A work of creative nonfiction, the book roams through space, time and possibility, mapping cities of sound, melancholia and the afterlife, where time runs backwards or which float among the clouds. In doing so, Imaginary Cities seeks to move beyond the clichés of psychogeography and hauntology, to not simply revisit the urban past, or our relationship with it, but to invade and reinvent it. Following in the lineage of Borges, Calvino, Chris Marker and Kenneth White, the book examines the city from global macrocosm to the microcosm of its inhabitants’ perspectives. It proceeds through opium dreams, sea voyages, the hallucinations of prisoners, nocturnal decadence, impossible Soviet skyscrapers, marauding golems, subterranean civilisations, apocalyptic prophecies and the work of architectural visionaries such as Antonio Sant’Elia, Archigram and Buckminster Fuller. It rethinks the ideas of utopias and dystopias, urban exploration, alienation and resistance. It claims that the Situationists lacked ambition when they suggested, “Beneath the paving stones, the beach.” Instead, beneath the paving stones, we may just be able to discern the entire universe. Imaginary Cities demonstrates that each city dreamt up by artists, writers, architects and lunatics has a real-life equivalent and that the great Marco Polo was no liar. Imaginary Cities need not simply exist in fiction or the mind. We already inhabit them.

    But things take a dangerous turn when she goes to work at Shane’s Sumatran Oasis.Caught up in the hostility directed at Shane, and flirting and surfing with the hell-man Matt, Penny soon finds herself swept into a world where two very different cultures must collide.

    . . or so the feminists keep insisting. But somewhere along the way, the movement for female liberation sacrificed meaning for acceptance, and left us with a banal, polite, ineffectual pose that barely challenges the status quo. In this bracing, fiercely intelligent manifesto, Jessa Crispin demands more.Why I Am Not A Feminist is a radical, fearless call for revolution. It accuses the feminist movement of obliviousness, irrelevance, and cowardice—and demands nothing less than the total dismantling of a system of oppression.

    The Gift is the inspiring story of women and men who are changing their own lives - by helping other people change theirs. This beautifully-written book helps you put the 12 best personal growth concepts ever discovered into practice - in your personal life and in your career.

    

    With biting wit, Dutourd presents the story of Edmund Du Chaillu, a boy born, to his bourgeois parents's horror, with the head of a spaniel. Edmund must endure his school-mate's teasing as well as an urge to carry a newspaper in his mouth. This is the story of his life, trials, and joys as he searches for a normal life of worth and love. "Dutourd is a fine craftsman, whose work has the classic virtues of brevity, lucidity, and concentration. He has written a sardonic divertissement that concerns itself with fundamental problems of man's existence-a tale that is sad-eyed, witty, and often very funny."—Charles J. Rolo, New York Times Book Review"A tiny masterpiece in the French classical tradition. . . . Stylish, elegant and witty, and told with an apparent lightheartedness that points to rather than obscures the hero's essential tragedy."—P. L. Travers, New York Herald Tribune"Wit, a good deal of shrewd classical allusion, and a Voltarian satire are the book's assets."—Edmund Fuller, Chicago Tribune"The work of an expert craftsman and of a careful writer of prose, ending with the rarest gift in modern letters: the comic spirit."—Henri Peyre, The Saturday Review"Dutourd might well have dropped his story at this point, had it been his intention simply to excoriate the human race for its treatment of those who are physically afflicted. Instead, he presses on in his terse, deadpan prose to teach a lesson to the afflicted of the world as well."—Time"A Dog's Head is one of the most curious, most beautifully conceived and written fantasies you've ever come across."—J. H. Jackson, San Francisco Chronicle"A Dog's Head is an excellent joke in the worst possible taste, and its author, M. Jean Dutourd, is a satirist of the first rank."—New Yorker

    

    All but one accept the rule of the Terran Confederacy. Welcome to Bakunin--you've entered a world of hardcore criminals, ruthless super-corporations and anarchy--a world where lawlessness means higher profit. Now the Confederacy wants a piece of the action. This is the first in a new high-action trilogy.

    A Handbook of Disappointed Fate highlights a decade of Anne Boyer’s interrogative writing on poetry, death, love, lambs, and other impossible questions.

    It could not anticipate what was to come after, neither could it grasp what had happened in literary theory in the light of where it was to lead.

    This new, expanded edition features exclusive, unpublished photos taken by the 23-year-old Ernesto on his journey across a continent, and a tender preface by Aleida Guevara, offering an insightful perspective on the man and the icon.Features of this edition include:A preface by Che Guevara’s daughter AleidaIntroduction by Cintio Vintier, well-known Latin American poetPhotos & maps from the original journeyPostcript: Che’s personal reflections on his formative years: “A child of my environment.”  Published in association with the Che Guevara Studies Center, Havana

    Here is his legacy to us: the universal values he pinpoints become the watchwords for our appreciation of Calvino himself.What should be cherished in literature? Calvino devotes one lecture, or memo to the reader, to each of five indispensable qualities: lightness, quickness, exactitude, visibility, and multiplicity. A sixth lecture, on consistency, was never committed to paper, and we are left only to ponder the possibilities. With this book, he gives us the most eloquent defense of literature written in the twentieth century as a fitting gift for the next millennium.

    I cannot promise the reader that at any point he will shake his sides with laughter, but I can promise him a wry pleasure to be derived from the skilful dissection of folly.” Bertrand Russell Professor Mmaa’s Lecture, given to a packed auditorium, deals with the habits, mentality and culture of Homo sapiens. But both the professor and his entire audience are termites; the whole story is set inside a termite mound.Naturally, Themerson’s attempt to comprehend humankind by examining how they would have been understood by insects is very funny. Termites have no sight, just a sense of smell, and can only explain their surroundings and lives through their insects’ angle on the world. The closing scene of the novel reveals what the termites have been researching and what has happened to their mound, giving the whole story an ironic twist.But this novel has much more to offer. Themerson’s heightened expertise and instinct for parodying the language and methods of scholarship, and the morals and manners of the academic world, produces a merciless and comical survey of philosophical views and attitudes. He pillories religion, language, reason and scholarship, as insect thinkers with suspiciously familiar names scuttle through the pages of the novel. A great many cases of dogmatic thinking and narrow-mindedness are exposed to ridicule. The only path that seems to earn the author’s approval is pluralism of ideas. You can see just why Bertrand Russell calls this novel a useful gospel for sceptics.Professor Mmaa’s Lecture is in the tradition of philosophical satire, whose most famous proponents are Voltaire and Swift, and is a rare incidence of light yet deep prose that can be read with great pleasure on several levels.

    McCarthy examines how the work undermines traditional concepts of fiction and explores parallels and contrasts between Camus's work and that of Jean-Paul Sartre. Providing students with a useful companion to The Stranger, this second edition features a revised guide to further reading and a new chapter on Camus and the Algerian War. First Edition Hb (1988): 0-521-32958-2 First Edition Pb (1988): 0-521-33851-4

    A small force is humanity's only chance: an alcoholic, a doctor, a pawnbroker, an exterminator, and a criminal. Can they prevent the Master from covering the world in darkness? Adapting from the best-selling trilogy of novels by filmmaker Guillermo del Toro and novelist Chuck Hogan, Eisner Award-winning writer David Lapham (Stray Bullets) and artist Mike Huddleston (Butcher Baker, The Coffin) visualize a compelling world in this tragic apocalyptic adventure. This collection includes issues #1-#9 of the acclaimed series and a short story featured in Dark Horse Presents that follows the travails of an aged luchador, the Silver Angel, written and illustrated by Lapham.