The stories cover the entire spectrum, from sad to sparkling to terrifying, from classics to hard-to-find treasures with everything in between -- orangutans, Egypt, earthworms, roast goose, college professors, mothers-in-law, aliens, secret codes, Secret Santas, tube stations, choir practice, the post office, the green light on Daisy's dock, weddings, divorces, death, and assorted plagues, from scarlet fever to "It's a Wonderful Life." And a dog.Famous for her "sure-hand plotting, unforgettable characters, and top-notch writing," Willis has been called, "the most relentlessly delightful science fiction writer alive," and there are numerous examples here. Among them, Willis's most famous stories -- the Hugo- and Nebula-Award-winning "Fire Watch" and "Even the Queen" and "The Last of the Winnebagos" -- along with undiscovered gems like Willis's heartfelt homage to Jack Williamson, "Nonstop to Portales." Her magical Christmas stories are here, too, from "Newsletter" to "Just Like the Ones We Used to Know..." which last year was made into the TV movie, Snow Wonder, starring Mary Tyler Moore.We've collected stories from throughout Willis's career, from early ones like "Cash Crop" and "Daisy, in the Sun," right up to her newest stories, including the wonderful "The Winds of Marble Arch." There's literally something for everyone here. If you're a diehard Willis fan, you'll be delighted with hard-to-find treasures like the until-now uncollected, "The Soul Selects Her Own Society..." If you've never read Connie Willis, this is your chance to discover "A Letter from the Clearys" and, well, "Chance." To say nothing of, "At the Rialto," the funniest story ever written about quantum physicists. And Willis's chilling, "All My Darling Daughters."And...oh, there are too many great stories here to list and pleasures galore. So enjoy! --subterraneanpress.com

    

    Wells’s War of the Worlds to Ray Bradbury’s Martian Chronicles to the fiction of “cyberpunks.” In addition to enthralling readers with breathtaking narratives and dazzling the imagination with mind-bending glimpses of possible futures, the best science fiction asks essential questions: What does it mean to be human? Are we alone in the universe, and what does it mean if we’re not?Esteemed professor Michael D.C. Drout traces the history of science fiction in this series of stimulating lectures. From Mary Shelley’s Frankenstein to today’s cutting- edge authors, Drout offers a compelling analysis of the genre, including a look at hard-boiled science fiction, the golden age of science fiction, New Wave writers, and contemporary trends in the field.14 Lectures on 7 Audiocassettes.

    The series moves to its new publishing home, Solaris, with this eighth annual volume of the celebrated and popular series.Table of Content"Some Desperado" by Joe Abercrombie"Zero for Conduct" by Greg Egan "Effigy Nights" by Yoon Ha Lee "Rosary and Goldenstar" by Geoff Ryman"The Sleeper and the Spindle" by Neil Gaiman"Cave and Julia" by M. John Harrison"The Herons of Mer de l’Ouest" by M Bennardo"Water" by Ramez Naam"The Truth of Fact, the Truth of Feeling" by Ted Chiang "The Ink Readers of Doi Saket" by Thomas Olde Heuvelt "Cherry Blossoms on the River of Souls" by Richard Parks "Rag and Bone" by Priya Sharma "The Book Seller" by Lavie Tidhar "The Sun and I" by K J Parker"The Promise of Space" by James Patrick Kelly "The Master Conjurer" by Charlie Jane Anders "The Pilgrim and the Angel" by E. Lily Yu "Entangled" by Ian R Macleod "Fade to Gold" by Benjanun Sriduangkaew "Selkies Stories are for Losers" by Sofia Samatar"In Metal, In Bone" by An Owomoyela "Kormack the Lucky" by Eleanor Arnason "Sing" by Karin Tidbeck"Social Services" by Madeline Ashby "The Road of Needles" by Caitlín R Kiernan "Mystic Falls" by Robert Reed "The Queen of Night’s Aria" by Ian McDonald"The Irish Astronaut" by Val Nolan

