The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

     "PAPERCLIP" by Kenneth Hite. "A Spider With Barbed-Wire Legs" by Davide Mana. "Le Pain Maudit" by Jeff C. Carter. "Cracks in the Door" by Jason Mical. "Ganzfeld Gate" by Cody Goodfellow. "Utopia" by David Farnell. "The Perplexing Demise of Stooge Wilson" by David J. Fielding. "Dark" by Daniel Harms."Morning in America" by James Lowder. "Boxes Inside Boxes" and "The Mirror Maze" by Dennis Detwiller. "A Question of Memory" by Greg Stolze. "Pluperfect" by Ray Winninger. "Friendly Advice" by Gareth Ryder-Hanrahan. "Passing the Torch" by Adam Scott Glancy. "The Lucky Ones" by John Scott Tynes. "Syndemic" and an introduction by Shane Ivey. These stories are recommended for mature readers. Excerpted from the introduction: We know a program called Delta Green really existed. You can find a couple of references to it in documents uncovered by Freedom of Information Act requests. Delta Green was a psychological operations unit in World War II, created to take advantage of the bizarre occult beliefs of Axis leaders. The public documents, which may have been released with the name unredacted by mistake, don’t say whether it had any success. The OSS was shut down after the war. Many of its people helped launch the CIA in 1947. We can only speculate whether the OSS’s lessons from Delta Green informed the CIA’s notorious psychological operations in the coming decades.  Conspiracy theorists have done more than speculate. Delta Green came back as a secret project to track down Nazis after the war, they say. Delta Green brought federal agents, spies, and special forces together for missions too secret even for the CIA. Delta Green was the precursor and rival to Majestic-12, the U.S. government conspiracy that allied itself with aliens after Roswell. Delta Green fights otherworldly monsters and evil sorcerers under the cover of the Global War on Terror. Once you climb into the rabbit hole, the fall never ends. In this book we turn up tales from the rabbit hole: Delta Green case histories rendered as short stories. They begin in the Dust Bowl, with a Naval intelligence unit supposedly called “P4” and memories of the abandoned New England town of Innsmouth (another bottomless well of conspiracy theories). They look at the days after World War II when secret agents pursued Nazis all over Europe, the early CIA attempted its first infamous schemes, and anticommunist witch-hunts seized on American terrors back home. They bring us through the Cold War desperation of the Seventies and Eighties, when America was shocked by its own crimes and Delta Green allegedly went underground again. And they come to the present day, and a Delta Green divided after it rebuilt itself in the secret government—but many old outlaws refused to trust the new order.

    I envy those of you making your first acquaintance with this author.” – From the introduction by Matthew Carpenter Respected as one of today’s leading figures of weird fiction for his striking imagination, versatility, and deeply emotional stories, Jeffrey Thomas here offers up fourteen searing tales. Included are the haunting and surreal "Ghosts in Amber," in which a man is compelled to visit a mysterious derelict factory that harbors chilling secrets; "Jar of Mist," which focuses on a father who, in seeking to understand his daughter’s suicide, encounters a dream-like other realm; "Those Above," which imagines an alternate Victorian society controlled by vast monstrous entities from beyond; and the title novelette "The Endless Fall," which concerns an astronaut who crash-lands on an unknown forested world where time seems to work in an alien way, and where he finds he is unfortunately not alone. “With brutal elegance and chilling subtlety, Thomas pulls his readers into his dark visions immediately from every opening line.” – Paul Di Filippo, in ASIMOV’S “Jeffrey Thomas’ imagination is as twisted as it is relentless.” – F. Paul Wilson “In time he will, in this reviewer’s opinion, be listed alongside King, Barker, Koontz, and McCammon.” – Brian Keene

    Now the weirdness has spread throughout the U.S.! Each fun and intriguing volume offers more than 250 illustrated pages of places where tourists usually don’t venture: it’s chock-full of oddball curiosities, ghostly places, local legends, crazy characters, cursed roads, and peculiar roadside attractions. What’s NOT shockingly odd here: that every previously published Weird book has become a bestseller in its region.

    Lovecraft, the most-fevered mind of 20th century horror and weirdness! These weird tales blend horror, science-fiction and fantasy to weave stories of darkness and terror that will alternately leave you checking dark spaces for hidden horrors and wondering at the nature of reality itself. From the horror/mystery of The Altar in the Hills to the private confessions and revelations of one of mankind's most brilliant minds in Through the Ether, these seven stories bring with them Old Gods, strange twists and interesting characters that will both surprise and delight fans of horror fiction.

     Through thirteen wildly imaginative short stories and a passional essay on colonialism and Southeast Asia, Cambodia: A Book for People Who Find Television Too Slow startles, amuses, and infuriates its readers with juxtaposed images and penetrating insights into the media jungle. Like subtitles read in a foreign film, the pace of Brian Fawcett’s intoxicating prose accelerates quickly and unfolds right before the readers eyes until it is moving more swiftly than the imagines on the evening moves. Passion stirs in the pages of Fawcett’s book, urging readers to resist the annihilation of memory and imagination in our society.

