Little did he know that among those released was Abu Musab al-Zarqawi, a man who would go on to become a terrorist mastermind too dangerous even for al-Qaeda and give rise to an Islamist movement bent on dominating the Middle East.     Zarqawi began by directing hotel bombings and assassinations in Jordan from a base in northern Iraq, but it was the American invasion of that country in 2003 that catapulted him to the head of a vast insurgency. By identifying him as the link between Saddam and bin Laden, the CIA inadvertently created a monster. Like-minded radicals saw him as a hero resisting the infidel occupiers and rallied to his cause. Their wave of brutal beheadings and suicide bombings continued for years until Jordanian intelligence provided the Americans with the crucial intelligence needed to eliminate Zarqawi in a 2006 airstrike.     But his movement endured, first called al-Qaeda in Iraq, then renamed Islamic State of Iraq and Syria, or ISIS, seeking refuge in unstable, ungoverned pockets on the Iraq-Syria border. And as the Syrian civil war broke out in 2011, ISIS seized its chance to pursue Zarqawi's dream of a sweeping, ultra-conservative Islamic caliphate.      Drawing on unique access to CIA and Jordanian sources, Joby Warrick weaves together heart-pounding, moment-by-moment operational details with overarching historical perspectives to reveal the long trajectory of today's most dangerous Islamic extremist threat.From the Hardcover edition.

    What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making—not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys’ club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It’s What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.

    The pieces captivating listeners are by turns funny, heartbreaking, and profound. Using personal stories to breathe life into abstractions, these programs help us--all in the space of an hour or less--to understand ourselves and our world a little bit better. Each of these beloved shows has a distinct style, but every one delivers stories that are brilliantly told and produced. Out on the Wire offers an unexpected window into this new kind of storytelling--one that literally illustrates the making of a purely auditory medium.With the help of This American Life's Ira Glass, Jessica Abel, a cartoonist and devotee of narrative radio, uncovers just how radio producers construct a narrative, spilling some juicy insider details. Jad Abumrad of RadioLab talks about chasing moments of awe with scientists, while Planet Money's Robert Smith speaks candidly about his slightly goofy strategy for putting interviewees at ease. And Abel reveals how mad--really mad--Ira Glass becomes when he receives edits from his colleagues. Informative and engaging, Out on the Wire demonstrates that, even in the midst of all the other media that consumes us, radio is still very much alive.

    From Egypt to Yemen, a generation of young Arabs insisted on a new ethos of common citizenship. Five years later, their utopian aspirations have taken on a darker cast as old divides reemerge and deepen. In one country after another, brutal terrorists and dictators have risen to the top. A Rage for Order is the first work of literary journalism to track the tormented legacy of what was once called the Arab Spring. In the style of V. S. Naipaul and Lawrence Wright, the distinguished New York Times correspondent Robert F. Worth brings the history of the present to life through vivid stories and portraits. We meet a Libyan rebel who must decide whether to kill the Qaddafi-regime torturer who murdered his brother; a Yemeni farmer who lives in servitude to a poetry-writing, dungeon-operating chieftain; and an Egyptian doctor who is caught between his loyalty to the Muslim Brotherhood and his hopes for a new, tolerant democracy.Combining dramatic storytelling with an original analysis of the Arab world today, A Rage for Order captures the psychic and actual civil wars raging throughout the Middle East, and explains how the dream of an Arab renaissance gave way to a new age of discord.

    Nemesis pans in and out from the arc of Nem’s individual, astonishing trajectory to the wider story of the country that he exists in.It’s about drugs and gangs and violence and poverty. It’s about a man who made a terribly dangerous and life-altering decision for the best and most understandable of reasons. And it’s about the wider forces at work in a country that is in the world’s spotlight as never before and is set to stay there. Those forces include the evangelical church, bent police and straight police, drug lords, farmers, TV magnates, crusading politicians, and corrupt politicians.And what they are engaged in is nothing less than the battle for Brazil’s soul.

    Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base. The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical. A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault. Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys. This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war. In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them. Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community. Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken.

    Every day a new blaze seems to ignite: the bloody implosion of Iraq and Syria; the East-West standoff in Ukraine; abducted schoolgirls in Nigeria. Is there some thread tying these frightening international security crises together? In a riveting account that weaves history with fast-moving reportage and insider accounts from the Afghanistan war, Sarah Chayes identifies the unexpected link: corruption.Since the late 1990s, corruption has reached such an extent that some governments resemble glorified criminal gangs, bent solely on their own enrichment. These kleptocrats drive indignant populations to extremes—ranging from revolution to militant puritanical religion. Chayes plunges readers into some of the most venal environments on earth and examines what emerges: Afghans returning to the Taliban, Egyptians overthrowing the Mubarak government (but also redesigning Al-Qaeda), and Nigerians embracing both radical evangelical Christianity and the Islamist terror group Boko Haram. In many such places, rigid moral codes are put forth as an antidote to the collapse of public integrity.The pattern, moreover, pervades history. Through deep archival research, Chayes reveals that canonical political thinkers such as John Locke and Machiavelli, as well as the great medieval Islamic statesman Nizam al-Mulk, all named corruption as a threat to the realm. In a thrilling argument connecting the Protestant Reformation to the Arab Spring, Thieves of State presents a powerful new way to understand global extremism. And it makes a compelling case that we must confront corruption, for it is a cause—not a result—of global instability.

    Great! But now you're faced with a laundry list of questions: Should I freelance full time or part time? Should I write for magazines, newspapers, or online markets? How do I dream up the perfect article idea, and how do I pitch it successfully? How do I negotiate contracts, foster relationships with editors, and start getting steady work while avoiding financial panic attacks and unpleasant ulcers?The Essential Guide to Freelance Writing answers all of these questions--and much more. From breaking in to navigating the basics of the business, this book is your road map to a fruitful and rewarding freelance life. You'll learn how to:Dig into various markets, including consumer magazines, trade journals, newspapers, and online venues.Make your digital mark and build your writing platform.Pitch like a pro and craft solid query letters that get responses.Conduct professional interviews in person, by phone, or by e-mail.Write and structure various types of articles, from front-of-the-book pieces to profiles and features.Quit your lackluster day job, and live the life you've always wanted.Filled with insider secrets, candid advice, and Zachary Petit's trademark humor and blunt honesty, The Essential Guide to Freelance Writing won't just show you how to survive your freelancing writing career--it will teach you how to truly thrive.

    During the years when Brazil, India, China and the other “emerging markets” have transformed their economies, Africa's resource states remained tethered to the bottom of the industrial supply chain. While Africa accounts for about 30 per cent of the world's reserves of hydrocarbons and minerals and 14 per cent of the world's population, its share of global manufacturing stood in 2011 exactly where it stood in 2000: at 1 percent.In his first book, The Looting Machine, Tom Burgis exposes the truth about the African development miracle: for the resource states, it's a mirage. The oil, copper, diamonds, gold and coltan deposits attract a global network of traders, bankers, corporate extractors and investors who combine with venal political cabals to loot the states' value. And the vagaries of resource-dependent economies could pitch Africa's new middle class back into destitution just as quickly as they climbed out of it. The ground beneath their feet is as precarious as a Congolese mine shaft; their prosperity could spill away like crude from a busted pipeline.This catastrophic social disintegration is not merely a continuation of Africa's past as a colonial victim. The looting now is accelerating as never before. As global demand for Africa's resources rises, a handful of Africans are becoming legitimately rich but the vast majority, like the continent as a whole, is being fleeced. Outsiders tend to think of Africa as a great drain of philanthropy. But look more closely at the resource industry and the relationship between Africa and the rest of the world looks rather different. In 2010, fuel and mineral exports from Africa were worth 333 billion, more than seven times the value of the aid that went in the opposite direction. But who received the money? For every Frenchwoman who dies in childbirth, 100 die in Niger alone, the former French colony whose uranium fuels France's nuclear reactors. In petro-states like Angola three-quarters of government revenue comes from oil. The government is not funded by the people, and as result it is not beholden to them. A score of African countries whose economies depend on resources are rentier states; their people are largely serfs. The resource curse is not merely some unfortunate economic phenomenon, the product of an intangible force. What is happening in Africa's resource states is systematic looting. Like its victims, its beneficiaries have names.

    How had a country with almost no football infrastructure or tradition, a high terror risk and searing summer temperatures of 50C beaten more established countries with stronger bids? The story behind the Qatari success soon developed into one of the greatest sporting scandals of our time. Allegations of corruption were soon flying, and when the Sunday Times Insight team received a cache of hundreds of millions of documents from a whistleblower, the contents of the FIFA Files became a global sensation, unearthing the corruption that lay at the heart of the bidding process. Now in this remarkable new book by the Sunday Times journalists at the heart of the investigation, Heidi Blake and Jonathan Calvert, comes the most comprehensive account yet of what happened and who was involved. Above all, it explains why, despite all the evidence, FIFA under Sepp Blatter continues to support Qatar - even to the extent of publishing an edited and abbreviated report into the process that was immediately denounced by its original author. The Ugly Game is undoubtedly the biggest sporting story of the year.