    AldissAn invasion of invisible monsters strikes terror on an English farm.HE WHO SHAPES, by Roger ZelaznyThe science of tomorrow makes possible a new kind of psychiatrist--one who can enter another human mind and reshape it...if he dares!THE DOORS OF HIS FACE, THE LAMPS OF HIS MOUTH, by Roger ZelaznyA man measures his courage against a Venusian sea monster the size of a thirty-story building."REPENT, HARLEQUIN!" SAID THE TICKTOCKMAN, by Harlan EllisonA John Birch world of the future where tardiness takes time off your life, and a joker who's never on time throws jelly-beans into the clockworks.Four Distinguised Runners-up:THE DROWNED GIANT, by J.G. BallardCOMPUTERS DON'T ARGUE, by Gordon R. DicksonBECALMED IN HELL, by Larry NivenBALANCED ECOLOGY, by James H. Schmitz"The stories in this book...show the quality of modern science fiction, its range, and, I think, its growing depth and maturity. Science fiction has come a long way." --DAMON KNIGHTContents ix • Introduction (Nebula Award Stories) • (1966) • essay by Damon Knight 1 • The Doors of His Face, the Lamps of His Mouth • (1965) • novelette by Roger Zelazny 34 • Balanced Ecology • (1965) • shortstory by James H. Schmitz 53 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 65 • He Who Shapes • (1965) • novella by Roger Zelazny 151 • Computers Don't Argue • (1965) • shortstory by Gordon R. Dickson 165 • Becalmed in Hell • [Known Space] • (1965) • shortstory by Larry Niven 178 • The Saliva Tree • (1965) • novella by Brian W. Aldiss 234 • The Drowned Giant • (1964) • shortstory by J. G. Ballard

    Selected and introduced by Cheryl Strayed, the New York Times best-selling author of Wild and the writer of the celebrated column “Dear Sugar,” this collection is a treasure trove of fine writing and thought-provoking essays.

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    Taking examples from the plays of Aeschylus, Sophocles and Euripides, The Poetics introduces into literary criticism such central concepts as mimesis (‘imitation’), hamartia (‘error’), and katharsis (‘purification’). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.Malcolm Heath’s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.

    Le Guin is one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained in Worlds Of Exile And Illusion. These novels, Rocannon's World, Planet Of Exile, and City Of Illusions, are set in the same universe as Le Guin's ground-breaking classic, The Left Hand Of Darkness.Tor is pleased to return these previously unavailable works to print in this attractive new edition.

    Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, "Michael Schmidt does full justice to its complexity.Like his hero Ford Madox Ford in The March of Literature," Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English.Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliche--some irreducible quality that keeps readers coming back to its pages."

    That's why a guide to the world of uglies has been requisitioned from the hole in the wall. Inside you'll find: A rundown on all the cliques, from Crims and Cutters to tech-heads and surge-monkeys The complete history, starting with the destruction of the oil bug to the launch of Extras in space How all those awesome gadgets came to be: hoverboards, eyescreens, skintennas, sneak suits... PLUS an exclusive look at Scott Westerfeld's first draft of Extras -- starring Hiro, not Aya. And so much more, it's mind-wrecking.

    Fortunately, one unabashed fan wants passionately to give Melville's masterpiece the broad contemporary audience it deserves. In his National Book Award-winning bestseller, In the Heart of the Sea, Nathaniel Philbrick captivatingly unpacked the story of the wreck of the whaleship Essex, the real-life incident that inspired Melville to write Moby-Dick. Now, he sets his sights on the fiction itself, offering a cabin master's tour of a spellbinding novel rich with adventure and history. Philbrick skillfully navigates Melville's world and illuminates the book's humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. A perfect match between author and subject, Why Read Moby-Dick? gives us a renewed appreciation of both Melville and the proud seaman's town of Nantucket that Philbrick himself calls home. Like Alain de Botton's How Proust Can Change Your Life, this remarkable little book will start conversations, inspire arguments, and, best of all, bring a new wave of readers to a classic tale waiting to be discovered anew.

    These are the People.Marooned on this planet by the crash of their interstellar vehicle in the distant past, The People are never free of a sense of strangeness in this world and a yearning for the home they have half-forgotten.These are the chronicles of their arrival on this world, their estrangement from it, and their ultimate acceptance of their poignant exile.Pilgrimage: The Book of The People is one of the most unforgettable works in all of science fiction.The "People" stories included in this book:Ararat (1952)Gilead (1954)Pottage (1955)Wilderness (1956)Captivity (1958)Jordan (1959)

    Dick's Do Androids Dream of Electric Sheep? Essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, importance political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.

    • (1971)• Some Notes Concerning a Green Box • (1971)• Why Johnny Can't Speed • (1971)• The Emoman • [Humanx Commonwealth • 4] • (1972)• Space Opera • (1973)• The Empire of T'ang Lang • (1973)• A Miracle of Small Fishes • (1974)• Dream Done Green • (1974)• He • (1976)• Polonaise • (1976)• Wolfstroker • (1977)• Ye Who Would Sing • (1976)