After an introductory section, his book begins with a description of this research, then proceeds with an excellent general review of recent fear about satanic cults in the U.S. He concludes that there is no evidence for the actual existence of organized satanic cults". -- Choice

    This is the story of how a new concept—the mind—emerged as a potential solution, one that was part soul and part machine, but fully neither.In this groundbreaking work, award-winning historian George Makari shows how writers, philosophers, physicians, and anatomists worked to construct notions of the mind as not an ethereal thing, but a natural one. From the ascent of Oliver Cromwell to the fall of Napoleon, seminal thinkers like Hobbes, Locke, Diderot, and Kant worked alongside often-forgotten brain specialists, physiologists, and alienists in the hopes of mapping the inner world. Conducted in a cauldron of political turmoil, these frequently shocking, always embattled efforts would give rise to psychiatry, mind sciences such as phrenology, and radically new visions of the self. Further, they would be crucial to the establishment of secular ethics and political liberalism. Boldly original, wide-ranging, and brilliantly synthetic, Soul Machine gives us a masterful, new account of the making of the modern Western mind.

    As a 21st-century philosopher, he brings to vivid life the incandescent personalities and ideas that embody the best in Western civilization and shows us how understanding them is essential for anyone who would seek to decipher the complex problems and potentialities of the world we will live in tomorrow." --Michael Beschloss, New York Times bestselling author of Presidential Courage: Brave Leaders and How They Changed America, 1789-1989"James MacGregor Burns is a national treasure, and Fire and Light is the elegiac capstone to a career devoted to understanding the seminal ideas that made America - for better and for worse - what it is." --Joseph J. Ellis, Pulitzer Prize and National Book Award winning author Revolutionary SummerPulitzer Prize-winning and bestselling historian James MacGregor Burns explores the most daring and transformational intellectual movement in history, the European and American EnlightenmentIn this engaging, provocative history, James MacGregor Burns brilliantly illuminates the two-hundred-year conflagration of the Enlightenment, when audacious questions and astonishing ideas tore across Europe and the New World, transforming thought, overturning governments, and inspiring visionary political experiments. Fire and Light brings to vivid life the galaxy of revolutionary leaders of thought and action who, armed with a new sense of human possibility, driven by a hunger for change, created the modern world. Burns discovers the origins of a distinctive American Enlightenment in men like the Founding Fathers Benjamin Franklin, John Adams, Thomas Jefferson, and James Madison, and their early encounters with incendiary European ideas about liberty and equality. It was these thinker-activists who framed the United States as a grand and continuing experiment in Enlightenment principles.Today the same questions Enlightenment thinkers grappled with have taken on new urgency around the world: in the turmoil of the Arab Spring, in the former Soviet Union, and China, as well as in the United States itself. What should a nation be? What should citizens expect from their government? Who should lead and how can leadership be made both effective and accountable? What is happiness, and what can the state contribute to it? Burns's exploration of the ideals and arguments that formed the bedrock of our modern world shines a new light on these ever-important questions.

    

    But, as Kelly shows, this portrayal is not biblical but a scenario invented by the early Fathers of the Church which became the 'New Biography of Satan'. The 'Original Biography' must be reconstructed from the New Testament where Satan is the same sort of celestial functionary we see in the Book of Job - appointed to govern the world, specifically to monitor and test human beings. But he is brutal and deceitful in his methods, and Jesus predicts that his rule will soon come to an end. Kelly traces the further developments of the 'New Biography': humankind's inherited guilt, captivity by Satan, and punishment in Hell at his hands. This profile of Satan remains dominant, but Kelly urges a return to the 'Original Biography of Satan'.

    This Very Short Introduction looks at the Devil in the history of ideas and in the lives of real people. Darren Oldridge shows us that the Devil is an important figure in western history--a richly complex and contradictory one. Oldridge focuses on three main themes: the idea of the Devil being integral to western thought from the early Middle Ages to the beginnings of modernity; the belief that the Devil represents the mirror image of goodness; and the multiplicity and instability of ideas about the Devil. Oldridge concludes by exploring "demonological" ways of thinking in our own time, including allegations of "satanic ritual abuse."

    With magisterial learning and the elan of a born storyteller, Pagels turns Satan's story into an audacious exploration of Christianity's shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.

    But how accurate are the popular images of Satan? How--and why--did this rather minor biblical character morph into the very embodiment of evil? T.J. Wray and Gregory Mobley guide readers on a journey to retrace Satan's biblical roots. Engaging and informative, The Birth of Satan is a must read for anyone who has ever wondered about the origins of the Devil.

    1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeon's face, even at its best, is grimly trenched by the channels into which the barren forms and observances of a dead Puritanism can pen a bitter temper and a fierce pride. She is an elderly matron who has worked hard and got nothing by it except dominion and detestation in her sordid home, and an unquestioned reputation for piety and respectability among her neighbors, to whom drink and debauchery are still so much more tempting than religion and rectitude, that they conceive goodness simply as self-denial. This conception is easily extended to others - denial, and finally generalized as covering anything disagreeable. So Mrs. Dudgeon, being exceedingly disagreeable, is held to be excee-dingly good. Short of flat felony, she enjoys complete license except for amiable weaknesses of any sort, and is consequently, without knowing it, the most licentious woman in the parish on the strength of never having broken the seventh commandment or missed a Sunday at the Presbyterian church.