    Some have taken the fight abroad: Americans were among those who planned the attacks in Mumbai, and more recently a dozen US citizens have sought to join ISIS. Others have acted entirely on American soil. What motivates them, how are they trained, and what do we sacrifice in our aggressive efforts to track them?Paced like a detective story, United States of Jihad will tell the entwined stories of the key actors on the American front. Among the perpetrators are Anwar al-Awlaki, the New Mexico-born radical cleric who became the first American citizen killed by a CIA drone and who mentored the Charlie Hebdo shooters; Samir Khan, whose Inspire webzine has rallied terrorists around the world, including the Tsarnaev brothers; and Omar Hammami, an Alabama native and hip hop fan who became a fixture in al Shabaab's propaganda videos until fatally displeasing his superiors. Drawing on his extensive network of intelligence contacts, from the National Counterterrorism Center and the FBI to the NYPD, Peter Bergen also offers an inside look at the sometimes controversial tactics of the agencies tracking potential terrorists--from infiltrating mosques to massive surveillance; at the bias experienced by innocent observant Muslims at the hands of law enforcement; at the critics and defenders of US policies on terrorism; and more. Lucid, rigorously researched, and packed with fascinating new details, United States of Jihad is the definitive account of the Americans who have embraced militant Islam both here and abroad.

    The stakes of war are explored through the intertwining lives of six members of the Marefat School, an institution in the Western slums of Kabul built by one of the country's most vulnerable minority groups, the Hazara, as the school community prepares for the departure of foreign troops. Marefat's mission is to educate its community's youth- both boys and girls - and introduce them to a secular curriculum, civic participation, and the arts. The Marefat community has embraced the U.S. and flourished under its presence; they stand to lose the most when that protection disappears.The Last Thousand tells the story of what we leave behind when our foreign wars end, presenting the promise, as well as the peril, of our military adventure abroad. Through the eyes of these characters, Stern presents a nuanced and fascinating portrait of the complex history of Afghanistan, American occupation, and the ways in which this one community rallies together in compelling, heartbreaking, and inspiring detail.

    It follows Barack Obama’s campaign against the excesses of the Bush counterterrorism programs and his eventual embrace of the targeted killing of suspected militants. And it recounts how the president directed the mammoth machinery of spy agencies to hunt Awlaki down in a frantic, multi-million-dollar pursuit that would end with the death of Awlaki by a bizarre, robotic technology that is changing warfare—the drone.       Scott Shane, who has covered terrorism for The New York Times over the last decade, weaves the clash between president and terrorist into both a riveting narrative and a deeply human account of the defining conflict of our era. Awlaki, who directed a plot that almost derailed Obama’s presidency, and then taunted him from his desert hideouts, will go down in history as the first United States citizen deliberately hunted and assassinated by his own government without trial. But his eloquent calls to jihad, amplified by YouTube, continue to lure young Westerners into terrorism—resulting in tragedies from the Boston marathon bombing to the murder of cartoonists at a Paris weekly. Awlaki’s life and death show how profoundly America has been changed by the threat of terrorism and by our own fears.       Illuminating and provocative, and based on years of in depth reporting, Objective Troy is a brilliant reckoning with the moral challenge of terrorism and a masterful chronicle of our times.

    But from the 1930s to the 1960s, he was the voice of New York City. Readers of The New Yorker cherished his intimate sketches of the people who made the city tick—from Mohawk steelworkers to Staten Island oystermen, from homeless intellectual Joe Gould to Old John McSorley, founder of the city’s most famous saloon. Mitchell’s literary sensibility combined with a journalistic eye for detail produced a writing style that would inspire New Journalism luminaries such as Gay Talese, Tom Wolfe, and Joan Didion.   Then, all of a sudden, his stories stopped appearing. For thirty years, Mitchell showed up for work at The New Yorker, but he produced . . . nothing. Did he have something new and exciting in store? Was he working on a major project? Or was he bedeviled by an epic case of writer’s block?   The first full-length biography of Joseph Mitchell, based on the thousands of archival pages he left behind and dozens of interviews, Man in Profile pieces together the life of this beloved and enigmatic literary legend and answers the question that has plagued readers and critics for decades: What was Joe Mitchell doing all those years?   By the time of his death in 1996, Mitchell was less well known for his elegant writing than for his J. D. Salinger–like retreat from the public eye. For thirty years, Mitchell had wandered the streets of New York, chronicling the lives of everyday people and publishing them in the most prestigious publication in town. But by the 1970s, crime, homelessness, and a crumbling infrastructure had transformed the city Mitchell understood so well and spoke for so articulately. He could barely recognize it. As he said to a friend late in life, “I’m living in a state of confusion.”   Fifty years after his last story appeared, and almost two decades after his death, Joseph Mitchell still has legions of fans, and his story—especially the mystery of his “disappearance”—continues to fascinate. With a colorful cast of characters that includes Harold Ross, A. J. Liebling, Tina Brown, James Thurber, and William Shawn, Man in Profile goes a long way to solving that mystery—and bringing this lion of American journalism out of the shadows that once threatened to swallow him.  Praise for Man in Profile   “[An] authoritative new biography [about] our greatest literary journalist . . . Kunkel is the ideal biographer of Joseph Mitchell: As . . . a writer and craftsman worthy of his subject.”—Blake Bailey, The New York Times Book Review (Editor’s Choice)   “A richly persuasive portrait of a man who cared about everybody and everything.”—London Review of Books“Mitchell’s life and achievements are brought vividly alive in [this] splendid book.”—Chicago Tribune“A thoughtful and sympathetic new biography.”—Ruth Franklin, The Atlantic   “Excellent . . . A first-rate Mitchell biography was very much in order.”—The Wall Street Journal

    She was introduced by Sara Danius, Permanent Secretary of the Swedish Academy. The lecture was delivered in Russian.

    
 This is a story of navigating identities through a remarkable life. Danuta Pfeiffer was an unwed teenage mother escaping to the tundra of Alaska; a journalist who inadvertently became a television evangelist with a ringside seat to a presidential campaign; a wife c aught in a web of deceit and substance abuse. Through it all, she clings to her father’s legacy, sustained by his tales of fortitude and endurance when faced with the horrors of war. Finally, living happily as a winemaker in Oregon, she finds she must once more reinvent herself, when during a sojourn to the Carpathian Mountains of Poland she uncovers long-buried family secrets. Chiseled is the story of one woman brave enough to chip away at a life of lies and finally arrive at a shining core of truth.

    The author of five bestselling books (What I Saw at the Revolution is now a classic), her column in The Wall Street Journalis a must-read for millions of Americans. Witty, incisive and always original, Peggy Noonan is a conservative intellectual with wide reaching appeal across the political spectrum. Now, for the first time, the best of Noonan's writing will be collected in one indispensible volume. With a special, original introduction, she chronicles her career in journalism, the Reagan White House, and the political arena. Annotated and analyzed throughout, Peggy expands a lifetime of wonderful writing into an astute examination of American life.

    Comprised entirely of exclusive interviews, many with artists who have never spoken about their careers before, this tome begins the project by examining three facets of the genre in detail, returning to the subject of Norwegian Black Metal, discussing Polish Black Metal and telling the story of the subgenre of Depressive/Suicidal Black Metal.

    Now, James McGrath Morris skillfully illuminates this ambitious, influential, and groundbreaking woman's life, from her childhood growing up in South Chicago to her career as a journalist and network news commentator, reporting on some of the most crucial events in modern American history. Morris draws on a rich and untapped collection of Payne’s personal papers documenting her private and professional affairs. He combed through oral histories, FBI documents, and newspapers to fully capture Payne’s life, her achievements, and her legacy. He introduces us to a journalist who covered such events as the Montgomery Bus Boycott, the Little Rock school desegregation crisis, the service of black troops in Vietnam, and Henry Kissinger’s 26,000-mile tour of Africa. A self-proclaimed “instrument of change” for her people, Payne broke new ground as the Washington correspondent for the Chicago Defender. She publicly prodded President Dwight D. Eisenhower to support desegregation, and her reporting on legislative and judicial civil rights battles enlightened and activated black readers across the nation. In 1964, President Lyndon B. Johnson recognized Payne’s seminal role by presenting her with a pen used in signing the Civil Rights Act. In 1972, she became the first female African American radio and television commentator on a national network, working for CBS. Her story mirrors the evolution of our own modern society.Inspiring and instructive, moving and comprehensive, Eye on the Struggle illuminates this extraordinary woman and her achievements, and reminds us of the power one person has to transform our lives and our world.

    She was a trailblazing columnist who achieved national syndication and reported from the front lines of American politics for five decades. From her first assignment reporting on the Army–McCarthy hearings to her Pulitzer-winning coverage of Watergate and controversial observations of President Bush after September 11, McGrory humanized the players on the great national stage while establishing herself as a uniquely influential voice. Behind the scenes she flirted, drank, cajoled, and jousted with the most important figures in American life, breaking all the rules in the journalism textbook. Her writing was admired and feared by such notables as Lyndon Johnson (who also tried to seduce her) and her friend Bobby Kennedy who observed, “Mary is so gentle—until she gets behind a typewriter.” Her soirees, filled with Supreme Court justices, senators, interns, and copy boys alike, were legendary.As the red-hot center of the Beltway in a time when the newsrooms were dominated by men, McGrory makes for a powerfully engrossing subject. Laced with juicy gossip and McGrory’s own acerbic wit, John Norris’s colorful biography reads like an insider’s view of latter-day American history—and one of its most enduring characters.

