When Cate recognizes one of the stolen necklaces from when she traveled back in time to the year 1856 to solve a murder mystery, Cate knows there’s only one thing left for her to do. Despite the hectic holiday season approaching, complete with two grand holiday events, Cate must travel to 1925 and unravel the mystery surrounding the jewelry theft. However, things take an unexpected turn when she arrives. As Cate discovers more unanswered questions, she starts to wonder if there’s a piece to the puzzle she has yet to uncover. While Cate and estate manager, Jack, try to unravel the puzzle in the past, another mystery brews in the present for Cate. Strange and eerie nightmares centered around a bookcase in Dunhaven Castle’s library disrupt Cate’s sleep, rattling her mind even during her waking hours. She wonders if these are connected to the jewelry theft or if something darker lurks in Dunhaven’s halls.Can Cate solve the mysterious theft of her family’s jewelry? Will the bookcase hold the secrets to the past? If it does, will Cate be able to decipher the clues on its shelves? Or is there something more sinister at work in Dunhaven Castle? Find out if Cate has what it takes to solve the newest mysteries at Dunhaven Castle in Holiday Heist at Dunhaven Castle, book three of the riveting cozy mystery series Cate Kensie Mysteries.

    In the cut-throat world of weekly trash mags, Nina thrives on the adrenalin of out-bidding her rivals for scandalous photo sets, scoring exclusive rights to Australia's A-list weddings and having the most influential celebrity managers on speed-dial. But in her personal life, things aren't quite as glossy. Just as she's back on the single scene, all her friends start getting up the duff faster than you can say, 'Welcome to Nappy Valley'. While Nina spends her days managing her magazine's multi-million-dollar budget and stalking Kim Kardashian's every move, they're managing their minuscule maternity leave allowance and stalking their local daycare waiting list. Suddenly she feels like she's being rejected from a club she doesn't even want to join. With a reality TV show in the works and a Facebook feed overflowing with endless baby updates, Nina heads to New York on an impromptu girls' trip to get away from it all - but little does she know that things are about to get a whole lot more complicated...

    How come her blissful life got disturbed by all but a gentle sermon?The handsome Piyush had the world at his feet and yet his world was empty!Meera, an IAS officer, was living her dream but why wasn’t she happy?Centuries ago, Ila the Playwright, found happiness in pursuing her passion but why was this a bane to many?What happens when your subconscious tries to pass on a message?Hurt and pain helped Madhav become a millionaire. How would be come to terms when he realizes that it was not him that was wronged but it was he who was wrong.Meera is a budding comedian, but a great tragedy befalls her. Would she be able to hold her own in adverse circumstances? Kapil found liberation in his quest for knowledge, but would his daughter follow his lead ?Explore Greed (via Manifestation of God), Unspoken words (via The Last Confession), Internal Conflict (via The Lost Meera), Self-Belief (via The Mysterious Playwright), Subconscious-self (via Three of Him), Love (via Madhav and Meera), Jealousy (via The Comic’s Tragedy) and Freedom (via Life goes in a circle).

    It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is that first Interview with Miles Davis.

    Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a "diary, the story of his soul." The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music.

    It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day.This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions.The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present.

    . . an accepted major work.” This groundbreaking work views in depth both American literature and character from the time of the American Revolution to the present. From it, there emerges Fiedler’s once scandalous―now increasingly accepted―judgment that our literature is incapable of dealing with adult sexuality and is pathologically obsessed with death.

    Then suddenly the man vanished. All too soon she finds that the corridors of the gloomy mansion are filled with sinister secrets. To her sheer horror she begins to question whether the old man could be behind terrifying events that shrouded the ancient walls and stalked her into the very shadows of death and madness.

    Scott Poole traces the confluence of history, technology, and art that gave us modern horror films and literatureIn the early twentieth century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world’s map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war.From Nosferatu to Frankenstein’s monster and the Wolf Man, from Fritz Lang, F. W. Murnau, and Albin Grau to Tod Browning and James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Historian W. Scott Poole chronicles these major figures and the many movements they influenced. Wasteland reveals how bloody battlefields, the fear of the corpse, and a growing darkness made their way into the deepest corners of our psyche.On the one-hundredth anniversary of the signing of the armistice that brought World War I to a close, W. Scott Poole takes us behind the front lines of battle to a no-man’s-land where the legacy of the War to End All Wars lives on.

