Rather than returning Soraya's dowry, as custom required before taking a second wife, he plotted with four friends and a counterfeit mullah to dispose of her. Together, they accused Soraya of adultery. Her only crime was cooking for a friend's widowed husband. Exhausted by a lifetime of abuse and hardship, Soraya said nothing, and the makeshift tribunal took her silence as a confession of guilt. They sentenced her to death by stoning: a punishment prohibited by Islam but widely practiced. Day by day sometimes minute by minute Sahebjam deftly recounts these horrendous events, tracing Soraya's life with searing immediacy, from her arranged marriage and the births of her nine children to her husband's increasing cruelty and her horrifying execution, where, by tradition, her father, husband, and sons hurled the first stones. This is one woman's story, but it stands for the stories of thousands of women who suffered and continue to suffer the same fate. It is a story that must be told.

    . . . A powerfully observed, stylistically elegant exploration." --The New York TimesA New York Times Notable Book of the Year"The book's strength lies in Naipaul's extraordinary ability as a storyteller to draw striking portraits of a cross section of individuals."--The Boston GlobeFourteen years after the publication of his landmark travel narrative Among the Believers, V. S. Naipaul returned to the four non-Arab Islamic countries he reported on so vividly at the time of Ayatollah Khomeini's triumph in Iran. Beyond Belief is the result of his five-month journey in 1995 through Indonesia, Iran, Pakistan, and Malaysia--lands where descendants of Muslim converts live at odds with indigenous traditions, and where dreams of Islamic purity clash with economic and political realities.In extended conversations with a vast number of people--a rare survivor of the martyr brigades of the Iran-Iraq war, a young intellectual training as a Marxist guerilla in Baluchistan, an impoverished elderly couple in Teheran whose dusty Baccarat chandeliers preserve the memory of vanished wealth, and countless others--V. S. Naipaul deliberately effaces himself to let the voices of his subjects come through. Yet the result is a collection of stories that has the author's unmistakable stamp. With its incisive observation and brilliant cultural analysis, Beyond Belief is a startling and revelatory addition to the Naipaul canon."Highly accomplished. . . . Another display of Naipaul's remarkable talent." --The Independent (London)

    He paints a portrait of a country already far beyond its own crossroads.

    They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo--until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain. On the way, Nuri is sustained by the knowledge that waiting for them is Mustafa, his cousin and business partner, who has started an apiary and is teaching fellow refugees in Yorkshire to keep bees.As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss, but dangers that would overwhelm the bravest of souls. Above all, they must journey to find each other again.Moving, powerful, compassionate, and beautifully written, The Beekeeper of Aleppo is a testament to the triumph of the human spirit. It is the kind of book that reminds us of the power of storytelling.

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly).

    Believing in the supreme Ismaili motto “Nothing is true, everything is permitted,” Sabbah wanted to “experiment” with how far he could manipulate religious devotion for his own political gain through appealing to what he called the stupidity and gullibility of people and their passion for pleasure and selfish desires. The novel focuses on Sabbah as he unveils his plan to his inner circle, and on two of his young followers — the beautiful slave girl Halima, who has come to Alamut to join Sabbah's paradise on earth, and young ibn Tahir, Sabbah's most gifted fighter. As both Halima and ibn Tahir become disillusioned with Sabbah's vision, their lives take unexpected turns. Alamut was originally written in 1938 as an allegory to Mussolini's fascist state. In the 1960's it became a cult favorite throughout Tito's Yugoslavia, and in the 1990s, during the Balkan's War, it was read as an allegory of the region's strife and became a bestseller in Germany, France and Spain.

