Scholem was a precocious teenager when he met Benjamin, who became his close friend and intellectual mentor. His account of that relationship--which was to remain crucial for both men--is both a celebration of his friend's spellbinding genius and a lament for the personal and intellectual self-destructiveness that culminated in Benjamin's suicide in 1940.At once prickly and heartbroken, argumentative and loving, Walter Benjamin: The Story of a Friendship is an absorbing memoir with the complication of character and motive of a novel. As Scholem revisits the passionate engagements over Marxism and Kabbala, Europe and Palestine that he shared with Benjamin, it is as if he sought to summon up his lost friend's spirit again, to have the last word in the argument that might have saved his life.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    

    the Roman province of Judea exploded in rebellion. Far from being a revolution of unified peoples, the various Jewish factions of Sadducees, Zealots, Sicarii, and Edomites are in a state of civil war; as anxious to spill the blood of each other as they are to fight the Romans. The Judeans find hope when the Romans commit a serious tactical blunder and allow their forces to be ambushed and nearly destroyed in the mountain pass of Beth Horon. Following the disaster, Emperor Nero recalls to active service Flavius Vespasian, the legendary general who had been instrumental in the conquest of Britannia twenty-three years before. In the northern region of Galilee, a young Judean commander named Josephus ben Matthias readies his forces to face the coming onslaught. A social and political moderate, he fears the extremely violent Zealot fanatics, who threaten to overthrow the newly-established government in Jerusalem, as much as he does the Romans. Soon Vespasian, a tactical and strategic genius who had never been defeated in battle, unleashes his huge army upon Galilee. His orders are to crush the rebellion and exact the harshest of punishments upon those who would violate the Peace of Rome. Lacking the manpower and resources to face the legions in open battle, Josephus knows he will need plenty of cunning, ingenuity, and, perhaps, even the intervention of God Himself, lest the once proud Kingdoms of Judah and Israel should become a kingdom of the damned. **This is the re-release of a title that was previously called, "Kingdom of the Damned: Rebellion in Judea". Please note that the content of the book has not been changed.**

    After being ejected as collateral via my parent's breakup; After being lied to, cheated on and subtracted from all equations of love; I determined that things were not adding up any more. I knew that I deserved to be loved everyday, not only with words but with actions. I found a great deal of power in learning about love. I had been confused this whole time as I believed what we were all taught to believe as children - that love was something you find inside of another person. This journey allowed me to heal, forgive and accelerate my life towards love. Our journeys have different titles but we are all out here walking together toward the same goal. People with different skin tones, speech variations and socie-economic status all deserve love. This is The Dear Queen Journey: A Path To Self Love.

    Gabriels transformation from devout Muslim is a powerful reminder of how love can indeed conquer hate. His bold change of heart prompts him to bless the Jewish people rather than curse and hate them.” -Rabbi Yechiel Eckstein “Islam and the Jews reveals the secret agenda that is not being told by the media. I wish U.S. government officials would read this book.” -Sid Roth, President, Messianic Vision

    . . . Hustle is full of dashing nerve, linguistic flair, and unfakeable heart."—Tony HoaglandThe dark peoples with things:for keys, coins, pencilsand pens our pockets grieve.No street lights or signs,no liquor stores or bars,only a lighter for a flashlight,and the same-faced trees,similar-armed stonesand crooked bushesstaring back at me.There is no path in the woods for a boy from the city.I would have set fire to get off this wildernessbut Palomar is no El Camino in an empty lot,the plastic dripping from the dashand the paint bubbling like a toad's throat.If mountains were old pieces of furniture,I would have lit the fabric and danced.If mountains were abandoned crack houses,I would have opened their meanings with flame,if that would have let the wind and trees lead my eyesor shown me the moon's tiptoe on the moss—as you effect my hand,as we walk into the side of a Sunday night.David Tomas Martinez has published in San Diego Writer's Ink, Charlotte Journal, Poetry International, and has been featured in Border Voices. A PhD candidate at the University of Houston, Martinez is also an editor for Gulf Coast.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    In poems including 'Fra Lippo Lippi' and 'Bishop Blugram's Apology', Browning enters the personality and language of his characters, revelling in their unwitting self-revelation. Elsewhere Browning contemplates the relationships between love and the lyric, the poet and the painter, poetry and music.

    Like Ruth in the Old Testament, every Gentile believer has come out of the land of famine and into the spiritual realm of abundance in the name of Jesus. But unlike Ruth, we have turned our backs on the Jewish people, the relatives of the Messiah. We need to confess personally and corporately on behalf of the Church for centuries of persecution of the Jewish people, looking in these days for every opportunity to bless and not curse them. Once again, Israel and her people are center stage at a crucial moment in world history, and this book shows why the Church must effect reconciliation and why our prayers are vital in this hour. If we will make the same covenent pledge to Israel that Ruth made to Naomi, the Church will never be the same!

    From his earliest songs of the 1960s to his years with Island Records, these are the potent lyrics to the international reggae sound that was to make Bob Marley an unforgettable music legend.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.

    In spite of his preeminent stature, this is the first edition of Po Chü?-i's poetry to appear in the West. It encompasses the full range of his work, from the early poems of social protest to the later recluse poems, whose spiritual depths reflect both his life-long devotion to Taoist and Ch'an (Zen) Buddhist practice. David Hinton's translations of ancient Chinese poetry have earned wide acclaim for creating compelling English texts that have altered our conception of Chinese poetry. Among his books published by New Directions are The Selected Poems of Tu Fu, and The Selected Poems of Li Po. His work has been supported by fellowships from The National Endowment for the Arts and The National Endowment for the Humanities.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.