Tired of writing cheap comedy gags for "Chipper the Chipmunk," a children's television star, Murray finds himself unemployed with plenty of free time with which to pursue his...pursuits. Lectured by his conventional brother Arnold and hounded by "the system," Murray is paid a visit by bickering, uptight social workers, Sandra and Albert, and finds himself solving their problems as well as most of his own."Would be a standout comedy in any season. Filled with laughter and warmth and sweetness and inspired daffiness. One of the quintessential New York comedies."-New York Daily News "An extraordinarily funny play with some brilliantly offbeat lines."-The New York Post

    A housefull of drama waits to be ignited as misunderstandings and tempers flare. With Judith's new flame and David's newest literary 'inspiration' keeping company as the children follow suit, the Bliss family lives up to its name as the 'quiet weekend' comes to an exhausting and hilarious finale worthy of Feydeau.

    The musical tale of a domineering stage mother's inadvertent creation of a burlesque stripper, now available in paperback for the first time.

    This brilliant comic trilogy details the amorous exploits of Norman, assistant librarian, whose one aim is to make the women of his life happy—these women being, as it happens, three sisters, one of them his wife, who can’t wear contact lenses because “life with Norman is full of unexpected eye movements.” Each play stands uproariously on its own yet interlocks with the others to form an ingenious Chinese puzzle of successive relations.

    At the time of a paralyzing drought in the West we discover a girl whose father and two brothers are worried as much about her becoming an old maid as they are about their dying cattle. For the truth is, she is indeed a plain girl. The brothers try every possible scheme to marry her off, but without success. Nor is there any sign of relief from the dry heat. When suddenly from out of nowhere appears a picaresque character with a mellifluous t

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    Will and Lily Dale Kidder try to hold onto their beliefs about their son's life and death and the possibilities for their own lives, but both are dealt a shattering blow by the young man of the title, a friend of their son's who never appears in the play. Foote's pitch-perfect characters and sensitive eye for interpersonal relationships continue to place him at the top of playwrights working today.

    Three candidates. This would be a really bad time to have a stain on your shirt...A savage, acid-tongued new play by Mike Bartlett, one of the UK's most exciting and inventive young writers, and the author of the off-Broadway smash hit Cock. Razor sharp and blackly comic, Bull is a savage and insightful play about office politics or playground bullying, depending which side you're on. Genuinely thrilling, daring and inventive, acclaimed playwright Bartlett probes the dark side of the modern workplace.Bull enjoyed its US premiere in spring 2013 at 59E59 Theaters's "Brits Off-Broadway" festival.

    Vocal selections from the popular Broadway musical, including: 25th Annual Putnam County Spelling Bee * My Friend, the Dictionary * Pandemonium * I'm Not That Smart * Magic Foot * Prayer of the Comfort Counselor * My Unfortunate Erection * Woe Is Me * I Speak Six Languages * The I Love You Song.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick's wife, Anne; Desirée's current lover, the Count; and the Count's wife, Charlotte. Both men – as well as their jealous wives – agree to join Desirée and her family for a weekend in the country at Desirée's mother's estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises.

    The setting is a walk-up apartment on Manhattan's West Side where, as the curtain rises, Frankie (a waitress) and Johnny (a short-order cook who works in the same restaurant) are discovered in bed. It is their first encounter, after having met several weeks ago on the job, and Frankie is hopeful that Johnny will now put on his clothes and depart, so she can return to her usual routine of watching TV and eating ice cream. But Johnny, a compulsive talker (and romantic), has other ideas. He is convinced that he loves Frankie, a notion that she, at first, considers to be ridiculous. She has had more disappointments than delights in life, and he is the veteran of one broken marriage already. And neither of them is in the bloom of youth. Yet out of their sometimes touching, sometimes hilarious interplay the promise of a relationship beyond a "one-night stand" does begin to emerge and, as the lights dim, the two are back in bed again, but this time side-by-side, holding hands before the glowing television screen.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Missing from the roster of invitees is Christian's twin sister, Linda, who recently committed suicide. The reason for her action and the repercussions from it, form the basis of the shocking and painful events that transpire during a twenty-four hour period. In the midst of dinner, Christian makes a startling accusation and, even as the disbelieving guests are choosing sides, the play slowly unwraps the truth.David Eldridge powerful new play is adapted from Thomas Vinterborg's screenplay of the very successful film, Dogme.Published to tie in with Almeida Theatre production in March 2004 directed by Rufus Norris