Fifteen days later, President Artur Mas called snap elections for the Parliament of Catalonia, in order to hold a referendum that would let the people of Catalonia decide their own future. The rest of the world and even Spain were caught by surprise, but the events unfolding in Barcelona have been a long time coming. In this new book, 35 experts explore Catalonia's history, economics, politics, language, and culture, in order to explain to the rest of the world the fascinating story behind the march, the new legislature, and the upcoming vote on whether Catalonia will become the next new state in Europe. With a prologue by Artur Mas, President of Catalonia, and contributions from: Ignasi Aragay Laia Balcells GermaBel Laura Borras Alfred Bosch Nuria Bosch Roger Buch iRos JoanCanadell Pau Canaleta Salvador Cardus Muriel Casals Andreu Domingo Carme Forcadell Lluis Josep Maria Ganyet Salvador Garcia-Ruiz Alex Hinojo Edward Hugh OriolJunqueras M. Carme Junyent J.C. Major PereMayansBalcells Josep M. Munoz Mary Ann Newman Elisenda Paluzie Vicent Partal Cristina Perales-Garcia Eva Piquer Enric Pujol Casademont Marta Rovira-Martinez Vicent Sanchis Xavier Solano Miquel Strubell Matthew Tree Ramon Tremosa F.Xavier Vila"

    The first book in the series featured 45 stories of women who have committed the act of murder. Hell Hath No Fury 2: More Women Who Kill follows that up with 43 more stories of murder committed by the fairer sex. Part 1 contains 33 stories of women who have murdered children. Part 2 has five stories of women who have murdered either husbands, boyfriends or significant others. Part 3 consists of five more assorted stories of women who kill. Part 4 contains an overview of some possible motives and reasons for the murders.

    

     What happened at Essendon, what happened at Cronulla, is only part of the story. From the basement office of a suburban football club to the seedy corners of Peptide Alley to the polished corridors of Parliament House, The Straight Dope is an inside account of the politics, greed and personal feuds which fuelled an extraordinary saga. A football club and coach determined to win, a sports scientist who doesn't play by the rules, an AFL administration hell bent on control, an anti-doping authority out of its depth, a generation of footballers held hostage by scandal and an unpopular government that just wants it to end; for two tumultuous seasons this was the biggest game of all.

    It is the sound of isolation that has sold itself to millions.” Miles Davis’s Kind of Blue is the best-selling piece of music in jazz history and, for many listeners, among the most haunting works of the twentieth century. It is also, notoriously, the only jazz album many people own. Recorded in 1959 (in nine miraculous hours), there has been nothing like it since. Richard Williams’s “richly informative” (The Guardian) history considers the album within its wider cultural context, showing how the record influenced such diverse artists as Steve Reich and the Velvet Underground.In the tradition of Alex Ross and Greil Marcus, the “effortlessly versatile” Williams (The Times) “connects these seemingly disparate phenomena with purpose, finesse and journalistic flair” (Financial Times), making masterly connections to painting, literature, philosophy, and poetry while identifying the qualities that make the album so uniquely appealing and surprisingly universal.

    On the surface he’s the least likely candidate for a rap impresario. But with his signature charm and passion, he plunges headfirst into the wards, clubs, and projects of New Orleans, opening up a world closed to most outsiders: a journey into the heart of the hip-hop dream, and into larger question of racial identity in America. Written before Hurricane Katrina struck (and published here with an afterword that chronicles how Katrina altered the lives of those he met) Triksta now stands as an elegy to a city, its music, and its people.

    For reasons of space, the Weekly must often slightly truncate the pieces and also sees fit to change the name of the piece. So, what you read there isn’t always what I sent them. This is one of the reasons I wanted to put this book out. Also, knowing there are a lot of people out there without the time to go to some website and read something every week, I thought it would be a good idea to have the articles all in one place. I hope you enjoy the book and thank you. - Henry

    Wolfe's brilliant first book -- a collection of essays that introduced us to the Sixties, to extravagant new styles of life that had nothing to do with the "elite" culture of the past.