    And as temperatures rise and the ice retreats, Vladimir Putin orders Russia’s oil rigs to move north. But one early September morning in 2013 thirty men and women from eighteen countries—the crew of Greenpeace’s Arctic Sunrise—decide to draw a line in the ice and protest the drilling in the Arctic.Thrown together by a common cause, they are determined to stop Putin and the oligarchs. But their protest is met with brutal force as Putin’s commandos seize the Arctic Sunrise. Held under armed guard by masked men, they are charged with piracy and face fifteen years in Russia’s nightmarish prison system.Ben Stewart—a key member of the campaign to release the Arctic 30—tells an astonishing tale of passion, courage, brutality, and survival. With wit, verve, and candor, he chronicles the extraordinary friendships the activists made with their often murderous cellmates, their battle to outwit the prison guards, and the struggle to stay true to the cause that brought them there.

    Dogland, an extraordinary mix of memoir and investigative journalism, follows Skole’s journey to trace the origins of her newest family member.Along the way, Skole interviewed dozens who work in the world of animal rescue—from shelter managers to animal rights activists—taking readers from dilapidated county-run shelters in the South to strip malls in the Northeast where rescue groups seek homes for homeless pets, and from rural and urban “vet deserts” to the very heart of the South’s complex relationship with companion dogs.Amid the serious issues facing shelter dogs in America, Skole found tireless animal advocates and humble visionaries who believe their ideas and their passion can save canine lives throughout the South—and the entire United States.

    Combat, cigars, and whiskey—from the jungles of Cuba and the mountains of the Northwest Frontier, to the banks of the Nile and the plains of South Africa, comes this action-packed tale of Winston Churchill’s adventures as a war correspondent in the Age of Empire.

    Every day more than 1,000 people—men, women, and children—flee these three countries for North America. Óscar Martínez, author of The Beast, named one of the best books of the year by the Economist, Mother Jones, and the Financial Times, fleshes out these stark figures with true stories, producing a jarringly beautiful and immersive account of life in deadly locations. Martínez travels to Nicaraguan fishing towns, southern Mexican brothels where Central American women are trafficked, isolated Guatemalan jungle villages, and crime-ridden Salvadoran slums. With his precise and empathetic reporting, he explores the underbelly of these troubled places. He goes undercover to drink with narcos, accompanies police patrols, rides in trafficking boats and hides out with a gang informer. The result is an unforgettable portrait of a region of fear and a subtle analysis of the North American roots and reach of the crisis, helping to explain why this history of violence should matter to all of us.

    But as we know from the 2008 presidential campaign, and its outcome, Clinton evokes extreme and varied emotions among voters in a way no other candidate in recent memory has. But why? Love Her, Love Her Not: The Hillary Paradox delves into the nuances of our complicated feelings about one of the most powerful women ever in American politics. In this timely collection, editor Joanne Bamberger gathers a unique and diverse group of writers of all ages, walks of life, and political affiliations, while also providing the narrative framework through which to view the history that s led us to this moment in time the moment when voters must decide whether they can forgive Hillary Clinton for not being the perfect candidate or the perfect woman and finally elect our first woman president. Timely and fresh, Love Her, Love Her Not will provoke new conversations and push political and cultural dialogue in the US to a new level."Contributors include Deb Rox (BlogHer), Amy Ferris (Marrying George Clooney), Emily Zanotti (The American Spectator), Sally Kohn (CNN), KJ Dell'Antonia (NYTimes/Motherlode), Joanne Bamberger (The Broad Side/USA Today), and more of your favorite women writers!

    I prefer the good to the bad, the articulate to the mumbling, the aesthetically developed to the merely primitive, and full to partial consciousness. I love the spectacle of skill, whether it’s an expert gardener at work, or a good carpenter chopping dovetails . . . I don’t think stupid or ill-read people are as good to be with as wise and fully literate ones. I would rather watch a great tennis player than a mediocre one . . . Consequently, most of the human race doesn’t matter much to me, outside the normal and necessary frame of courtesy and the obligation to respect human rights. I see no reason to squirm around apologizing for this. I am, after all, a cultural critic, and my main job is to distinguish the good from the second-rate.” Robert Hughes wrote with brutal honesty about art, architecture, culture, religion, and himself. He translated his passions—of which there were many, both positive and negative—brilliantly, convincingly, and with vitality and immediacy, always holding himself to the same rigorous standards of skill, authenticity, and significance that he did his subjects. There never was, and never will be again, a voice like this. In this volume, that voice rings clear through a gathering of some of his most unforgettable writings, culled from nine of his most widely read and important books. This selection shows his enormous range and gives us a uniquely cohesive view of both the critic and the man. Most revealing, and most thrilling for Hughes’s legions of fans, are the never-before-published pages from his unfinished second volume of memoirs. These last writings show Robert Hughes at the height of his powers and can be read only with pleasure and a tinge of sadness that his extraordinary voice is no longer here to educate us as well as to clarify and define our world.

    Hosken does an excellent job of sorting out the American reaction, the failure of the Iraqi leadership in the form of Nouri al-Maliki and others, and how IS has becomes the richest terrorist group in the world."—Kirkus Reviews, (Starred)One of the 10 Best Books of September 2015—The Christian Science Monitor In June 2014 Islamic State launched an astonishing blitzkrieg which saw them seize control of an area in the Middle East the size of Britain. The news was soon filled with their relentless acts of savagery, yet nobody seemed to know who they were or where they’d come from.Now BBC reporter Andrew Hosken delivers the inside story on Islamic State. Through extensive first-hand reporting, Hosken builds a comprehensive picture of IS, their brutal ideology and exterminationist methods. Equally compelling and horrifying, Empire of Fear reveals how Islamic State came to be, explores how they might be defeated and asks a frightening question — if they were brought down, could we stop another group emerging to replace them?

    There is a horrible murder in your neighborhood. You stand outside with your neighbors and watch, or maybe you peek out of your curtains. Hours pass, then days, maybe even years. Until one day there is a knock at your door, and the police take you in for questioning. Do you remember what happened? Do you have an alibi? Can you take countless hours of interrogation without breaking? Can this happen to you?It can happen, and it happens more than you think.From The Fixer to The Shawshank Redemption to Orange Is the New Black, books, films, and TV shows have, for decades, fed the public's endless hunger for nitty-gritty details about prison life. Stolen Years will not deny readers those details, but it will also offer something more satisfying: the stories of ten former inmates who fended off the blackest kind of despair so they could keep fighting for freedom; the years they spent waiting for an appeal; and their struggles to get back to living after losing so many years behind bars.Intense, startling, and utterly compelling, Stolen Years will take readers into the stories of the ones who didn't do it.

    Luckily she was welcomed as a guest into See Skwat.New York City in the ‘90s saw the streets of the Lower East Side overun with derelict buildings, junkies huddled in dark corners, and dealers packing guns. People in desperate need of housing, worn down from waiting for years in line on the low-income housing lists, had been moving in and fixing up city-abandoned buildings since the mid-80s in the LES.Squatters took over entire buildings, but these structures were barely habitable. They were overrun with vermin, lacking plumbing, electricity, and even walls, floors, and a roof. Punks and outcasts joined the squatter movement and tackled an epic rebuilding project to create homes for themselves.The squatters were forced to be secretive and exclusive as a result of their poor legal standing in the buildings. Few outsiders were welcome and fewer photographers or journalists. Thayer’s camera accompanied her everywhere as she lived at the squats and worked alongside other residents. Ash observed them training each other in these necessary crafts and finding much of their materials in the overflowing bounty that is New York City’s refuse and trash. The trust earned from her subjects was unique and her access intimate. Kill City  is a true untold story of New York’s legendary LES squatters.

    Solzhenitsyn's gripping epic masterpiece, the searing record of four decades of Soviet terror and oppression,

    With Alone atop the Hill, Carol McCabe Booker has condensed Dunnigan’s 1974 self-published autobiography to appeal to a general audience and has added scholarly annotations that provide historical context. Dunnigan’s dynamic story reveals her importance to the fields of journalism, women’s history, and the civil rights movement and creates a compelling portrait of a groundbreaking American. Dunnigan recounts her formative years in rural Kentucky as she struggled for a living, telling bluntly and simply what life was like in a Border State in the first half of the twentieth century. Later she takes readers to Washington, D.C., where we see her rise from a typist during World War II to a reporter. Ultimately she would become the first black female reporter accredited to the White House; to travel with a U.S. president; credentialed by the House and Senate Press Galleries; accredited to the Department of State and the Supreme Court; voted into the White House Newswomen’s Association and the Women’s National Press Club; and recognized as a Washington sports reporter. A contemporary of Helen Thomas and a forerunner of Ethel Payne, Dunnigan traveled with President Truman on his coast-to-coast, whistle-stop tour; was the first reporter to query President Eisenhower about civil rights; and provided front-page coverage for more than one hundred black newspapers of virtually every race issue before the Congress, the federal courts, and the presidential administration. Here she provides an uninhibited, unembellished, and unvarnished look at the terrain, the players, and the politics in a rough-and-tumble national capital struggling to make its way through a nascent, postwar racial revolution.

