O'Brien defines technology and then explains how companies use the technology to improve performance. Real world cases finalise the explanation

    However, just days before the programme was due to air, it was cancelled; a move that not only angered those women, but further fuelled rumours of a wider conspiracy, as even after his death, it seemed that any mention of wrongdoing on the part of “Old Jimmy” would inevitably only be met by a cold, eerie silence. A silence all too familiar for his victims. A year later, a rival TV company decided to make their own documentary concerning the Savile abuse claims. After some initial reluctance, Kat Ward agreed to speak to them. This time, the programme did air – and the story was huge. Literally overnight, a man, who was, in the eyes of the British public, a national institution - as harmless as afternoon tea for many - now stood accused of crimes so heinous, that a collective air of disbelief began to descend, as people struggled to reconcile the claims with his cheery image as a children’s champion and charity fundraiser. However, over the following days, more women came forward. Any disbelief soon vanished. Within a week, the list of potential victims had soared into the hundreds. Prime Minister David Cameron sought to appease a growing public demand for the posthumous revocation of his knighthood, and the Metropolitan Police publicly acknowledged Savile as a “predatory sex offender”. No tears were shed as his gravestone was demolished. His victims must have thought they’d never see the day. But Kat Ward had long given up hope of justice anyway. After suffering a tormented early childhood, in which she was abused by her family, she eventually found herself shuttled between care homes and approved schools; institutions that promised a sanctuary from abuse, but all too often seemed to sponsor it. Many decades later, and after a life marred by depression, she was persuaded by a psychiatrist to write about her experiences, in the hope that doing so might be cathartic. She obliged, and last year her debut offering, “KERI” - in which she recounts her earliest years - took literary circles by surprise, as it became an international bestseller. And now, in this much-anticipated volume, she recounts her early-mid teen years; no longer a small child, but a girl on the cusp of adolescence. Still traumatized by her early experiences, but not entirely without that sense of vague hope that is the inalienable property of youth. Now at Duncroft Approved School for “emotionally disturbed girls”, her life had come to resemble that of a prisoner; a good day was a bad one and a bad day was horrific. A pattern interrupted only by the periodic visits of a certain creepy old man in a shiny tracksuit, with a pocket full of a cigars and a caravan full of demands. There were Rolls-Royce trips to London. There were jaunts to TV studios. And, of course, for Kat, as with most of the girls, there were dreams of a brighter future. But despite all the promises, there was simply no way out. For at almost every turn, another nefarious character was waiting to take advantage of the girls that no-one would believe anyway. Now you can read her full story here. No punches pulled; no stone left unturned. Just the truth, committed to paper over many years, in the hope that it might help inspire the brave, enlighten the misled and heal the abused… WARNING: contains passages some readers may find disturbing.

    Its proponents cite ancient Greek and Latin texts to support their claims--arguing that they articulate a model of masculinity that sustained generations but is now under siege.Donna Zuckerberg dives deep into the virtual communities of the far right, where men lament their loss of power and privilege, and strategize about how to reclaim them. She finds, mixed in with weightlifting tips and misogynistic vitriol, the words of the Stoics deployed to support an ideal vision of masculine life. On other sites, pickup artists quote Ovid's Ars Amatoria to justify ignoring women's boundaries. By appropriating the Classics, these men lend a veneer of intellectual authority and ancient wisdom to their project of patriarchal white supremacy. In defense or retaliation, feminists have also taken up the Classics online, to counter the sanctioning of violence against women.Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.

    Ranging widely across the culture, from Harvey Weinstein and the Brett Kavanaugh hearings to “Cat Person” and the political misfortunes of Elizabeth Warren, Manne’s book shows how privileged men’s sense of entitlement—to sex, yes, but more insidiously to admiration, care, bodily autonomy, knowledge, and power—is a pervasive social problem with often devastating consequences.In clear, lucid prose, Manne argues that male entitlement can explain a wide array of phenomena, from mansplaining and the undertreatment of women’s pain to mass shootings by incels and the seemingly intractable notion that women are “unelectable.” Moreover, Manne implicates each of us in toxic masculinity: It’s not just a product of a few bad actors; it’s something we all perpetuate, conditioned as we are by the social and cultural mores of our time. The only way to combat it, she says, is to expose the flaws in our default modes of thought while enabling women to take up space, say their piece, and muster resistance to the entitled attitudes of the men around them.With wit and intellectual fierceness, Manne sheds new light on gender and power and offers a vision of a world in which women are just as entitled as men to our collective care and concern.

