Now you too can share the secrets!The Artemis Fowl Files will delight Eoin Colfer’s legions of fans with its behind-the-scenes interviews with the much-loved characters including: Holly Short, Mulch Diggums, and Artemis Fowl.Two brand-new Artemis Fowl short stories including:“LEPrecon,” the story of Fairy Police Captain Holly Short's move from Traffic to Recon following her initiation into the Fairy Police, and “The Seventh Dwarf,” featuring the flatulent dwarf Mulch Diggums, Butler, and Artemis himself.Plus:Special coded messages from the Fairy Book for fans to translateA “Fairy Spotter” Guide detailing the fairy world. Learn all about the physical characteristics and countless personality traits of the various fairy categories including: elves, trolls, sprites, pixies, goblins, and more.Cool descriptions and diagrams of Foaly’s greatest gadgets.

    These include brownies, kelpies, trolls, mermen, and other beings from the unseen world that pop up again and again to assist, annoy, and otherwise meddle in the lives of simple country folk.This treasury was assembled by a noted folklorist who heard these picturesque traditional tales over a century ago while visiting in rural homes throughout Scotland. Recounted in their native vernacular, they include nursery tales and animal fables, stories of fairies, accounts of witchcraft, comic and literary lore, and more.Included in this collection are clever and imaginative stories of "The Strange Visitor," "How the Wolf Lost His Tail," "The Smith and the Fairies," "The Scottish Brownie," "The Witches of Delnabo," "The Witty Exploits of Mr. George Buchanan," "The Haunted Ships," and scores of other delightful tales. Together, they offer folklore lovers, readers, and listeners of all ages hours of imaginative storytelling entertainment.

    Journal 3 brims with every page ever seen on the Gravity Falls show plus all-new pages with monsters and secrets, notes from Dipper and Mabel, and the Author’s full story.A 288-page full-color jacketed hardcover version of Journal 3—plus, the book jacket doubles as an exclusive poster.

    Since then, she has been raised and homeschooled by her grandparents. Grandad is overworked and travels a lot; Grandma is much too strict and never lets her meet any children her own age. When Hayley does something wrong—she is not quite sure what—they pack her off to her aunts in Ireland. To Hayley’s shock, her family is much bigger than she thought; to her delight, the children all play what they call “the game,” where they visit a place called “the mythosphere.” And while she plays the game, Hayley learns more about her own place in the world than she had ever expected. This original novella by Diana Wynne Jones is sharply funny, fast-paced, and surprising until its very end—like all of this acclaimed author’s work.

    With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive.Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    A modern fairytale about a wolf and a young woman, exploring friendship and sacrifice.

    Included are The Gorgon’s Head, The Golden Touch, The Paradise of Children, The Three Golden Apples, The Miraculous Pitcher, and The Chimaera. In 1838, Hawthorne suggested to Henry Wadsworth Longfellow that they collaborate on a story for children based on the legend of the Pandora’s Box, but this never materialized. He wrote A Wonder Book between April and July 1851, adapting six legends most freely from Charles Anton’s A Classical Dictionary (1842). He set out deliberately to “modernize” the stories, freeing them from what he called “cold moonshine” and using a romantic, readable style that was criticized by adults but proved universally popular with children. With full-color illustrations throughout by Arthur Rackham.

    Originally published by Palliard Press.

    He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

    If there was something we were meant to do with our few, brief years on Earth, we can be sure that the wild twin is holding the key.In Courting the Wild Twin, Dr. Martin Shaw invites us to seek out our wild twin––a metaphor for the part of ourselves that we generally shun or ignore to conform to societal norms––to invite them back into our consciousness, for they have something important to tell us. He challenges us to examine our broken relationship with the world, to think boldly, wildly, and in new ways about ourselves—as individuals and as a collective.Through the use of scholarship, storytelling, and personal reflection, Shaw unpacks two ancient European fairy tales that concern the mysterious wild twin. By reading these tales and becoming storytellers ourselves, he suggests we can restore our agency and confront modern challenges with purpose, courage, and creativity.Courting the Wild Twin is a declaration of literary activism and an antidote to the shallow thinking that typifies our age. Shaw asks us to recognize mythology as a secret weapon—a radical, beautiful, heart-shuddering agent of deep, lasting change.

    First introduced into the West in 1704, the stories of The Thousand and One Nights are most familiar to American readers in sanitized children's versions. This modern edition, based on Richard F. Burton's unexpurgated translation, restores the lushness of the original Arabic. Here are the famous adventures of Sinbad, "Ali Baba and the Forty Thieves," and "Aladdin and the Magic Lamp." Here too are less familiar stories, such as "Prince Behram and the Princess Al-Datma," a delightful early version of The Taming of the Shrew, and "The Wily Dalilah and her Daughter Zaynab," a hilarious tale about two crafty women who put an entire city of men in their place. Intricate and imaginative, these stories-within-stories told over a thousand and one nights continue to captivate readers as they have for centuries. "Arabian Nights: The Marvels and Wonders of The Thousand and One Nights, Volume 2 of 2, Adapted By Jack Zipes"

    In it, he brilliantly ridicules the Ukrainian passion for litigation and reveals life as something really rather absurd. Ivan Ivanovich and Ivan Nikiforovich are the greatest of friends—until the day they begin a foolish quarrel that culminates in that very worst of insults: “And you, Ivan Ivanovich, are a goose.” From that moment on, not another word is spoken between them as they choose instead to fight out their differences in the courts. But it seems theirs is a lawsuit that is set to run for years and years.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    She gives him five gifts to help him--a brooch, a piece of dried seaweed, a tin whistle, a scarf, and a broken toy horse. One blustery day, unsure what to do with his newfound magic, Gwyn throws the brooch to the wind and receives a silvery snow spider in return. Will he be able to use this special spider to bring his missing sister, Bethan, home? THE SNOW SPIDER spins an icy, sparkly web of mystical intrigue that sets the stage for the next two books in this outstanding trilogy!