A heartfelt, gently Gothic novel from Claire Legrand.Olivia Stellatella is having a rough year.Her mother’s left, her neglectful father—the maestro of a failing orchestra—has moved her and her grandmother into the city’s dark, broken-down concert hall to save money, and her only friend is Igor, an ornery stray cat.Just when she thinks life couldn’t get any weirder, she meets four ghosts who haunt the hall. They need Olivia’s help—if the hall is torn down, they’ll be stuck as ghosts forever, never able to move on.Olivia has to do the impossible for her shadowy new friends: Save the concert hall. But helping the dead has powerful consequences for the living…and soon it’s not just the concert hall that needs saving.

    And now waking up is even worse!Charlie Laird has several problems:1. His dad married a woman he is sure moonlights as a witch.2. He had to move into her purple mansion, which is not a place you want to find yourself after dark.3. He can’t remember the last time sleeping wasn’t a nightmarish prospect. Like even a nap.What Charlie doesn’t know is that his problems are about to get a whole lot more real. Nightmares can ruin a good night’s sleep, but when they start slipping out of your dreams and into the waking world—that’s a line that should never be crossed. And when your worst nightmares start to come true . . . well, that’s something only Charlie can face. And he’s going to need all the help he can get, or it might just be lights-out for Charlie Laird. For good.[This is the first book in a trilogy.]

    The Saga Anthology of Ghost Stories is her definitive collection of ghost stories.These thirty stories, including all new works from New York Times bestselling authors Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay, span from the traditional to the eclectic, from the mainstream to the literary, from pure fantasy to the bizarrely supernatural. Whether you’re reading alone under the covers with a flashlight, or around a campfire with a circle of friends, there’s something here to please—and spook—everyone.Contributors include: Joyce Carol Oates, Alice Hoffman, Vincent J. Masterson, A.C. Wise, M. Rickert, Seanan McGuire, Lee Thomas, Alison Littlewood, M.L. Siemienowicz, Richard Kadrey, Indrapramit Das, Richard Bowes, Nick Mamatas, Terry Dowling, Aliette de Bodard, Carole Johnstone, Dale Bailey, Stephen Graham Jones, Bracken MacLeod, Garth Nix, Brian Evenson, Jeffrey Ford, Gemma Files, Paul Tremblay, Nathan Ballingrud, Pat Cadigan, John Langan, Ford Madox Ford, F. Marion Crawford, Siobhan Carroll.

    But that was a long time ago.Jane is nine years old and an orphan when she and her young Aunt Louisa come to spend the summer at Jane’s grandmother’s house, a large, mysterious mansion in Massachusetts. Then one day . . . Jane stares into a reflecting ball in the garden—and the face that looks back at her is not her own.Many years earlier, a child of rage and malevolence lived in this place. And she never left. Now Emily has dark plans for little Jane—a blood-chilling purpose that Louisa, just a girl herself, must battle with all her heart, soul, and spirit . . . or she will lose her innocent, helpless niece forever.One of the most adored ghost stories of all time is available again after thirty years—to thrill and chill a new generation!

    The eleven stories in this volume are drawn from Dahl's popular adult short stories and were chosen for their quirky, twisted, and haunting plots -- sure to please Dahl teenage fans.Contents vii • Introduction (Skin and Other Stories) • (2000) • essay by Wendy Cooling1 • Skin • non-genre • (1952) • short story by Roald Dahl22 • Lamb to the Slaughter • non-genre • (1953) • short story by Roald Dahl35 • The Sound Machine • (1949) • short story by Roald Dahl53 • An African Story • (1946) • short story by Roald Dahl71 • Galloping Foxley • non-genre • (1953) • short story by Roald Dahl90 • The Wish • (1948) • short story by Roald Dahl95 • The Surgeon • non-genre • (1988) • novelette by Roald Dahl129 • Dip in the Pool • non-genre • (1952) • short story by Roald Dahl144 • The Champion of the World • non-genre • (1959) • novelette by Roald Dahl179 • Beware of the Dog • non-genre • (1944) • short story by Roald Dahl195 • My Lady Love, My Dove • non-genre • (1952) • short story by Roald Dahl

    But for Steve, it’s just another season of worries. Worries about his sick newborn baby brother who is fighting to survive, worries about his parents who are struggling to cope, even worries about the wasp’s nest looming ominously from the eaves. So when a mysterious wasp queen invades his dreams, offering to “fix” the baby, Steve thinks his prayers have been answered.All he has to do is say “Yes.” But “yes” is a powerful word. It is also a dangerous one. And once it is uttered, can it be taken back?

    Willie has been waiting years for some kind soul to dig up his leg and rebury it with the rest of him--only then will he be at peace. Josh agrees to do the grisly deed, but when he digs in the old cemetery, he finds more than Willie's leg bones! Who buried the box of cash in the grave, and why? How far will that person go to get the money back? The Ghost's Grave is a deliciously spooky adventure from a master of suspense.

    With eerie illustrations throughout and a beautiful three-piece cloth cover, the books are designed to look like they came straight from the library in the Haunted Mansion. Tales from the Haunted Mansion is a fun, spooky ride, just like the attraction from the Disney Parks. And if readers are familiar with the ride, they'll see elements of it throughout the entire story, from items straight of the Mansion (are those pictures stretching?) to lyrics from the narration that is heard in each Doom Buggy. In this bone-chilling book, you will hear the terrifying tales of the Fearsome Foursome--four kids who look to out-scare each other. But just wait until they hear my spooky stories. Who am I? I am Amicus Arcane, your librarian and host. Your Ghost Host. So read on... if you dare!

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Fifty years ago, a crazed killer caused an accident at the nearby crossroads that took 40 innocent lives. He died when his car hit a tree in a fiery crash, and his malevolent spirit has inhabited the tree ever since. During a huge storm, lightning hits the tree, releasing the spirit, who decides his evil spree isn’t over . . . and Zack is directly in his sights.Award-winning thriller author Chris Grabenstein fills his first book for younger readers with the same humorous and spine-tingling storytelling that has made him a fast favorite with adults.

    As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day.When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That's when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he's writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that's been staring these men in the face all along: In Rotter House, who's haunting who?

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    Following his invitation to "browse through my gallery", readers will find ghoulish ghost stories "designed to frighten and instruct" -- instruct, that is, about the strange existence ghosts must endure! Stories include Miss Emmeline Takes Off by Walter Brooks; The Valley of the Beasts by Algernon Blackwood; The Haunted Trailer by Robert Arthur; The Truth About Pyecraft by H.G. Wells; The Isle of Voices by Robert Louis Stevenson; and more. Parents and kids can't help but chuckle at Hitchcock's comment, "I don't want to appear disloyal to television, but I think reading will be good for you." Contains some very spooky two-color illustrations by Fred Banbery.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    From a teenager who drives a museum curator to mummify him for signing Phantom Snake (an anagram of his name) all over his exhibits, to a boy who's dared to visit the tomb of a vampire at midnight only to discover that the vampire boy he meets has a mother who nags just like his own, the eerie and chilling settings and characters will captivate readers.