     What happened at Essendon, what happened at Cronulla, is only part of the story. From the basement office of a suburban football club to the seedy corners of Peptide Alley to the polished corridors of Parliament House, The Straight Dope is an inside account of the politics, greed and personal feuds which fuelled an extraordinary saga. A football club and coach determined to win, a sports scientist who doesn't play by the rules, an AFL administration hell bent on control, an anti-doping authority out of its depth, a generation of footballers held hostage by scandal and an unpopular government that just wants it to end; for two tumultuous seasons this was the biggest game of all.

    While most known as a crucial component of the “jungle alchemy” that is ayahuasca, DMT is a unique story unto itself. Until now, this story has remained untold. Mystery School in Hyperspace is the first book to delve into the history of this substance, the discovery of its properties, and the impact it has had on poets, artists, and musicians. DMT has appeared at crucial junctures in countercultural history. William Burroughs was jacking the spice in Tangier at the turn of the 1960s. It was present at the meeting between Ken Kesey's Merry Pranksters and Tim Leary's associates. It guided the inception of the Grateful Dead in 1965. It showed up in Berkeley in the same year, falling into the hands of Terence McKenna, who would eventually become its champion in the post-rave neo-psychedelic movement of the 1990s. Its indole vapor drifted through Portugal's Boom Festival and has been evident at Nevada's Burning Man, where DMT has been adopted as spiritual technology supplying shape, color, and depth to a visionary art movement. The growing prevalence of use is evident in a vast networked independent research culture, and in its impact on fiction, film, music and metaphysics. As this book traces the effect of DMT's release into the cultural bloodstream, the results should be of great interest to contemporary readers. The book permits a broad reading audience to join ongoing debates in studies in consciousness and theology where the brain is held to be either a generator or a receiver of consciousness. The implications of the "spirit molecule" or "the brain's own psychedelic" among other theories illustrate that DMT may lift the lid on the Pandora's Box of consciousness. Features a foreword by Dennis McKenna, cover art by Beau Deeley, and thirty color illustrations by various artists, including Alex Grey, Android Jones, Martina Hoffmann, Luke Brown, Carey Thompson, Adam Scott Miller, Randal Roberts, along with Jay Bryan, Cyb, Orryelle Defenestrate-Bascule, Art Van D'lay, Stuart Griggs, Jay Lincoln, Gwyllm Llwydd, Shiptu Shaboo, Marianna Stelmach, and Mister Strange. Regarded as the “nightmare hallucinogen” or celebrated as the “spirit molecule,” labelled “psychotogenic” or “entheogenic,” considered a dangerous drug or the suspected X-factor in the evolution of consciousness, DMT is a powerful enigma. Documenting the scientists and artists drawn into its sphere of influence, navigating the liminal aesthetics of the “breakthrough” experience, tracing the novum of “hyperspace” in esoteric and science fiction currents, Mystery School in Hyperspace excavates the significance of this enigmatic phenomenon in the modern world. Exposing a great many myths, this cultural history reveals how DMT has had a beneficial influence on the lives of those belonging to a vast underground network whose reports and initiatives expose drug war propaganda and shine a light in the shadows. This conversation is highly relevant at a time when significant advances are being made to lift the moratorium on human research with psychedelics.From the Trade Paperback edition.

    In this important new book, Frederick A.O. Schwarz Jr., who was chief counsel to the U.S. Church Committee on Intelligence—which uncovered the FBI's effort to push Martin Luther King to commit suicide; the CIA's enlistment of the Mafia to try to kill Fidel Castro; and the NSA's thirty-year program to get copies of all telegrams leaving the United States—uses examples ranging from the dropping of the first atomic bomb and the Cuban Missile Crisis to Iran Contra and 9/11 to illuminate this central question: how much secrecy does good governance require? Schwarz argues that while some control of information is necessary, governments tend to fall prey to a culture of secrecy that is ultimately not just hazardous to democracy but antithetical to it. This history provides the essential context to recent cases from Chelsea Manning to Edward Snowden.Democracy in the Dark is a natural companion to Schwarz's Unchecked and Unbalanced, co-written with Aziz Huq, which plumbed the power of the executive branch—a power that often depends on and derives from the use of secrecy.

    Like his friend and admirer Red Smith, W. C. Heinz (1915–2008) was one of the most distinctive and  influential sportswriters of the last century. Though he began his career as a newspaper reporter, Heinz soon moved beyond the confines of the daily column, turning freelance and becoming the first sportwriter to make his living writing for magazines. In doing so he effectively invented the long-form sports story, perfecting a style that paved the way for the New Journalism of the 1960s. His profiles of the top athletes of his day still feel remarkably current, written with a freshness of perception, a gift for characterization, and a finely tuned ear for dialogue. Jimmy Breslin named Heinz’s “Brownsville Bum”—a brief life of Al “Bummy” Davis, Brooklyn street tough and onetime welterweight champion of the world—“the greatest magazine sports story I’ve ever read, bar none.” His spare and powerful 1949 column, “Death of a Race Horse,” has been called a literary classic, a work of clarity and precision comparable to Hemingway at his best.Now, for this essential writer’s centennial, Bill Littlefield, the host of NPR’s Only A Game, presents the essential Heinz: thirty-eight columns, profiles, and memoirs from the author’s personal archive, including eighteen pieces never collected during his lifetime. Though Heinz’s great passion was boxing—the golden era of Rocky Graziano, Floyd Patterson, and Sugar Ray Robinson—his interests extended to the wide world of sports, with indelible profiles of baseball players (Babe Ruth, Joe DiMaggio), jockeys (George Woolf, Eddie Arcaro), hockey players, football coaches, scouts and trainers and rodeo riders.

    In the seventeen wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection. In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge; in Dodge City, Kansas, he takes up residence at a roadside hotel and sees, firsthand, the ways in which the racial divide turns neighbor against neighbor. In each instance, Paterniti illuminates the full spectrum of human experience, introducing us to unforgettable everyday people and bygone legends, exploring the big ideas and emotions that move us. Paterniti reenacts François Mitterrand’s last meal in a rustic dining room in France and drives across America with Albert Einstein’s brain in the trunk of his rental car, floating in a Tupperware container. He delves with heartbreaking detail into the aftermath of a plane crash off the coast of Nova Scotia, an earthquake in Haiti, and a tsunami in Japan—and, in searing swirls of language, unearths the complicated, hidden truths these moments of extremity teach us about our ability to endure, and to love. Michael Paterniti has spent the past two decades grappling with some of our most powerful subjects and incomprehensible events, taking an unflinching point of view that seeks to edify as it resists easy answers. At every turn, his work attempts to make sense of both love and loss, and leaves us with a profound sense of what it means to be human. As he writes in the Introduction to this book, “The more we examine the grooves and scars of this life, the more free and complete we become.”

    From Brooke Jarvis on deep-ocean mining to Elizabeth Kolbert on New Zealand’s unconventional conservation strategies, this is a group that celebrates the growing diversity in science and nature writing alike. Altogether, the writers honored in this year’s volume challenge us to consider the strains facing our planet and its many species, while never losing sight of the wonders we’re working to preserve for generations to come. The Best American Science and Nature Writing 2015 includes Sheri Fink, Atul Gawande, Leslie Jamison, Sam Kean, Seth Mnookin, Matthew Power, Michael Specterand others  REBECCA SKLOOT's award-winning science writing has appeared in the New York Times Magazine and elsewhere. Her book, The Immortal Life of Henrietta Lacks, was an instant New York Times bestseller. It was named a best book of 2010 by more than sixty media outlets, including Entertainment Weekly and NPR, and by the National Academies of Science and the American Association for the Advancement of Science, among others. Skloot is currently writing a book about humans, animals, science, and ethics.   TIM FOLGER, series editor, is a contributing editor at Discover and writes about science for several magazines.

    It’s like everyone simultaneously is taking LSD." Julian Assange"No one is more hopelessly enslaved than those who think they’re free." Johann Wolfgang von Goethe Ever since Edward Snowden’s NSA disclosures, the might of the secret services and the helplessness of everyday citizens are there all around us for everyone to see. But who is taking up the fight against global surveillance and the erosion of democracy? Theater director Angela Richter has conducted in-depth interviews with a number of well-known whistleblowers and internet activists – the "Supernerds". Conversations with Julian Assange, Edward Snowden, Daniel Ellsberg, Jesselyn Radack, William Binney, Jeremy Hammond and Thomas Drake, an Essay by Barrett Brown and drawings by Daniel Richter.

