Using as a frame of reference The Tale of Genji and other major literary works from Japan's Heian period, Morris recreates an era when woman set the cultural tone. Focusing on the world of the emperor's court-the world so admired by Virginia Woolf and others-he describes the politics, society, religious life, and superstitions of the times, providing detailed portrayals of the daily life of courtiers, the cult of beauty they espoused, and the intricate relations between the men and women of this milieu.

    Here, from British historian and New Yorker senior writer Anthony Bailey is the dramatic story of the Low Countries - Belgium, the Netherlands, and Luxembourg - from the early days of nomads and barbarian invaders to the birth of towns and cities to the rise and decline of world prominence and finally to the dark and tragic days of World War II.

    But when two faces from his old gang turn up, he finds himself getting involved in a new scam, and soon he is embroiled in a world he wants to escape and is forced to confront a man who is dangerously unhinged.

    An engrossing, haunting tale that gives us insight into an almost forgotten age. Madam Sugimoto was born in Japan, not in the sunny southern part of the country which has given it the name of "The Land of Flowers," but in the northern province of Echigo which is bleak and cold and so cut off from the rest of the country by mountains that in times past it had been considered fit only for political prisoners or exiles. Her father was a Samurai, with high ideals of what was expected of a Samurai's family. His hopes were concentrated in his son until the son refused to marry the girl for whom he was destined and ran off to America. After that all that was meant for him fell to the lot of the little wavy-haired Etsu who writes here so delightfully of the things that happened in their childhood days in far-away Japan.

    This book will allow the reader to understand the complex way in which the fragmentary past is both available to us ... and distant from us.' We get those insights from Tóibín's short history and from a rich collection of documents -- government papers, recipes, journalism, letters, statistics, personal statements, all linked so the book can be read as a whole.

    Relatively unknown among the religions of the world, Shinto: The Kami Way provides an enlightening window into this Japanese faith.In its general aspects Shinto is more than a religious faith. It is an amalgam of attitudes, ideas, and ways of doing things that through two millennia and more have become an integral part of the way of the Japanese people. Shinto is both a personal faith in the kami—objects of worship in Shinto and an honorific for noble, sacred spirits—and a communal way of life according to the mind of the kami. This introduction unveils Shinto's spiritual characteristics and discusses the architecture and function of Shinto shrines. Further examination of Shinto's lively festivals, worship, music, and sacred regalia illustrates Shinto's influence on all levels of Japanese life.Fifteen photographs, numerous drawings and Dr. Ono's text introduce the reader to two millennia of indigenous Japanese belief in the kami and in communal life.Chapters include:The Kami WayShrinesWorship and FestivalsPolitical and Social CharacteristicsSome Spiritual Characteristics

    This narrative examines the impact of towering figures such as Leyasu, the architect of the Tokugawa state, and the experiences of everyday Japanese - farmers, soldiers and women - whose struggles built a strong and prosperous nation. The work traces the advances and reversals marking Japan's path from a land ruled by lords and a warrior class to a modern parliamentary democracy, and from a small isolationist nation to a political and economic giant. This history text is also seasoned with Japanese culture throughout - the woodblock prints of Hiroshige and Hokusai, the exquisite haiku of Basho, the beauties of noh drama, the novels of Oe Kenzaburo and the films of Ozo.

    Delivered in New York in February 1860, the Cooper Union speech dispelled doubts about Lincoln's suitability for the presidency and reassured conservatives of his moderation while reaffirming his opposition to slavery to Republican progressives. Award-winning Lincoln scholar Harold Holzer places Lincoln and his speech in the context of the times -- an era of racism, politicized journalism, and public oratory as entertainment -- and shows how the candidate framed the speech as an opportunity to continue his famous "debates" with his archrival Democrat Stephen A. Douglas on the question of slavery. Holzer describes the enormous risk Lincoln took by appearing in New York, where he exposed himself to the country's most critical audience and took on Republican Senator William Henry Seward of New York, the front runner, in his own backyard. Then he recounts a brilliant and innovative public relations campaign, as Lincoln took the speech "on the road" in his successful quest for the presidency.

    A vicious campaign of persecution forced the faithful to go underground. For seven generations, Hidden Christians—or Kirishitan—preserved a faith that was strictly forbidden on pain of death. Illiterate peasants handed down the Catholicism that had been taught to their ancestors despite having no Bible or contact with the outside world.Just as remarkably, descendants of the Hidden Christians continue to this day to practice their own religion, refusing to rejoin the Catholic Church. Why? And what is it about Christianity that is so antagonistic to Japanese culture? In Search of Japan's Hidden Christians is an attempt to answer these questions. A journey in both space and time, In Search of Japan's Hidden Christians recounts a clash of civilizations—of East and West—that resonates to this day and offers insights about the tenacity of belief and unchanging aspects of Japanese culture.

