For the first time in comic book history, the Mighty Morphin Power Rangers will join forces with some of the most popular Power Rangers teams in the franchise from across time and space to face the ultimate threat...one that will mean the death of a Ranger! Collected together for the first time this deluxe edition includes Go Go Power Rangers: Shattered Grid, following Lord Drakkon’s loyal Ranger Slayer—a brainwashed Kimberly Hart from an alternate future—as she travels back in time to defeat the Rangers at their most vulnerable. Before Tommy Oliver, before the Green Ranger, the Power Rangers must find a way to defeat Drakkon’s most fearsome soldier yet. Join New York Times best-selling writers Kyle Higgins (Nightwing) and Ryan Parrott (Star Trek) and critically acclaimed artists Daniele Di Nicuolo (Mighty Morphin Power Rangers: Pink), Dan Mora (Klaus) and Diego Galindo (Red Sonja) for the Power Rangers epic that redefined the comic book series. Collects Mighty Morphin Power Rangers #25-30, Go Go Power Rangers #9-12, Mighty Morphin Power Rangers Free Comic Book Day Special, and Mighty Morphin Power Rangers Shattered Grid #1. Features an all new short story set during Shattered Grid!

    Sato''s efforts earn him a one-way trip to a tropical getaway, courtesy of the Tokyo criminal underworld. The exotic locale? MONSTER ISLAND! Alone and facing death at the hands of both gangsters and goliaths, Sato must use his wits to survive -- and enlist the aid of some most unusual friends. Join superstar creators John Layman (Chew) and Alberto Ponticelli (Unknown Soldier) for this unusual and exciting mini-series of monster mayhem!

    In the second and third volumes, The History of Eroticism and Sovereignty, Bataille explores the same paradox of utility from an anthropological and an ethical perspective, respectively. The History of Eroticism analyzes the fears and fascination, the prohibitions and transgressions attached to the realm of eroticism as so many expressions of the "uselessness" of erotic life.

    She recently discovered that her husband is a cheater. If that isn't bad enough, she also learned that the man she thought she knew and loved is deeply involved in illegal activities. When she walked out, determined to start over, she had no idea just how far the man who had vowed to love and to cherish her would go to make her sorry until she found him murdered--in her bed. Now, the only person who believes her story is, unfortunately for Julie, the one man with the most to gain from the murder.

    I am sure this book will become the reference on both sides of the Atlantic.” — Jacques DerridaDuring the last three decades of the twentieth century, a disparate group of radical French thinkers achieved an improbable level of influence and fame in the United States. Compared by at least one journalist to the British rock ‘n’ roll invasion, the arrival of works by Michel Foucault, Jacques Derrida, Jean-François Lyotard, Jean Baudrillard, Gilles Deleuze, and Félix Guattari on American shores in the late 1970s and 1980s caused a sensation.Outside the academy, 'French theory' had a profound impact on the era’s emerging identity politics while also becoming, in the 1980s, the target of right-wing propagandists. At the same time in academic departments across the country, their poststructuralist form of radical suspicion transformed disciplines from literature to anthropology to architecture. By the 1990s, French theory was woven deeply into America’s cultural and intellectual fabric.French Theory is the first comprehensive account of the American fortunes of these unlikely philosophical celebrities. François Cusset looks at why America proved to be such fertile ground for French theory, how such demanding writings could become so widely influential, and the peculiarly American readings of these works. Reveling in the gossipy history, Cusset also provides a lively exploration of the many provocative critical practices inspired by French theory. Ultimately, he dares to shine a bright light on the exultation of these thinkers to assess the relevance of critical theory to social and political activism today-showing, finally, how French theory has become inextricably bound with American life.

    It explores the pioneering minds of Marx, Durkheim, and Weber, who developed our modern idea of society; and looks at the powerful influence of the works of early the sociologists Mead, Simmel, Freud, and Du Bois.

    

    Morgan Trayhern's toughest mercenary is about to find his heart this Christmas when his matchmaking boss puts him in the path of Montana's prettiest widow.