    Repeating details of fatty livers, mental illness, alcoholic belligerence, and a mysterious incapacity to cope with modern life, the legal proceedings declare that there are no villains here, only inevitable casualties of Indigenous life.But what about a sixty-seven-year-old man who dies in a hospital in police custody with a large, visible, purple boot print on his chest? Or a barely conscious, alcoholic older man, dropped off by police in a dark alley on a cold Vancouver night? Or Saskatoon’s infamous and lethal starlight tours, whose victims were left on the outskirts of town in sub-zero temperatures? How do we account for the repeated failure to care evident in so many cases of Indigenous deaths in custody?In Dying from Improvement, Sherene H. Razack argues that, amidst systematic state violence against Indigenous people, inquiries and inquests serve to obscure the violence of ongoing settler colonialism under the guise of benevolent concern. They tell settler society that it is caring, compassionate, and engaged in improving the lives of Indigenous people – even as the incarceration rate of Indigenous men and women increases and the number of those who die in custody rises.Razack’s powerful critique of the Canadian settler state and its legal system speaks to many of today’s most pressing issues of social justice: the treatment of Indigenous people, the unparalleled authority of the police and the justice system, and their systematic inhumanity towards those whose lives they perceive as insignificant.

    Also featuring a foreword by Jim DeRogatis of Sound Opinions, this collection profiles pivotal Chicago musicians who somehow have not gotten their just dues.

    Since 1843, the Economist has been the single most devoted and influential champion of liberalism anywhere in the world. But what exactly is liberalism, and how has the liberal message evolved? Liberalism at Large presents a history of liberalism on the move, confronting the challenges that classical doctrine left unresolved: the rise of democracy, the expansion of empire, the ascendancy of finance. Today, neither economic crisis at home, nor permanent warfare abroad, has dimmed the Economist's belief in unfettered markets, limited government and a free hand for the West. Confidante to the powerful, emissary for the financial sector, portal onto international affairs, the bestselling news weekly shapes the world its readers--and the rest of us--inhabit. This is the first critical biography of one of the architects of a liberal world order now under increasing strain.

    Petro brings ecumenical Protestants, Roman Catholics, biomedical officials, and ACT UP protestors into view alongside their evangelical compatriots and in doing so creates a richly polychromatic picture of American religion, sexuality, and moral debate in the wake of the AIDS epidemic." --Leigh Eric Schmidt, Edward C. Mallinckrodt Distinguished University Professor, Washington University in St. Louis "The AIDS crisis was not an epoch that we survived. It is a battle that we are still fighting. In this remarkable work of historical intervention Anthony Petro explores the extraordinary religious ferment that accompanied the emergence of AIDS in the United States. Petro shows that when Americans talk about AIDS they are rarely just talking about a scientific problem or a pharmaceutical solution. They are instead offering a sociology of suffering and a plan for spiritual warfare. After the Wrath of God is required reading for anyone interested in the way this powerful religious past will shape our political future."--Kathryn Lofton, Professor of Religious Studies, American Studies, History and Divinity; Chair, Women's, Gender and Sexuality Studies, Yale University "Anthony Petro's novel account of the role of American Christianity in the AIDS crisis moves beyond expected narratives of the rise of the right to encompass a diversity of religious responses across the 'long 1980s.' Illuminating and important." --Margot Canaday, Associate Professor of History, Princeton University

    Eisenhower prepared to leave the White House in 1961, he did so with an ominous message for the American people about the "disastrous rise" of the military-industrial complex. Fifty years later, the complex has morphed into a virtually unstoppable war machine, one that dictates U.S. economic and foreign policy in a direct and substantial way.Based on his experiences as an award-winning Washington-based reporter covering national security, James McCartney presents a compelling history, from the Cold War to present day that shows that the problem is far worse and far more wide-reaching than anything Eisenhower could have imagined. Big Military has become "too big to fail" and has grown to envelope the nation's political, cultural and intellectual institutions. These centers of power and influence, including the now-complicit White House and Congress, have a vested interest in preparing and waging unnecessary wars. The authors persuasively argue that not one foreign intervention in the past 50 years has made us or the world safer.With additions by Molly Sinclair McCartney, a fellow journalist with 30 years of experience, America's War Machine provides the context for today's national security state and explains what can be done about it.

    In 1937, Shirer left print journalism and became the first of the now legendary "Murrow boys," working as an on-air partner to the iconic CBS broadcaster Edward R. Murrow. With Shirer reporting from inside Nazi Germany and Murrow from blitz-ravaged London, the pair built CBS’s European news operation into the industry leader and, in the process, revolutionized broadcasting. But after the war ended, the Shirer-Murrow relationship shattered. Shirer lost his job and by 1950 found himself blacklisted as a supposed Communist sympathizer. After nearly a decade in the professional wilderness, he began work on The Rise and Fall of the Third Reich. Published in 1960, Shirer's magnum opus sold millions of copies and was hailed as the masterwork that would "ensure his reputation as long as humankind reads." Ken Cuthbertson's A Complex Fate is a thought-provoking, richly detailed biography of William Shirer. Written with the full cooperation of Shirer’s family, and generously illustrated with photographs, it introduces a new generation of readers to a supremely talented, complex writer, while placing into historical context some of the pivotal media developments of our time.

    334 pages - 1,275 footnotes - More than 3,000 sources - Jewish journals, encyclopedias, newspapers & other publications - Jewish scholars & rabbis - Court records - Shipping records - Jewish wills - Runaway slave notices - Auction notices - Published sermons - Census data - Slave bills of sale - Tax records Full Index - Bibliography.

    A longtime Washington Post Magazine writer who became a journalism professor at the University of Illinois, Harrington has been a leading voice in the field of long-form storytelling. Artful Journalism collects for the first time his insightful and evocative essays that have inspired and informed several generations of writers who aspire to do journalism-- that captures the feeling of literature while adhering to traditional journalistic standards of fairness, balance, and accuracy.Artful Journalism also includes essays by two of America’s prominent young journalists, Wright Thompson and Justin Heckert, whose work has been inspired and shaped by Harrington’s principles.“For years, I've been marveling at Walt Harrington's work and wondering how he did it. After reading Artful Journalism, I have my answer. Not only is Walt a brilliant writer, he's a true master of the craft.”—David Finkel, Pulitzer Prize and MacArthur Award winner, author of The Good Soldiers“Harrington’s essays are as practical as they are artful. He reminds us why we write, and why it matters.”—Joe Mackall, director, Ashland University creative writing program, author of Plain Secrets: An Outsider Among the Amish

    Ride the campaign plane with Ronald Reagan, get the inside story of why Congress is such a disaster and share adventure travel stories from a globetrotting correspondent.
Retired CBS News Correspondent Bob Fuss has traveled with half a dozen Presidents, covered Congress for more than 20 years and includes travelogues from his adventures around the world.

    In The Crossing, she testifies to the appalling reality that is Syria today. From the first innocent demonstrations for democracy, through the beginnings of the Free Syrian Army, to the arrival of ISIS, she offers remarkable snapshots of soldiers, children, ordinary men and women simply trying to stay alive...Some of these stories are of hardship and brutality that is hard to bear, but she also gives testimony to touches of humanity along the way: how people live under the gaze of a sniper...how principled young men try to resist orders from their military superiors...how children cope in the bunkers...Yazbek's portraits of life in Syria are very real, her prose is luminous. The Crossing is undoubtedly both an important historical document and a work of literature.

    In Beautiful Terrible Ruins, art historian Dora Apel explores a wide array of these images, ranging from photography, advertising, and television, to documentaries, video games, and zombie and disaster films.   Apel shows how Detroit has become pivotal to an expanding network of ruin imagery, imagery ultimately driven by a pervasive and growing cultural pessimism, a loss of faith in progress, and a deepening fear that worse times are coming. The images of Detroit’s decay speak to the overarching anxieties of our era: increasing poverty, declining wages and social services, inadequate health care, unemployment, homelessness, and ecological disaster—in short, the failure of capitalism. Apel reveals how, through the aesthetic distancing of representation, the haunted beauty and fascination of ruin imagery, embodied by Detroit’s abandoned downtown skyscrapers, empty urban spaces, decaying factories, and derelict neighborhoods help us to cope with our fears. But Apel warns that these images, while pleasurable, have little explanatory power, lulling us into seeing Detroit’s deterioration as either inevitable or the city’s own fault, and absolving the real agents of decline—corporate disinvestment and globalization. Beautiful Terrible Ruins helps us understand the ways that the pleasure and the horror of urban decay hold us in thrall.

    The best of the best! A brilliant look at the last twelve months through the eyes of multi-award-winning cartoonist Matt.

    He was shot five times. She is a typical American. She was shot six times. He is Segundo Morris. He feeds on violence, and breathes bullets. She is all of us. His indifference is our indifference. Her refuge from the storm is found inside us. This book was inspired by actual shootings over the 4th of July weekend 2014 in Chicago, IL. The bullets are real. Mixing journalism, absurdist prose, scripts, autobiography, shape poetry and other forms, Boiled Americans is a puzzle box in book form, inspired by the violence of living in urban America and exploding the tendency to forget or ignore. You are in this book. So am I. Breathe.

    This book is a centennial birthday bash hosted by Dean Mullaney, Bruce Canwell, and Brian Walker, with contributions by Brendan Burford, Lucy Shelton Caswell, Jared Gardner, Ron Goulart, Jeffrey Lindenblatt, Carl Linich, Paul Tumey, and Germund von Wowern. More than just comics, it s a celebration of the profound impact that King Features has had on popular culture!"

