parties are using these contemporary, personal maps to showcase specific regions, to characterize local scenes, to generate moods, and to tell stories beyond sheer navigation. A new generation of designers, illustrators, and mapmakers are currently discovering their passion for various forms of illustrative cartography. A Map of the World is a compelling collection of their work--from accurate and surprisingly detailed representations to personal, naive, and modernistic interpretations. The featured projects from around the world range from maps and atlases inspired by classic forms to cartographic experiments and editorial illustrations.

    Installation Art provides the first clear account of the rise of installation as a form while revisiting and, in some cases, reassessing many well-known names of post-1960 art. This lavishly produced volume also introduces the reader to a wider spectrum of younger artists yet to receive serious critical attention. Artists featured include Vito Acconci, Joseph Beuys, Christian Boltanski, Marcel Broodthaers, Judy Chicago, Olafur Eliasson, Group Material, Isaac Julien, Ilya Kabakov, Yayoi Kusama, Cildo Meireles, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Smithson, Bill Viola, and many others.

    Unlike many of his peers, he has explored these issues through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. In every level of his varied output--from his austere photo-based realism of the early 60s, to his brightly colored gestural abstractions of the early 80s, to his notorious cycle of black-and-white paintings of the Baader-Meinhof group--Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be. The result has been one of the most convincing renewals of painting's vitality to be found in late twentieth- and early twenty-first-century art. With an extensive and insightful critical essay by curator Robert Storr, a recent interview with the artist, a chronology, an exhibition history and nearly 300 color and duotone reproductions, Gerhard Richter: Forty Years of Painting marks a significant contribution to the understanding of contemporary art in general, and Gerhard Richter in particular.

    Sweating and shivering by turns as the temperature and altitude shoot up and down, thrown in with the appalling Mr Thornberry in Limón and reading nightly to the blind writer, Borges, in Buenos Aires, Theroux vividly evokes the contrasts of a journey 'to the end of the line'.

    Aware of the risks involved, but determined to explore what he could of the Afghan people and culture, Elliot leaves the relative security of Kabul. He travels by foot and on horseback, and hitches rides on trucks that eventually lead him into the snowbound mountains of the North toward Uzbekistan, the former battlefields of the Soviet army's "hidden war." Here the Afghan landscape kindles a recollection of the author's life ten years earlier, when he fought with the anti-Soviet mujaheddin resistance during the Soviet occupation of Afghanistan. Weaving different Afghan times and visits with revealing insights on matters ranging from antipersonnel mines to Sufism, Elliot has created a narrative mosaic of startling prose that captures perfectly the powerful allure of a seldom-glimpsed world.

    The subject of the first essay was John F. Kennedy and his young family, who sat for formal black-and-white portraits just three weeks prior to Kennedy's presidential inauguration. Six images appeared in the magazine's February 1961 issue.That same day, Avedon created more informal color portraits of Kennedy and his family at the Kennedy compound in Palm Beach. One of these images ran as the cover of LOOK magazine's February 28 issue, with photographs by Avedon inside. Just before the magazine hit the newsstands and was delivered to over 6.5 million people, a set of photographs, comprised mostly of the LOOK images, was released by the White House and appeared in newspapers across the country.During his lifetime, Richard Avedon donated more than two hundred images to the Smithsonian Institution, including all of the photographs of the Kennedy family sitting for Harper's Bazaar. Smithsonian curator Shannon Thomas Perich has culled more than seventy-five images from that donation for The Kennedys: Portrait of a Family, making these stunning photographs available for view for the first time. Perich's introductory essay—accompanied by a wealth of archival photographs of both Avedon and the Kennedy family—provides historical background on the two sittings within a political and cultural context and critically examines the work of one of the finest photographers of the twentieth century. A foreword by Robert Dallek, distinguished historian and author of the bet-selling An Unfinished Life: John F. Kennedy, 1917-1963, provides authoritative and compelling insight to one of the most fascinating presidents in American history.

    What he discovered was a vast and sparsely settled territory largely ignored by the rest of the United States and Canada; a harsh and beautiful region populated by some of the continent's most independent men and women. Mosher brings the remote North Country vividly to life, and reflects on the powerful characters he has encountered in his own life and how this land has shaped his life and his books.

    His sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings. A new preface and two new additional essays published in the 1990s bring this valuable collection up to date.

