Single and recently scorned, she’s dreading the next two weeks of couple’s massages, wine tastings and moonlight walks surrounded by people in love. Even the staff are hot and flirty… or maybe that’s just Haley’s heartache talking.But when a white-out catches Haley unprepared and underdressed, romance is the least of her worries.She’s disoriented and shivering when someone reaches through the storm and pulls her into an unoccupied cabin. As the blizzard rages outside, Haley meets her savior—the admirer she’d noticed before, a tall, dark and handsome woman named Destiny. And those sultry looks? Haley wasn’t imagining them.Des builds a fire in the hearth and kindles another in Haley’s core. Snowed in on Valentine’s Day, Haley can’t resist Cupid’s arrow—or Des herself. At least until the storm lets up.

    Their conversation takes as its point of departure psychoanalysis and its central importance to the modern imagination—though equally important is their shared sense that by misleading us about the importance of self-knowledge and the danger of narcissism, psychoanalysis has failed to realize its most exciting and innovative relational potential.            In pursuit of new forms of intimacy they take up a range of concerns across a variety of contexts. To test the hypothesis that the essence of the analytic exchange is intimate talk without sex, they compare Patrice Leconte’s film about an accountant mistaken for a psychoanalyst, Intimate Strangers, with Henry James’s classic novella The Beast in the Jungle. A discussion of the radical practice of barebacking—unprotected anal sex between gay men—delineates an intimacy that rejects the personal. Even serial killer Jeffrey Dahmer and the Bush administration’s war on terror enter the scene as the conversation turns to the way aggression thrills and gratifies the ego. Finally, in a reading of Socrates’ theory of love from Plato’s Phaedrus, Bersani and Phillips call for a new form of intimacy which they term “impersonal narcissism”: a divestiture of the ego and a recognition of one’s non-psychological potential self in others. This revolutionary way of relating to the world, they contend, could lead to a new human freedom by mitigating the horrifying violence we blithely accept as part of human nature.            Charmingly persuasive and daringly provocative, Intimacies is a rare opportunity to listen in on two brilliant thinkers as they explore new ways of thinking about the human psyche.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    With this he built a deep, internalized homophobia that made him want to disappear rather than live with the truth about himself. That denial played out in the forms of anorexia, bulimia, and obsessive running, which consumed him as an adolescent and young adult.It wasn’t until a grueling yet transformative Outward Bound experience that Jon began to face his sexual identity. This exploration continued as he entered college and started the serious work of sorting through years of repressed anger to separate from his father’s control and condemnation.My Thinning Years is an inspiring story of courage, creativity, and the will to live—and of recreating the definition of family to include friends, relatives, and teachers who support you in realizing your true self.“A storyteller's job is to help others find their way. Show them choices. Perhaps avoid pitfalls. Jon Derek Croteau's powerful new book is a beacon shining on the puzzle of life.”—Bob Dotson, New York Times bestselling author of American Story, a Lifetime Search for Ordinary People Doing Extraordinary Things & NBC News/Today Show Correspondent“I canceled plans to finish this book, and you will, too. Alternately riveting, heartfelt and horrifying, Jon Derek Croteau's descent into anorexia and obsessive running as a means to deny his true self is spellbinding.”—Eric Poole, author of Where's My Wand“Jon Derek Croteau writes with unstinting honesty in his memoir MY THINNING YEARS, and courageously explores the harmful effects of bullies long after they've left the scene. But he also reveals the plain fact that the greatest bully we have to win over is often the one within us.”—James Lecesne, Co-Founder of THE TREVOR PROJECT“A fantastic and harrowing story, told deeply and honestly…an emotional read…a generous, hopeful book I dearly hope gets into the hands of the many people who face similar hardships and desperately need to hear Jon Derek Croteau's story.”—Randy Harrison, actor, Queer As Folk“MY THINNING YEARS is an inspiring story of one man's struggle with anorexia, with sexual identity, and his struggle for selfhood.”—Betsy Lerner, author of Food and Loathing“The story of all of us as we come to terms with who we are. As I raced through these pages like the runner within them, I was reminded of my own trials… It takes courage to tell your story, to come out, to remove yourself from an abusive relationship. These pages help usher in our more tolerant present and our ever-evolving hearts.”—Award-winning singer/songwriter, Will Dailey“MY THINNING YEARS is not just a labor of love but a love-letter to those who are struggling silently and suffering deeply with an eating disorder. Jon Derek Croteau sheds incredible insight and a heartfelt vision for surviving and thriving in your life.”—Jess Weiner, Author, Strategist and Self-Esteem Expert“MY THINNING YEARS is an emotional journey through Jon Derek Croteau’s struggle with eating disorders and accepting his identity as a gay man. In his struggle to accept his sexuality, Croteau attempts to erase his pain through trying to erase himself. Men’s experiences of anorexia and bulimia are underrepresented in media, medical and personal accounts. This is an honest, powerful and raw insight into the self-punishing, self-harming and consuming force of eating disorders.”—Grace Bowman, author of Thin“You do not need an eating disorder, homosexual tendencies, or a terrible parent to love this book. Croteau's story is a universal one, and his painful and hard-won transformation will both move and inspire you.”—Eric Poole, author of Where’s My Wand? One Boy’s Magical Triumph over Alienation and Shag Carpeting“MY THINNING YEARS is a powerful story about overcoming adversity. Jon Derek Croteau’s courage, honesty, and unfailing passion are sure to both inspire and keep the pages turning!”—Jenni Schaefer, co-author of Almost Anorexic, author of Life Without Ed and Goodbye Ed, Hello Me

