But as the Black Death reaches its hand into his uncle’s workshop, young Tonino is faced with making a choice to survive. From the author of THE GONDOLA MAKER and MADE IN VENICE comes a short tale of pestilence, Venetian artisanship, and the will to live.

    president, and championed equality and justice for all. Why We March presents more than 300 of the most powerful, uplifting, clever, and creative signs from these marches. “Nasty Women Unite.” “Make America Think Again.” “Build Bridges, Not Walls.” “Girls Just Wanna Have Fundamental Rights.” “Love Trumps Hate.” “A Woman’s Place Is in the Resistance.” These images--featuring messages about reproductive rights and cabinet picks, immigration and police violence, climate change and feminism--together paint a striking portrait of resistance, despair, humor, and most of all, hope. This book will serve as a rallying cry for this burgeoning movement, and a valuable and timely encapsulation of an unprecedented moment in political history. All royalties from the sale of this book will be donated to Planned Parenthood.

    A boy who planned to be the next school shooter. A patient with OCD whose loved ones really did suffer every time he missed a ritual. A choir boy who claimed he was being molested -- not by a priest -- but by God Himself. A patient with PTSD who gave me nightmares. A husband and wife who accused each other of abuse, and only one of them was telling the truth.And how could I ever forget, Patient #220.The problem is, my patients have a habit of dying. Sometimes I wonder if I'm the common denominator. Or maybe that's just the cost of taking on exceptionally broken clients.Either way, I'll never stop trying to help.

    Through the Mueller family we take a deep look at what it means to be mentally ill in the year 1915 and in the present day.By the time she reached fifteen years old, Iona had failed to become a “proper young lady” which profoundly concerned her parents. Her one and only friend, Hetty, the family maid, warned her not to disobey them but Iona couldn’t help herself. Iona’s quirk of counting steps may have been overlooked but when her mother and father learned of her exploits in the woods near her home in Ithaca, New York, she was taken to the town doctor. The doctor took one look at her self-cut short, mangled hair, learned of her bizarre behavior, and declared her insane.At Willard Asylum on Seneca Lake there were plenty of activities to occupy her, including the job she procured working in the barn. Besides, she knew she was not anything like the crazy patients that banged their heads against the cinder walls until they bled or ran naked through the hallways. She was disobedient, that was true, and she would change. If only her parents would accept her correspondence and allow her to return home.Iona’s new roommate, Cat, made every night a fight for survival. When Iona was caught trying to run away she was sent to the second ward, where her fate was sealed. Subject to tranquilizers and hydrotherapy, ice baths and physical beatings, Iona had only one thing on her mind. She had to stay away from the back building. Once you were placed there you were never seen again.Iona met James at the institution’s barn. His kindness made the deprivation more bearable. He recognized that the violet hollows beneath her eyes, the bruises on her arms, and her apparent unraveling were the effect of the second ward. A plan was put into place, one that would remove Iona from harm’s way permanently.In present day, it is Jenna, a young relative of Iona’s, who is plagued with mental illness. Jenna’s odd behaviors, bizarre language, and confusion disrupt her once perfectly normal life. Jenna’s family members trace their roots back to Iona in hopes of understanding their predisposition to mental illness. The journey leads them to an amazing discovery of the suitcases left behind by hundreds of patients at the Willard Asylum.

    Her mother, deciding she couldn't raise a child, placed an ad for foster care in Nursery World. A response soon came from a woman in rural Sussex, and Precious, three months old, was handed off in a basket.Nan, Precious's new foster mother, was sixty years old and white, and prided herself on being "color blind." But she might also have been shortsighted about the difficulties her black daughter would encounter. At her all-white school, Precious was taunted and ostracized, and Nan struggled to understand her daughter's troubles. Precious's birth mother would visit occasionally, providing glimpses of a different world, but eventually turned critical of a daughter who had become "too white."Retreating into her imagination, Precious forged her own identity. She emerged from the disillusionment and self-destructiveness of her teen years with a fierce resolve not to let circumstance, class, or color determine her future. Precious Williams tells her extraordinary story in Color Blind, brightly, bravely grappling with issues of identity, motherhood, and race.

    But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone’s dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese-Canadian coming of age in this shifting world. Through June and her neighbours, Leung depicts the fine line where childhood meets the realities of adult life, and examines, with insight and sharp prose, how difficult it is to be true to ourselves at any age.

     The thirteen killings-by-poison revisited in this book were committed by some of the most infamous murderers in British and American history. Presenting infamous cases from 1857 – 1972, Adrian Vincent recounts their sinister tales and reveals the lure of money, lust and deviancy that drove them to pure evil. Some of the dark cases covered in this fascinating book include Dorothea Waddingham, better known as the Angel of Death, who ran a nursing home that did more than just care for the elderly, and Tillie Gburek, a so-called psychic who could accurately predict when people would die – because she’d already scheduled their murders. A Gallery of Poisoners is classic true crime at its best — thrilling and disturbing in equal measure. Perfect for any fan of historical true crime! Praise for Adrian Vincent: ‘A skilfully written account’ Kirkus Reviews Adrian Vincent worked in Fleet Street for twenty-seven years, becoming managing editor of IPC’s educational magazines. He is the author of many books on art and antiques, novels and true crime.

