Now, as the Party's 18th National Congress oversees the biggest leadership transition in decades, and installs the Bo family's long-time rival Xi Jinping as president, China's rulers are finding it increasingly difficult to keep their poisonous internal divisions behind closed doors.Bo Xilai's breathtaking fall from grace is an extraordinary tale of excess, murder, defection, political purges and ideological clashes going back to Mao himself, as the princeling sons of the revolutionary heroes ascend to control of the Party. China watcher John Garnaut examines how Bo's stellar rise through the ranks troubled his more reformist peers, as he revived anti-'capitalist roader' sentiment, even while his family and associates enjoyed the more open economy's opportunities. Amid fears his imminent elevation to the powerful Standing Committee was leading China towards another destructive Cultural Revolution, have his opponents seized their chance now to destroy Bo and what he stands for? The trigger was his wife Gu Kailai's apparently paranoid murder of an English family friend, which exposed the corruption and brutality of Bo's outwardly successful administration of the massive city of Chongqing. It also led to the one of the highest-level attempted defections in Communist China's history when Bo's right-hand man, police chief Wang Lijun, tried to escape the ruins of his sponsor's reputation.Garnaut explains how this incredible glimpse into the very personal power struggles within the CCP exposes the myth of the unified one-party state. With China approaching super-power status, today's leadership shuffle may set the tone for international relations for decades. Here, Garnaut reveals a particularly Chinese spin on the old adage that the personal is political.

    Herter Norton offer Rilke's work to the English-speaking world in an accurate, sensitive, modern version.

    Whether writing about the future of our species on this planet, the folly of our faith in technological progress, or the self-deceptions of the liberal establishment, John Gray dares to be heretical like few other thinkers today.

    With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.

    In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

    But when the competition begins, the group begin to regret their decision. Other teams are hunting their competitors and attacking them for body parts. Can the friends stick together under such extreme pressure to survive? When lives are at stake, you find out who you can really trust...A Red Eye horror novel for teens, this gripping YA thriller story is full of fast-paced action.

    Now they explore the compulsion through a series of compelling case studies in the vein of Oliver Sacks. With vivid portraits that show us the traits by which you can identify a hoarder's piles on sofas and beds that make the furniture useless, houses that can be navigated only by following small paths called goat trails, vast piles of paper that the hoarders "churn" but never discard, even collections of animals and garbage; Frost and Steketee illuminate the pull that possessions exert on all of us. Whether we're savers, collectors, or compulsive cleaners, very few of us are in fact free of the impulses that drive hoarders to the extremes in which they live. For all of us with complicated relationships to our things, Stuff answers the question of what happens when our stuff starts to own us.

    Dave Kelly and Andy Zymanczyk are classmates at a strict Catholic school. Both, desperate to escape their stifling backgrounds, get part-time work in the local cinema. Here they form a binding friendship and, with the help of one charismatic cinema manager, embark on a voyage of discovery. Dave falls in love with Rachel, a Jewish girl who also wants to escape from her strict religious background, while Andy falls for a girl he knows he can never have. When the cinema is threatened with closure, the boys realise that more than their new-found freedom is at risk...

    It was ranked #1 political thriller by Amazon reader reviews for 8 months in 2012-2013. It has been favorably compared to Ayn Rand’s Atlas Shrugged many times, but also to George Orwell’s 1984, Michael Chrichton’s State of Fear and Aldous Huxley’s Brave New World. In this novel the U.S. is nearing economic collapse as a result of political corruption, an un-repayable national debt, the selling of legislation by members of Congress, central command of the economy and devaluing of the national currency. Power hungry members of Congress have made democracy and the Constitution a sham with legislation making it almost impossible for a challenger to defeat an incumbent and absolutely impossible for a third party to compete. In a dramatic and very public manner the libertarian TLR accuse Congress of having “increased your powers far beyond the constitutional limits of your offices. You have become a political aristocracy taking our property and our production as if we are your serfs.” They give Congress “three days to approve a proposed Term Limits Amendment to the Constitution or, unless you first resign, the long-term incumbents will be term-limited in the only way you leave us.” If the amendment passes and is then approved by the people, it will prevent professional politicians from ever again serving in Congress. They announce to the nation, “Ours is the only form of revolution now possible in the United States. But our revolution has this advantage: If lives must be taken, it will be those that have stolen the lives and rights and property of the people, or, perhaps it will be our own.” In a brutal hunt for the TLR, the Department of Justice wrongly targets term-limit supporters and those who have opposed the administration or the Department of Justice. But it is clear the TLR will not be easily found or stopped when the first senator is “term-limited” in spite of all that federal authorities can do to stop them. The TLR are inside the federal law enforcement agencies that are hunting them. The characters on both sides in the struggle are as realistic as I could make them. Brave souls who defend liberty and family, lovers and cowards and even NSA, FBI and CIA agents confront their consciences and make their choices to aid the TLR or smash them. The novel examines a critical issue: If our liberties—our right to own ourselves and make our own choices in life—are diminishing with every year, is deadly force justified as a self-defense issue? If not, will we ever regain our individual rights? Erne el@ernelewis.com

    Magazine, which covered the Southern California, and national, poetry scene in the mid-90's. It covers the growth of slam, with interviews and profiles of many poets who are now important figures in American poetry.

    MARSHAL DRIVEN BY GRIEF AND RAGE...A MAFIA DON WHO TRAFFICS IN HUMAN LIVES…A KILLER WITH THE MOST CHILLING PEDIGREE OF ALL...The Justice Department is hunting Sam Manelli, the godfather of one of America’s biggest crime families. Now an execution gone bad hands the government the ammunition they need. But they can’t do it without Dylan Devlin, the sociopathic hit man whose testimony will put Manelli away for good. Haunted by the crash that killed his wife and blinded his son, U.S. Marshal Winter Massey knows that safety is only an illusion. Now a man who couldn’t protect his own family has to keep a killer and his wife alive—at any cost.But when the government’s witness protection program explodes in a horrifying hail of bullets and blood, Massey knows he’s up against a killer who can go anywhere, be anyone, and strike at any time. For Massey is about to be blindsided by an adversary more lethal than the mob, more dangerous than any psychopath—and he won’t see his killer coming…until it’s too late.

    Combining his trademark humor with an acute eye for the ridiculous, Mark admits his part in bands like The Berlin Airlift, the life-changing punk revolution in Bob Sleigh and The Crestas, and even a flirtation with thirty-something pub rock. Interwoven with the musical disasters is the appealing rites-of-passage story of a middle-class grammar school boy who finally leaves Bolton for university. Splattered with memorable episodes and Viz-like characters, Showbusiness retraces the steps that should have led Mark to headlining Wembley Arena, but which took him to Radio 1 instead.

    But for every group of "living-room players" there is someone who is "at one with the board." In Word Freak, Stefan Fatsis introduces readers to those few, exploring the underground world of colorful characters for which the Scrabble game is life — playing competitively in tournaments across the country. It is also the story of how the Scrabble game was invented by an unemployed architect during the Great Depression and how it has grown into the hugely successful, challenging, and beloved game it is today. Along the way, Fatsis chronicles his own obsession with the game and his development as a player from novice to expert. More than a book about hardcore Scrabble players, Word Freak is also an examination of notions of brilliance, memory, language, competition, and the mind that celebrates the uncanny creative powers in us all.