    Meet the Ballsy Boys, the hottest gay porn actors out there.*this is a short introduction to the boys of the series, each one has their own little chapter and you can get a small glimps of what will await you in the books*

    Sterling just happens to be very good at it.Vainglorious vampire Sterling is forced to trade his big city hedonism for a trip to a sleepy mountain town, where mangled dead bodies have been discovered. Soon he’s entangled with snooty vampire nobles, territorial werewolves, and a society of law-enforcing sorcerers.The locals aren’t so bad, like the luscious young lady at the fruit shop, or the hunky electrician whose smile sends out sparks. But they’re distractions from the hunt for the mountain murderer. And then there’s the eerie enigma: why are all these corpses missing their faces?

    He had money, the perfect woman and what he considered the perfect life. One would assume he’d be happy, but it was far from the truth because the woman he really wanted, he couldn’t have. That is until someone took away his longtime love and placed his true love in front of him. However; the past never seems to stay there and when it starts to resurface will he be able to handle the truth? Yariah Perry grew up in a two-parent household, but behind closed doors, it wasn’t the picture perfect family one would think. Having an alcoholic mother who was abusive to her and her father took a toll on her. No matter how much love she gave her mother, it never seemed to be good enough. Lo and behold her knight and shining armor came around, lifted her spirits and made her believe she could be loved. Unfortunately; just as the two of them make things official, they’re hit with a bombshell that will question everything they’ve felt for one another. Find out if they can keep their Gangsta Luv going or is it best to let it go.

    Presented in a brilliantly engaging and witty style, this is a unique portrait of the universe of queer thinking.

