Prognosis says he'll be a vegetable by week's end. Having survived numerous incursions in combat around the world, he decides he's not going out like that. He drives a rented corvette into a cliff face at over 200 MPH. The fiery impact catapults him toward the afterlife. Instead of finding the afterlife, he finds himself in a different body with an old man stabbing him in his chest. He fights free, killing the old man before passing out. He wakes to find he's now in the body of Prince Aaron, the 15-year-old second son of the King. In this medieval world, the Royals are Mages. The old man who was trying to kill him was a Mage "Vampire". Instead of blood, the old Mage was trying to steal Ross/Aaron's power, knowledge, and in this case his body. When Ross/Aaron killed the old Mage, his vampire power was transferred to him. He now has the memories, knowledge, and powers of the old Mage. Ross/Aaron must navigate this new environment of court intrigue with care. His older brother, the Crown Prince, hates him. His older sister has no use for him. The King sees him as an asset to be used, agreeing to marry him to a neighboring Kingdom for an alliance. Before the marriage takes place, the castle is attacked. Someone is trying to kill him but is finding it most difficult. Where Mages fight with Magic, Ross/Aaron fights with magic and steel. It's hard to cast a spell with a knife through your skull, or your throat cut. As Ross/Aaron travels with his fiancée toward her home for the marriage to take place, they are attacked at every turn. Someone doesn't want this wedding to happen. Ross/Aaron has had enough of people trying to kill him. With Aaron's knowledge, and Ross' training, they take the offensive. The Kingdom will never be the same.82K words

    The insights contained in the book originate from ancient indigenous cultures. According to what the author learned from his elders, human beings always have a choice between the path of competition and the path of cooperation. The healing of the earth depends on the healing of humanity and will only become possible as we return to a relationship of cooperation with all of life. In order to do this we first need to return to ourselves, remembering our original, inherent wisdom. Indigenous people believe that we humans have all the necessary talents to be caretakers of Mother Earth. This book reveals our true capacities in a strong and clear way, offering the reader not only information, but a real opportunity to participate in the work that needs to be done to save our planet.

    Images carved into rocks and tattooed on the skin of mummies hint at ancient ideas about the reindeer's magical ability to carry the human soul on flights to the sun. These images pose one of the great mysteries of prehistory: the "reindeer revolution," in which Siberian native peoples tamed and saddled a species they had previously hunted.Drawing on nearly twenty years of field work among the Eveny in northeast Siberia, Piers Vitebsky shows how Eveny social relations are formed through an intense partnership with these extraordinary animals as they migrate over the swamps, ice sheets, and mountain peaks of what in winter is the coldest inhabited region in the world. He reveals how indigenous ways of knowing involve a symbiotic ecology of mood between humans and reindeer, and he opens up an unprecedented understanding of nomadic movement, place, memory, habit, and innovation.The Soviets' attempts to settle the nomads in villages undermined their self-reliance and mutual support. In an account both harrowing and funny, Vitebsky shows the Eveny's ambivalence toward productivity plans and medals and their subversion of political meetings designed to control them. The narrative gives a detailed and tender picture of how reindeer can act out or transform a person's destiny and of how prophetic dreaming about reindeer fills a gap left by the failed assurances of the state.Vitebsky explores the Eveny experience of the cruelty of history through the unfolding and intertwining of their personal lives. The interplay of domestic life and power politics is both intimate and epic, as the reader follows the diverging fate of three charismatic but very different herding families through dangerous political and economic reforms. The book's gallery of unforgettable personalities includes shamans, psychics, wolves, bears, dogs, Communist Party bosses, daredevil aviators, fire and river spirits, and buried ancestors. The Reindeer People is a vivid and moving testimony to a Siberian native people's endurance and humor at the ecological limits of human existence.

    He realized that it is easier for the unconscious to understand the language of dreams than that of rationality. Illness can even be seen as a physical dream that reveals unresolved emotional and psychological problems. Psychomagic presents the shamanic and genealogical principles Jodorowsky discovered to create a healing therapy that could use the powers of dreams, art, and theater to empower individuals to heal wounds that in some cases had traveled through generations. The concrete and often surreal poetic actions Jodorowsky employs are part of an elaborate strategy intended to break apart the dysfunctional persona with whom the patient identifies in order to connect with a deeper self. That is when true transformation can manifest. For a young man who complained that he lived only in his head and was unable to grab hold of reality and advance toward the financial autonomy he desired, Jodorowsky gave the prescription to paste two gold coins to the soles of his shoes so that all day he would be walking on gold. A judge whose vanity was ruling his every move was given the task of dressing like a tramp and begging outside one of the fashionable restaurants he loved to frequent while pulling glass doll eyes out of his pockets. The lesson for him was that if a tramp can fill his pockets with eyeballs, then they must be of no value, and thus the eyes of others should have no bearing on who you are and what you do. Taking his patients directly at their words, Jodorowsky takes the same elements associated with a negative emotional charge and recasts them in an action that will make them positive and enable them to pay the psychological debts hindering their lives.

