He asserts that it is no accident that the upsurge of academic interest in science fiction since the 1970s coincides with the heyday of literary theory, and that likewise science fiction is one of the most theoretically informed areas of the literary profession. Extended readings of novels by five of the most important modern science fiction authors illustrate the affinity between science fiction and critical theory, in each case concentrating on one major novel that resonates with concerns proper to critical theory.Freedman's five readings are: Solaris: Stanislaw Lem and the Structure of Cognition; The Dispossessed: Ursula LeGuin and the Ambiguities of Utopia; The Two of Them: Joanna Russ and the Violence of Gender; Stars in My Pocket Like Grains of Sand: Samuel Delany and the Dialectics of Difference; The Man in the High Castle: Philip K. Dick and the Construction of Realities.

    

    This book analyzes the relation of public memory to history, forgetting, and selective memory in Berlin, Buenos Aires, and New York—three late-twentieth-century cities that have confronted major social or political traumas. Berlin experienced the fall of the Berlin Wall and the city’s reemergence as the German capital; Buenos Aires lived through the dictatorships of the 1970s and 1980s and their legacy of state terror and disappearances; and New York City faces a set of public memory issues concerning the symbolic value of Times Square as threatened public space and the daunting task of commemorating and rebuilding after the attack on the World Trade Center. Focusing on the issue of monumentalization in divergent artistic and media practices, the book demonstrates that the transformation of spatial and temporal experience by memory politics is a major cultural effect of globalization.

    Memories of his own life and of his friends, colleagues and enemies - from Roald Dahl and philosopher A.J. Ayer to Margaret Thatcher.

    Through a blend of storytelling and scholarship, conversation and argument, father and daughter tell the tales behind Judaism’s most enduring names, adages, disputes, texts, and quips. These words, they argue, compose the chain connecting Abraham with the Jews of every subsequent generation.Framing the discussion within such topics as continuity, women, timelessness, and individualism, Oz and Oz-Salzberger deftly engage Jewish personalities across the ages, from the unnamed, possibly female author of the Song of Songs through obscure Talmudists to contemporary writers. They suggest that Jewish continuity, even Jewish uniqueness, depends not on central places, monuments, heroic personalities, or rituals but rather on written words and an ongoing debate between the generations. Full of learning, lyricism, and humor, Jews and Words offers an extraordinary tour of the words at the heart of Jewish culture and extends a hand to the reader, any reader, to join the conversation.

    Each chapter explores a key dimension of antiracist literature teaching and learning, including designing literature-based units that emphasize racial literacy, selecting literature that highlights voices of color, analyzing Whiteness in canonical literature, examining texts through a critical race lens, managing challenges of race talk, and designing formative assessments for racial literacy and identity growth.Book Features: Specific classroom scenarios and transcripts of race-related challenges that teachers will recognize to help situate suggested strategies. Sample racial literacy objectives, questions, and assessments to guide unit instruction. A literature-based unit that addresses societal racism in A Raisin in the Sun. Assignments for exploring Whiteness in the teaching of The Adventures of Huckleberry Finn. Questions teachers can use to examine To Kill a Mockingbird through a critical race lens. Techniques for managing difficult moments in whole group discussions. Collaborative glossary and exploratory essay assignments to build understanding of race-based concepts and racial identity development.

    But after all the glamour of naval balls and white weddings, passing beneath the arches of naval swords had not led Kate down the pathway to marital bliss. Not even her cherished twins can compensate for her husband's coldness and mental cruelty and she yearns for the peace of her beloved West Country. Cass, on the other hand, revels in the freedom of movement her husband's long absences on the submarines provide - even with the arrival of the first of her four children, she is not to be denied the frenzied activity of the 1960s sexual revolution! But it is a dangerous game that Cass is playing, and as the decades roll by, Kate may not always be around to pick up the pieces...