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    Caring about anyone or anything is asking to be disappointed, which is why I avoid relationships and chase freelance gigs — ghost writing restaurant reviews and penning articles about the efficacy of cheesy pick up lines — instead of chasing my dreams. Besides, dreams don’t come true for people like me. And no one, not even the sexy-as-hell bartender at the club can convince me otherwise. Because I’m never risking my heart again. Sam: As a bartender I’ve watched a million pick-up artists work their magic, but none as talented as Griffin Marian. He’s a flirt, a good time. Hooking up with him was supposed to be just a fling. I wasn’t supposed to care abut his fractured past or his buried dreams. I have my own future to worry about, especially after that stupid food critic scuttled my hopes of finally opening my own restaurant. But, the more time I spend with Griff, the more I’m beginning to realize that my plans mean nothing without him. If only I can convince him to give us a chance to follow our dreams together. Moving Maverick: Maverick: I haven't been back to Rabbit Island, South Carolina, since my parents died and my grandmother, Mimi, rejected me. I'm only returning now to attend her funeral and sell an estate I never wanted. But the moment I step foot on the island and fall into Beau’s arms, I realize it might not be so easy to say goodbye after all. Beau Talmadge was always the boy next door, but now he’s no longer a kid. The man is hot as hell and pushes all my buttons in the very best way. I'm supposed to leave in a week. Sell everything, close the door on my past, and walk away forever. So why am I letting myself fall for someone who lives thousands of miles away? And how the hell am I going to break it off when it's time to go? Beau: It took one short summer to fall in love with Maverick Mitchell and fifteen long years to forget him when he left. I’d never expected to see him again, but when he shows up at Mimi’s funeral looking lost and lonely I can’t resist doing anything I can to comfort him. Falling into bed with Maverick is easy and the nights we spend together are as hot and steamy as a South Carolina thunderstorm. I know it's not smart. I know it's not what he planned. But dammit, Mav belongs in my arms, in my bed, and in my life. So how the hell do I get him to stay? Delivering Dante: AJ: I know Dante’s story better than anyone. After all, I was the one who rescued him from his homophobic, abusive father eight years ago. Since then, I’ve kept my distance, but when I run into him at the Marian House gala and he doesn’t recognize me, I can’t resist the incredible, sensitive man he’s become. I would do anything to protect Dante Marian, but what if his past keeps me from being part of his future? Dante: Every new relationship has obstacles, it just turns out that ours involves my bumbling inexperience (ugh), an octogenarian naughty toy party (don’t ask), and being on the run in an RV with Aunt Tilly (it involves the Secret Service— no really, don’t ask). When my biological father takes his homophobic views to a national platform, the only way to stand up for what I believe in is to claim my past and confront him.

    They don't even know about her ex-girlfriends or her fake IDs.But it's that fake ID that leads her to the hottest club in the city. While her friends tear up the dancefloor, however, Audrey meets the foil to her suppressed desires and curiosity.Dylan. The resident bad girl with an affinity for good girls like Audrey.What begins as a torrid fling soon transforms into something that opens Audrey's eyes to the life she's always wanted. The longer she's with Dylan, the more she realizes the sources of her suffocation. A toxic family. Airheaded friends. Caring for nothing but the trappings of wealth. "A bad girl is someone who refuses to accept the status quo." Dylan has dated her fair share of heiresses, but Audrey is the first one to make her believe in a chance at love.Yet it's not easy to give over to someone like Audrey. She represents everything Dylan has spent her whole life rejecting, for she knows all too well what it's like to be forced into the good girl role.And her past is constantly threatening to ruin everything she's built for herself since her darkest days. "Good girls don't go bad. They save themselves." The fatalistic love that haunts both Dylan and Audrey will last the summer. After that? Someone will have to give up the only life they've ever known.Easier said than done.Please note that this book contains examples of transphobia and growing up in an abusive cult.

    White's The Salt Ecstasies—originally published in 1982, shortly after White's untimely death—has earned a reputation for its artful and explicit expression of love and desire. In this new edition, with an introduction by Mark Doty and previously unpublished works by White, his invaluable poetry is again available—clear, passionate, and hard-earned.The Salt Ecstasies is a new book in the Graywolf Poetry Re/View Series, edited by Doty, dedicated to bringing essential books of contemporary American poetry back into print.

    Yet when CIS offer up a case with a mysterious female perp at the centre, she can't say no. The catch? Grace's speciality is undercover guidance – she now has to go all in.Nadia Florescu is nobody's fool. She's survived worse than the grim CIS cells and suffered in ways Grace cannot imagine. So giving up the names that CIS demands is a game she can play and win – no matter the cost.When their worlds collide, and Nadia's shocking story begins to unravel, professional lines blur. But is Nadia really who she says she is? And how many boundaries will Grace cross for justice – and an uncompromising and beautiful suspect?

    One of those people being Jess, her best friend who she'd completely lost contact with. Though she never stopped thinking of her, she could never bring herself to reach out after the shame of what she'd done to her. Gina didn't even want to come back to her hometown in fear of running into Jess, but she had to take care of her mother who is ill with cancer.But fate and a kitten brings them together again, meeting for the first time in years. The connection is clearly still there between them, but will Jess be able to forgive Gina in her time of need? As the change in seasons brings color to the autumn leaves, will it also bring a drastic change in both of their lives? In this heartwarming, steamy novella Edie Bryant takes the reader on an emotional rollercoaster toward happily ever after.