    Just in time for Part 2 of Netflix’s hit Chilling Adventures of Sabrina, this special 3-in-1 comic collects issues #6 – #8 of the ongoing comic book series by Roberto Aguirre-Sacasa and Robert Hack, complete with an all-new cover!

    By day, Parsons’ unorthodox genius created a solid rocket fuel that helped the Allies win World War II. By night, Parsons called himself The Antichrist. “One of the best books of the year.”—The Anomalist

    and the witches, hobgoblins and wizards of whom the masses lived in mortal fear.Michelet draws flaming word pictures of the witch hunts, the Black Masses, the reign of Satan, and the weird rites of the damned. Here is the age of unbridled pleasure and sensuality, of luxury beyond imagination and squalor beyond endurance. Here is the time when a girl might be accused of witchcraft merely if she were young and pretty and did not survive the test of immersion in water or boiling oil. Here is the day of beatings, floggings, tortures and summary decapitations.Encyclopedia Britannica called the book, "The most important work on medieval superstition yet written." It is indeed one of the great works on the Age of Darkness.

    That life could not be thought or imagined without him, that he was a part of the everyday, continually present in nature and history, and active at the depths of our selves, has been all but forgotten. It is the aim of this work to bring modern readers to a deeper appreciation of how, from the early centuries of the Christian period through to the recent beginnings of the modern world, the human story could not be told and human life could not be lived apart from the 'life' of the Devil. With that comes the deeper recognition that, for the better part of the last two thousand years, the battle between good and evil in the hearts and minds of men and women was but the reflection of a cosmic battle between God and Satan, the divine and the diabolic, that was at the heart of history itself.--from The DevilLucifer, Mephistopheles, Beelzebub; Ha-Satan or the Adversary; Iblis or Shaitan: no matter what name he travels under, the Devil has throughout the ages and across civilizations been a compelling and charismatic presence. In Christianity, Judaism, and Islam, the supposed reign of God has long been challenged by the fiery malice of his opponent, as contending forces of good and evil have between them weighed human souls in the balance.In The Devil, Philip C. Almond explores the figure of evil incarnate from the first centuries of the Christian era. Along the way, he describes the rise of demonology as an intellectual and theological pursuit, the persecution as witches of women believed to consort with the Devil and his minions, and the decline in the belief in Hell and in angels and demons as corporeal beings as a result of the Enlightenment. Almond shows that the Prince of Darkness remains an irresistible subject in history, religion, art, literature, and culture.Almond brilliantly locates the life of the Devil within the broader Christian story of which it is inextricably a part; the demonic paradox of the Devil as both God's enforcer and his enemy is at the heart of Christianity. Woven throughout the account of the Christian history of the Devil is another complex and complicated history: that of the idea of the Devil in Western thought. Sorcery, witchcraft, possession, even melancholy, have all been laid at the Devil's doorstep. Until the Enlightenment enforced a disenchantment with the old archetypes, even rational figures such as Thomas Aquinas were obsessed with the nature of the Devil and the specific characteristics of the orders of demons and angels. It was a significant moment both in the history of demonology and in theology when Benedict de Spinoza (1632-1677) denied the Devil's existence; almost four hundred years later, popular fascination with the idea of the Devil has not yet dimmed.

    ‘The Devil’s Dozen’ is a modern ‘gramarye’, or ‘black book’ of thirteen Craft rites of the Old One has been created and is offered by a present day initiate of the ‘Old Craft’Within its pages there are to be found thirteen rites – for both the ‘lone’ practitioner and the assembled companie – of vision, sacred compact, dedication, initiation, consecration, empowerment, protection, illumination, union, transformation and devotion.

    The narrator then begins telling the story of his friend Toby Dammit. Dammit is described as a man of many vices, presumably at least in part due to his left-handed mother flogging him with her left hand, considered improper. Dammit often made rhetorical bets, becoming fond of the expression "I'll bet the devil my head." Though the narrator tries to break Dammit of bad habits, he fails. Nevertheless, the two remain friends.While traveling one day, they come across a covered bridge. It is gloomy and dark, lacking windows. Dammit, however, is unaffected by its gloom and is in an unusually good mood. As they cross the bridge, they are stopped by a turnstile partway across. Dammit bets the devil his head that he can leap over it. Before the narrator can reply, a cough alerts them to the presence of a little old man. The old man is interested in seeing if Dammit is capable of making such a leap and offers him a good running start. The narrator thinks to himself that it is improper for an old man to push Dammit into making the attempt—"I don't care who the devil he is," he adds.The narrator watches as Dammit makes a perfect jump, though directly above the turnstile he falls backwards. The old man quickly grabs something and limps away. The narrator, upon checking on his friend, sees that Dammit's head is gone ("what might be termed a serious injury"). He realizes that just above the turnstile, lying horizontally, was a sharp iron bar that happened to be lying at just the spot where his friend's neck hit when he jumped. The narrator sends for the "homeopathists", who "did not give him little enough physic, and what little they did give him he hesitated to take. So in the end he grew worse, and at length died". After the bill for his funeral expenses is left unpaid, the narrator has Dammit's body dug up and sold for dog meat.