    

    The book's two essays, "Limited Inc" and "Signature Event Context," constitute key statements of the Derridean theory of deconstruction. They are the clearest exposition to be found of Derrida's most controversial idea, that linguistic meaning is fundamentally indeterminate because the contexts that fix meaning are never stable. Limited Inc includes an important new afterword by the author.

    SmithThe poems in Scriptorium are primarily concerned with questions of religious authority. The medieval scriptorium, the central image of the collection, stands for that authority but also for its subversion; it is both a place where religious ideas are codified in writing and a place where an individual scribe might, with a sly movement of the pen, express unorthodox religious thoughts and experiences. In addition to exploring the ways language is used, or abused, to claim religious authority, Scriptorium also addresses the authority of the vernacular in various time periods and places, particularly in the Appalachian slang of the author's East Tennessee upbringing. Throughout Scriptorium, the historical mingles with the personal: poems about medieval art, theology, and verse share space with poems that chronicle personal struggles with faith and doubt.

    Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as• why write? why keep writing?• the importance of simple words• the finer points of character detail• narrative and the passage of time• the pitfalls of technique• making a plan–and letting it go• risking failure–and reaping the benefits• Accepting rejectionWriters travel alone, but Bret Lott’s book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can be: “Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one path: yours.”

    Fifteen of the most respected authors of our time contribute their perspectives to this masterfully crafted anthology. From fear to desire, joy and hope, the mixed emotions that accompany each journey--physical and metaphysical--are conveyed in a manner that both stimulates the mind and satisfies the heart. Everyone eventually goes on a journey. "I remember packing a suitcase and carrying it out to the kitchen, standing very still for a few minutes, looking carefully at the familiar objects all around me. The old chrome toaster, the telephone, the pink and white Formica on the kitchen counters. The room was full of bright sunshine. Everything sparkled. My house, I thought. My life. I'm not sure how long I stood there, but later I scribbled out a short note to my parents." What I said, exactly, I don't recall now. Something vague. Taking off, will call, love Tim." --from On the Rainy River by Tim O'Brien You leave home and undergo trails and rites."The minute I walked in and the Big Bozo introduced us, I got sick to my stomach. It was one thing to be taken out of your own bed early in the morning--it was something else to be stuck in a strange place with a girl form a whole other race." -- from "Recitatif" by Toni MorrisonYou come back form the journey transformed."I felt growing light, I rose up into the air and flew out the window. Higher and higher, above the alley, over the tops of tiles roofs, where I was gathered up by the wind and pushed up toward the night sky until everything below me disappeared and I was alone."-- from Rules of the Game by Amy Tan We leave home to find home.Here is an unusual collection of short stories, from a variety of distinguished writers from different cultures and different viewpoints, that explores the turning point in every adolescent’s life when he or she is forced to take that first step away from home, family, and the known. From personal tales of unwed mothers, arranged marriages, and divorcing parents, to stories about refugees and war resistance, Leaving Home paints a canvas of universal experience for teen-age readers, and includes stories by Tim Wynne-Jones, Sandra Cisneros, Gary Soto, and many others.

    + XXXVIII) ranges from Gorgias and Plato to Sigmund Freud and Mikhail Bakhtin. Each of the 147 contributions has a headnote introducing the writer and making connections to other critics, theorists and movements. An introduction surveys the history of theory and criticism.

    This text covers four main areas: Language, Ideology and Power; Discourse and Sociocultural Change; Textual Analysis in Social Research; and Critical Language Awareness.

    Gradually he learns the violent history of the house's owner, the fierce, saturnine Heathcliff and the thwarted love that has led him to exact terrible revenge on the two families that have sought to oppose him.Since its original publication in 1847, Emily Bronte's only novel, whether repelling, captivating or intriguing different generations of readers, has never relaxed its powerful grip on the public, and the figure of the haunted, brutal Heathcliff has become part of Britain's cultural mythology.This edition also includes over sixty of Emily Bronte's poems, an introduction, notes, text summary, selected criticism and a chronology of Emily Bronte's life and times.(back cover)