    This incident, which rocked the French capital, lies at the heart of The Dynamite Club, a mesmerizing account of Henry and his cohorts and the war they waged against the bourgeoisie—setting off bombs in public places, killing the president of France, and eventually assassinating President McKinley in 1901.Paris in the belle époque was a place of leisure, elegance, and power. Newly electrified, the city’s wide boulevards were lined with posh department stores and outdoor cafés. But prosperity was limited to a few. Most lived in dire poverty, and workers and intellectuals found common cause in a political philosophy—anarchism—that embraced the overthrow of the state by any means necessary.Yet in targeting civilians to achieve their ends, the dynamite bombers charted a new course. Seeking martyrdom, believing fervently in their goal, and provoking a massive government reaction that only increased their ranks, these "evildoers" became, in effect, the first terrorists in modern history.Surprising and provocative, The Dynamite Club is a brilliantly researched account that illuminates a period of dramatic social and political change—and subtly asks us to reflect upon our own.

    Exploring key anarchist ideas of society and the state, freedom and equality, authority and power, the record investigates the successes and failures of anarchist movements throughout the world. Presenting a balanced and critical survey, the detailed document covers not only classic anarchist thinkers--such as Godwin, Proudhon, Bakunin, Kropotkin, Reclus, and Emma Goldman--but also other libertarian figures, such as Nietzsche, Camus, Gandhi, Foucault, and Chomsky. Essential reading for anyone wishing to understand what anarchists stand for and what they have achieved, this fascinating account also includes an epilogue that examines the most recent developments, including postanarchism and anarcho-primitivism as well as the anarchist contributions to the peace, green, and global justice movements of the 21st century.

    Yet how far has this theory got us? Is it still central to feminism, anti-capitalism, anti-racism, anarchism, and other radical social movements today? Richard Day shows how most contemporary movements attempt to develop new forms of self-organization that can run parallel-or as alternatives-to existing forms. They follow a logic of affinity rather than hegemony. From Hegel's concept of recognition, through theories of hegemony and affinity, to Hardt and Negri's reflections on Empire, Day translates academia's theoretical and philosophical concerns to the politics of the street.

    Historian Norman Cantor explains how and why common law developed out of Roman law, in response to the needs and assumptions of English society and culture from 1000 to 1780, and how it became the basis of the American legal system. Professor Cantor shows that many of the current debates about the jury trial, the adversarial model and other parts of our legal system stem from this history. He highlights the minds and personalities of prominent judicial leaders, from Cicero and Justinian in the ancient world, through Glanville and Bracton in the Middle Ages, to Coke, Blackstone and Bentham in later centuries. A concluding chapter relates the social and cultural history of common law to the American system of Supreme Court Justices John Marshall and Oliver Wendell Holmes and to the legal profession in the United States today."Imagining the Law" is authoritatively based on the extensive amount of recent research and writing in the field of legal history, and on Professor Cantor's reading of thousands of court cases. It is the first book to examine legal history in a cultural and sociological context and thus illuminates one of our most important institutions in a whole new way.

    A leading exponent of French existentialism, her work complements, though it is independent of, that of her great friend Jean-Paul Sartre. In "The Ethics of Ambiguity," Madame de Beauvoir penetrates at once to the core ethical problems of modern man: what shall he do, how shall he go about making values, in the face of this awareness of the absurdity of his existence? She forces the reader to face the absurdity of the human condition, and then, having done so, proceeds to develop a dialectic of ambiguity which will enable him not to master the chaos, but to create with it.

    It is not a political negativity that we must locate in our queerness, but rather a vicious anti-politics which opposes any utopian dreams of a better future residing on the far side of a lifetime of sacrifice. Our queer negativity has nothing to do with art, but it has a great deal to do with urban insurrection, piracy, slave revolt: all those bodily struggles that refuse the future and pursue the irrationality of jouissance, enjoyment, rage, chaos. Ours is not the struggle for an alternative, because there is no alternative which can escape the ever-expanding horizons of capital. Instead we fight, hopeless, to tear our lives away from that expanding horizon and to erupt with wild enjoyment now. Anything less is our continued domestication to the rule of civilization.”

    Don’t miss these stories brought to you by series creators Scott Snyder and Rafael Albuquerque, as well as other awesome comics talent like Becky Cloonan (BATMAN), Gabriel Ba and Fabio Moon (DAYTRIPPER), Jeff Lemire (SWEET TOOTH), Greg Rucka (The Punisher, BATWOMAN), Gail Simone (BATGIRL) and many more!