    Flying in the face of everything we thought we knew, The Islamic Enlightenment becomes an astonishing and revelatory history that offers a game-changing assessment of the Middle East since the Napoleonic Wars.Beginning his account in 1798, de Bellaigue demonstrates how Middle Eastern heartlands have long welcomed modern ideals and practices, including the adoption of modern medicine, the emergence of women from seclusion, and the development of democracy. With trenchant political and historical insight, de Bellaigue further shows how the violence of an infinitesimally small minority is in fact the tragic blowback from these modernizing processes.Structuring his groundbreaking history around Istanbul, Cairo, and Tehran, the three main loci of Islamic culture, de Bellaigue directly challenges ossified perceptions of a supposedly benighted Muslim world through the forgotten, and inspiring, stories of philosophers, anti-clerics, journalists, and feminists who opened up their societies to political and intellectual emancipation. His sweeping and vivid account includes remarkable men and women from across the Muslim world, including Ibrahim Sinasi, who brought newspapers to Istanbul; Mirza Saleh Shirzi, whose Persian memoirs describe how the Turkish harems were finally shuttered; and Qurrat al-Ayn, an Iranian noble woman, who defied her husband to become a charismatic prophet.What makes The Islamic Enlightenment particularly germane is that non-Muslim pundits in the post-9/11 era have repeatedly called for Islam to subject itself to the transformations that the West has already achieved since the Enlightenment—the absurd implication being that if Muslims do not stop reading or following the tenets of the Qur’an and other holy books, they will never emerge from a benighted state of backwardness. The Islamic Enlightenment, with its revolutionary argument, completely refutes this view and, in the process, reveals the folly of Westerners demanding modernity from those whose lives are already drenched in it.

    But our story largely omits a whole civilization whose citizens shared an entirely different narrative for a thousand years.In Destiny Disrupted, Tamim Ansary tells the rich story of world history as the Islamic world saw it, from the time of Mohammed to the fall of the Ottoman Empire and beyond. He clarifies why our civilizations grew up oblivious to each other, what happened when they intersected, and how the Islamic world was affected by its slow recognition that Europe-a place it long perceived as primitive and disorganized-had somehow hijacked destiny.

    But all of that changes when she drives her car into the darkened parking lot of a fast food restaurant. After she lowers her car window to place an order at the drive-thru, a man suddenly appears and places a gun at her temple. What follows is every woman's worst nightmare. The Edge of Malice is a true story about struggle, determination, and a quest for justice. The author, an attorney, places the reader into the swirling currents of the courtroom where no outcome is ever certain. But the story does not conclude when the legal battle is over. The reader follows Marie as she struggles to resolve the unrelenting anger that the legal system has been unable to extinguish. In the end, Marie's journey to find inner peace is as improbable as it is transformative.

    In describing life in Iran today, Christiane Bird, an American who spent part of her childhood there, breaks the silence that has surrounded Iran's culture -- unlike its politics -- for nearly twenty years. Traveling alone and largely by bus, Bird journeys from the modern, bustling capital of Tehran to the medieval holy city of Qom, from the sacred pilgrimage site of Mashhad -- visited by more than twelve million Shi'ites annually -- to the isolated valley of Alamut, once home to the legendary cult of the Assassins. She visits mosques, public baths, Khomeini's former home, and a Caspian Sea resort, and attends prayer meetings and a horse racing meet. Along the way, she talks to muleteers and ayatollahs, Kurds and Turkomans, Westernized and traditional Iranians -- many of whom invite her home for a cup of tea. The result is an astounding, insightful journey into the Islamic Republic of Iran -- in all its beauty, ferocity, and contradiction.

    A large, well-populated and wealthy state suddenly committed itself to a quite new path: a revolution based on the supremacy of Islam and contempt for both superpowers. For over 30 years the Islamic Republic has resisted widespread condemnation, sanctions, and sustained attacks by Iraq in an eight-year war. Many policy-makers today share a weary wish that Iran would somehow just disappear as a problem. But with Iran's continuing commitment to a nuclear programme and its reputation as a trouble-maker in Afghanistan, Lebanon and elsewhere, this is unlikely any time soon. The slow demise of the 2009 'Green Revolution' shows that Revolutionary Iran's institutions are still formidable. About the author: Michael Axworthy's Iran: Empire of the Mind established him as one of the world's principal experts on this extraordinary country and in his new book, Revolutionary Iran, he has written the definitive history of this subject, one which takes full account of Iran's unique history and makes sense of events often misunderstood by outsiders. Reviews: 'Balances scholarly precision with narrative flair ... Axworthy does the best job so far of describing the Iran-Iraq war ... He revisits, and convincingly reinterprets, defining moments of the Islamic republic ... [with] scholarly rigour and first-class analysis. Anyone interested in this most complex of revolutions would do well to read [this book]' Economist 'An impressive exploration of Iran's development since 1979 into an unpredictable pseudo-democracy ... [a] calm and literate portrait of the Islamic Republic' Guardian 'If you were to read only one book on present-day Iran you could not do better than this ... Axworthy revokes the sound and fury of the revolution itself' Ervand Abrahamian, Times Higher Education 'Packed with gobbets of information and policy advice on how to deal with Iran' Telegraph '[A] meticulously fair and scholarly work ... passages from Iranian authors little known in the west as well as references to both popular and arthouse cinema bring depth [and] richness ... moving and vivid ... a very fine work that deserves to be read by anyone interested in the Middle East' Jason Burke, Observer 'Axworthy is a true Iranophile, learned in history and literature ancient and modern ... [A] subtle, lucid, and well-proportioned history ... his method casts theocracy in a refreshingly cold light, and embosses the Islamic Republic's well-established subordination of faith to power' Spectator

