A native Californian, Didion applies her scalpel-like intelligence to the state’s ethic of ruthless self-sufficiency in order to examine that ethic’s often tenuous relationship to reality.Combining history and reportage, memoir and literary criticism, Where I Was From explores California’s romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons. Whether she is writing about her pioneer ancestors or privileged sexual predators, robber barons or writers (not excluding herself), Didion is an unparalleled observer, and her book is at once intellectually provocative and deeply personal.

    After writing A Confederacy of Dunces, Toole corresponded with Robert Gottlieb of Simon & Schuster for two years. Exhausted from Gottlieb's suggested revisions, Toole declared the publication of the manuscript hopeless and stored it in a box. Years later he suffered a mental breakdown, took a two-month journey across the United States, and finally committed suicide on an inconspicuous road outside of Biloxi. Following the funeral, Toole's mother discovered the manuscript. After many rejections, she cornered Walker Percy, who found it a brilliant novel and spearheaded its publication. In 1981, twelve years after the author's death, A Confederacy of Dunces won the Pulitzer Prize.In Butterfly in the Typewriter, Cory MacLauchlin draws on scores of new interviews with friends, family, and colleagues as well as full access to the extensive Toole archive at Tulane University, capturing his upbringing in New Orleans, his years in New York City, his frenzy of writing in Puerto Rico, his return to his beloved city, and his descent into paranoia and depression.

    But I am a monster . . .' Patrick WhitePatrick White, winner of the Nobel Prize and author of more than a dozen novels and plays - including Voss, The Vivisector and The Twyborn Affair - lived an extraordinary life. David Marr's brilliant biography draws not only on a wide range of original research but also on the single most difficult and important source of all: the man himself. In the weeks before his death, White read the final manuscript, which for richness of detail, authority and balance is stunning.Throughout his exciting narrative, Marr explores the roots of White's writing and unearths the raw material of his remarkable art. He makes plain the central fact of White's life as an artist: the homosexuality that formed his view of himself as an outcast and stranger able to penetrate the hearts of both men and women. Gracefully written and exhaustively researched, Patrick White is a biography of classic excellence - sympathetic, objective, penetrating and as blunt, when necessary, as White himself.

    Black Elk's searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable.Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk's experiences in this powerful and inspirational message for all humankind.

    P. Lovecraft, the seminal, enigmatic horror writer of the early 20th century. Houellebecq’s insights into the craft of writing illuminate both Lovecraft and Houellebecq’s own work. The two are kindred spirits, sharing a uniquely dark worldview. But even as he outlines Lovecraft’s rejection of this loathsome world, it is Houellebecq’s adulation for the author that drives this work and makes it a love song, infusing the writing with an energy and passion not seen in Houellebecq’s other novels to date.

    Buckley Jr., was the foremost architect of the conservative movement that swept the American political landscape from the 1960s to the early 2000s. When Buckley launched National Review in 1955, conservatism was a beleaguered, fringe segment of the Republican Party. Three decades later Ronald Reagan-who credited National Review with shaping his beliefs-was in the White House. Buckley and his allies devised a new-model conservatism that replaced traditional ideals with a passionate belief in the free market, religious faith, and an aggressive stance on foreign policy.Buckley was an eloquent writer and brilliant polemicist whose works are still required texts for conservatives. His TV show Firing Line and his campaign for mayor of New York City made him a celebrity; his wit and zest for combat made conservatism fun. But Buckley was far more than a controversialist. Deploying his uncommon charm, shrewdly building alliances, and refusing to compromise on core principles, he almost single-handedly transformed conservatism from a set of retrograde attitudes into a revolutionary force. Scholar Carl T. Bogus gives us the most authoritative biography ever published of this vital, larger-than-life figure.

    A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.

    Burroughs was the patron saint and Prince of Darkness of the Beats of the 1950s. His ground-breaking avant-garde masterpiece NAKED LUNCH shocked the literary world with its graphic descriptions of drug abuse and sexual perversion—and resulted in a landmark Supreme Court ruling on obscenity. Pulitzer Prize-winning author Tim Morgan's biography of Burroughs captures one of the most lionized artist/criminals of our times—a violent, reckless genius whose history is as bizarre as his fiction. A rebel—hero, Burroughs symbolized the anti—authoritarian cause for three generations of the young and disillusioned—exploring the murkiest depths of human terror and degradation in his art—and in his life. Literary Outlaw is a wild ride through the life of a man who became an icon for the counterculture and whose perverse and decadent life mirrors his remarkable art.

    Enriched by the novelist's private papers, it is a sharp, clear, sensitive portrait of a woman whose work won critical acclaim and international attention. 8-page photo insert.

    In 1809 he published A History of New York under the pseudonym Diedrich Knickerbocker to great acclaim. The public's appetite for all things Irving was insatiable; his name alone guaranteed sales. At the time, he was one of the most famous men in the world, a friend of Dickens, Hawthorne, and Longfellow, as well as Astor, Van Buren, and Madison. But his sparkling public persona was only one side of this gentleman author. In brilliant, meticulous strokes, Brian Jay Jones renders Washington Irving in all his flawed splendor: someone who fretted about money and employment, suffered from writer's block, and doggedly cultivated his reputation. Jones offers as never before a very human portrait of the often contrasting public and private lives of this true American original.

    In this biography, Laura Thompson describes the Edwardian world in which she grew up, explores the relationships she had, including those with her two husbands and daughter, and investigates the mysteries still surrounding Christie's life - including her disappearance in 1926. Agatha Christie is a mystery and writing about her is a detection job in itself. But, with access to all of Christie's letters, papers and writing notebooks, as well as interviews with her grandson, daughter, son-in-law, and their living relations, Thompson is able to unravel not only the detailed workings of Christie's detective fiction but the truth behind her private life as well.

    It is the story of a violent, war-haunted, alcoholic father and a strong-willed, loving mother who struggled to protect her three sons from the effects of poverty and ignorance that had tainted her own life. It is the story of the life Bragg was able to carve out for himself on the strength of his mother's encouragement and belief.

    Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

    Despite spending her days almost entirely “at home” (the occupation listed on her death certificate), Dickinson’s interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer.In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distill her evolution as a poet. Ackmann follows Dickinson through her religious crisis while a student at Mount Holyoke, her startling decision to ask a famous editor for advice, her anguished letters to an unidentified “Master,” her exhilarating frenzy of composition, and her terror in confronting possible blindness. Together, these ten days provide new insights into Dickinson’s wildly original poetry and render a concise and vivid portrait of American literature’s most enigmatic figure.

    He cultivated friendships with the likes of Edmund Wilson and Lillian Hellman and became mentor to Truman Capote. A social radical and closeted homosexual, the circumspect Arvin nevertheless survived McCarthyism. But in September 1960 his apartment was raided, and his cache of beefcake erotica was confiscated, plunging him into confusion and despair and provoking his panicked betrayal of several friends.An utterly absorbing chronicle, The Scarlet Professor deftly captures the essence of a conflicted man and offers a provocative and unsettling look at American moral fanaticism.