The entire audience at the George Theatre saw Charlotte Devaraux stab William Kirkpatrick with a fake dagger. They gasped as he fell. But they gasped even more when they realized this would be his final curtain call. How did the murderer manage to exchange the fake dagger for a real one? With the help of the brilliant Dr Ellie Carr, a career driven scientist, Blackstone is able to determine that this dagger had not only been exchanged for a real one but had been laced with a most deadly poison. But what is the source of this exotic poison? And who is the mysterious little old man who keeps appearing on the edges of the investigation? Assisted by the amiable Sergeant Patterson, Blackstone follows the trail of the killer from the theatre to the world of the Victorian freak show and into the depths of a lunatic asylum. And though he does not know it, another murder is now brewing. Will he find this killer in time? With a cast of unusual suspects, all of which have the motive and the wherewithal to commit the crime, Blackstone struggles to find which is truth and which is merely part of the act. Praise for Sally Spencer: "The characters are rich and complex, the plot is unusual and inventive, but it's the delightfully droll, wonderfully witty doses of humour that make the novel such a pleasure" - Booklist Sally Spencer worked as a teacher both in England and Iran - where she witnessed the fall of the Shah. She now writes full time. Endeavour Press is the UK's leading independent publisher of digital books.

    I read his work with awe and admiration.”—Ben Marcus “Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary—a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.”—Cal Bedient This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth’s determination in the face of harsh realities is what rescues us, and him, from hopelessness. “Luck” So a screaming woke you just in time An animal’s scream, or animals’. What kind of animal it was doesn’t matter, and cannot, in any case, be determined. The point is you are saved. Your mouth has been opened. Joe Wenderoth grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.

    Over 100 complete and unabridged poems are accompanied by a concise text that provides insight, observations, and a historical context for each poet and their work.

    Winner of the 2003 Sawtooth Poetry Prize, judged by Joe Wenderoth, who comments, in his introduction: There are many ways to hear 'it takes off the top of my head.' For me, the most important way to hear it is: it makes me suddenly and oddly aware that I am alive--aware that I am simultaneously at the end and the beginning of my power, which is simply to be there and to say so. Foust's poems do this for me; I feel akin to the mute struggler that lurks all around these poems that eludes so many attempts at saying that and where and how he is. The struggle is, in my view, dignified -- never self-congratulatory, never self-pitying -- and it has produced sounds for us to come back to--sounds for us to set out from--Joe Wenderoth, from the introduction.

     KEY TOPICS: It presents the principles that govern the composition of effective argumentative discourse and includes brief examples, with analyses that show students the underlying structure of the argument presented and the ways in which the rhetoric was persuasive. MARKET: For anyone interested in rhetoric and reasoning.

    Poems in English and Spanish that discuss what it means to be Puerto Rican in the United States today.

    On Midlife and the Great Unknown, you will engage with poetic imagination as it was meant to be experienced: as your companion and guide for the challenging terrain of midlife. Join this Yorkshire-born poet and bestselling author to explore:Radical simplification—an invitation to sit in silent reflection and observation • Using your poetic imagination to navigate life's cycles of loss and joy• Honoring who you are right now, including your skills and limitations, and moreThe language of poetry can emancipate you into the next phase of your existence, teaches David Whyte. It can help you break through obstacles and give you courage to take necessary risks. Drawing from the wisdom of fellow poets Rainer Maria Rilke, Emily Dickinson, and Seamus Heaney, Whyte invites you to boldly engage in a conversation with the second half of your life on Midlife and the Great UnknownNote: Excerpted from the full-length audio course Clear Mind, Wild Heart.

    This helpful guide to the practice of chanting is useful for both the beginner and the experienced yogi.Mantras: Words of Power, now in its beautiful third edition, teaches how Mantra practice can be used to focus the mind and increase awareness. Each chapter of the book builds on learning from the previous chapter, beginning with an explanation about what Mantra is, how to practice, and then giving specific instruction for twelve mantras. It also includes chapters on Mantra and Healing, and Mantra and Initiation.

    Kennedy, Victor Hugo, and H. L. Mencken have in common? They all indulged in chiasmus-a literary device in which word order is reversed to hilarious or poignant effect. When Mae West said, "It's not the men in my life, it's the life in my men," she was using chiasmus; when John F. Kennedy said, "Ask not what your country can do for you, ask what you can do for your country," he was doing the same. Dr. Mardy Grothe has compiled hundreds of examples of chiasmus in this whimsically illustrated collection, bringing this witty and thought-provoking device out of obscurity and into the public imagination.

    Direct, humorous and disquieting, Satellite further develops the unique sensibility of an important young poet.

    Now her mature vision engages with the power of time itself: memory and its contradictions, the ebb and flow between parents and children, the deaths we all face sooner or later, the meaning of human responsibility in all this."Letters in the Family," for example, is written in the voices of three women—from the Spanish Civil War, from a Jewish rescue mission behind Nazi lines, and from present-day Southern Africa. Time's Power shows Rich writing with unprecedented range, complexity, and authority.

    Rod McKuen's most personal book of poetry.

    In November of 2010, I read at the ‘Ear Eater’ reading series in Chicago. Ana was another reader. She was reading via Skype. There were a lot of people at the reading. After I read, I walked out of the room and stood in a hallway, staring at the floor. After a few difficult conversations with people in the hallway, I heard the host of the reading talking to someone on the computer. It was Ana. Ana started reading. I laughed a lot and enjoyed her reading. Seemed like other people weren’t enjoying it as much as me but I was enjoying it a lot. I stood in the hallway laughing and shaking my head ‘Yes’ and people looked at me. I kept thinking, ‘I want to go into the room and watch her face reading’ but then I would think, ‘No, don’t do that, just listen.’ Not sure why I kept telling myself not to go into the room where she was reading but I stood in the hallway and listened and enjoyed it a lot. Two years later, Ana emailed me Baby Babe. I opened the PDF just to skim a few poems but then I read the whole book. When I was done reading the book, I thought, ‘I’ll be glad to have this book so I can look at it whenever I want.’” — Sam Pink

    

    It is a vulnerable cross section of his writing that moves from disarmingly human to sudden bursts of beast, able to seamlessly blend back into grounded stories of humor, heartache and identity using crisp, innovative and unforgettable metaphors. If you can only buy one Buddy Wakefield book, this collection is the most comprehensive of his most compelling works to date. His craft mimics the intrigue of propellers when they make themselves invisible. Buddy’s honest story is a one-man relay race to the light; that of a boy at gentleman practice who sometimes wants to blend in so badly he forgets his purpose has already arrived and there is no need to fight a war that’s long been over. The reader must be prepared for the recurring nightmares from which Buddy wakes up only to realize that whatever supposedly awful thing was stalking him was actually just trying to help.