An outstanding collection chronicling the growth of the american short story from humorous legend to powerful contempory fiction.

    Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942. With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the period—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation, and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial.

    Béla has never had much luck. His mother abandoned him at birth to go to work in Budapest, leaving him in the care of the dubious ‘Old Rozi’, a former prostitute who now runs a foster home with equal parts hauteur and cruelty. Victimised and almost starved by his guardian, Béla must fight for everything, from scraps of the other boys' food to the right to go to school. At fourteen he is caught trying to steal a pair of shoes; his mother is called and she reluctantly takes him with her to Budapest.Once in the capital Béla manages to secure a position at a grand old hotel, and it is here that a more privileged lifestyle seems to extend a hand to him. Operating the lift, Béla encounters people from across Hungarian society and beyond, including the beautiful daughter of an American businessman and a passionate revolutionary. But his new lifestyle offers both pleasures and perils, and Béla must find a way to forge his own life from the divergent influences that surround him.A picaresque classic with a rich vein of bawdy humour, Temptation is an under-appreciated masterpiece of twentieth-century fiction. Rich, varied and endlessly entertaining, the novel creates a stunning panorama of Hungarian society through the travails of its singularly charming hero.

    The poor and innocent have nothing to fear from him; often they profit from his spontaneous generosity. The rich and powerful, and the detective who tries to spoil his fun, however, must beware. They are the target of Arsene’s mischief and tomfoolery. A masterful thief, his plans frequently evolve into elaborate capers, a precursor to such cinematic creations as Ocean’s Eleven and The Sting. Sparkling with amusing banter, these stories—the best of the Lupin series—are outrageous, melodramatic, and literate.13 stories: The Arrest of Arsène Lupin Arsène Lupin in Prison The Escape of Arsène Lupin The Mysterious Railway Passenger The Queen's Necklace Sherlock Holmes Arrives Too Late Flashes of Sunlight The Wedding-ring The Red Silk Scarf Edith Swan-neck On the Top of the Tower Thérèse and Germaine At the Sign of Mercury

    It tells of young Giovanni Drogo, who is posted to a distant fort overlooking the vast Tartar steppe. Although not intending to stay, Giovanni suddenly finds that years have passed, as, almost without his noticing, he has come to share the others' wait for a foreign invasion that never happens. Over time the fort is downgraded and Giovanni's ambitions fade until the day the enemy begins massing on the desolate steppe...

    

    Loosely based on the author’s own life, it is the story of an orphaned young woman who leaves her small town to attend university in war-ravaged Barcelona.Residing amid genteel poverty in a mysterious house on Calle de Aribau, young Andrea falls in with a wealthy band of schoolmates who provide a rich counterpoint to the squalor of her home life. As experience overtakes innocence, Andrea gradually learns the disquieting truth about the people she shares her life with: her overbearing and superstitious aunt Angustias; her nihilistic yet artistically gifted uncle Román and his violent brother Juan; and Juan’s disturbingly beautiful wife, Gloria, who secretly supports the clan with her gambling. From existential crisis to a growing maturity and resolve, Andrea’s passionate inner journey leaves her wiser, stronger, and filled with hope for the future.The incomparable Edith Grossman’s vital new translation captures the feverish energy of Laforet’s magnificent story, showcasing its dark, powerful imagery, and its subtle humor. And Mario Vargas Llosa’s Introduction illuminates Laforet’s brilliant depiction of life during the early days of the Franco regime. With crystalline insight into the human condition, Carmen Laforet’s classic novel stands poised to reclaim its place as one of the great novels of twentieth-century Europe.

    First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.

    Cope's present, but of her own past. Gannett, early that morning, had gone off on a long walk--he had fallen into the habit of taking these mountain tramps with various fellow lodgers; but even had he been within reach she could not have gone to him just then. She had to deal with herself first. She was surprised to find how, in the last months, she had lost the habit of introspection. Since their coming to the Hotel Bellosguardo she and Gannett had tacitly avoided themselves and each other.

    Ricardo Reis says: "Alberto Caeiro da Silva was born in Lisbon on April 16, 1889, and died of tuberculosis in the same city on (. . .), 1915. He spent nearly all his life in a village in Ribatejo, and only returned to the city of his birth in his final months. In Ribatejo he wrote nearly all his poems . . ." Fernando Pessoa was educated in English in Durban, as the stepson of a Portuguese diplomat, and was completely bilingual. During his lifetime he was to publish only one collection of his poems in Portuguese, although many appeared in literary journals, under a number of alter egos, or heteronyms, chief amongst them Alberto Caeiro, Alvaro de Campos and Ricardo Reis. At his death in 1935, Pessoa left more than 20,000 manuscripts - poetry and prose - in a large trunk, the contents of which are still being transcribed and deciphered to this day. He is the greatest modern poet in the Portuguese language, but always considered himself a poet in the English tradition."

    Here he is sentenced to death again: he is diagnosed with tuberculosis and his doctors inform him that he has six months to live. But Miklós decides to wage war on his own fate: he writes 117 letters to 117 Hungarian girls, all of whom are being treated in the Swedish camps, with the aim of eventually choosing a wife from among them.Two hundred kilometres away, in another Swedish rehabilitation camp, nineteen-year-old Lili receives Miklós’s letter. Since she is bedridden for three weeks due to a serious kidney problem, out of boredom — and curiosity — she decides to write back.The slightly formal exchange of letters becomes increasingly intimate. When the two finally manage to meet, they fall in love and are determined to marry, despite the odds that are against them.Based on the original letters written by Miklós and Lili (ninety-six altogether), Fever at Dawn is a tale of passion, striving, and betrayal; true and false friendships; doubt and faith; and the redeeming power of love.

    All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, 'Zazie in the Metro' remains as stylish and witty today as it did back then.

    "The Master Builder" (1892) depicts a powerful man whose illusions collapse in the face of a young woman's courageous common sense. In "Rosmersholm" (1886), an idealist is forced to question his beliefs and confront terrible truths about the past, while "Little Eyolf" (1894) portrays a man's self-deception, which brings both tragic repercussions for his family and new hope for their future. And in "John Gabriel Borkman" (1896), a dying woman returns to reclaim the affections and loyalty of her nephew, resulting in a bitter struggle with her sister.

    Somerset Maugham portrays a wealthy young English woman who finds herself confronted rather brutally by the repercussions of whimsy.On the day her older and prosperous friend asks her to marry him, Mary Leonard demurs and decides to postpone her reply a few days. But driving into the hills above Florence alone that evening, Mary offers a ride to a handsome stranger. And suddenly, her life is utterly, irrevocably altered.For this stranger is a refugee of war, and he harbors more than one form of passion. Before morning, Mary will witness bloodshed, she will be forced to seek advice and assistance from an unsavory man, and she will have to face the truth about her own yearnings. Erotic, haunting, and maddeningly suspenseful, Up at the Villa is a masterful tale of temptation, and the capricious nature of fate.

    Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force.Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary brain always wide awake on the pillow."