    At the time, Wright spent his evenings waiting tables for Whites at a local restaurant and his mornings running his own business. The ripple effect from his remarks would cement Booker as a civil rights icon because he did the unthinkable: before a national audience, Wright described what life truly was like for the Black people of Greenwood, Mississippi.Four decades later, Yvette Johnson, Wright’s granddaughter, found footage of the controversial documentary. No one in her family knew of his television appearance. Even more curious for Johnson was that for most of her life she’d barely heard mention of her grandfather’s name. Born a year after Wright’s death and raised in a wealthy San Diego neighborhood, Johnson admits she never had to confront race the way Southern Blacks did in the 1960s. Compelled to learn more about her roots, she travels to Greenwood, Mississippi, a beautiful Delta town steeped in secrets and a scarred past, to interview family members and townsfolk about the real Booker Wright. As she uncovers her grandfather’s compelling story and gets closer to the truth behind his murder, she also confronts her own conflicted feelings surrounding race, family, and forgiveness.Told with powerful insights and harrowing details of civil rights–era Mississippi, The Song and the Silence is an astonishing chronicle of one woman’s passionate pursuit of her own family’s past. In the stories of those who came before, she finds not only a new understanding of herself, but a hopeful vision of the future for all of us.

    A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: "Now hold on little girl.... Chess is like real life. The white pieces go first so they got an advantage over the black pieces."These are just a few glimpses into the world of the residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807 after the only successful slave revolt in the United States. Raw, edgy, and unrelenting yet infused with forgiveness, redemption, and humor, the stories in this collection explore characters suffering the quiet tragedies of everyday life and fighting for survival.In Insurrections, Rion Amilcar Scott's lyrical prose authentically portrays individuals growing up and growing old in an African American community. Writing with a delivery and dialect that are intense and unapologetically current, Scott presents characters who dare to make their own choices -- choices of kindness or cruelty -- in the depths of darkness and hopelessness. Although Cross River's residents may be halted or deterred in their search for fulfillment, their spirits remain resilient -- always evolving and constantly moving.

    She had just completed her third interview, and was told to wait in the lobby while the three person panel deliberated. Renee was positively hopeful. It was her 3rd call back after all. She looks around the sitting area, and notices one young man with spiked hair wearing a thin black tie with a black and white checkered shirt, and another woman with black rimmed glasses, blonde bangs, and tresses, and a burgundy sweater. "I guess this is the competition." Renee whispers to herself under her breath. She glances down at her own apparel. Renee is dressed in black washed out slacks, a black blouse with ruffles down the center, and her thick curly hair worn up in a top-knot bun. Of course she is wearing her trusty black ballet flats - that Renee almost never leaves home without. Eventually the conference room door opens, and one by one each candidate is called back into the large room with an oval glass table, surrounded by silver high-back chairs. When Renee is summoned, she immediately springs up and speeds walk toward the room. Whether good or bad news, Renee is anxious to learn the final outcome.

    McPherson's characters — gritty, jazzy, authentic, and pristinely rendered — give voice to unheard struggles along the dividing lines of race and poverty in subtle, fluid prose that bears no trace of sentimentality, agenda, or apology.

    The shocking true story of Barbara Opel, a woman who convinced a group of teenagers, including her 13-year-old daughter, to savagely kill her boss.

    Now readers can join Holmes and Watson on a romp through 19th-century London, in 29 new and remarkable early cases. These humorous short stories feature appearances by Mycroft Holmes, Inspector Lestrade, and other familiar characters, as well as cameos from several well-known Victorians. They also contain numerous historical liberties. Can Holmes and Watson solve the mystery of Mornington Crescent? Why are all the policemen whispering at Scotland Yard? Is the world prepared for the case of the Giant Rat of Sumatra? Read The Secret Notebook of Sherlock Holmes to find out...

    Set in New York's Lower East Side of the 1980s and mid-1990s, it is also a devastatingly candid look at the extreme naivet� and dysfunction that would destroy both their lives.Escaping the trauma of growing up gay in Syracuse and being bullied at school, McGough attended art school in New York, dropped out, and took jobs in clubs, where he met McDermott. Dazzled by McDermott, whom he found fascinating and worldly, McGough agreed to collaborate with him not only on their art but also in McDermott's very entertaining Victorian lifestyle. McGough evokes the rank and seedy East Village of that time, where he encountered Keith Haring, Rene Ricard, Kenny Scharf, Jean-Michel Basquiat, Andy Warhol, and Jacqueline and Julian Schnabel, among many others. Nights were spent at the Ninth Circle, Danceteria, and Studio 54; going to openings at the FUN Gallery; or visiting friends in the Chelsea Hotel. By the mid-1980s, McDermott & McGough were hugely successful, showing at three Whitney Biennials, represented by the best galleries here and abroad, and known for their painting, photography and "time experiment" interiors. Then, overnight, it was all gone. And one day in the mid-1990s, McGough would find that he, like so many of his friends, had been diagnosed with AIDS.I've Seen the Future and I'm Not Going is a compelling memoir for our time, told with humor and compassion, about how lives can become completely entwined even in failure and what it costs to reemerge, phoenix-like, and carry on.

    When his second-in-command, Officer Dixon, a mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement threatens to engulf the town.Three Billboards Outside Ebbing, Missouri is a darkly comedic drama from Martin McDonagh.The film won Best Drama Motion Picture - Drama and Best Screenplay at the Golden Globes 2018.