    From the local and mundane-crime blotters, crop prices, and Sunday sermons-to the Federalist Papers and Watergate, the press has played an outsized role in our nation's culture and history. Newspapers in America have always been the crucible where our passions and debates are tried by the only judge this nation respects: public opinion. At a time of great transition in the news media, "Deadline Artists" celebrates the relevance of the newspaper column through the simple power of excellent writing. It is an inspiration for a new generation of writers--whether their medium is print or digital-looking to learn from the best of their predecessors. Contributors include: Jimmy Breslin, Mike Royko, Murray Kempton, Ernie Pyle, Peggy Noonan, Thomas L. Friedman, David Brooks, Mitch Albom, Dorothy Thompson, Ernest Hemingway, Benjamin Franklin, Fanny Fern, Richard Harding Davis, Grantland Rice, Will Rogers, Orson Welles, Langston Hughes, Woody Guthrie, Ambrose Bierce, Mark Twain, Theodore Roosevelt, H.L. Mencken, Ben Hecht, Westbrook Pegler, Heywood Broun, Damon Runyon, W. C. Heinz, Jimmy Cannon, Red Smith, Russell Baker, Art Buchwald, William F. Buckley, Hunter S. Thompson, Pete Dexter, Carl Hiaasen, Dave Barry, Leonard Pitts, Anna Quindlen, Thomas Boswell, Tony Kornheiser, Kathleen Parker, Maureen Dowd, Bob Herbert, Michael Kinsley, Cynthia Tucker, George Will, Jack Newfield, Mike Barnicle, Pete Hamill and Steve Lopez.

    He can be elegant as a slow blues." The Nick Tosches Reader is the author's own selection of his best work over the past thirty years, including fiction, poetry, interviews, rock writing, investigative journalism, and criticism. First published in major magazines, obscure underground periodicals, and his own best-selling books, many of these selections deal with rock 'n' roll and cultural icons—but there are also pieces on everything from William Faulkner to organized crime to heavyweight boxing, including the Vanity Fair feature that gave rise to Tosches's major new book on Sonny Liston, published by Little, Brown. Here is "a unique and darkly impressionistic cultural history" of the last three decades as only Nick Tosches could write it.

    Thompson, Joyce Johnson, Richard Hell, and others. It includes rare pieces from the Rolling Stone archives by William Burroughs, Lester Bangs, and Robert Palmer as well as intimate photographs by Robert Frank, Annie Leibovitz, and rarely seen photos taken by the Beats themselves. A rich tapestry of voices and a visual treat, this treasury of Beat lore and literature is a true collector's item whose entertainment value will go on...and on."A huge dim sum cart of a book...a first-rate companion." --Publishers Weekly"Compelling reading."--The Denver Post

    Neither the band’s hip origins in the Lower East Side scene nor Flood’s platinum certification can cover up the record's singular importance at the geek fringes of culture.Flood’s significance to this audience helps us understand a certain way of being: it shows that geek identity doesn’t depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess—a flood of ideas. The album also clarifies an historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America’s advancing leftist social tides. Whether or not it was the band's intention, Flood’s jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. This book tells the story.

    RIP IT UP AND START AGAIN is a celebration of what happened next.Post-punk bands like PiL, Joy Division, Talking Heads, The Fall and The Human League dedicated themselves to fulfilling punk's unfinished musical revolution. The post-punk groups were fervent modernists; whether experimenting with electronics and machine rhythm or adapting ideas from dub reggae and disco, they were totally confident they could invent a whole new future for music.

    Just Enough Liebling gathers in one volume the vividest and most enjoyable of his pieces. Charles McGrath (in The New York Times Book Review) praised it as a judicious sampling-a useful window on Liebling's vast body of writing and a reminder, to those lucky enough to have read him the first time around, of why he was so beloved. Today Liebling is best known as a celebrant of the sweet science of boxing, and as a feeder who ravishes the reader with his descriptions of food and wine. But as David Remnick observes in his fond and insightful introduction, Liebling is boundlessly curious, a listener, a boulevardier, a man of appetites and sympathy-and a writer who, with his great friend and colleague Joseph Mitchell, deftly traversed the boundaries between reporting and storytelling, between news and art.

    It also provides the best, most sustained exposure possible to the most wide-ranging, acute, and original literary intelligence of the post—World War II years. United States is an essential book in the canon of twentieth-century American literature and an endlessly fascinating work.