    Magic is not simply a matter of the occult arts, but a whole way of thinking, of dreaming the impossible. As such it has tremendous force in opening the mind to new realms of achievement: imagination precedes the fact. It used to be associated with wisdom, understanding the powers of nature, and with technical ingenuity that could let men do things they had never dreamed of before. The supreme fiction of this magical thinking is The Arabian Nights, with its flying carpets, hidden treasure and sudden revelations. Translated into French and English in the early days of the Enlightenment, this became a best-seller among intellectuals, when it was still thought of in the Arab world as a mere collection of folk tales. For thinkers of the West the book's strangeness opened visions of transformation: dreams of flight, speaking objects, virtual money, and the power of the word to bring about change. Its tales create a poetic image of the impossible, a parable of secret knowledge and power. Above all they have the fascination of the strange -- the belief that true knowledge lies elsewhere, in a mysterious realm of wonder.As part of her exploration into the prophetic enchantments of the Nights, Marina Warner retells some of the most wonderful and lesser known stories. She explores the figure of the dark magician or magus, from Solomon to the wicked uncle in Aladdin; the complex vitality of the jinn, or genies; animal metamorphoses and flying carpets. Her narrative reveals that magical thinking, as conveyed by these stories, governs many aspects of experience, even now. In this respect, the east and west have been in fruitful dialogue. Writers and artists in every medium have found themselves by adopting Oriental disguise.With startling originality and impeccable research, this ground-breaking book shows how magic, in the deepest sense, helped to create the modern world, and how profoundly it is still inscribed in the way we think today.

    Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

    Tolkien, Edgar Allan Poe to James Thurber, and Franz Kafka to Italo Calvino. Including tales of fairies and elves, ghost stories, high fantasy, and stories of social criticism and the conflict between science and religion, this volume presents a diverse selection of writings that all share the same capacity to liberate the human spirit through the wild mental acrobatics of fantasy.

    THE KING HENRY TAPES:Book 1 - The Foul Mouth and the Fanged LadyBook 2 - The Foul Mouth and the Cat Killing CoyotesKING HENRY SHORTS:#1 The Foul Mouth - Little King Henry #2 The Foul Mouth - Conquering Hero#3 The Foul Mouth - Friendship is Madness

    This is a communal effort by the Pushcart Press staff, contributing editors, and hundreds of small presses. For this edition distinguished poets Julie Sheehan and Tom Sleigh served as poetry editors. The result is an introduction to a literary world that few readers have access to, where much of today's important new writing is published, far from the commercial influence of the conglomerates. In reviewing last year's edition, Donna Seaman of Booklist commented: "A brimming, vibrant anthology-the perfect introduction to new writers and adventurous new work by established writers . . . extraordinary in its range of voices and subjects. Here is literature to have and to hold." The Pushcart Prize has been chosen for the Ivan Sandrof Lifetime Achievement recognition by the National Book Critics Circle and the Writers for Writers award from Poets Writers / Barnes Noble.

    Ward, a tier-one operator turned mercenary, has just flung himself off the cargo deck of a doomed C-130. Now he’s out of the Drop Zone and evading the undead as a terrible new breed of hunter enters the Wyrd. But these new, faster predators might not be the only thing to fear in an apocalypse beset by zombies, nukes and killer A.I.’s. One of the last warriors of a collapsed government is planning on putting up some big numbers in this final, ultimate game of Survivor, until he finds a mysterious new companion... a stranger dressed in black.

    P. LovecraftArthur Machen (1863-1947), Welsh novelist and essayist, is considered one of the most important and influential writers of his time. While displaying a preoccupation with pagan themes and matters of the occult (an interest he shared with his close friend, the distinguished scholar A. E. Waite), his writing transcends the genre of supernatural horror. Oscar Wilde, W. B. Yeats, Sir Arthur Conan Doyle, as well as Paul Bowles and Jorge Luis Borges are just a few of the literary notables who are counted among his admirers. Machen is also a key figure in the development of pulp magazine fiction (e.g, Weird Tales), a line of ancestry that leads directly to today's popular graphic novels. Further, Machen's name often crops up in the writings of theorists and practitioners of psychogeography, a school of thought and literature which explores the hidden links between the landscape and the mind.In The Great God Pan, Arthur Machen delivers a tense atmospheric story about a string of mysterious suicides. With its suggestive visions of decadent sexuality, the work scandalized Victorian London. Lyrical and introspective, The Hill of Dreams established Machen as one of the great prose masters of the language. As a penetrating portrayal of the accursed artist, redolent with soulful longing and genteel decay, it ranks as a landmark work in English literature.

    Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Gilman-Perkins, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition.As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns. Curated by Klinger and Morton with an aim to presenting work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.