    What is it? For whom is it produced? What sorts of sexualities does it help produce? Why should we study it, and what should be the most urgent issues when we do? What does it mean when we talk about pornography as violence? What could it mean if we discussed pornography through frameworks of consent, self-determination and performance?This book places the arguments from conservative and radical anti-porn activists against the challenges coming from a new generation of feminist and queer porn performers and educators. Combining sensitive and detailed discussion of case studies with careful attention to the voices of those working in pornography, it provides scholars, activists and those hoping to find new ways of understanding sexuality with the first overview of the histories and futures of pornography.

    But I wasn't too weary to type the date line firmly as if I'd been writing date lines all my life:from the front at Iwo Jima March 5, 1945-- Then I remembered and added two words.under fire-- They looked great." In 1965, Wisconsin native Georgette "Dickey" Chapelle became the first female American war correspondent to be killed in action. Now, "Dickey Chapelle Under Fire" shares her remarkable story and offers readers the chance to experience Dickey's wide-ranging photography, including several photographs taken during her final patrol in Vietnam.Dickey Chapelle fought to be taken seriously as a war correspondent and broke down gender barriers for future generations of female journalists. She embedded herself with military units on front lines around the globe, including Iwo Jima and Okinawa, the Dominican Republic, and Vietnam. Dickey sometimes risked her life to tell the story -- after smuggling aid to refugees fleeing Hungary, she spent almost two months in a Hungarian prison. For twenty-five years, Dickey's photographs graced the pages of "National Geographic," the "National Observer," "Life," and others. Her tenacity, courage, and compassion shine through in her work, highlighting the human impact of war while telling the bigger story beyond the battlefield.In "Dickey Chapelle Under Fire," the American public can see the world through Dickey's lens for the first time in almost fifty years, with a foreword by Jackie Spinner, former war correspondent for "The Washington Post."

    Even though they cover topics ranging from history, to politics, to religion, to military affairs, to social issues, they are all linked by one common thread: the full-spectrum clash between the Western world and what the Saker calls the "Russian civilizational realm". Most Russians, especially when addressing a western audience, feel compelled to use a diplomatic and non-confrontational language. In contrast, Saker's style is informal, almost conversational, but also direct, even blunt. He is fully aware that his views might offend many of his readers, but he believes that there is also a bigger audience out there which will appreciate an honest and, above all, sincere criticism of what the Saker calls the "AngloZionist Empire". The careful reader, however, will notice that the Saker's criticisms are always aimed at a political system and its constituent institutions and supporting ideologies, but never at the people, nations or ethnicities. In fact, the Saker forcefully argues for a multi-cultural, multi-ethnic and multi-religious Russia which would be fully integrated in a multi-polar world inspired by the fraternal diversity of the BRICS countries. Underlying the Saker's entire worldview is a categorical rejection of all ideologies and a profound belief that the root of all evil as well as the key to defeating it is always in the realm of spirituality. Gilad Atzmon, jazz musician and philosopher: As telling the truth is becoming a nostalgic endeavour, its seeking is becoming an heroic adventure. The Saker will guide you through the mist of concealment and disinformation." Peter Lavelle, host of Russia Today's flagship program "CrossTalk" offered this: "The Saker provides facts and analysis that are antidotes to the anti-Russian propaganda that prevails in the West." Paul Craig Roberts, former Assistant Secretary of the Treasury for Economic Policy in the Reagan administration and author of 12 books on contemporary politics: "Reading the “Saker” is essential – it is at this media space where one can discern the real trenches and battle lines in today’s super-charged information wars. I read the “Saker” not only for the facts (that are verified and applied in context), but also for a moral and disciplined attitude toward geopolitics. The “Saker” is not only a good read; it is also a way of looking at the world. Simply put: the “Saker” is information that is weaponized and hits all the right targets!" The Saker community of blogs is the only such international and multi-lingual community of blogs. The main blog alone gets well over one million pageviews per month. We currently have about 100 volunteers including professional translators. We collaborate with all the main English language blogs about Russia and the Ukraine. Our articles are often picked up by Russia Insider, the Asia Times, Information Clearing House and many others news sources and our work has been quoted by Paul Craig Roberts, Sheikh Imran Hosein, Pepe Escobar and many others. The Saker was born in a military family of "White" Russian refugees in western Europe where he lived most of his life. After completing two college degrees in the USA, he returned to Europe were he worked as a military analyst until he lost his career due to his vocal opposition to the western-sponsored wars in Chechnia, Croatia, Bosnia and Kosovo. After re-training as a software engineer, he moved to the Florida where he now lives with his wife, a veterinarian, and their three children.

    Their travels took them from Syria to Sweden, and from crowded camps to cramped apartments in city suburbs. Each of the journalists– Hugh Eakin, Lauren Gelfond Feldinger, Stephen Franklin, Joanna Kakissis, Alia Malek, Holly Pickett, Alisa Roth, Alice Su, and Selin Thomas– lends a unique perspective. Originally published in Al Jazeera, BBC News, Guernica, In These Times, Marketplace, NPR, The Atlantic and The New York Review of Books, these stories tell of an abandoned homeland, an indifferent world, and an uncertain future. They trace the history of one of the biggest displacements of modern times– providing a testament to the suffering and courage of those who fled. Edited by Kem Knapp Sawyer Designed by Evey Wilson

    A small group of reporters and private investigators at the Boston Globe uncover the truth about pedophilia claims within the Catholic Church.

    The correspondence between Charles Kiley and Billee Gray also tells the poignant tale of two young people in love but forced apart by the circumstances of war. Edited by Charles and Billee's daughter, son, and son-in-law, this never-before-published compilation of letters is a striking example of the heroic, call-to-duty spirit that characterized "the greatest generation."Charles was a soldier-journalist for the U.S. Army's Stars and Stripes newspaper and reported on the war from London, Normandy, Paris, Reims, Belgium, and Germany. As the sole reporter allowed direct access to Eisenhower's staff, he was the only reporter on the scene when the German high command was negotiating its unconditional surrender on May 7, 1945. Among his army newspaper friends and colleagues was Andy Rooney, later CBS correspondent and 60 Minutes commentator. Billee, like many young women of her time, witnessed the war years from the home front and filled vital civilian roles--defense-industry plant worker, Red Cross volunteer, war bonds salesgirl, and civil defense plane-spotter--and wrote about it all in her letters to Charles. Peppered with fascinating details about soldiers' and civilians' lives, and including Stars and Stripes articles and personal photographs of the era, Writing the War is both important history and a tribute to two remarkable people as well as their extraordinary generation.

    In the early decades of the Cold War and the twenty-first century, American dancers toured the globe on tours sponsored by the US State Department. Dancers as Diplomats tells the story of how these tours shaped and some times re-imagined ideas of the United States in unexpected, often sensational circumstances-pirouetting in Moscow as the Cuban Missile Crisis unfolded and dancing in Burma shortly before the country held its first democratic elections. Based on more than seventy interviews with dancers who traveled on the tours, the book looks at a wide range of American dance companies, among them New York City Ballet, Alvin Ailey American Dance Theater, the Martha Graham Dance Company, Urban Bush Women, ODC/Dance, Ronald K. Brown/Evidence, and the Trey McIntyre Project, among others. During the Cold War, companies danced everywhere from the Soviet Union to Vietnam, just months before the US abandoned Saigon. In the post 9/11 era, dance companies traveled to Asia and Latin America, sub-Saharan Africa and the Middle East.

    REFAAT ALAREER and LAILA EL-HADDAD are distinguished Palestinian writers and analysts from Gaza. In Gaza Unsilenced they present reflections, analysis, and images-their own, and those of many other contributors-that record the pain and resilience of Gaza's Palestinians and the solidarity they have received from Palestinians and others around the world. Other contributors include: Ali Abunimah Ramzi Baroud Diana Buttu Jonathan Cook Belal Dabour Richard Falk Chris Hedges Hatim Kanaaneh Rashid Khalidi Eman Mohammed

    From its heartland in Syria, where it arose from the chaos of the Syrian Revolt, the organisation has expanded in ideology and membership and now poses a significant threat to the region, if not to the wider world. Sami Moubayed, a Beirut-based journalist who has been analysing Syria and the region for 20 years, has unrivalled access to the movement and its participants. His book is the first inside account of an organisation which has dominated the headlines with a dangerous mix of barbarity and military prowess. In looking at the historical background of ISIS: where it came from, how it evolved, where it stands today and what its aims are for the future to reveal, it will provide, for the first time, a fully-fledged picture of what lies at the heart of the Islamic State.