    Yukichi Fukuzawa's life covered the 66 years between 1835 and 1901, a period which comprised greater and more extraordinary changes than any other in the history of Japan. In his country's swift transformation from an isolated feudal state to a full-fledged member of the modern world, Fukuzawa played a leading role: he was the educator of the new Japan, the man who above all others explained to his countrymen the ideas behind the dazzling material evidence of Western civilization. Dictated by Fukuzawa in 1897, this book vividly relates his story, from his childhood as a member of the lower samurai class in a small, caste-bound village. His escape from the hopeless destiny decreed by his social position, his adventures as a student of Dutch (the language of the only Westerners allowed in Japan), his travels aboard the first Japanese ship to sail to America -- all prepared Fukuzawa to write Seiyo Jijo (Things Western), the book which made him famous. His special perspective on Japan's tempestuous 19th century gives Fukuzawa's life story added fascination.

    The unmarried, and childless Briggs is the object of mirth and pity of the Sinhalese,she journeys around the Teardrop Island, inadvisably for her, but entertainingly for us on public transport. With the civil war recently ended and the effects of the devastating tsunami as ever present context Briggs entertains and educates. Her hapless inability to select decent guides or drivers results in her taking us vicariously to places we would never reach otherwise.Not to be read if your offspring are contemplating a gap year in Ceylon.

    Focusing on six of these ruthless men Hoffman reveals how a few players managed to take over Russia's cash-strapped economy and then divvy it up in loans-for-shares deals. Before perestroika, these men were normal Soviet citizens, stuck in a dead-end system, claustrophobic apartments, and long bread lines. But as Communism loosened, they found gaps in the economy and reaped huge fortunes by getting their hands on fast money. They were entrepreneurs. As the government weakened and their businesses flourished, they grew greedier. Now the stakes were higher. The state was auctioning off its own assets to the highest bidder. The tycoons go on wild borrowing sprees, taking billions of dollars from gullible western lenders. Meanwhile, Russia is building up a debt bomb. When the ruble finally collapses and Russia defaults, the tycoons try to save themselves by hiding their assets and running for cover. They turn against each other as each one faces a stark choice--annihilate or be annihilated. The story of the old Russia was spies, dissidents, and missiles. This is the new Russia, where civil society and the rule of law have little or no meaning.

    Follow along as Michael Talbot, part-time prepper, along with his best friend BT “Big Tiny” and the anti-hero Mrs. Deneaux are pulled into another realm, seemingly spun from the mind of the ever stoned John the Tripper in a desperate bid to right what has gone wrong.

    But when her friend Juliet finds herself at rock bottom, Lenny realises it's going to take more than that to fix her.Luckily help is at hand in the form of HappyGuru: a plan which promises happiness in seven easy steps. So when Lenny is asked to research it, she puts scepticism aside and persuades Juliet they should give it a go.The friends quickly find themselves immersed in mindfulness, juice cleanses and death-defying circus stunts. Yet as Juliet becomes increasingly buoyant, things only get more complicated for Lenny.Can it be that happiness is only seven steps away?A funny and moving novel of friendship, heartbreak, and the restorative power of melted cheese.

    He takes us with him on his own journey of discovery, making us see the astonishing sophistication and power of the paintings, telling us what is known about their creators, the Cro-Magnon people who settled the area some 40,000 years ago.Beginning in 1879 with Marcelino Sanz de Sautuola, who found the astonishing paintings on the ceiling of a cave at Altamira, Curtis takes us among the scholars of prehistory, the archaeologists, the art historians who devoted their lives to studying and writing about the paintings. Among them: the famous Abbé Henri Breuil, who lay on his back in damp caves lit only by a lantern held patiently aloft by his faithful—and silent—female assistant, to produce the exquisite tracings that are the most reproduced renderings of the art; Max Raphael, the art historian who first understood that the animals on the walls were not single portraits but part of larger compositions; the beautiful Annette Lamming-Emperaire, resistance fighter turned archaeologist, whose doctoral thesis was so important that all theory since has flowed from her work; Jean Clottes and others still working as new caves and information come to light. In his own search for the caves’ meaning, Curtis takes us through the major theories—that the art was part of fertility or hunting rituals, or used for religious or shamanistic purposes, or was clan mythology—examining the ways in which ethnography, archaeology, and religion have influenced the thinking about the cave paintings over time.The Cave Painters is rich in detail, personalities, and history—and permeated with the mystery at the core of this art created so many thousands of years ago by human beings who had developed, perhaps for the first time, both the ability for abstract thought and a profound and beautiful way to express it.