She was taken in by the Choctaw and treated as one of their own, even though she failed at the simplest of tasks. Eight years later, when two white men came into the village to claim her as their relative offering herds of cattle and horses in trade, she did what she thought was best for her Choctaw family. Bliss left her village in hopes she would find herself a better fit in the white world. Before the day was out, she learned the men were not who they said and had no intention of treating her like family. In the end, she was faced with an unforeseeable choice and an unwinnable battle. Two Feathers was a young Native learning the ways of the Choctaw. However, he was not like the other men in his village who lived off of the land, farming and raising livestock. He enjoyed spilling the blood of the invaders and was absent, fighting, more than he was home. Still, he had fallen for the little white girl who couldn’t farm, couldn’t make baskets, and was generally a failure at Native life. Returning from a battle, he discovered the white men had taken Bliss, the woman with whom he expected to share his life. Her unexpected departure changed everything. Gone were his desires to do anything other than locate the girl; she consumed his every thought and he vowed to bring her back. Learning that the men had nefarious intentions, only reinforced his resolve. Will he find her before she makes the dreadful decision she knows must be made? Will she be able to face her adopted, Native family after all that has happened? Will Two Feathers’ love be enough to vanquish the horrors she endured at the hands of her own people?

    Enjoy all the men of Siege in one collection! Rogan - My world was dark until I met her Vengeance rules my life. Nothing distracts me from my quest to track and kill my target. Nothing except Tessa, the woman I rescued on my last Delta Force mission. She's sunshine and beauty. I'm shadows and regret. And I want her. But loving her means battling my deepest fear—failure. Zook - Can the prisoner set the princess free? My second chance at life is going better than I expected. Got a job doing construction where my boss doesn't care about my criminal record. A beautiful girl is teaching me to read and write. Man, I'm falling hard for Cecelia. The Ivy League brunette with big brown eyes goes wild when I kiss her. But she's hiding some kinda secret from me. She lets me in to the point I think we're soaring, then slams on the brakes. She says her family has a hold on her that terrifies her. She's letting fear win. But I'm not afraid. Whoever I have to fight to make her mine, I'll do it. Torrez - Torrez the bull. A beast in bed. An ass in real life. I called Soraya a cheater and left her broken. Biggest mistake of my life. She was my dream girl. I just didn't see it. To make it right, I'll have to use all my SEAL training to help her escape. Running for our lives isn't the best way to start a relationship, but if we survive, it'll all be worth it. Because she'll be mine. Falcon - The battle royale that ends with a big climax. Aida's testing all my limits. Playing bodyguard to an opera diva is not my kind of mission. I'd rather be out systematically dismantling my father's drug cartel. But Aida's being targeted by a sophisticated enemy. She needs me to keep her safe. Oh, I'll make her moan. No doubt. But she'll give me her secrets first. She may bring me to my knees, but I never lose. All the books in this series are standalone steamy stories of love, hate, redemption, and undying passion. Dive into this series today. You will love it!

    They have lifelong endearing names for each other – Lard Arse and Fat Man. Whilst on a fishing trip in Spain, they hatch a plan to travel around the Iberian Peninsula on motorbikes. No problem for Dave as a proficient biker of many years, but Martin is a complete beginner to riding motorcycles. He doesn’t even have a motorcycle licence. Follow Martin through the trials of taking his bike test, juggling a busy life and planning the journey with Dave while they live in different countries. Nothing can be taken for granted when these two plan anything. When everything is in place their journey through Spain and Portugal begins, starting in Marbella, then riding west along the Spanish coast and up through Portugal, through the northern coast of Spain and over the Pyrenees, finishing with the east coast of Spain and heading back into Marbella. Expect to laugh in places at their simple boyish behavior, as they act like two teenage, middle-aged men with mental age of young men going through puberty. They experience many comical events, as well as close calls for Martin the novice on his first-ever ride out. This book is a light-hearted but a true travel journal of two good friends enjoying their journey on the road in the sun.

    After getting into trouble with the Witching Police, she's sent back to her sleepy home village of Bone Bridge, on magical probation for thirty days. Banned from using magic and under the watchful eye of her younger sister, Ari is all set for a quiet month. That's when a body is found at the village fair. The sleepy little village of Bone Bridge hasn't seen a murder in 200 years, and now a body has been found in the most unusual way. Ari and her sister can't help but find themselves swept up into a murder investigation, and try as she might, Ari starts to realize that there's no avoiding trouble, even if she wants to. Solving the murder is one thing, but Ari’s convinced that there are other mysteries afoot as well. She suspects she’s being framed for the ‘trouble’ that landed her back home in the first place, but everyone else thinks she’s stark raving mad. Being back home is certainly weird, it's been three years since Ari was last in town and her ex-boyfriend and police Sergeant, Dave, only seems to have grown more handsome in that time. With a murderer on the loose, prize pumpkins being stolen, and a curious magical mystery at the center of her house, staying out of mischief and having a quiet probation might just prove to be more difficult than Ari thought.