    In transforming himself from a traditional Muslim theologian into the charismatic Iranian ruler who took on the world, Khomeini launched an Islamic revival movement that, with the collapse of communism, quickly evolved for some as the centre-piece in the pantheon of western demonology, and for others as the inspiration for spiritual and political rebirth. Whether viewed as a hero by his supporters or as a villain by his enemies, Khomeini was undoubtedly one of the seminal figures of the twentieth century, whose influence will extend some way into the new millennium. Baqer Moin here explores how and why this frail octogenarian, dressed in the traditional robes of a Muslim cleric, overthrew the secular Shah of Iran and became the spiritual leader of a new and militant Islamic regime. Still an enigma in the West, Khomeini transformed the Middle East and the world. But where did the man come from? What was his childhood and family background? What lay behind his implacable opposition to the Shah? What role did the turbulent events in Iran during his youth play in shaping Khomeini's political perceptions? What changed him from an obscure traditional theologian with mystical and poetic inclinations into a combative and highly vengeful radical? How will his vision of an international community of Muslims, a kind of Islamic Internationale, affect the Middle East?Drawing on many exclusive personal interviews with Khomeini's associates, on unpublished new materials and on the author's firsthand experience in Islamic seminaries, this biography provides a fascinating, well-documented and highly accessible analysis of the life and thought of one of the most controversial leaders of the late twentieth century.

    Zhivago and Romeo and Juliet.  Its mysterious author was recently the subject of a feature article in the New Yorker, which has inspired a forthcoming biography. Out of print for nearly three decades until the hardcover re-release last year, Ali and Nino is Kurban Said's masterpiece. It is a captivating novel as evocative of the exotic desert landscape as it is of the passion between two people pulled apart by culture, religion, and war.It is the eve of World War I in Baku, Azerbaijan, a city on the edge of the Caspian Sea, poised precariously between east and west.  Ali Khan Shirvanshir, a Muslim schoolboy from a proud, aristocratic family, has fallen in love with the beautiful and enigmatic Nino Kipiani, a Christian girl with distinctly European sensibilities.   To be together they must overcome blood feud and scandal, attempt a daring horseback rescue, and travel from the bustling street of oil-boom Baku, through starkly beautiful deserts and remote mountain villages, to the opulent palace of Ali's uncle in neighboring Persia.  Ultimately the lovers are drawn back to Baku, but when war threatens their future, Ali is forced to choose between his loyalty to the beliefs of his Asian ancestors and his profound devotion to Nino.  Combining the exotic fascination of a tale told by Scheherazade with the range and magnificence of an epic, Ali and Nino is a timeless classic of love in the face of war.

    One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into the nature and evolution of the Iranian revolution and into the ultimate unpredictability of protest movements in general.As one Iranian recalls, "The future was up in the air." Through interviews and eyewitness accounts, declassified security documents and underground pamphlets, Kurzman documents the overwhelming sense of confusion that gripped pre-revolutionary Iran, and that characterizes major protest movements. His book provides a striking picture of the chaotic conditions under which Iranians acted, participating in protest only when they expected others to do so too, the process approaching critical mass in unforeseen and unforeseeable ways. Only when large numbers of Iranians began to "think the unthinkable," in the words of the U.S. ambassador, did revolutionary expectations become a self-fulfilling prophecy. A corrective to 20-20 hindsight, this book reveals shortcomings of analyses that make the Iranian revolution or any major protest movement seem inevitable in retrospect.