    When female fans appear in these stories it is often through the eyes and from the perspectives of men – as muses, groupies or fangirls – meaning that women’s own experiences, ideas and arguments about the music they love are marginalised or glossed over. Women in music are frequently fetishised and objectified both in song lyrics and in real life, viewed purely in relation to men and through their impact on the male ego. But this hasn’t stopped generations of women from loving, being moved by and critically appreciating music – however that music may feel about them.Under My Thumb: The Songs that Hate Women and the Women Who Love Them is a study of misogyny in music through the eyes of women. It will bring together stories from music writers and fans about artists or songs they love despite their questionable or troubling gender politics, as well as looking at how these issues intersect with race, class and sexuality.The collection explores the joys of loving music and the tensions, contradictions and complexities it can involve. It is intended to be as much celebration as critique - a kind of feminist guilty pleasures.

    Journalist Emilie Le Beau Lucchesi leads readers through the case, showing how, with no evidence and no witnesses, Nitti was the target of an obsessed deputy sheriff and the victim of a faulty legal system. She was also—to the men who convicted her and reporters fixated on her—ugly. For that unforgiveable crime, the media painted her as a hideous, dirty, and unpredictable immigrant, almost an animal. Lucchesi brings to life the sights and sounds of 1920s Chicago and its then-rural outskirts, when two other women (who would inspire the musical and film Chicago) also captured headlines for killing their lovers. But they were beautiful, charmed the all-male juries, and were quickly acquitted, raising doubts with many Chicagoans about the fairness of Nitti’s conviction. Featuring two other fascinating women—the ambitious and ruthless journalist who helped demonize Sabella through her reports and the brilliant, beautiful, twenty-three-year-old lawyer who helped humanize her with a jailhouse makeover—Ugly Prey is not just a page-turning courtroom drama but also a thought-provoking look at the intersection of gender, ethnicity, and class with the American justice system.

    Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world.But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read -- in different ways. Through these stories, whether it's Antigone's courageous stand against tyranny or the indestructible Caeneus, who inspires trans and gender queer people today, Morales uncovers hidden truths about solidarity, empowerment, and catharsis.Antigone Rising offers a fresh understanding of the stories we take for granted, showing how we can reclaim them to challenge the status quo, spark resistance, and rail against unjust regimes.

    Among activists, journalists and politicians, the conversation about how to respond and improve policing has focused on accountability, diversity, training, and community relations. Unfortunately, these reforms will not produce results, either alone or in combination. The core of the problem must be addressed: the nature of modern policing itself.This book attempts to spark public discussion by revealing the tainted origins of modern policing as a tool of social control. It shows how the expansion of police authority is inconsistent with community empowerment, social justice—even public safety. Drawing on groundbreaking research from across the world, and covering virtually every area in the increasingly broad range of police work, Alex Vitale demonstrates how law enforcement has come to exacerbate the very problems it is supposed to solve.In contrast, there are places where the robust implementation of policing alternatives—such as legalization, restorative justice, and harm reduction—has led to a decrease in crime, spending, and injustice. The best solution to bad policing may be an end to policing.

    Whether her role was that of victim, aggressor, or bystander, the pain of relational aggression (female bullying) lasts long after the incident has passed. In Mean Girls Grown Up, Cheryl Dellasega explores why women are often their own worst enemies, offering practical advice for a variety of situations. Drawing upon extensive research and interviews, she shares real-life stories from women as well as the knowledge of experts who have helped women overcome the negative effects of aggression. Readers will hear how adult women can be just as vicious as their younger counterparts, learn strategies for dealing with adult bullies, how to avoid being involved in relational aggression, and more. Dellasega outlines how women can change their behavior successfully by shifting away from aggression and embracing a spirit of cooperation in interactions with others.

