Hamsun was a leading Norwegian author who saw humankind and nature united in a strong, sometimes mystical bond. This connection between the characters and their natural environment is exemplified in the novels Pan, and the epic Growth of the Soil, for which Hamsun received the Nobel Prize in literature in 1920.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

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    "It can't be that marriage is the only--the only irrevocable thing If you had a partner that you couldn't go on with, you could come to SOME agreement You could make a sacrifice, but somehow you could end the association Peter," she said, earnestly, "when I think of marketing again--six chops and soup-meat and butter and baking powder--I feel sick When I think of unpacking the things I've washed and dusted for five years--the glass berry bowl that somebody gave us, and the eleven silver tea-spoons--I can't bear it "

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    Fascinating, entertaining, and insightful, these essays cover many subjects and are delivered with the gentle eloquence Boreham is famous for. A mustread for fans of Boreham's beautiful work and worthy of a place on any bookshelf. Contents include: “A Slice of Infinity”, “Readymade Clothes”, “The Hidden Gold”, “'Such a Lovely Bite'”, “Landlord and Tenant”, “The Corner Cupboard”, “With the Wolves in the Wild”, “Dick Sunshine”, “Forty!”, “A Woman's Reason”, “The Handicap”, “Gog and Magog”, “My Wardrobe”, “'Pity my Simplicity”, “Tuning From the Bass”, et cetera. Many vintage books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, highquality edition complete with a specially commissioned new biography of the author. First published in 1919.

    Though they hide it from themselves, their thoughts and memories reveal the spiteful, long-buried motivations behind seemingly innocent actions. The masks finally drop during an eight-course meal on a celebratory trip to Copenhagen, revealing undisguised fear and loathing. Shocking secrets are unearthed as the balance of power subtly shifts from one to the other. Brilliantly observed, this is female bonding at its worst, manipulative, and psychotic, exposing the dependency and deceit behind the compassionate and affectionate facade.

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.