Using the events of his life as starting points, Gerald Stern deals with time and loss, with the dichotomy of light and darkness, and—always—with the possibility of joy. This stunning collection moves from autobiography to the visionary in surges of memory and language that draw the reader from one poem to the next.

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    When his father discovers his intent he insists it is dishonourable, and so Allan must free Harriet from her promise even as he vows to remain faithful himself. Through years of hardship, heartache, tragedy, and betrayal, Allan and Harriet cling to the love that first brought them together--yet it is the treacherous doubts of their own hearts that could prove to be their undoing, and drive them farther apart than ever. Far Horizons is a sweeping saga that will take you from the Highlands of Scotland to the untamed Canadian wilderness and the bustling streets of Boston. Based on actual events, it celebrates the strength of a promise and the enduring power of love. Previously published in hardcover and written by USA Today bestselling author Kate Hewitt, this is Book One of The Emigrants Trilogy.

    Found the sun. And became the rainbow…Sam Payne’s debut poetry collection, this boy is a rainbow, tells a touching story of gay love and heartache, healing and empowerment. It is the story of a boy who lost love and thought he would never be whole again. Divided into three chapters, it follows his journey as he endured the storm, found the sun, and became the rainbow.Featuring over two-hundred original poems and illustrations, the collection encourages readers not only to survive the storm, but to thrive in it. And when the storm is over, be ready to let love in again. For love is everywhere, if only you open your heart.thank you
for throwing me
into the bared teethof a treacherous stormif you hadn’t
i wouldn’t be
the rainbow
i am today

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    S. Merwin's first book since the publication five years ago of his Opening the Hand.Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem -- so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech.The poems in this new book are concerned with intimacy and wholeness, and are made of the relations with people, with places, past and present, and with history and how the world endures it.Merwin can now rightfully be called a master, and this book shows in every way why this is the case.

    Three Americans, a man and two women, are living together in obvious intimacy. Their habits, strange to the Mexicans, are strangest of all to themselves.When Fern Winters’ attention is caught by movement behind a window in a run-down Greenwich Village apartment building, she can’t suspect that her encounter with the apartment’s occupant will eventually lead her to be come upon in an abandoned chapel, in a tiny mountain village—clutching the bloody machete with which one of the three has been murdered.Going Down is a rarity among novels—brilliantly and poetically written, faultlessly constructed, centered on fully realized people, and yet completely uninhibited in its depiction of startling eroticism.

    In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.

    Includes DVD. What happens when a person loses hope and yet still has the urge to make a photograph or draw with a stick in the dirt? Kate Greenstreet would like you to read this book as if you had found it left behind on the empty bus seat next to you--a document not directly addressing the question Why do we make art, but one that notices that one does make art, despite conditions, and that one would regardless. THE LAST 4 THINGS comes with a DVD of two movies created by the author. A poem is made by composition, by putting things together, and when you read this book your hands tingle. THE LAST 4 THINGS brings craftsmanship to reverie; it turns dreaming into meaningful work. It is a serious approach to the grammar of our emotions and you do well to read it with your hands--Thomas Basboll.

    0-935906-02-9$5.00 / Javan Press

    Nature, man and human history are reflected on in the verse of English and American poets and such prose works as the Gettysburg Address and the Declaration of Independence.

    Key Features: *Study methods *Introduction to the text *Summaries with critical notes *Themes and techniques *Textual analysis of key passages *Author biography *Historical and literary background *Modern and historical critical approaches *Chronology *Glossary of literary terms

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    However, Poe’s poetic works have since become as well-known as his famous stories, and reflect similar themes of mystery and the macabre. “Tamerlane” is one of Poe’s earliest works and gave its name to his first published book—Tamerlane and Other Poems.

    The collection is about the ways idealization leads to dehumanization, perception versus reality, sexism, feminism, mania, love, and Oregon. Dream Girl features poems that have gone viral on tumblr and Button Poetry, as well as 30 new poems, and illustrations by the author. This book is the much-anticipated second collection by Clementine von Radics. 80 pages, 6x9, Glossy cover.