He named the bear Winnie, after his hometown of Winnipeg, and he took the bear to war. Harry Colebourn's real-life great-granddaughter Lindsay Mattick recounts their incredible journey, from a northern Canadian town to a convoy across the ocean to an army base in England . . . and finally to the London Zoo, where Winnie made a new friend: a boy named Christopher Robin. Gentle yet haunting illustrations by acclaimed illustrator Sophie Blackall bring the wartime era to life, and are complemented by photographs and ephemera from the Colebourn family archives. Here is the remarkable true story of the bear who inspired Winnie-the-Pooh.

    Time to go!"Hondo will have an adventure.Fabian will stay home.A dog named Hondo and his friend Fred are going to the beach for a day of excitement. Fabian the cat is left behind at home to play with the baby. Who will cause more trouble? And who will have more fun? Peter McCarty's exquisite illustrations and understated wit turn an ordinary day in the lives of two pets into a rare delight.

    Perfect entertainment for bath time or for bedtime, the joyful music and hilarious rhyming tale will provide hours of fun for young readers.

    A wolf cub is lost, too. How will they find their way home?Paintings rich with feeling tell this satisfying story of friendship and trust. Here is a book set on a wintry night that will spark imaginations and warm hearts, from Matthew Cordell, author of Trouble Gum and Another Brother.

    As she hears the story of her name, Alma starts to think it might be a perfect fit after all — and realizes that she will one day have her own story to tell. In her author-illustrator debut, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.

    It's just proper enough for a straight-laced boy like him. And when he asks his father if he may have one (please and thank you), his father says yes. Elliot should have realized that Dad probably thought he meant a stuffed penguin and not a real one . . . Clever illustrations and a wild surprise ending make this sly, silly tale of friendship and wish fulfillment a kid-pleaser from start to finish.

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    Words and pictures together connect readers -of all ages - to the spirit of Harlem in its music, art, literature, and everyday life, and to how it has helped shape us as a people.

    But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.

    “Ten small toes all washed and warm,” begins the story, and then young readers journey toward tuck-in time, counting down along with the story’s African-American father and daughter.In the satisfying conclusion, one little sleepyhead settles in for the night. An award-winning classic, Ten, Nine, Eight has been comforting and delighting children and their parents for more than thirty years.“This beguiling picture book, with a palette of eye-filling colors, appears to arise naturally from the love binding a father and his little ‘big’ girl who turn bedtime into playtime with a rhyming game.”—Publishers Weekly

    And who is the best partner? The wind, of course!   Grandmama Beasley says, “Can’t nobody put shackles on Brother Wind, chile. He be special. He be free.” With neighbors up and down Ridgetop suggesting all manner of strategies, and friend Ezel laughing at each foiled one, Mirandy grows ever more determined: she’ll get hold of that Brother Wind yet!             Patricia C. McKissack’s thoroughly engaging tale dances with spirit and rollicking good humor. Complemented by Jerry Pinkney’s rich, eye-catching watercolors of the rural South, here’s one of those rare, rewarding picture books that is sure to be read and enjoyed again and again.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    The most generous friend. The most miraculous inventor. Our connection with nature is not so easily obscured by lives spent indoors.

    Part autobiographical, part fictional, this allegorical tale sparkles with symbolic and historical references central to African-American culture. The spectacular artwork resonates with color and texture. Children will delight in the universal dream of mastering one's world by flying over it.

    The woodland animals awake from their deep winter's sleep to discover the first sign of spring'a flower blooming in the snow.1950 Caldecott Honor Book