Yet she quickly discovers that this family is far from ‘perfect.’ Old sins and secrets have driven them apart. ‘Healing hearts’ becomes her most important task. When he hires her, Ariel is just an employee to Owen Jackson. A skilled nanny who can bring his unruly children to heel. Quickly, though, her beauty, strength, and kindness win his heart. This lifelong playboy begins to wonder if he can devote himself to one woman. There’s only one problem: he has to marry another woman. Every Dragon has a Mate, a woman destined to be his true love. And the Rite of Claiming proves, beyond a doubt, that Ariel isn’t that woman. Ordered to discover his soulmate, Owen instead finds himself drawn irresistibly to Ariel. Passion grows, a burning need they cannot deny. As their forbidden desire pits the Dragon against his own Flight, the lovers face an impossible choice. Love or Fate? Which is stronger? This is a 30k word novella which contains No Cheating, No Cliffhangers and of course an HEA ; ). It also includes a brief preview of ARLO, the first novella in the LOST CREEK series by Samantha Leal... Warning: This ebook contains mature themes and language and is meant for 18+ readers only.

    In this unparalleled book, Marshall Berman takes account of the social changes that swept millions of people into the capitalist world and the impact of modernism on art, literature and architecture. This new edition contains an updated preface addressing the critical role the onset of modernism played in popular democratic upheavals in the late 1920s.

    This book, as defined in his preface, "is about the response of the English literary intelligentsia to the new phenomenon of mass culture." Readers may be shocked to learn that H.G. Wells liked to think that this newly emerged "mass" would be eliminated by plague and atomic bombs; that Yeats wished them to perish in an apocalyptic war against the educated classes and that D.H. Lawrence visualized a huge lethal chamber in which they could be exterminated.John Carey's devastating attack on the intellectuals exposes the loathing which the mass of humanity ignited in many of the virtual founders of modern culture: G.B. Shaw, Ezra Pound, James Joyce, E.M. Forster, Virginia Woolf, T.S. Eliot and others. Professor Carey compares their detestation of common humanity to Nietzsche, whose philosophy helped create the atmosphere leading to the rise of Adolph Hitler. Any student of modern literature and history will find John Carey's incisive book both enlightening and disturbing, an essential read for a full understanding of where we are today.

    He wanted to claim my heart...---If you like hot, steamy, over-the-top romance with insta-love dripping off the pages, then the Midnight Reads series is for you! Suspend your disbelief and leave your panties at the door. You won't need either of them tonight.

    The modern turn to subjectivity, with its attendant rejection of an objective order of reason, has led—it seems to many—to mere subjectivism at the mildest and to sheer nihilism at the worst. Many critics believe that the modern order has no moral backbone and has proved corrosive to all that might foster human good. Taylor rejects this view. He argues that, properly understood, our modern notion of the self provides a framework that more than compensates for the abandonment of substantive notions of rationality.The major insight of Sources of the Self is that modern subjectivity, in all its epistemological, aesthetic, and political ramifications, has its roots in ideas of human good. After first arguing that contemporary philosophers have ignored how self and good connect, the author defines the modern identity by describing its genesis. His effort to uncover and map our moral sources leads to novel interpretations of most of the figures and movements in the modern tradition. Taylor shows that the modern turn inward is not disastrous but is in fact the result of our long efforts to define and reach the good. At the heart of this definition he finds what he calls the affirmation of ordinary life, a value which has decisively if not completely replaced an older conception of reason as connected to a hierarchy based on birth and wealth. In telling the story of a revolution whose proponents have been Augustine, Montaigne, Luther, and a host of others, Taylor's goal is in part to make sure we do not lose sight of their goal and endanger all that has been achieved. Sources of the Self provides a decisive defense of the modern order and a sharp rebuff to its critics.