    J. O'Rourke's classic, best-selling guided tour of the world's most desolate, dangerous, and desperate places. Tired of making bad jokes and believing that the world outside seemed a much worse joke than anything I could conjure, P. J. O'Rourke traversed the globe on a fun-finding mission, investigating the way of life in the most desperate places on the planet, including Warsaw, Managua, and Belfast. The result is Holidays in Hell--a full-tilt, no-holds-barred romp through politics, culture, and ideology. P.J.'s adventures include storming student protesters' barricades with riot police in South Korea, interviewing Communist insurrectionists in the Philippines, and going undercover dressed in Arab garb in the Gaza Strip. He also takes a look at America's homegrown horrors as he braves the media frenzy surrounding the Reagan-Gorbachev summit in Washington D.C., uncovers the mortifying banality behind the white-bread kitsch of Jerry Falwell's Heritage USA, and survives the stultifying boredom of Harvard's 350th anniversary celebration. Packed with P.J.'s classic riffs on everything from Polish nightlife under communism to Third World driving tips, Holidays in Hell is one of the best-loved books by one of today's most celebrated humorists.

    Her story—thousands of photo negatives and prints found in a storage locker and sold for pennies at auction—has stirred millions around the world. Maier was a painfully private woman who now speaks powerfully through the photographs she took only for herself. This new collection offers readers a chance to follow Maier as she travels the world, including images of France, Italy, Malaysia, Yemen, Puerto Rico, and America. These eye-to-eye portraits, published for the first time, are the single constant in her lifetime of photographic work. Maier is often cast as a quirky, antisocial character, moving on the outskirts of real connection. But these photographs show something more. Printed with the latest technology, the book utilizes a modified four-color process that produces images akin to traditional silver gelatin prints. Combined with 15u stochastic screening, Maier's 96 photographs in this volume are spectacularly sharp, full-range black-and-white reproductions.

    I had a great longing to move, she said, to hear another language, eat new food, to be in a country with a long nasty history in the past and as little present history as possible. And so she set out for Mexico--and, incidentally, to write what Bruce Chatwin called the best travel book of the twentieth century, a book of marvels, to be read again and again and again.

    The Trail stretches along the East Coast of the United States, from Georgia to Maine, through some of the most arresting and celebrated landscapes in America - the Smoky Mountains, Shenandoah National Park, the Berkshire Hills of Massachusetts and the Great North Woods of Maine.

    However, after two and a half years on horseback with two of his trusty and tough steeds, this daring trekker lived to tell his best-selling tale.Tschiffely's 10,000-mile journey was filled with adventure and triumph, but it also forced the traveler to deal with tremendous natural and man-made obstacles, as many countries in Central America were war-torn. He traversed rivers and mountains in hurricanes and hail storms, stopping to stay the night with farmers and villagers in huts who often shared their mysterious and superstitious tales. He ate dried goats' meat in a desolate town of Santiago del Estero, watched illegal cockfights and vicious machete battles between plantation workers in Jujuy, and was healed by an Indian herb doctor in the mountains of Bolivia for his infection after excavating graves; these obstacles have captured the hearts of people from around the world.In addition to the remarkable details of his travel expedition, Tschiffely's relationship with his horses, Mancha and Gato, is perhaps the most endearing element of the book, and his photos of the people and places he encountered make Tschiffely's Ride the perfect travel companion for adventure enthusiasts.

    Using an entertaining, running narrative format to look at key concerns every illustrator must face today, this book covers finding one's unique style and establishing a balance between art and commerce; tackling issues of authorship and promotion; and more. In-depth perspectives are offered by illustrators, art directors, and art buyers from various industries and professional levels on such issues as quality, price negotiation, and illustrator-client relationships.• Includes an afterword by Milton Glaser, well-known designer/illustrator• From the authors of The Education of an Illustrator (1-58115-075-x)

    You'll be lacing up your own sneakers in no time."Lively and inspiring!"-Hartford Courant "A great feel-good story."-Philadelphia Examiner After losing her boyfriend and her job in one fell swoop, Noreen has no idea what her next step is. So she puts on a new pair of sneakers and a seriously outdated pair of exercise pants, and walks. Before long she's joined by two neighbors as lost as she is and figures out time flies and fitness is actually fun when you're walking with friends. Throw in a road trip to Seattle for a lavender festival, a career-coaching group that looks like a bad sequel to The Breakfast Club, some terrific romantic comedy twists and turns, a quirky multigenerational cast of supporting characters, and the result is a tribute to female friendship that will inspire you to pick up the phone and call all your old friends--or maybe even start your own walking group."The Wildwater Walking Club is a quick smart read that will get you thinking about walking, friendship, and making time for the things you love." -Bookreporter.com"Readers who enjoy a celebration of friendship will want to walk the beach alongside the Wildwater trio." -Midwest Book Review"The Wildwater Walking Club reminds us of what's important in life - the joy of friendship, the power of a brisk walk, and of course the importance of a good book. I couldn't put it down. -Anisha Lakhani"The woman of The Wildwater Walking Club are a delightful trio, full of heart and determination. As they - literally - put one foot in front of the other, the three new friends find unlikely paths that point them toward more fulfilling lives. Their journey left me genuinely inspired (and with the curious urge to go out and buy a clothesline)." -Jean Reynolds Page