Originating with fierce naked warriors who collected enemy heads as war trophies, the Celts eventually made their influence felt from the Middle East to the Atlantic, bringing with them a unique culture and mythology, and a style of art considered the greatest achievement north of the Alps after the Ice Age. The Romans called them "furor celticus" and at the height of their empire Ankara, Cologne, Belgrade and Milan all spoke Celtish. THE CELTS is the remarkable story of our North European cultural ancestors, whose language is still spoken by more than two million people in Brittany, Scotland, Ireland and Wales.

    A member of one of the leading Norman families involved in the invasion of Ireland, he first visited there in 1183 and later returned in the entourage of Henry II. The resulting Topographia Hiberniae is an extraordinary account of his travels. Here he describes landscapes, fish, birds and animals; recounts the history of Ireland's rulers; and tells fantastical stories of magic wells and deadly whirlpools, strange creatures and evil spirits. Written from the point of view of an invader and reformer, this work has been rightly criticized for its portrait of a primitive land, yet it is also one of the most important sources for what is known of Ireland during the Middle Ages.

    Is the dream of equality Dr. King envisioned still alive today? Can our historic national hurts still be healed? How can we rise above the racial tension threatening the nation? The Dream King is the astonishing true story of two men whose lives are woven together by history and the hidden hand of God. It reveals an inspiring narrative that exposes systemic injustice and delivers new keys for understanding the nation’s past, present, and future. • Learn about the nation’s hidden history and the unknown heroes who overcame injustice. • Discover how your life is an important part of a much bigger story. • Be equipped to be a countercultural dreamer and change the world around you.

    The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation's languages, the book describes how Ireland's pagan divinities were transformed into literary characters in the medieval Christian era--and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams's comprehensive history traces how these gods--known as the Tuatha De Danann--have shifted shape across the centuries, from Iron Age cult to medieval saga to today's young-adult fiction.We meet the heroic Lug; the Morrigan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the mist-cloaked sea god Manannan mac Lir; and the ageless fairies who inspired J.R.R. Tolkien's immortal elves. Medieval clerics speculated that the Irish divinities might be devils, angels, or enchanters. W. B. Yeats invoked them to reimagine the national condition, while his friend George Russell beheld them in visions and understood them to be local versions of Hindu deities. The book also tells how the Scots repackaged Ireland's divine beings as the gods of the Gael on both sides of the sea--and how Irish mythology continues to influence popular culture far beyond Ireland.An unmatched chronicle of the Irish gods, Ireland's Immortals illuminates why these mythical beings have loomed so large in the world's imagination for so long.

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    Come on a journey through the Wheel of the Year, joining in the celebration of the Gods, Goddesses and festivals that have been a part of mankind since the Dawn of Time.Although aimed at beginning Solitary Practitioners, the original Heartsongs would add depth to the workings of even the most seasoned Pagan.

    Brendan, award-winning adventure writer Tim Severin painstakingly researched and built a boat identical to the leather curragh that carried Brendan on his epic voyage. He found a centuries-old, family-run tannery to prepare the ox hides in the medieval way; he undertook an exhaustive search for skilled harness makers (the only people who would know how to stitch the three-quarter-inch-thick hides together); he located one of the last pieces of Irish-grown timber tall enough to make the mainmast. But his courage and resourcefulness were truly tested on the open seas, including one heart-pounding episode when he and his crew repaired a dangerous tear in the leather hull by hanging over the side--their heads sometimes submerged under the freezing waves--to restitch the leather. A modern classic in the tradition of Kon-Tiki, The Brendan Voyage seamlessly blends high adventure and historical relevance. It has been translated into twenty-seven languages since its original publication in 1978.With a new Introduction by Malachy McCourt, author of A Monk Swimming

    With the Irish language vanishing all through the rest of Ireland, the Great Blasket became a magnet for scholars and writers drawn there during the Gaelic renaissance—and the scene for a memorable clash of cultures between modern life and an older, sometimes sweeter world slipping away.   Kanigel introduces us to the playwright John Millington Synge, some of whose characters in The Playboy of the Western World, were inspired by his time on the island; Carl Marstrander, a Norwegian linguist who gave his place on Norway’s Olympic team for a summer on the Blasket; Marie-Louise Sjoestedt, a Celtic studies scholar fresh from the Sorbonne; and central to the story, George Thomson, a British classicist whose involvement with the island and its people we follow from his first visit as a twenty-year-old to the end of his life.   On the island, they met a colorful coterie of men and women with whom they formed lifelong and life-changing friendships. There’s Tomás O’Crohan, a stoic fisherman, one of the few islanders who could read and write Irish, who tutored many of the incomers in the language’s formidable intricacies and became the Blasket’s first published writer; Maurice O’Sullivan, a good-natured prankster and teller of stories, whose memoir, Twenty Years A-Growing, became an Irish classic; and Peig Sayers, whose endless repertoire of earthy tales left listeners spellbound.   As we get to know these men and women, we become immersed in the vivid culture of the islanders, their hard lives of fishing and farming matched by their love of singing, dancing, and talk. Yet, sadly, we watch them leave the island, the village becoming uninhabited by 1953. The story of the Great Blasket is one of struggle—between the call of modernity and the tug of Ireland’s ancient ways, between the promise of emigration and the peculiar warmth of island life amid its physical isolation. But ultimately it is a tribute to the strength and beauty of a people who, tucked away from the rest of civilization, kept alive a nation’s past, and to the newcomers and islanders alike who brought the island’s remarkable story to the larger world.

