"In the form of a diary, he takes us through the crazy journey that is making music. His excellent recollections of the excesses of morons and geniuses involved in creating melodies and rhythms for us to enjoy are sheer entertainment." - Musician Robert Palmer (from his foreword for the book). From the author's first glimpse of a magical recording studio in the mid-1960s up through a busy career that continues to the present day, this rollicking story can only be told by those that were there. As the young tape operator on sessions for The Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios in London, Phill learned the ropes from experienced engineers and producers such as Glyn Johns and Eddie Kramer. Phill soon worked his way up engineering sessions for Mott the Hoople, David Bowie, Led Zeppelin, Bob Marley and many other lendary rockers. He eventually became a freelance engineer/producer and worked with Roxy Music, Go West, Talk Talk, and Robert Plant. But more than a recollection of participating in some of the most treasured music of the past 40 years, this is a man's journey through life as Phill struggles to balance his home and family with a job where drug abuse, chaos, rampant egos, greed, lies and the increasingly invasive record business take their toll. It's also a cautionary tale, where long workdays and what once seemed like harmless indulgences become health risks, yet eventually offer a time to reflect back on.

    This book reverses that approach. It takes a fresh and often funny look at the magnificent and sometimes idiotic career path of the Beatles through the prism of one vital album -- a record considered by many (including John Lennon) to be the one on which they reached their peak as songwriters. It focuses not just on the intimate recording details and creative process, but on the politics, music, and culture of the era, as well as the band's individual development amid increasing dissolution. In crisp and witty prose, the inside stories behind the making and release of the album are revealed: how the White Album got its look and name; why it included the most experimental track the Beatles ever recorded; how it inspired the bloody massacres of Charles Manson and his 'family'; why Ringo Starr walked out on the sessions and who replaced him; the actual identities of 'Dear Prudence', 'Sexy Sadie', 'Martha My Dear', 'Julia' and 'Bungalow Bill'; on which song Yoko sang lead; which song is about Eric Clapton's teeth;

    The vilification of popular music by government and individuals has been going on for decades. Now, for the first time, Parental Advisory offers a thorough and complete chronicle of the music that has been challenged or suppressed -- by the people or the government -- in the United States.From Dean Martin's "Wham, Bam, Thank you Ma'am" to Marilyn Manson's Antichrist Superstar; from freedom fighters such as Frank Zappa and in-your-face rappers such a N.W.A. to crusaders such as Tipper Gore, this intelligent and entertaining book shows how censorship has crossed sexual, class, and ethnic lines, and how many see it as a de facto form of racism. With nearly one hundred fascinating photographs of musicians, record burning, and controversial cover art; illuminating sidebars; and a decade-by-decade timeline of important moments in censorship history, Parental Advisory is by turns frightening and hilarious -- but always revealing.

    Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown’s rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer’s remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams’s post-Whiskeytown self-reinvention as a solo act. Menconi draws on early interviews with Adams, conversations with people close to him, and Adams’s extensive online postings to capture the creative ferment that produced some of Adams’s best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had an absolutely determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion.

    The West Side Boys were a strange-looking bunch, wearing pink shades, shower caps, fluorescent wigs and voodoo charms they believed made them invulnerable to bullets - an impression re-enforced by ganja, heroine, crack cocaine and gallons of sweet palm wine. In 1999 a twelve man patrol of Royal Irish Rangers, who were training government troops in Sierra Leone, were captured and held hostage by the West Side Boys. They were held prisoner in a fortified jungle hideaway, with severed heads decorating the palisades, defended by some 400 heavily armed soldiers. Operation Barras, the rescue mission, was a combined force of 100 Paras, twelve members of the Special Boat Squadron, helicopters from the Navy and RAF and, spearheading the operation, 40-strong D squadron of the SAS. Against amazing odds the hostages were rescued - over 150 of the enemy were killed. Operation Certain Death is a thrilling true story of all out war. No hostages taken. Blood-letting on a vast scale inflicted on a very blood-thirsty enemy. A gripping piece of true military history, perfect for fans of action adventure stories and anyone interested in the top secret division of the British Army.

    From Detroit to Hollywood, here is the story of the music great who changed American popular culture with artists such as Smokey Robinson, Diana Ross, the Jacksons, Stevie Wonder, and more. 32 pages of photos.

