Phil Evarts is dead, and the Hatchet Range is up for grabs. That’s 70,000 acres of prime turf just waiting for the man rich enough to buy it . . . or the gunman crazy enough to kill for it. Every schemer in town has his eyes on Hatchet, and Bide Mariner leads the charge. An unscrupulous rancher who’ll stop at nothing for cash, Mariner has the money and the guns to take whatever he wants. Only Will Ballard stands in his way—and that means Ballard is marked for death.   The foreman at Hatchet Range, Ballard is an honest man who’ll do anything to keep the ranch from falling into Mariner’s hands. In a town so rotten with greed that even the sheriff is against him, Ballard must stand alone to save this little piece of the American West.   Voted one of the top twenty-five westerns of all time by the Western Writers of America and made into a 1952 Republic film starring Rod Cameron, Ride the Man Down showcases award-winning author Luke Short at the height of his writing powers.

    In the first two books of the series, “Coyote Courage” and “Coyote Creek," readers are introduced to Brock Clemons and the small town of Dry Springs, where Brock meets a young boy named Huck, falls for a beautiful young woman named Sophie and faces a band of hardened outlaws. Brock decides to stay beyond the one night he had planned, and readers follow his adventures in town and journey in the aftermath of his visit to Dry Springs. Brock Clemons rides into the small town of Dry Springs simply looking for a place to grab a cigar and a good night’s sleep. Instead, he finds a town being strangled by a band of hardened outlaws, a young boy named Huck who is bravely facing challenges far beyond his years, and Sophie, a woman of captivating strength and beauty. Brock decides to stay beyond the one night he had planned, but will his intelligence, courage and unmatched skill with a gun be enough to save the town, help Huck and win Sophie’s heart?

    A short time later we find him up to his chin in the embrace of a lovely lady outlaw. He’s able to get himself untangle, only to come face to face with nearly a half ton of stolen Civil War gold, which the great State of Texas has placed a claim on. JL and his Ranger partner, Spade Carson, become involved with the gang seeking to recover the gold and a rival gang seeking to take it, by whatever means necessary. A sweet young lass is right in the middle of the fray, and Tate is of course, in no way immune to the charms of Eve. From Odessa to El Paso, there is no safety for Tate and Carson. Ambushes, night raids, and lust for the yellow gold, keep the two Rangers living on the raw gritty edge. But they must keep going forward because there’s no going back.

    Death. Destruction. Despair. He vowed to seek out the barbarians who laid waste to the small Sioux village, leaving but only a very few women and children alive. Assembling a rag-tag search party, Ethan embarks on a journey to find the killers while maintaining a glimmer of hope that he has not seen the last of someone near to his heart.Return of the Coyote, the sequel to Night of the Coyote, is a story full of twists and turns. Readers of the first book will delight in the convergence of paths of characters both old and new, and the promise of the vision of the coyote looms over Ethan's journey.

    Writing very bad poetry requires talent. It helps to have a wooden ear for words, a penchant for sinking into a mire of sentimentality, and an enviable confidence that allows one to write despite absolutely appalling incompetence.The 131 poems collected in this first-of-its-kind anthology are so glaringly awful that they embody a kind of genius. From Fred Emerson Brooks' "The Stuttering Lover" to Matthew Green's "The Spleen" to Georgia Bailey Parrington's misguided "An Elegy to a Dissected Puppy," they mangle meter, run rampant over rhyme, and bludgeon us into insensibility with their grandiosity, anticlimax, and malapropism.Guaranteed to move even the most stoic reader to tears (of laughter), Very Bad Poetry is sure to become a favorite of the poetically inclined (and disinclined).

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    How does the antique taxidermy in a natural science museum relate to the living birds outside the window? How do the opals found by campers, stored in mineral oil to conserve the water trapped inside, relate to the water table? “My practice is observation. How do relationships illuminate?” Using such models as Joseph Cornell’s box constructions, crazy quilts, and specimen displays, Tevis places fragments in relationship to each other in order to puzzle out lost histories, particularly those of women. Throughout The Wet Collection, the narrator navigates the peril and excitement of an outward journey complicated by an inward longing for home.

    In this hilarious book of tongue-in-cheek poetry, the author of the internationally syndicated comic strip Sally Forth helps cats unlock their creative potential and explain their odd behaviour to ignorant humans. With titles like Who Is That on Your Lap?, This Is My Chair, Kneel Before Me, Nudge, and Some of My Best Friends Are Dogs, the poems collected in I Could Pee on This perfectly capture the inner workings of the cat psyche. With photos of the cat authors throughout, this whimsical volume reveals kitties at their wackiest, and most exasperating (but always lovable).

    The perfect alternative to lengthy fiction anthologies, this brief, inexpensive, and diverse collection of 42 short stories provides a concise yet complete introduction to the study of fiction.

    Through one-two page passages in this 218-page curative book, the author takes her readers on a journey from hardship to a haven, from hurting to healing, and from suffering to feeling at ease.This book is for anyone who is on the path to self-discovery and would like to mend their broken pieces gently, easily and softly. It is tender to the heart, kind to the soul and food for the mind, but it aims to alleviate all the pain and unease that people all over the world are experiencing.There are pieces about love and all the different shades of heartbreak. There are pieces about mental health and acceptance. There are pieces about relationships shared with family, friends and lovers. There are pieces about growth and discovery. There are pieces about grief and sadness.The purpose of this book is to allow each reader to learn more about themselves and become hopeful on their healing journey. Many passages included in this book are already appreciated and loved dearly by readers all over the world.This book is a balm for the scars within everyone's hearts, and it is the answer to all the questions that we have ever asked ourselves.

    The ultimate 'I was there' book. I have read many books about Scandinavians coming to America in the turbulent 1860s, but thanks to author Candace Simar, this is the first time I was ever transported from my easy chair right into the book to experience it with them. The images of courage, cruelty, intolerance, discovery, and simple pleasures have stayed with me. This is one book I won't forget."  -John Koblas, author Let Them Eat Grass trilogy

    For the writer, there was something majestic and elemental about these inscrutable creatures he admired, sentient beings whose searing gaze could penetrate deep into our being. Bukowski considered cats to be unique forces of nature, elusive emissaries of beauty and love.On Cats offers Bukowski’s musings on these beloved animals and their toughness and resiliency. He honors them as fighters, hunters, survivors who command awe and respect as they grip tightly onto the world around them: “A cat is only ITSELF, representative of the strong forces of life that won’t let go.”Funny, moving, tough, and caring, On Cats brings together the acclaimed writer’s reflections on these animals he so admired. Bukowski’s cats are fierce and demanding—he captures them stalking their prey; crawling across his typewritten pages; waking him up with claws across the face. But they are also affectionate and giving, sources of inspiration and gentle, insistent care.Poignant yet free of treacle, On Cats is an illuminating portrait of this one-of-a-kind artist and his unique view of the world, witnessed through his relationship with the animals he considered his most profound teachers.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Will Dryden followed the trail of a missing man to the Redstone Ranch, where he will have to find the truth about three other murdered men.

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.