    C. Martyn had a vision: to establish a weekly news magazine that would rival Time, which in the 1930s was the only magazine of its kind in the United States. Martyn succeeded—so resoundingly that Newsweek has prospered for over 80 years, first as a stalwart of print media and now in the digital era, as well. Newsweek was Martyn’s brainchild, brought to life through his own perseverance and ingenuity. So it came as a bitter blow when a series of rivalries and disputes led to his ousting from the Newsweek board just four years after its first edition. In the 1960s Martyn wrote this memoir, which his granddaughter Anne Martyn Alexander has recently brought to light. He draws a vivid picture of his efforts to get Newsweek off the ground; his meetings with powerful men such as President Roosevelt and Henry Ford; and his own idiosyncrasies that may have played a part in the rift with the Newsweek board. Like so many visionaries, Martyn was a charismatic yet difficult man to work with, and his often-feisty character comes through clearly in his memoir. This classic entrepreneur’s story reveals the struggles and triumphs of getting a national magazine off the ground during the depths of the Great Depression. One man’s pursuit of his dream meets the tumultuous era of the 1930s in a book which will entertain and engage Newsweek fans, entrepreneurs, and history buffs alike.

    Lynch deals frankly with the anti-white bias and Jewish agenda of many mainstream films, but he is even more interested in discerning positive racial messages and values, sometimes in the most unlikely places. Son of Trevor Lynch’s White Nationalist Guide to the Movies is his second collection of essays and reviews, covering 51 movies and 4 television shows, spanning a 14-year period, from his very first review (Mulholland Drive) to his last to date (The Hobbit: The Battle of Five Armies). Lynch offers penetrating and sometimes surprising philosophical readings of Ridley Scott’s Blade Runner, Alejandro Jodorowsky’s The Dance of Reality, the Coen brothers’ A Serious Man, M. Night Shyamalan’s Signs, and Francis Ford Coppola’s Youth Without Youth; sympathetic interpretations of Bollywood musicals and Zhang Yimou’s wuxia movies; and hilarious pans of Atlas Shrugged: Part I, Prometheus, The Hobbit, The Monuments Men, Machete, Predators, Secretary, Sucker Punch, and other worthy targets. Return of Trevor Lynch’s White Nationalist Guide to the Movies cements its author’s status as a leading cultural theorist and critic of the North American New Right. Praise for Trevor Lynch "Trevor Lynch provides us with a highly literate, insightful, and even philosophical perspective on film—one that will send you running to the video rental store for a look at some very worthwhile movies—although he is also quite willing to tell you what not to see. He sees movies without the usual blinders. He is quite aware that because Hollywood is controlled by Jews, one must typically analyze movies for their propaganda value in the project of white dispossession. Trevor Lynch’s collection is a must read for anyone attempting to understand the deep undercurrents of the contemporary culture of the West." —Kevin MacDonald, author of The Culture of Critique "Hollywood has been deconstructing the white race for nearly a century. Now Trevor Lynch is fighting back, deconstructing Hollywood from a White Nationalist point of view. But these essays are not just of interest to White Nationalists. . . . These essays combine a cultural and philosophical sophistication beyond anything in film studies today with a lucid, accessible, and entertaining prose style. Every serious cineaste needs to read this book.” —Edmund Connelly “The Hollywood movie may be the greatest vehicle of deception ever invented, and the passive white viewer is its primary target. Yet White Nationalist philosopher and film critic Trevor Lynch demonstrates that truth is to be found even in this unlikeliest of places. If American audiences could learn the kind of critical appreciation Mr. Lynch demonstrates for them, their seductive enemies in Tinseltown wouldn’t stand a chance.” —F. Roger Devlin, author of Alexandre Kojève and the Outcome of Modern Thought "This is not some collection of vein-popping rants about Hollywood's political agendas. It's a thoughtful and engaging examination of ideas in popular films from a perspective you won't find in your local newspaper or in Entertainment Weekly. Lynch has chosen films that—in many cases—he actually enjoyed, and playfully teased out the New Right themes that mainstream reviewers can only afford to address with a careful measure of scorn.

    But to those who work in journalism, up-close involvement with these stories can also be life-changing. In That’s Why I’m a Journalist, veteran broadcaster Mark Bulgutch interviews 44 prominent Canadian journalists, who each share their behind-the-scenes accounts of some of the most memorable stories of their careers and describe the moment that made them say to themselves, "That’s why I’m a journalist." Although many of the contributors' stories are related to their roles in the most high-profile events of the 20th and 21st centuries, from the fall of the Berlin Wall to 9/11, here too are reflections on quieter and more intimate moments that had a deep personal impact. Peter Mansbridge talks about a trip to Vimy Ridge on the hundredth anniversary of World War I, Adrienne Arsenault recalls bringing together old friends separated by the Israeli-Palestinian conflict, Terence McKenna recounts what it’s like to worry about being kidnapped as part of the job and Wendy Mesley reflects on the satisfaction of asking tough questions—and uncovering the truth. Together, these enthralling and varied accounts provide an intimate understanding of the people we see on camera and hear on the radio. As Bulgutch argues, modern journalism is undergoing existential threats. News has never been more accessible yet, paradoxically, important news has become harder to find, often buried by pseudo-news of celebrity, lifestyle tips and the latest viral video of a water-skiing squirrel. The stories in this book serve as reminders of the importance of real journalists and real journalism.

    During World War II, the cigar-smoking, bourbon-loving raconteur landed in Charlotte, North Carolina, and founded the Carolina Israelite newspaper, which was published into the 1960s. Golden's writings on race relations and equal rights attracted a huge popular readership. Golden used his celebrity to editorialize for civil rights as the momentous story unfolded. He charmed his way into friendships and lively correspondence with Carl Sandburg, Adlai Stevenson, Robert Kennedy, and Billy Graham, among other notable Americans, and he appeared on the Tonight Show as well as other national television programs. Hartnett's spirited chronicle captures Golden's message of social inclusion for a new audience today.

    He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story and exploring the contradictions of modern Israel, while also capturing the nuances of everyday family life in all its tenderness and chaos.With an intimate tone fueled by deep-seated apprehension and razor-sharp ironic wit, Kashua has been documenting his own life as well as that of society at large: he writes about his children’s upbringing and encounters with racism, about fatherhood and married life, the Jewish-Arab conflict, his professional ambitions, travels around the world as an author, and—more than anything—his love of books and literature. He brings forth a series of brilliant, caustic, wry, and fearless reflections on social and cultural dynamics as experienced by someone who straddles two societies. Written between 2006 and 2014, Native reads like an unrestrained, profoundly thoughtful personal journal.

    Arnett’s clear-eyed coverage incurred the wrath of President Lyndon Johnson and officials on all sides of the conflict. Writing candidly and vividly about his gambles and glories, Arnett also shares his fears and fights in reporting against the backdrop of war. Arnett places readers at the historic pivot-points of Vietnam: covering Marine landings, mountaintop battles, Saigon’s decline and fall, and the safe evacuation of a planeload of 57 infants in the midst of chaos. Peter Arnett’s sweeping view and his frank, descriptive, and dramatic writing brings the Vietnam War to life in a uniquely insightful way for this year’s 40th anniversary of the Fall of Saigon. Arnett won the Pulitzer Prize in 1966 for his Vietnam coverage. He later went on to TV-reporting fame covering the Gulf War for CNN. Includes 21 dramatic photographs from the AP Archive and the personal collection of Peter Arnett. About the Author Peter Arnett started as an intern at his local newspaper at age 18, but knew even then his interest was in covering the world. Less than a decade later, he was traveling the globe for The Associated Press, the first of several major American news organizations he would work for. His Vietnam War coverage for the AP won him the Pulitzer Prize in 1966. Arnett joined CNN at its birth in the early 1980s, earning a television Emmy for his live television coverage of the first Gulf War from Baghdad in 1991. Born in New Zealand in 1934, he later became an American citizen and now lives in Fountain Valley, CA. About The Associated Press The Associated Press is the essential global news network, delivering fast, unbiased news from every corner of the world to all media platforms and formats. Founded in 1846, AP today is the most trusted source of independent news and information. On any given day, more than half the world's population sees news from AP.

    Issue 28 of The Baffler.

    Morris provides the first comprehensive examination of the Jackson, Mississippi–based women’s organization Womanpower Unlimited. Founded in 1961 by Clarie Collins Harvey, the organization was created initially to provide aid to the Freedom Riders who were unjustly arrested and then tortured in Mississippi jails. Womanpower Unlimited expanded its activism to include programs such as voter registration drives, youth education, and participation in Women Strike for Peace. Womanpower Unlimited proved to be not only a significant organization with regard to civil rights activism in Mississippi but also a spearhead movement for revitalizing black women’s social and political activism in the state.Womanpower Unlimited elucidates the role that the group played in sustaining the civil rights movement in Mississippi. Consistent with the recent scholarship that emphasizes the necessity of a bottom-up analysis for attaining a more comprehensive narrative of the civil rights movement, this work broadens our understanding of movement history in general by examining the roles of “local people” as well as the leadership women provided. Additionally, it contributes to a better understanding of how the movement developed in Mississippi by examining some of the lesser-known women upon whom activists, both inside and outside of the state, relied. Black women, and Womanpower specifically, were central to movement successes in Mississippi; and Womanpower’s humanist agenda resulted in its having the most diverse agenda of a Mississippi-based civil rights organization.

