Told in the format of a dictionary, with a series of vignettes disguised as entries, A Dictionary of Maqiao is a novel of bold invention–and a fascinating, comic, deeply moving journey through the dark heart of the Cultural Revolution.Entries trace the wisdom and absurdities of Maqiao: the petty squabbles, family grudges, poverty, infidelities, fantasies, lunatics, bullies, superstitions, and especially the odd logic in their use of language–where the word for “beginning” is the same as the word for “end”; “little big brother” means older sister; to be “scientific” means to be lazy; and “streetsickness” is a disease afflicting villagers visiting urban areas. Filled with colorful characters–from a weeping ox to a man so poisonous that snakes die when they bite him–A Dictionary of Maqiao is both an important work of Chinese literature and a probing inquiry into the extraordinary power of language.

    A profoundly wise and humorous rendering of the classic Chinese text on military strategy, as told through the delightful Chinese cartoon panels of best-selling author Tsai Chih Chung.

    The five sequential stories in the book are well constructed in terms of theme and character development and, as such, can be read as a novel.The stories differ greatly from many other books on life in China, whether they are about the olden times or the present day, in that they do not dwell on politics, nor do they try to make any statements regarding set beliefs of any kind. The stories are simple and direct. Through the eyes and innocent mind of the child, we are let into her world and her feeling and cannot but be moved.The author is well known for her perception and humor, and both these qualities inform her stories. The sense of loss and bewilderment which arouses the child's awareness of the uncertainties of human relationships, even of life itself, and which finally catapults the child away from childhood joys into the sorrows of the adult world is handled with great sensitivity and lyricism.

    In turns witty, accessible, fascinating and deeply moving, Goldschmidt demonstrates her mastery of the short form as well as her ability to draw out scientific themes with humane and compelling insight. Goldschmidt allows us to spy on Bertolt Brecht, as he rewrites his play Life of Galileo with Charles Laughton after the bombings of Hiroshima and Nagasaki. She introduces us to Albert Einstein as he deals with the loss of his first child, Liesel. We meet Robert Oppenheimer scheming against his tutor, Professor Patrick Blackett, at Cambridge University, having fallen in love with Blackett's wife. She tells the story of a female university student starting a love affair with her lecturer paralleled alongside the 'relationship' between Alice and Bob, two imaginary figures that symbolise the theory of relativity. Goldschmidt's scope can be epic, at other times intimate, providing a forensic examination of relationships and the forces that influence them.

    She carried ammunition and was cited for her bravery under fire. Beloved by the Marines, she was decorated and promoted to sergeant. At the end of the war the Marines had her shipped to the U.S. for retirement.

    There is the 'wind-listener', a blind surveillance officer who can hear sounds from miles away; the beautiful, unstable maths genius who meets a violent end; the old man who deciphers codes in his dreams; the spy who recounts a dangerous mission from beyond the grave.In this story of conspiracies, geniuses, revolutionaries and terrible moral choices, people sacrifice everything for a world of secrets - until, ultimately, it destroys them.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    Guided by an ancient parchment written in mysterious code and accompanied by their faithful guide Lao Xu, the three explorers encounter subterranean phenomenon, prehistoric animals, and vast underground seas. "A Journey to the Center of the Earth" is one of Jules Verne's best-known works and one of the most classic tales of adventure ever written. Mandarin Companion is a series of easy-to-read novels in Chinese that are fun to read and proven to accelerate language learning. Every book in the Mandarin Companion series is carefully written to use characters, words, and grammar that a learner is likely to know. Level 2 is intended for Chinese learners at a low intermediate level, equivalent to roughly two to three years of formal study. Most learners who have been able to fluidly read Mandarin Companion Level 1 should be able to read this book. This series is designed to combine simplicity of characters with an easy-to-understand storyline that helps learners grow their vocabulary and language comprehension abilities. The more they read, the better they will become at reading and grasping the Chinese language.

    Of the three, Wang was the consummate master of the short imagistic landscape poem that came to typify classical Chinese poetry. He developed a nature poetry of resounding tranquility wherein deep understanding goes far beyond the words on the page—a poetics that can be traced to his assiduous practice of Ch'an (Zen) Buddhism. But in spite of this philosophical depth, Wang is not a difficult poet. Indeed, he may be the most immediately appealing of China's great poets, and in Hinton's masterful translations he sounds utterly contemporary. Many of his best poems are incredibly concise, composed of only twenty words, and they often turn on the tiniest details: a bird's cry, a splinter of light on moss, an egret's wingbeat. Such imagistic clarity is not surprising since Wang was also one of China's greatest landscape painters. This is a breathtaking poetry, one that in true Zen fashion renders the ten thousand things of this world in such a way that they empty the self even as they shimmer with the clarity of their own self-sufficient identity.

    China's top martial arts novelist tells a thrilling story of an infamous bandit who allegedly kills without blinking, accentuated with a problematical romance filled with moral dilemmas.

    What are you waiting for? Start reading and experience the darker side of Dahl...This book is a gift. It has been given by a passionate volunteer as part of World Book Night 2014 on April 23 to spread the joy of books and reading - particularly among those who don't yet love to read.You can keep it or pass it on. There are no strings, but please do try it. It's a great book and we think you are going to love it.Because everything changes when we read.

    (#11 Nancy Pelosi, #14 Michelle Obama). His new novel "1988: I want to have a talk with the world" traces his road trip on highway 318, redefines "on the road" novel with his opinions in dialogues between his characters on the road. In Chinese. Distributed by Tsai Fong Books, Inc.

    In the most complete, well-ordered philosophical system of his day, Xunzi advocated the counteraction of man's evil through self-improvement, the pursuit of learning, the avoidance of obsession, and observance of ritual in life. Readers familiar with Xunzi's work will find that Burton Watson's lucid translation breathes new life into this classic. Those new to Xunzi will find his ideas on government, language, and order and safety in society surprisingly close to concerns of our own age.

    Michelle Latiolais has given us the rarest item, a splendidly articulated masterpiece.” —William Kittredge“In this luminous collection of stories, the gifted Michelle Latiolais writes of loss in all its surprising manifestations. Widow is a devastation and a wonder.” —Christine Schutt“There is something mysterious about this book, as there always is in the writing that matters most. It eludes explanation. It illumines terrifying realities. Only because these pages seem nakedly willing to take the imprint of every emotion, no matter how ugly, do they possess this great beauty.” —Elizabeth TallentThe stories of Widow conjure the nuances of inner sensations as if hitting the notes of a song, deftly played across human memory. These meditations bravely explore the physiology of grief through a masterful interweaving of tender insight and unflinching detail—reminding us that the inner life is best understood through the medium of storytelling. Among these stories of loss are interwoven other tales, creating a bridge to the ineffable pleasures and follies of life before the catastrophe. Throughout this collection, Latiolais captures the longing, humor, and strange grace that accompany life’s most transformative chapters.Michelle Latiolais is the author of Widow: Stories, a New York Times Editor's Choice selection, and two previous novels, including A Proper Knowledge, also published by Bellevue Literary Press. She is the recipient of the Gold Medal for Fiction from the Commonwealth Club of California and an English professor and co-director of the Programs in Writing at the University of California at Irvine.

    His "Shiji," or "Records of the Grand Historian," documents the history of China and its neighboring countries from the ancient past to his own time. These three volumes cover the Qin and Han dynasties.