    From the moment the federal government moved to the District of Columbia in December 1800, Washington has been central to American identity and life. Shaped by politics and intrigue, poverty and largess, contradictions and compromises, Washington has been, from its beginnings, the stage on which our national dramas have played out. In Washington, the historian Tom Lewis paints a sweeping portrait of the capital city whose internal conflicts and promise have mirrored those of America writ large. Breathing life into the men and women who struggled to help the city realize its full potential, he introduces us to the mercurial French artist who created an ornate plan for the city "en grande" members of the nearly forgotten anti-Catholic political party who halted construction of the Washington monument for a quarter century; and the cadre of congressmen who maintained segregation and blocked the city's progress for decades. In the twentieth century Washington's Mall and streets would witness a Ku Klux Klan march, the violent end to the encampment of World War I "Bonus Army" veterans, the 1963 March on Washington for Jobs and Freedom, and the painful rebuilding of the city in the wake of Martin Luther King, Jr.'s assassination. "It is our national center," Frederick Douglass once said of Washington, DC; "it belongs to us, and whether it is mean or majestic, whether arrayed in glory or covered in shame, we cannot but share its character and its destiny." Interweaving the story of the city's physical transformation with a nuanced account of its political, economic, and social evolution, Lewis tells the powerful history of Washington, DC " the site of our nation's highest ideals and some of our deepest failures.

    Recent years have seen a panic over "online red-light districts," which supposedly seduce vulnerable young women into a life of degradation, and New York Times columnist Nicholas Kristof's live tweeting of a Cambodian brothel raid. The current trend for writing about and describing actual experiences of sex work fuels a culture obsessed with the behaviour of sex workers. Rarely do these fearful dispatches come from sex workers themselves, and they never seem to deviate from the position that sex workers must be rescued from their condition, and the industry simply abolished—a position common among feminists and conservatives alike. In Playing the Whore, journalist Melissa Gira Grant turns these pieties on their head, arguing for an overhaul in the way we think about sex work. Based on ten years of writing and reporting on the sex trade, and grounded in her experience as an organizer, advocate, and former sex worker, Playing the Whore dismantles pervasive myths about sex work, criticizes both conditions within the sex industry and its criminalization, and argues that separating sex work from the "legitimate" economy only harms those who perform sexual labor. In Playing the Whore, sex workers' demands, too long relegated to the margins, take center stage: sex work is work, and sex workers' rights are human rights.

    Women’s vital part in the shaping of the world has been consistently undervalued or ignored. Rosalind Miles now offers a fundamental reappraisal that sets the record straight. Stunning in its scope and originality, The Women’s History of the World challenges all previous world histories and shatters cherished illusions on every page.Starting with women in pre-history the author looks beyond the myth of ‘Man the Hunter’ to reveal women’s central role in the survival and evolution of the human race. She follows their progress from the days when God was a woman through to the triumphs of the Amazons and Assyrian war queens: she looks at the rise of organised religion and the growing oppression of women: she charts the long slow struggle for women’s rights culminating in the twentieth century women’s movements: and finally she presents a vision of women breaking free.This brilliant and absorbing book turns the spotlight on the hidden side of history to present a fascinating new view of the world, overturning our preconceptions to restore women to their rightful place at the centre of the worldwide story of revolution, empire, war and peace.Spiced with tales of individual women who have shaped history, celebrating the work and lives of the unsung female millions, distinguished by a wealth of research, The Women’s History of the World redefines the concept of historical reality.

    In fact, it’s downright tragic, but it is all I have and it’s mine. Or so I thought. For six years, I hid from the world, gave up on living and instead focused on surviving. Nightmares plague me, fear controls me, my past overwhelms me, trust has deserted me, and that was fine—until he came along and turned my world on its head. My mind, body and soul were broken, too broken for any kind of happily ever after, or so I thought.Beau doesn’t think so, twice my age and carrying the weight of his criminal past on his broad shoulders. He saunters into my life and insists that he wants me. Baggage be damned. My choice is simple, fight my demons and take what Beau is offering or continue to hide away from living. Simple and terrifying, but Beau believes in me. I just have to learn to believe in myself. BEAU I lived most of my life on the wrong side of the law. My world consisted of my MC, my brothers, my president, and being the best enforcer, my club has ever had. My loyalty belonged to my club until I woke up one day and realised that there had to be more to life than breaking bones and the law. Leaving the only family I knew, I walked away, taking my pain with me, landing myself in a small country town. There I found the meaning of a new beginning. There I found Natalie, a broken younger woman with a tragic story. Now, I had a reason to heal because a life without Natalie was a life not worth living. All I had to do was convince her I was her one—the one that would do anything for her for the rest of her life.

    

    In Who Stole Feminism?, philosophy professor Christina Sommers has exposed how a group of zealots are promoting a dangerous new agenda that sets women against men in all spheres of life.In case after case, Sommers shows how these extremists have propped up their arguments with highly questionable but well-funded research, presenting inflammatory and often inaccurate information and stifling any semblance of free and open scrutiny.