    Dr. Hale's incredible experience in tiny, mountainous Nepal are surpassed only by his talent for telling about them. Imagine, for example, the culture shock of moving to a Hindu country under such rigid religious control that it is not only illegal to proselytize, but illegal to change religions as well. Imagine further the shock of moving to that country as a missionary doctor. Thomas Hale and his wife, Cynthia, also a physician, too on that awesome challenge in 1970.God wasted no time teaching tom the peculiarities of his new culture. But His unusual method left Tom wondering what God was up to. Here is how Tom tells about it:"These were not the phlegmatic, easy-going Nepalis described in books and orientation courses. Those who spoke gesticulated fiercely. Some looked around menacingly; others spat. One thing was certain, however: in the cause of their anger they were united. The word was out: the new doctor had killed a cow. My own sense of participation in the proceedings was intense. I was the new doctor."--ExcerptAs Tom goes on to describe the events the preceded the angry scene in the Nepali village, the image of the spiritually superior missionary quickly evaporates. In a humorous, yet deeply insightful way, the author makes it clear that he is merely a servant, using his skills to the glory of God.Tom concludes this chapter with a thoughtful confession:"In the long run, that cow did much more for me that I did for it. The mild-mannered, uncritical beast made me see in myself those negative attributes I had always ascribed to other American surgeons. Facing two hundred angry men proved to be effective therapy for removing most traces of condescension with which I previously regarded them. It also improved my relations with missionary colleagues and with Nepali brothers and sisters in the church. I guess God had no gentler way of removing some of my imperfections. I only wish I could say, for His trouble, that He finished the job. But it was a start." -- Excerpt.Dr. Hale's book refused to be preachy or condescending. It presents missions as a "want" rather than an "ought." It is sensitive, warm, honest, incredibly funny, and filled with important truths illustrated from unusual and sometimes unimaginable situations.

    Allen's distinctive ethnography of the Quechua-speaking people of the Andes brings their story into the present. She has added an extensive afterword based on her visits to Sonqo in 1995 and 2000, and has updated and revised parts of the original text. The book focuses on the very real problem of cultural continuity in a changing world, and Allen finds that the hold life has in 2002 is not the same as it was in 1985.

    'Shabono' – the name of the hamlets of palm-thatched dwellings where the Yanomama Indians of Venezuela and southern Brazil live – recounts the vivid and unforgettable experience of anthropologist Florinda Donner's time with an indigenous tr

    The rewarding result is a multicultural portrait in words and images that illuminates the hopes, dreams, sorrows, and joys of women around the world. 375 color photos.

    Internationally famous Czech photographer Jan Saudek is no exception, and equally as uncompromising in pursuit of his own unique vision. For over four decades Saudek has created a parallel photographic universe, a two-dimensional home full of longing, peopled with the most extraordinary characters and colored by desire. The timeless strength of his hand-tinted photographs lies in their poetic compositions and their forceful?at times ribald?pictorial language, with its overtones of medieval genre pictures and Baroque mythology. Rejecting the traditional beauty in his famous nude photographs, Saudek shows the distinctively different: old women, fat women, children; real people in tableaux vivants that remind us of everything from surreal early movies to fin-de-siecle carnival nights. They exist outside time, a uniquely colored and almost mythical theater of dreams. Covering his debut in the 1950s through his lesser-known work to recent images, this dazzling collection offers us the true "velvet revolution," fertile and unsettling images from the dreams we might still have. The author: Daniela Mr?zkov?, critic and editor of the Czech magazines Revue fotografie and Fotografie-Magaz?n, is the author of sixteen books on photography published in the Czech Republic and abroad, and the curator of around fifty photography exhibitions. She has been a member of international juries, and has authored film and television documentaries on photography and photographers. She hasfollowed Jan Saudek's work since his early years and is the author of Saudek's first Czech monograph, The Theatre of Life.

    But he does know that one special talent will aid him on his journey - his amazing ability to speak Cat. Charlie calls on his clever feline friends-from stray city cats to magnificent caged lions-for help. With them by his side, Charlie uses wit and courage to try to find his parents before it's too late.

    The author believes that understanding the structure and function of myths in these traditional societies serves to clarify a stage in the history of human thought: "myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary."