    This second poetry collection arises out of a decade of his hearing stories of people who have lived through personal and political conflict in Northern Ireland, the Middle East and other places of conflict. These poems tell stories of individuals who have lived through conflict: their loves and losses, their hope and generosity. One poem, 'Shaking hands' was written when Padraig witnessed the historic handshake between Queen Elizabeth II and Martin McGuinness, who has since used the poem publicly. The phrase 'Sorry for your troubles' is used all over Ireland. It comes directly from an Irish phrase, yet Irish has no word for 'bereavement' - the word used is 'troibloid'. So the phrase would be better translated 'Sorry for your bereavements'. With this in mind, this new book speaks evocatively about a time when thousands of people lost their lives and many thousands more lived through the searing pain of grief.

    In this trivia book, you’ll learn more about Ireland’s history, pop culture, folklore, and so much more! In The Great Book of Ireland, you’ll learn: How did Ireland get its name? Why is it known as the Emerald Isle? Who was St. Patrick really? What do leprechauns and shamrocks have to do with St. Patrick’s Day? Which Irish company had a 9,000-year lease? What is Ireland’s top attraction? Which movies have been filmed in Ireland? Which famous novel may have been based on an Irish myth? Which legends did the Irish believe in? And so much more! This book is packed with trivia facts about Ireland. Some of the facts you’ll learn in this book are shocking, some are tragic, and others will leave you with goosebumps. But they’re all interesting! Whether you’re just learning about Ireland or you already think you’re an expert on the state, you’ll learn something you didn’t know in every chapter. Your history teacher will be interesting at all of your newfound knowledge. So what are you waiting for? Get started to learn more about Ireland!

    For over 70 years, Aokigahara, Japan has been a source of mystery for both investigators and paranormal researchers. This beautiful stretch of unkempt woodland, while maintaining the illusion of beauty, harbours a secret which few people are willing to acknowledge. Aokigahara, known to many as the Sea of Trees, is the suicide capital of Japan. Every year, hundreds of people visit the forest with no intention of ever leaving. People who no longer wish to be a part of this world find solace in the isolation of Aokigahara, and willingly take their own lives against its backdrop of chaotic forestry. However, the legend of Aokigahara goes a lot further that simply being alluring scenery for suicide. Its lore is rooted in ancient legend, literature and a historical association with death. Its impact on Japanese culture has been so prominent that Japanese officials rarely acknowledge the forest’s existence in an effort to disassociate it from its macabre infamy. But despite this, Aokigahara’s prominence in not just Japanese culture, but world over, cannot be understated.

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    But where did the occupants of the island themselves come from and what do we even mean by “Irish” in the first place?This is the first major attempt to deal with the core issues of how the Irish came into being. J. P. Mallory emphasizes that the Irish did not have a single origin, but are a product of multiple influences that can only be tracked by employing the disciplines of archaeology, genetics, geology, linguistics, and mythology.Beginning with the collision that fused the two halves of Ireland together, the book traces Ireland’s long journey through space and time to become an island. The origins of its first farmers and their monumental impact on the island is followed by an exploration of how metallurgists in copper, bronze, and iron brought Ireland into increasingly wider orbits of European culture. Assessments of traditional explanations of Irish origins are combined with the very latest genetic research into the biological origins of the Irish.

    At first her family claimed she had been taken by fairies-but then her badly burned body was found in a shallow grave. Bridget's husband, father, aunt, and four cousins were arrested and tried for murder, creating one of the first mass media sensations in Ireland and England as people tried to make sense of what had happened. Meanwhile, Tory newspapers in Ireland and Britain seized on the scandal to discredit the cause of Home Rule, playing on lingering fears of a savage Irish peasantry. Combining historical detective work, acute social analysis, and meticulous original scholarship, Angela Bourke investigates Bridget's murder.

    Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in Tales of Norse Mythology. Ranging from the comic to the tragic, these leghends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.