Her works range from short lyric love poetry to longer, more complex cycles, such as Requiem, a tragic depiction of the Stalinist terror. One of the forefront leaders of the Acmeism movement, which focused on rigorous form and directness of words, she was a master of conveying raw emotion in her portrayals of everyday situations. During the time of heavy censorship and persecution, her poetry gave voice to the Russian people. Anna Akhmatova published the collection "White Flock" in 1917. Joseph Brodsky later described this volume as writing of personal lyricism tinged with the "note of controlled terror." Today, it remains among her most celebrated publications. It is presented here in full, in a dual-language book, translated by Andrey Kneller.

     Davies asks readers to reconsider what they know about World War II, and how the received wisdom might be biased or incorrect. He poses simple questions that have complicated and unexpected answers. For instance, Can you name the five biggest battles of the war in Europe? Or, What were the main political ideologies that were contending for supremacy? The answers to these and other questions?and the implications of those answers?will surprise even those who feel that they are experts on the subject. Norman Davies has established himself as one of the preeminent scholars of World War II history, in the tradition of John Keegan and Antony Beevor. "No Simple Victory" is an invaluable contribution to twentieth century history and an illuminating portrait of a conflict which continues to raise questions and provoke debate today.

    It provides up to date information on structural properties, the processing of materials and their applications.

    Set in Berlin and Moscow and spanning eight decades, Fear of Mirrors is the story of betrayed illusions and destroyed hopes. It is also the story of people who believed they were fighting for certain ideals, only to be crushed by their own people.Lovers want to know the truth, but they do not always want to tell it. For some East Germans, the fall of Communism was like the end of a long and painful love affair: free to tell the truth at last, they found they no longer wanted to hear it. Vlady, a former dissident who loses his job when he refuses to renounce his socialist beliefs in the new, unified Germany, wants to tell his alienated son, Karl, what his family's long and passionate involvement with Communism really meant. It is the story of Ludwik, the Polish secret agent who recruited Philby, and of Gertrude, Vlady's mother, whose desire for Ludwik is matched only by her devotion to the Communist ideal.Ali carries us along as the political upheavals of the twentieth century unfold, as Vlady describes the hopes aroused by the Bolshevik revolution and discovers the almost unbearable truth about their betrayal. Written with deep political insight and sensitivity, Fear of Mirrors tells one of the great stories of the twentieth century -- the extraordinary history of Central Europe and the fall of Communism.

    It is also the greatest masterpiece of Russian literature—the source of the human archetypes and the attitudes that define and govern the towering fictional creations of nineteenth-century Russia and one of the most celebrated poems of the world. Before Alexander Pushkin (1799-1837) wrote Eugene Onegin, his nation's literature was a parochial one; after he wrote it, due in no small part to its power and influence, the Russian tradition became one of the central traditions of Western civilization.

    In this sweeping history, Piers Brendon brings the tragic, dismal days of the 1930s to life. From Stalinist pogroms to New Deal programs, Brendon re-creates the full scope of a slow international descent towards war. Offering perfect sketches of the players, riveting descriptions of major events and crises, and telling details from everyday life, he offers both a grand, rousing narrative and an intimate portrait of an era that make sense out of the fascinating, complicated, and profoundly influential years of the 1930s.

    Constable Wood was a disaster waiting to happen. He was the sort of cop who was happier helping little old ladies across the street (even when they were quite content where they were) than pursuing the perpetrators of dreadful deeds. But if he failed to strike fear into the hearts of the criminal underworld, his superiors had a real problem on their hands. Never before had they been forced to deal with such a well-meaning but accident-prone officer and they hoped, fervently, never to see his like again. From his early encounters with a less-than-impressed public, through the terrifying days of the Springbok Tour riots, to the gradual realisation that perhaps he wasn’t cut out for life on the beat, this is the hilarious story of a young cop who created a severe disturbance in the force.

    Petersburg was the haunt of poets, artists, and musicians, a place to meet, drink, read, brawl, celebrate, and stage performances of all kinds. It has since become a symbol of the extraordinary literary ferment of that time. It was then that Alexander Blok composed his apocalyptic sequence “Twelve”; that the futurists Velimir Khlebnikov and Vladimir Mayakovsky exploded language into bold new forms; that the lapidary lyrics of Osip Mandelstam and plangent love poems of Anna Akhmatova saw the light; that the electrifying Marina Tsvetaeva stunned and dazzled everyone. Boris Pasternak was also of this company, putting together his great youthful hymn to nature, My Sister, Life. It was a transforming moment—not just for Russian but for world poetry—but a short-lived one. Within little more than a decade, revolution and terror were to disperse, silence, and destroy almost all the poets of the Stray Dog cabaret.

    

    

    I also hope that it will serve as a useful reference too for the many workers engaged in one type of solid state research activity or another, who may be without formal training in the subject.

    The Russians had been taken by surprise by the Germans' sudden onslaught in June 1941.This book tells the story of that long, bitter siege in the words of those who were there. It vividly describes how ordinary Leningraders struggled to stay alive and to defend their beloved city in the most appalling conditions. They were bombed, shelled, starved and frozen. They dug tank-traps and trenches, built shelters and fortifications, fought fires, cleared rubble, tended the wounded and, for as long as they had strength to do so, buried their dead. Many were killed by German bombs or shells, but most of them died of hunger and cold. Based on interviews with survivors of the siege and on contemporary diaries and personal memoirs. The primary focus is on three people: a young mother with two small children, a boy of sixteen at the outbreak of war, and an elderly academic. We see the siege through their eyes as its horrors unfold and as they struggle to survive.

    Here is the work of Alexander Pushkin, Mikhail Lermontov, Alexander Blok, Andrei Bely, Vladimir Mayakovsky, Ivan Bunin, Osip Mandelstam, Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak, and Joseph Brodsky, among many others.Arranged by theme—love, mortality, art, and the enduring mystery of Mother Russia herself—and presented in the best available translations, these poems will serve as both an introduction to the mastery of Russian poetry and a wide-ranging selection to be returned to again and again.

    With the collapse of the Soviet Union, the country had an opportunity to face its tortured past. In Inside the Stalin Archives, Jonathan Brent asks, why didn't this happen? Why are the anti-Semitic Protocols of Zion sold openly in the lobby of the State Duma? Why are archivists under surveillance and phones still tapped? Why does Stalin, a man responsible for the deaths of millions of his own people, remain popular enough to appear on boxes of chocolate sold in Moscow's airport?Brent draws on fifteen years of unprecedented access to high-level Soviet Archives to answer these questions. He shows us a Russia where, in 1992, used toothbrushes were sold on the sidewalks, while now shops are filled with luxury goods and the streets are jammed with Mercedes. Stalin's specter hovers throughout, and in the book's crescendo Brent takes us deep into the dictator's personal papers to glimpse the dark heart of the new Russia. Both cultural history and personal memoir, Inside the Stalin Archives is a deeply felt and vivid portrait of Russia in the twenty-first century.