    In this ambitious lyric sequence, the speaker’s fear of annihilation expands beyond the self to an imperiled planet on which all inhabitants are “soft targets.” Her melancholic examinations recall life’s uncanny ability to transform ordinary places―subways, cafes, street corners―into sites of intense significance that weigh heavily on the modern mind.“O you who want to slaughter us, we’ll be dead soon/enough what’s the rush,” Landau writes, contemplating a world beset by political tumult, random violence, terror attacks, and climate change. Still there are the ordinary and abundant pleasures of day-to-day living, though the tender exchanges of friendship and love play out against a backdrop of 21st century threats with historical echoes, as neo-Nazis marching in the United States recall her grandmother’s flight from Nazi Germany.

    In Taboo he examines the role of blacks in Western history, and how these roles are portrayed in art and literature. In taut, meticulously crafted three-line stanzas, Rubens paints his wife looking longingly at a black servant; Aphra Behn writes Oroonoko "as if she'd rehearsed it/for years in her spleen"; and in Monticello, Thomas Jefferson is "still/at his neo-classical desk/musing, but we know his mind/is brushing aside abstractions/so his hands can touch flesh." Taboo is the powerful first book in a new trilogy by a Pulitzer Prize-winning poet whose work never ceases to challenge and delight his readers.

    It is possibly Lorca's harshest play, following a woman's Herculean struggle against the curse of infertility. The woman's barrenness becomes a metaphor for her marriage in a traditional society that denies women sexual or social equality. Her desperate desire for a child drives her to commit a terrible crime at the end of the play.This Student Edition comes complete with a full introduction; plot synopsis; commentary on characters, context and themes; bibliography; chronology; and questions for study.

    Hejinian's important collection of poetry from 1978, available again.

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    What Michael doesn’t expect, is to be put in charge of a group of offenders and sent to a remote location in the Sierra Nevada Mountains in Spain to teach them survival skills as part of their rehabilitation programme. But Michael knows nothing at all about survival skills. He was sort of in the SAS, yes, but his shining record on the “Escape and Evasion” courses was more a testament to his computer skills than his ability to catch wildlife and barbecue it over an impromptu fire. Basically, he was the SAS’s techy nerd and only achieved that position as a result of a bet with a fellow hacker. Facing a stark choice between starvation or returning home to serve out their sentences, the group of offenders under Michael’s supervision soon realise that the only way to survive is to use their own unique set of skills – the kind of skills that got them arrested in the first place.

    

    Something is wrong.” Frederick Seidel—the “ghoul” (Chicago Review), the “triumphant outsider” (Contemporary Poetry Review)—returns with a dangerous new collection of poems. Nice Weather presents the sexual and political themes that have long preoccupied Seidel—and thrilled and offended his readers. Lyrical, grotesque, elegiac, this book adds new music and menace to his masterful body of work.

    He brings to the ordinary--to time, to landscape and stony earth, to bean fields and cities, to events and dreams--magical sound that conveys order, penetrating sight and attention. "The poems written while we are awake...are more original and more beautiful, and sometimes more wild than those made from dreams," Machado said.In the newspapers before and during the Spanish Civil War, he wrote of political and moral issues, and, in 1939, fled from Franco's army into the Pyrenees, dying in exile a month later. When in 1966 a bronze bust of Machado was to be unveiled in a town here he had taught school, thousands of people came in pilgrimage only to find the Civil Guard with clubs and submachine guns blocking their way.This selection of Machado's poetry, beautifully translated by Bly, begins with the Spanish master's first book, Times Alone, Passageways in the House, and Other Poems (1903), and follows his work to the poems published after his death: Poems from the Civil War (written during 1936 - 1939).

    Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (the haiku master Basho, Nietzsche, St. Teresa of Avila, and especially his father, James Wright) as he explores the continually unfolding loss of childhood and the mixed blessings that follow it. Taken together, the pieces deliver the diary of a poet—“a fairly good egg in hot water,” as he describes himself—who seeks to narrate his way through the dark wood of his title, following the crumbs of language. “Take everything,” Wright suggests, “you can have it all back, but leave for a little the words, of all you gave the most mysteriously lasting.” With a strong presence of the dramatic in every line, Kindertotenwald pulls us deep into this journey, where we too are lost and then found again with him.