She has been adored, feared and hated more than any other woman in South African history. But few people know much about the life behind the headlines, myths and sound-bites. This biography is an in-depth and intimate look at Winnie Mandela’s personal and political life, and takes the reader on a remarkable journey of understanding. The book traces her development from talented and privileged child to dedicated social worker, caring wife and mother, and fiery political activist. It examines her vigorous campaign to keep the name of her jailed husband alive, and explores her own harassment, imprisonment and isolation at the hands of the security police. Finally, the book investigates the events that have made Winnie Mandela such a controversial figure: the allegations of kidnapping and murder, her divorce from Mandela, and the current fraud charges. Winnie Mandela’s journey to this point is traced with understanding and honesty, in this fascinating and balanced biography of a most enigmatic woman.

    Six cities. A thousand stories.Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.

    The familiar group of characters appear again, as do a few more waifs and strays. The plight of the rhino takes centre-stage in One Chance, bringing awareness to the risk they face on a daily basis.

    The unit, the reports claimed, had carried out a series of illegal spook operations: they had spied on President Jacob Zuma, run a brothel, illegally bought spyware and entered into unlawful tax settlements.In a plot of Machiavellian proportions, head of the elite crime-busting unit Johann van Loggerenberg and many of SARS’s top management were forced to resign. Van Loggerenberg’s select team of investigators, with their impeccable track record of busting high-level financial fraudsters and nailing tax criminals, lost not only their careers but also their reputations.Now, in this extraordinary account, they finally get to put the record straight and the rumours to rest: there was no ‘rogue unit’. The public had been deceived, seemingly by powers conspiring to capture SARS for their own ends.Shooting down the allegations he has faced one by one, Van Loggerenberg tells the story of what really happened inside SARS, revealing details of some of the unit’s actual investigations.

    Includes: "The Oresteia" - Aeschylus; "Prometheus Bound" - Aeschylus; "Oedipus the King" - Sophocles; "Antigone" - Sophocles; "Medea" - Euripides; "The Bakkhai" - Euripides; "Oedipus" - Seneca; "Medea" - Seneca.

    A quartet of stories revolving around four men in Johannesburg: a statistician employed on the national census, an engineer out on the town with his council connections, an artist with an interest in genocide and curios, and a contractor who erects billboards on building sites; each tries to make sense of a changed world after the demise of apartheid.

    Skeat. This Elibron Classics book is a facsimile reprint of a 1889 edition by the Clarendon Press, Oxford.

    

    Hushpuppy is a motherless child in the rural South who lives with his Daddy. But when Daddy gets sick, the universe starts to fall apart. Ancient beasts rerun from their graves, things fall from the sky, and ghosts live among the living. Hushpuppy is faced with being an orphan, and the end of the known world. Daddy and the brilliant, wild teacher, Miss Bathsheba, work to prepare Hushpuppy and his schoolmates for a life without grownups, a world where they must take care of each other. Tender, funny, and heartbreaking, Juicy and Delicious weaves a beautiful tale of loss, survival, and self-discovery.

    They removed military draft records, took them outside, and set them afire with napalm. The Catholic activists involved in this protest against the war included Daniel and Philip Berrigan; all were found guilty of destroying government property and sentenced to three years in jail. Dan Berrigan fled but later turned himself in.The Trial of the Catonsville Nine became a powerful expression of the conflicts between conscience and conduct, power and justice, law and morality. Drawing on court transcripts, Berrigan wrote a dramatic accountof the trial and the issues it so vividly embodied. The result is a landmark work of art that has been performed frequently over the past thirty-five years, both as a piece of theater and a motion picture.

    In this edition, selections have been taken from The Queen of Sheba and Her Only Son Menyelek and supplemented with tales of Gerald Hausman's experiences with Rastas in Jamaica. It closes with an appendix showing the links between the words of the Rasta prophet Bob Marley and the Bible.

    Why does the electorate keep buying what they’re selling? According to political communications expert Anat Shenker-Osorio, it’s all about language—and not just theirs, but ours.In Don’t Buy It Shenker-Osorio diagnoses our economic discourse as stricken with faulty messages, deceptive personification, and, worst of all, a barely coherent concept of what the economy actually is. Opening up the business section of most newspapers or flipping on cable news unleashes an onslaught of economic doomsaying that treats the economy as an ungovernable force of nature. Alternately, by calling the economy “unhealthy” or “recovering” as we so often do, we unconsciously give it the status of a living being. No wonder Americans become willing to submit to any indignity required to keep the economy happy. Tread lightly, we can’t risk irritating the economy!Cutting through conservative myth-making, messaging muddles, and destructive misinformation, Shenker-Osorio suggests a new way to win the most important arguments of our day. The left doesn’t have to self-destruct every time matters economic come to the fore—there are metaphors and frames that can win, and Shenker-Osorio shows what they are and how to use them.Don’t Buy It is a vital handbook for seizing victory in the economic debate. In the end, it convincingly shows that radically altering our politics and policies for the better is a matter of first changing the conversation—literally.

    Oronte has promised his daughter to Monsieur de Pourceaugnac, a bourgeois of Limoges. The lovers seek a solution that will allow Julie to escape the marriage. For this they use a matchmaker Nérine and a Napolitan cheat Sbrigani. When Monsieur de Pourceaugnac arrives, they do everything to ridicule him, to make it look like he’s crazy, to make it look like he’s somebody with many debts ... And when that doesn’t work, Sbrigani goes find the poor man to tell that Julie is just a nasty coquette and she does not deserve him to marry her. Julie enters the scene and claims to be madly in love with the unfortunate young man. Monsieur de Pourceaugnac, convinced of the vanity of his bride refuses to marry her. When Pourceaugnac wants to leave the scene, two women pick on him and say he is the father of their many children. Monsieur de Pourceaugnac has now only one possibility to escape a charge of polygamy: to run. Disguised as a woman he manages to escape. Sbrigani then convinces Orontes that Pourceaugnac has kidnapped his daughter, and when Éraste "saves" her, Orontes gives their marriage his blessing.

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

    It's in the collisions between pious and rogue thoughts that the play's energy lies. We don't know what to feel. Which is why, once seen, Joe Egg won't go away.'Robert Butler, Independent on Sunday (1993)