    The goal is, as Gordon writes, the restoration of context.To this end, White applies his globally-recognised data and demographics skills to realise a groundbreaking work of truly interdisciplinary research. Utilising mythological, linguistic and astronomical data to reconstruct palaeolithic magical beliefs, he maps them to the human journey out of Africa; explores which aspects of these beliefs and practices have survived into the Western tradition; and what the implications (and applications) of those survivals may be for us. Written for a magically literate and operative audience, Star.Ships displays the flair, wit and engagement with evidence that adherents of his runesoup blog have come to expect from Gordon. He deftly handles vast time scales and cosmologies to build his case; avoids the pitfalls of alternative historians with a refreshing absence of dogma or wishful thinking; and, in a masterful deployment of the latest research, simultaneously questions outworn dominant narratives and is not afraid to champion the work of independent researchers and entertain forbidden discourses. It is exactly what chaos magic should be.Göbekli Tepe, the Pyramids and Sphinx, Nabta Playa, Gunung Padang, Easter Island and Sundaland are some of the points spangled across a work of truly cosmic scope. Star.Ships beckons those who are willing to engage in the adventure to follow the great river of history that flows into and out of an ocean of stars. Minds will be blown.

    Many of the old-time superstitions and customs have been nurtured and kept alive through the area's relative isolation and the strong attachment of the hillfolk to these old attitudes. Though modern science and education have been making important inroads in the last few decades, the region is still a fertile source of quaint ideas, observances, and traditions.People are normally reticent about their deepest beliefs, especially with outsiders. The author, however, has lived in the Ozarks since 1920 and has long since been a student of Ozark life—and a writer of a number of books and articles on various aspects of the subject. Through casual conversations rather than by direct questioning, he has been able gradually to compile a singularly authentic record of Ozark superstition. His book contains a vast amount of folkloristic material, including legends, beliefs, ritual verses and sayings and odd practices of the hillpeople, plus a wealth of general cultural data. Mr. Randolph discusses weather signs; beliefs about auspicious times for planting crops, butchering hogs, etc.; prenatal influence in "marking" babies; backwoods beauty treatments; lucky charms, omens and auguries; courtship jinxes, love potions, etc.; dummy suppers; and numerous other customs and convictions—many racy and amusing, others somewhat grisly or spooky.Here you'll meet and learn about the yarb doctor who prepared curious remedies of herbs and odd concoctions; power doctors who use charms, spells, and exorcism to effect cures; granny-women (mountain midwives); "doodlebuggers" and witch wigglers who find water with the aid of divining rods; "conjurefolk" and Holy Rollers; witches and goomer doctors; clairvoyants and fortune-tellers; plus the ordinary finger-crossing, wish-making citizens of the area. The general reader as well as the specialist in particular fields of cultural anthropology, etc. will truly enjoy this lively survey of lore and practice—a little-known but fascinating slice of American life.Its gentle humor takes the reader into the hills with the author. The book deserves a place in any general collection of Americana and in all collections of folklore," U.S. QUARTERLY BOOKLIST. "A veritable treasury of backwoods custom and belief… [ a ] wealth of circumstantial detail and cultural background," Carl Withers, N.Y. TIMES.

    In 1971, at age twenty-five, Galdikas left the placid world of American academia for the remote jungles of Indonesian Borneo. Living with her husband in a primitive camp, she became surrogate mother to a "family" of ex-captive orangutans - and gradually adjusted to the blood-sucking leeches, swarms of carnivorous insects, and constant humidity that rotted her belongings in the first year. Her first son spent the early years of his life at Camp Leakey with adopted orangutans as his only playmates. The wild orangutans Galdikas studied and the ex-captives she rehabilitated became an extended family of characters no less vivid than her human companions. Throatpouch, a huge and irritable grouch, fought off rivals for the right to claim adolescent Priscilla as his mate. Handsome Cara at first tried to rid the forest of its human intruder by hurling dead branches at Galdikas from the canopy above. Little Sugito, rescued from a cramped cage and returned to the jungle claimed Galdikas as his mother and clung to her fiercely, night and day, for months. A groundbreaking chronicler of the orangutans' life cycle, Galdikas also describes the threats that increasingly menace them: the battles with poachers and loggers, the illicit trade in infant orangutans, the frustrations of official bureaucracy. Her story is a rare combination of personal epiphany, crucial scientific discovery, and international impact - a life of human and environmental challenge. Reflections of Eden is the third act of a drama that has captivated the world: the story of a pioneering primatologist, a world leader in conservation, and a remarkable woman.