    With what he now knows, there will be no turning back. Even if he wants to. Not after he is trained as an initiate and knows of their perverted lusts—and their murders. Not even when growing terror sends him, trembling through Europe, trying to stop the unstoppable.Neither the unknown physics professor, Albert Einstein, nor the wild and obscure lrishman, James Joyce, and certainly not Sir John, can grapple with Aleister Crowley and his ancient, terrible order.An international order of beings so horrifying that it defies human imagination—almost....An order based in hell and determined to rule the world with evil—forever.For once you have looked them fullin the face, there is no turning away from the...MASKS OF THE ILLUMINATI

    Working with a wide range of texts, as well as movies and television, Auerbach locates vampires at the heart of our national experience and uses them as a lens for viewing the last two hundred years of Anglo-American cultural history. "[Auerbach] has seen more Hammer movies than I (or the monsters) have had steaming hot diners, encountered more bloodsuckers than you could shake a stick at, even a pair of crossed sticks, such as might deter a very sophisticated ogre, a hick from the Moldavian boonies....Auerbach has dissected and deconstructed them with the tender ruthlessness of a hungry chef, with cogency and wit."—Eric Korn, Times Literary Supplement"This seductive work offers profound insights into many of the urgent concerns of our time and forces us to confront the serious meanings that we invest, and seek, in even the shadiest manifestations of the eroticism of death."—Wendy Doniger, The Nation"A vigorous, witty look at the undead as cultural icons."—Kirkus Review"In case anyone should think this book is merely a boring lit-crit exposition...Auerbach sets matters straight in her very first paragraph. 'What vampires are in any given generation,' she writes, 'is a part of what I am and what my times have become. This book is a history of Anglo-American culture through its mutating vampires.'...Her book really takes off."—Maureen Duffy, New York Times Book Review

    Much like a few of Poe's other poems (such as "The Raven", "Annabel Lee", and "Lenore"), "Ulalume" focuses on the narrator's loss of his beloved due to her death. Poe originally wrote the poem as an elocution piece and, as such, the poem is known for its focus on sound. Additionally, it makes many allusions, especially to mythology, and the identity of Ulalume herself, if a real person, has been a subject of debate.

    He is also known for writing the fictional adventures of a second character he invented, Professor Challenger, and for popularising the mystery of the Mary Celeste.He was a prolific writer whose other works include fantasy and science fiction stories, plays, romances, poetry, non-fiction, and historical novels.-Wikipedia

    D. Wiswall, a sincere young man from a small town, who joins a state government agency in a data entry department comprised of quirky clerks. Quickly endearing himself to the diverse group in Unit 3, J. D. learns his coworkers have a pact to share the $10,000 prize if they win a cost-savings program for a suggestion that could save the government money, in turn helping them rise above their own personal struggles. A multimillion-dollar cost-savings suggestion is accidentally discovered by J. D.'s supervisor, the goof-off alcoholic Brent Baker. This lucrative discovery catches the attention of crotchety Governor Dwayne Bennett, a media-hungry demagogue, who turns the coworkers of Unit 3 into props for his selfish political reasons. The publicity surrounding the clerks piques the interest of a newspaper reporter, Esther Jean Stinson, whose investigative reporting threatens to reveal the governor's career-ending secret, as well as jeopardizes the prize that the clerks so desperately desire. Along with J. D. and Brent, the lives of the amiable coworkers in Unit 3 are revealed. There is Rita Jackson, the kind matriarch of her large brood, who spends her time outside of work caring for her five struggling children and thirteen wily grandchildren. Then there's Deborah Martinez, a single mother to a felonious son, who struggles to keep her head above her sinking financial woes. There's also Conchino Gonzalez, a quiescent giant of Mexican and Japanese descent, who street races at night to relieve worries about his ailing grandfather in Japan. Finally, J. D. has dreams bigger than his small hometown can provide, and Brent wants nothing more than to drop the bureaucratic routine to become a rock star with his bar band. A few blocks away from the agency that houses Unit 3, Governor Bennett, a smarmy politician who whizzes around the Governor's Mansion on a gold-plated wheelchair, parades the unwitting clerks in front of the local media in an attempt to raise his sagging poll numbers. But reporter Esther Jean sees through the governor's bald-faced motives and uncovers secrets not meant to be revealed. Will her revelations keep Unit 3 from receiving their elusive prize? From award-winning writer Scott Semegran, To Squeeze a Prairie Dog is an American, modern-day tale with working-class folks--part fable, part satire, and part comedy--revealing that camaraderie amongst kind-hearted friends wins the day over evil intentions.

    This gargantuan helping of the human comedy relates how he is devoured by the masses of New York, a city boiling over with the itch to grab it now.