    Included are The Very Strange Mr. Fish, The Butcher of Plainfield, From the Pros to the Penitentiary, Nightmare on Elm Drive, The Brown's Chicken Murders, The Kitty Genovese Murder, The Wichita Horror, The Hi Fi Murders, The Poster Boy for Capital Punishment, The Yogurt Shop Murders, The Vampire Rapist, The Murder of James Bulger, Thrill Killers: Leopold and Loeb, The Killing of Anita Cobby, Death in a Bottle: The Tylenol, Excedrin and Sudafed Murders, The Easter Sunday Murders, Murder at McDonald's, The Luby's Massacre, Charles Manson and Helter Skelter. Part Two: Quick Hits holds 13 shorter chapters that include Eric Smith, The Camden Killer, Killed Over a Kiss, The Bed & Breakfast Murders, Who Shot the War Hero?, The Colorado Springs Killings, Joseph Vacher, Jeanne Weber, Michael Hernandez, The Tourniquet Killer, Patricia Johnson and Killed Over Facebook Status. The book ends with I Don't Like Mondays.

    In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.

    Striving to join the ranks of the elite fighters who defend against boarding pirates, Hanna sees no better future for herself than that of a fighter. But when Thorodd Stoneblood, her grandfather, is killed by a mysterious assassin, Hanna discovers that her own life is bound to a fate she couldn't have imagined. Faced with the understanding of an unknown past and a coven of power hungry witches who will stop at nothing to see her dead, Hanna struggles to overcome the adversities of a magical world she never knew existed. With the tide of danger rising around her and the driving need to uncover the truth of why blood was spilled at her door, Hanna discovers that it won't be enough to be a warrior. In order to survive, she will have to become something more… Can Hanna uncover the truth of a mysterious new enemy? Or will her legacy end in the same manner as the Stoneblood lines always do… in bloodshed? Hanna Halfblood is the first installment of an incredible YA Fantasy series that will lead you into a rich world of magic and wonder. If you like Throne of Glass by Sarah J Maas you will love the whole Halfblood series by Robyn Wideman.

    Suddenly we find ourselves in a world that few would have imagined possible just a few years ago, a world that seems to many to be a move backwards. How can we make sense of these dramatic developments and how should we respond to them? Are we witnessing a worldwide rejection of liberal democracy and its replacement by some kind of populist authoritarianism? This timely volume brings together some of the world's greatest minds to analyse and seek to understand the forces behind this 'great regression'. Writers from across disciplines and countries, including Paul Mason, Pankaj Mishra, Slavoj Zizek, Zygmunt Bauman, Arjun Appadurai, Wolfgang Streeck and Eva Illouz, grapple with our current predicament, framing it in a broader historical context, discussing possible future trajectories and considering ways that we might combat this reactionary turn. The Great Regression is a key intervention that will be of great value to all those concerned about recent developments and wondering how best to respond to this unprecedented challenge to the very core of liberal democracy and internationalism across the world today. For more information, see: www.thegreatregression.eu

    Collections of interviews with notable modern writers

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a through and readable analysis of each of the novels in question. The books in the series all follow the same structure: a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or television adaptations, literary prizes, and so forth; a wide range of suggestions for further reading, including web sites and discussion forums; and a list of questions for reading groups to discuss.

    Carver Country presents the stark but human reality of one man's world, a man who was generous in his spirit and in his gifts, and who rose above his beginnings - but Raymond Carver never left his native ground or gave up his love for its terrain and its people. Raymond Carver's gritty texts, including his poems, short stories and unpublished letters, combined with Bob Adelman's photographs of Carver's people and haunts, re-create the world of this major writer, bringing to life the bleak, blue-collar towns, people, and places that became the inspiration for much of his work. Includes 113 duotone photos.

    The book was a formative text of the new discipline of sociology and has gone on to become a classic in the social sciences.

    Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis—the belief that humans and technics are coevolving—and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa.Hayles examines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or “hyper reading,” and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions—Steve Tomasula’s electronic novel, TOC; Steven Hall’s The Raw Shark Texts; and Mark Z. Danielewski’s Only Revolutions. Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, How We Think presents a cogent rationale for tackling the challenges facing the humanities today.

    He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.The Field of Cultural Production will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.