    Friedman's uncompromising look at the radicals of youth culture in the extreme worlds of skateboarding, punk and rap. From day one behind his camera, Friedman has had an unerring ability to be in the right place ahead of everybody else. He was a teenaged photographer for 'Thrasher' and 'Skateboarder' magazines, he created the seminal one-hit punk fanzine 'My Rules', worked with Black Flag and Suicidal Tendencies in their early days, wrote for Maximum Rock & Roll, did street promotion for Def Jam's west coast office and shot sleeve photos for everyone from Minor Threat to Public Enemy. This book presents the photographic distillation of Glen's ethic: it's about the perfect shots of the people who live by the touchstones of intensity and integrity.

    He makes bittersweet and vivid a young man’s struggle to forge an artist’s life—and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar—and giving up the instrument, and his dream, entirely.Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing—the rigor, attention, and commitment it requires—becomes its own reward, an almost spiritual experience that redefines the meaning of “success.” Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages.Complete with a guide to selected musical recordings and methods, Practicing takes us on a revelatory, inspiring journey: a love affair with music.

    He examines the power of the arguments embedded in these speeches to inspire people to achieve great things, or do great harm. Abbott draws upon his political expertise to explain how our current understanding of the world is rooted in pivotal moments of history. These moments are captured in the words of a range of influential speakers including: Emmeline Pankhurst, Martin Luther King, Jr, Enoch Powell, Napoleon Beazley, Kevin Rudd, Alexander Solzhenitsyn, Ronald Reagan, George W. Bush, Osama bin Laden, Margaret Beckett, Winston Churchill, Salvador Allende, Margaret Thatcher, Tony Blair, Tim Collins, Mohandas Gandhi, Dwight D. Eisenhower, Robin Cook and Barack Obama. The speeches in this book are arranged thematically, linked by concepts such as 'might is right', 'with us or against us' and 'give peace a chance'. Each transcript is accompanied by an insightful commentary that analyses how the words relate to our modern society. Fresh and relevant, this is a book that will make you stop in your tracks and think about what is really happening in the world today.

    And that’s just since the Halifax musician started making records of his own in 1999. For a decade before that, he was one-quarter of Thrush Hermit, a band of scrappy Superchunk disciples who became hard-rock revivalists and one of the last survivors of the ’90s pop “explosion” of major-label interest in Halifax.Canada’s east coast has never been much of a pop-culture mecca. Most musicians from the region who’ve ever made it big moved away. But armed with a stubborn streak and a knack for great songwriting, Plaskett has kept Halifax as his home, building both a career and a music community there. Along the way, he’s earned great respect: when he plays shows in Alberta, east-coast expats literally thank him for staying home.Nowhere with You is the study of how he pulled this off, from the origins of Canada’s east-coast exodus to Plaskett’s anointment as “Halifax’s Rick Rubin.” It’s a story about what happens when you call a city “the new Seattle,” about the lessons you learn playing to empty rooms in Oklahoma, and about defying radio-single expectations with rock operas and triple records. It’s about doing what you want, where you want, no matter how much work it takes.

    Offering strong coverage of the music business, rock's visual culture, and contemporary music, the text is complemented by listening guides to over 70 major works.

    It has been twenty-five years since John Lennon walked out of the Parlophone studios, taking George and Ringo with him. Paul, American-speaking and -acting, has become the world-famous Las Vegas entertainer Paul Montana, and he's visiting Liverpool for the first time since 1962, hoping to reunite with his boyhood chums, the once "hottest little quartet—in Liverpool." Father George, now a Jesuit priest, is recovering from a nervous breakdown; John is embittered, alcoholic, unemployed, and on the dole. His wife has left him, and young Julian has joined the fascist National Front. Ringo lives on the earnings of his entrepreneurial hairdressing wife while he and John sit in weekends with old rivals, Gerry and the Pacemakers. It is Lennon's curse that he can imagine what might have been. Liverpool Fantasy is a blackly comic meditation on the enduring hazards of friendship, the alchemy of collaboration, and what a world without the Beatles—that is, without idealism—looks like.

    Here the bestselling author of Christ-Centered Preaching brings biblical and historical perspective to discussions about worship, demonstrating that the gospel has shaped key worship traditions and should shape today's worship as well.This accessible and engaging book provides the church with a Christ-centered understanding of worship to help it transcend the traditional/contemporary worship debate and unite in ministry and mission priorities. Contemporary believers will learn how to shape their worship based on Christ's ministry to and through them. The book's insights and practical resources for worship planning will be useful to pastors, worship leaders, worship planning committees, missionaries, and worship and ministry students.

    With a combination of anecdotes, meditation, and advice, he breaks down the creative process from beginning to end--from coping with writer's block, to song construction, chords, and even self-promotion. Webb also gives readers a glimpse into the professional music world.

    This book applies the theory to the design of specialized audio spaces such as the home listening room, the control room, and the multi-track-recording studio.