    Video and audio production methods are covered in rich detail, but more importantly, various storytelling techniques are explored in depth. Likewise, author Duy Linh Tu tackles the latest topics in multimedia storytelling, including mobile reporting, producing, and publishing, while also offering best practices for using social media to help promote finished products.Whether you're a student, a professional seeking new techniques, or simply looking to update your skills for the new digital newsroom, this book will provide you with the information and tools you need to succeed as a professional journalist.Integrated: The lessons in this book deftly combine traditional media production principles with storytelling craft. It is written with the perspective of modern professional journalists in mind. Practical: While rich with theory, this text is based on the real-world work of the author and several of his colleagues. It features Q&As with some of the best editors and video producers from top publications, including NPR, Vice, and Detroit Free Press, as well as profiles of leading video news organizations such as Frontline, Mediastorm, and Seattle Times. Proven: The author uses pedagogy from the world-renowned Columbia Journalism School as well as case studies from his own award-winning work. Interactive: The text is exercise- and drill-based, and the companion website provides multimedia examples and lesson files, as well as tutorials, case studies, and video interviews.

    Written by an experienced journalist, the book outlines the principles of journalistic writing, then illustrates these with examples of good—and not-so-good—practice from the real world, showing how you can hone your own writing skills for both print and online media. Packed with practical tips on structure, style, and editing, Journalism covers everything from how to write an active sentence to when (and when not) to use direct speech, the first person, and the present, rather than the past, tense. It also provides invaluable advice on how to make the most of your opportunities to get into journalism. This book is a must-read for all practicing and aspiring journalists and writers.

    Tracking a Cold War confrontation that has compromised the national interests of both Mexico and the United States, Eclipse of the Assassins exposes deadly connections among historical events usually remembered as isolated episodes.             Authors Russell and Sylvia Bartley shed new light on the U.S.-instigated “dirty wars” that ravaged all of Latin America in the 1960s, ’70s, and ’80s and reveal—for the first time—how Mexican officials colluded with Washington in its proxy contra war against the Sandinista government of Nicaragua. They draw together the strands of a clandestine web linking:the assassination of prominent Mexican journalist Manuel Buendíathe torture and murder of U.S. Drug Enforcement Administration agent Enrique Camarenathe Iran-Contra scandala major DEA sting against key CIA-linked Bolivian, Panamanian, and Mexican drug traffickersCIA-orchestrated suppression of investigative journalistscriminal collusion of successive U.S. and Mexican administrations that has resulted in the unprecedented power of drug kingpins like “El Chapo” Guzmán.            Eclipse of the Assassins places a major political crime—the murder of Buendía—in its full historical perspective and shows how the dirty wars of the past are still claiming victims today. Best books for public & secondary school libraries from university presses, American Library Association

    Her letters to her sister Beryl, however, written between 1932 and 1965, are subject to no such censorship and reveal the colourful stories behind the headlines of a cut-throat Fleet Street in the years surrounding the Second World War. Olga’s boundless energy takes her around the world for a scoop, from picturesque Warsaw in the days before the Nazi invasion, to police-state Moscow following Stalin’s death, above Marilyn Monroe’s thinning hair, under an eccentric band of editors from the monarch-obsessed to the Machiavellian and suicidal. She is found shambling along Park Lane with a self-loathing Groucho Marx, on Hitler’s balcony and in Prince Philip’s hotel room, and manages to land herself in deep professional water with The Beatles and Harold Pinter, not to mention Mussolini.Olga herself is revealed to be something of a paradox: a strong, determined, professional woman battling in a male-dominated world, but submissive, sensitive and endlessly searching for the governance of a strong man. This she eventually finds in the arms of a married man and an affair that will span decades following a string of steamy romances.

    Only in the last few decades have scholars from a wide variety of disciplines attempted to document the lives of historical animals in ways that recognize their agency as sentient beings with complex intelligence. This collection advances the field further, inviting us to examine our recorded history through an animal-centric lens to discover how animals have altered the course of our collective past. The seventeen scholars gathered here present case studies from the Pacific Ocean, Africa, Europe, and the Americas, involving species ranging from gorillas and horses to salamanders and orcas. Together they seek out new methodologies, questions, and stories that challenge accepted historical assumptions and structures. Drawing upon environmental, social, and political history, the contributors employ research from such wide-ranging fields as philosophy and veterinary medicine, embracing a radical interdisciplinarity that is crucial to understanding our nonhuman past. Grounded in the knowledge that there has never been a purely human time in world history, this collection asks and answers an incredibly urgent question for historians and others interested in the nonhuman past: in an age of mass extinctions, mass animal captivity, and climate change, when we know much of what animals have done in the past, which of our activities will we want to change in the future?

    Based on new archive research and original interviews with leading correspondents and diplomats, Headlines from the Holy Land explains why this fiercely contested region exerts such a pull over reporters: those who bring the story to the world. Despite decades of diplomacy, a just and lasting end to the conflict remains as difficult as ever to achieve. Inspired by the author's own experience as the BBC's correspondent in Gaza from 2002-2004, and subsequent research, this book draws on the insight of those who have spent years observing the Israeli-Palestinian conflict. Starting from a historical perspective, it identifies the challenges the conflict presents for contemporary journalism and diplomacy, and suggests new ways of approaching them.

    The decisions to kill are made covertly in rooms far away from the target, and we can now kill without being personally present. Killing has become all too easy and convenient. As a result, argues Laurie Calhoun in this provocative book, self-defense has become conflated with outright aggression, and black ops have become the standard military operating procedure.   In this remarkable and often-shocking book, Calhoun dissects the moral, psychological, and cultural impact that these drone killings are having on modern society. In We Kill Because We Can she draws powerful, thought-provoking parallels between drone operators and mafia hitmen as well as the Trayvon Martin case and the killing of a teen in Yemen by drone. The result is a timely and provoking analysis of Western foreign policy and its disturbing use of remote-controlled death.   “A clarion call to reverse course if we ever want to see an end to our military adventures abroad and what the author refers to as our ‘single-minded obsession with lethality as a solution to conflict.’ Read it and act!”—Medea Benjamin, author of Drone Warfare: Killing by Remote Control

    It also journeys deeper into Russian and Ukrainian history to explain more fully what keeps them together and yet at the same time drives them apart.Kalb argues that the post-cold war world today hangs on the resolution of the Ukraine crisis. So long as it is treated as a problem to be resolved by Russia, on the one side, and the United States and Europe, on the other, it will remain a danger zone with global consequences. The only sensible solution lies in both Russia and Ukraine recognizing that their futures are irrevocably linked by the geography, power, politics, and history that Kalb brings to life in Imperial Gamble.

    . .Meet the nutty sports team owner who nearly killed his franchise with terrible trades (and some spectators with an ill-advised publicity stunt) . . . The adventurous Browns lineman who flew a bombing run in Korea (though he wasn't a pilot!) and survived a gunshot wound--from his wife . . . The Indians slugger with the worst attitude in baseball--he didn't just menace pitchers; he menaced everyone . . . The brilliant and relentless tennis promoter who stole the Davis Cup . . . And many others--including Victor, the wrestling bear! In this third lively collection, Dan Coughlin tells yet more true tales about the most colorful characters he's known in four decades covering sports for Cleveland TV and newspapers. Turn to any page and you'll probably learn something new--and get a laugh out of it, too.

    It acquaints readers with the ambiguities inherent in the historical relationship between Jews and Christians and shows these ambiguities in play in the unfolding relationship between Jews and Canadians of other religions and ethnicities. It examines present relationships in light of history and considers particularly the influence of antisemitism on the social, religious, and political history of the Canadian Jewish community.?A History of Antisemitism in Canada" builds on the foundation of numerous studies on antisemitism in general and on antisemitism in Canada in particular, as well as on the growing body of scholarship in Canadian Jewish studies. It attempts to understand the impact of antisemitism on Canada as a whole and is the first comprehensive account of antisemitism and its effect on the Jewish community of Canada. The book will be valuable to students and scholars not only of Canadian Jewish studies and Canadian ethnic studies but of Canadian history.

    A former reporter for the Indianapolis Times, Martin was one of a handful of freelance writers able to survive solely on this writing. Over a career that spanned nearly fifty years, his peers lauded him as "the best living reporter," the "ablest crime reporter in America," and "one of America s premier seekers of fact." His deep and abiding concern for the working class, perhaps a result of his upbringing, set him apart from other reporters. Martin was a key speechwriter and adviser to the presidential campaigns of many prominent Democrats from 1950 into the 1970s, including those of Adlai Stevenson, John F. Kennedy, Lyndon B. Johnson, Robert F. Kennedy, Hubert Humphrey, and George McGovern. He served as U.S. ambassador to the Dominican Republic during the Kennedy administration and earned a small measure of fame when FCC Chairman Newton Minow introduced his description of television as "a vast wasteland" into the nation s vocabulary."

    Whitman eventually served as a volunteer "hospital missionary," making more than six hundred hospital visits and serving over eighty thousand sick and wounded soldiers in the next three years. With the 1865 publication of Drum-Taps, Whitman became poet laureate of the Civil War, aligning his legacy with that of Abraham Lincoln. He remained in Washington until 1873 as a federal clerk, engaging in a dazzling literary circle and fostering his longest romantic relationship, with Peter Doyle. Author Garrett Peck details the definitive account of Walt Whitman's decade in the nation's capital.