Originally available only in limited-edition hardcover, these tales run the gamut from devilish fantasy to twisted courtroom drama to vampire-robot western. Each story has an introduction in which the author relates the background of and inspiration for the story, whether it was drawn from history, literature, or pure imagination. The title story, about a serial killer in Texas in the 1930s, won the 1999 Bram Stoker Horror Award for long fiction.

    Presents a collection of horror short stories, among them Soft, Green Winter, and The Cleaning Machine.Contents:The Cleaning MachineRatmanLipidleggin'To Fill the Sea and AirGreen WinterBe Fruitful and MultiplySoftThe Last One Mo' Once Golden Oldies RevivalThe Years the Music DiedDat-Tay-VaoDoc JohnsonBucketsTrapsMusclesMenage a TroisCutsBonus storiesPerformanceNight DiveMemoirs of the EffsterRumorsHunters

    As in life, there are no happy endings, and no matter how high one flies, theres always gravity.

    Four Oxrun Station horror novellas each from a different 20th century decade starting with 1950, keyed to the seasons.

    You are reaching THE HEIGHT OF THE SCREAM."4000 copies printed.

    as well as a host of nightmares for which no names exist. Whether set on an orbiting space station or within a haunted tenement, these terrifying tales are steeped in a passionate intensity that renders them all but unique within the genre, and all boast a sophistication that qualifies them as that rarest of rare commodities: horror for intelligent adults.

    Or a backyard tale from the 1001 American Nights. Macbeth re-imagined as a screwball comedy. Three extraordinary economic tasks performed by a small expert in currency exchange that risk first career and then life and then soul.From the disturbing beauty of 'Flat Diane' (Nebula-nominee, International Horror Guild award-winner) to the idiosyncratic vision of 'The Cambist and Lord Iron' (Hugo- and World Fantasy-nominee), Daniel Abraham has been writing some of the most enjoyable and widely admired short fiction in the genre for over a decade.Ranging from high fantasy to hard science fiction, screwball comedy to gut-punching tragedy, Daniel Abraham's stories never fail to be intelligent, compassionate, thoughtful, and humane. Leviathan Wept and Other Stories is the first collection of his short works, including selections from both the well-known and the rare.Contents:The Cambist and Lord Iron (2007)Flat Diane (2004)The Best Monkey (2009)The Support Technician Tango (2007)A Hunter in Arin-Quin (2010)Leviathan Wept (2004)Exclusion (2001)As Sweet (2001)The Curandero and the Swede (2010)

    He's a part-time lobsterman and full-time painter who sells his art at galleries in Rockport and Newburyport. Between the two jobs he makes enough money to get by, living in an in-law apartment in the family home owned by his brother Jim. Jim runs Feehan & Sons Funeral Home, a business started by their grandfather in 1921.All in all, despite the tension with his brother, and despite the grumbling of his friends, whose business has suffered because of a lengthy red tide and a spectacularly bad overall fishing season, Richie enjoys his life very much. He's content, and believes that's pretty much all a man can ask from his life.That is, until a horrible mystery begins to unfold in Gloucester.Out lobstering, Richie sees something nightmarish in the surf one day, catches a bare glimpse of it beneath the surface. He doesn't dare speak of it for fear of what others might say-he doesn't want to become the town crazy. But he's having a hard time sleeping at night, and several days later, while out hauling in his traps for the winter, Richie finds one of them stuck on something. When he finally hauls it up, there's a corpse attached, a corpse that has been eaten at by sea creatures, including something large . . . the corpse of Greta Wagner, a woman who had been waked at Feehan & Sons two weeks earlier and buried a couple of days later.Someone stole her corpse from the ground.And her grave won't be the only one disturbed.

    Toybox itself was nominated for an International Horror Guild Award for best collection.Little Selene was bored. And then came the mysterious Toyman, carrying a very special toybox, filled with wonders and terrors beyond imagination. As Selene peered into the toybox, the stories tumbled out: a quiet little girl whose horrible secret bursts forth at a Halloween party ... a doll made of corn that hides a very nasty surprise ... a depraved celebration for the last vampire ... All of these and many more awaited Selend - and now they wait for you - inside the toybox. Go ahead, open it, if you dare.

    Seventeen tales of mystery, madness, and monsters, by Bram Stoker Award-winning author Kealan Patrick Burke.

    The stories range from adventurous to introspective, humorous to suspenseful, but all share Beagle's gift for language and his ability to bring his characters to life.—Don D'Ammassa

    Ketchum has published acclaimed novels such as RIGHT TO LIFE, LADIES NIGHT and THE GIRL NEXT DOOR.

    A sequel to a #1 bestselling horror anthology Don't Scream, featuring hideous doppelgangers, terrifying apps, lurking monsters, and more. Read... if you dare.

    But below the surface, there are scars.Then his world changes. For reasons he doesn't understand, Sam is thrust back in time to 1968, the summer he turned thirteen. He meets his parents and his own childhood self.That summer changed Sam's world. Monsters walked the streets of his hometown, and now Sam will come face to face with those monsters again, this time as an adult.Nothing will ever be the same.

    Featuring Newford fiddler Geordie Riddell, it's a gentle story of love, loss and the bonds of friendship.First published in Post Mortem edited by Paul F.Olson and David B. Silva, 1989; also appears in Dreams Underfoot and The Very Best of Charles de Lint.Timeskip is where Newford began: "Newford was not planned out in advance. It started (unbeknownst to me) with“Timeskip,” a short story that I wrote for an anthology. I wanted to set the story somewhere other than the Ottawa area where most of my stories had taken place, but I didn’t feel comfortable writing about a city that I couldn’t physically visit. So I decided to use various aspects of large urban centers that I had visited, and create a fictitious setting."–Charles de Lint, from an interview with FairyRoom.com"I can never recapture the feeling of first arriving in Newford and meeting the people and seeing the sights as a newcomer. However, part of the beauty of Newford is the sense that it has always been there, that de Lint is a reporter who occasionally files stories from a reality stranger and more beautiful than ours. De Lint also manages to keep each new Newford story fresh and captivating because he is so generous and loving in his depiction of the characters. Yes, there are a group of core characters whose stories recur most often, but a city like Newford has so many intriguing people in it, so many diverse stories to tell, so much pain and triumph to chronicle."— Challenging DestinyCharles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better.— Alice HoffmanCharles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best.— Holly BlackDe Lint is probably the finest contemporary author of fantasy– Booklist, American Library AssociationUnlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it’s just damned fine writing.– Quill QuireDe Lint’s evocative images, both ordinary and fantastic, jolt the imagination.– Publishers WeeklyIt is hard to imagine urban fantasy done with greater skill– Booklist, American Library Association