Geertz begins his argument by outlining the problem conceptually and providing an overview of the two countries. He then traces the evolution of their classical religious styles which, with disparate settings and unique histories, produced strikingly different spiritual climates. So in Morocco, the Islamic conception of life came to mean activism, moralism, and intense individuality, while in Indonesia the same concept emphasized aestheticism, inwardness, and the radical dissolution of personality. In order to assess the significance of these interesting developments, Mr. Geertz sets forth a series of theoretical observations concerning the social role of religion.

    However, this best-selling book is not simply a catalogue of these events. Rather it examines and compares the outward existential behaviour, along with its inward psychological reality, both of those who do not base their way of life on Prophetic guidance and those that do.

    Going beyond a simple narrative of Ottoman achievements, Colin Imber uses original sources and research, as well as the rapidly expanding body of modern research on the subject, to show how this complex state worked in practice.

    French political philosopher Roy demonstrates that the Islamism of today is a mix of populist politics and mixed economies of laissez-faire for the rich and subsidies for the poor, and argues that Islamic fundamentalists will never be able to reshape economics and politics in the name of Islamic un

    A vivid narration of events in the making of a Prophet and a World Teacher.

    What changed, in fact, was that for the first time in American history we have been forced to confront Islamic militancy as it has assaulted the world for almost 14 centuries.In "The Sword of the Prophet," the reader receives the unvarnished truth about the rise of Islam and the patterns set by its founder, Muhammad; the historical meaning of jihad against the (non-Muslim) "infidel" that we see today in the al-Qaeda terror network; the broad sweep of the global military, political, moral, and -- yes -- spiritual struggle that faces us; and what we must do if we wish to survive. Above all, we must avoid the twin perils of complacency and despair, and for that a sober, factual, and contextual presentation like that found in Trifkovic's work is essential. But every American owes it to himself or herself to know the real score of the post-9/11world -- and this slim but invaluable volume is the place to start.

    But as Cemil Aydin explains in this provocative history, it is a misconception to think that the world s 1.5 billion Muslims constitute a single religio-political entity. How did this belief arise, and why is it so widespread? The Idea of the Muslim World searches for the intellectual origins of a mistaken notion and explains its enduring allure for non-Muslims and Muslims alike.Conceived as the antithesis of Western Christian civilization, the idea of the Muslim world emerged in the late nineteenth century, when European empires ruled the majority of Muslims. It was inflected from the start by theories of white supremacy, but Muslims had a hand in shaping the idea as well. Aydin reveals the role of Muslim intellectuals in envisioning and essentializing an idealized pan-Islamic society that refuted claims of Muslims racial and civilizational inferiority.After playing a key role in the politics of the Ottoman Caliphate, the idea of the Muslim world survived decolonization and the Cold War, and took on new force in the late twentieth century. Standing at the center of both Islamophobic and pan-Islamic ideologies, the idea of the Muslim world continues to hold the global imagination in a grip that will need to be loosened in order to begin a more fruitful discussion about politics in Muslim societies today.

    That is why I have avoided discussion over the minute details and have endeavoured to portray the entire picture of Islam in one perspective. Moreover, I have not confined myself to stating what we Muslims believe in and stand for, but have also tried to explain the rational bases of our beliefs. Similarly I have not only presented the Islamic modes of worship and the outlines of the Islamic way of life but have also tried to unveil the wisdom behind them. I hope this small treatise will go a long way to satisfy the intellectual cravings of the Muslim youth and will help the non-Muslims in understanding our real position.' (from the foreword by Mawdudi)'Ours is an age of anxiety and restlessness. A change is imperceptibly overtaking the world. The old order is disintegrating; the new one is, however, yet to come. And history tells us that such ages of restlessness have also been periods of birth for new movements and cultures. The world is in the grip of a tension and awaits a twentieth-century renaissance of man.A significant feature of the present century is the new and wide-spread trend of Islam revival. After a long period of stagnation the world of Islam is rising from its stupor. A new awakening has appeared on the horizon; a new life is being infused into the community of Islam. This trend is visible in every country and at every place and has within it the possibilities of its becoming the harbinger of a new age' (from the Editor Preface)----------------About the Author Mawlana Mawdudi occupies a pivotal position in the movement for Islamic rebirth in the 20th century. He started his revolutionary mission at a time when the Western civilization was at the height of its intellectual and political power and when almost the entire Muslim world was in the grip of the western colonial rule. The demise of the Ottoman Caliphate had extinguished the last apparent hope of the Muslim Ummah. The clouds of gloom were cast upon the Muslim world. The horizon looked dark and dismal. It was in this background that a young scholar Mawdudi raised a clarion call for Islamic revival and reassertion. He invited the Muslims to the real source of their strength : The Qur'an and Sunnah of the Prophet Muhammad P.B.U.H. He awakened the Muslims to a new goal and mission to live and to die for Islam

    It seeks to unveil the mystery of that man. Historians tell us Muhammad used to withdraw to a cave, spending days wrapped in his thoughts. He heard bells ringing and had ghostly visions. He thought he was demon possessed, until his wife reassured him he had become a prophet. Convinced of his status, he was intolerant of those who rejected him, assassinated those who criticized him, raided, looted, and massacred entire populations. He reduced thousands to slavery, raped, and allowed his men to rape female captives. All of this, he did with a clear conscience and a sense of entitlement. He was magnanimous toward those who admired him, but vengeful toward those who did not. He believed he was the most perfect human creation and the universe's raison d'être. Muhammad was no ordinary man. He was a narcissist. Understanding Muhammad, ventures beyond the stories. Focusing on the "why" rather than the "what," it unravels the mystique of one of the most enigmatic and influential men in history.

    The heart of the palace was the Harem, the women's quarters, ruled by the Valide, or Queen Mother. Here the Sultan took his ease surrounded by his wives and concubines with their guardian black eunuchs, amused by his favourite pages, dwarfs and mutes, his younger brothers either slaughtered upon his accession or confined to the prison of the Cage. Earlier sultans like Mehmet the Conqueror and Suleyman the Magnificent lied in Topkapi Sarayi only between their campaigns of conquest, but their weak and dissolute successors such as Selim the Sot and Ibrahim the Mad spent their reigns entirely in the Harem, where some of them died of over-indulgence or were brutally murdered. such were the private lives of the Ottoman sultans in the pleasure dome known as the House of Felicity.

    The terrain is dense with ugly claims and counterclaims: one side is charged with Holocaust denial, the other with exploiting a tragedy while denying the tragedies of others.In this pathbreaking book, political scientist Gilbert Achcar explores these conflicting narratives and considers their role in today's Middle East dispute. He analyzes the various Arab responses to Nazism, from the earliest intimations of the genocide, through the creation of Israel and the destruction of Palestine and up to our own time, critically assessing the political and historical context for these responses. Finally, he challenges distortions of the historical record, while making no concessions to anti-Semitism or Holocaust denial. Valid criticism of the other, Achcar insists, must go hand in hand with criticism of oneself.Drawing on previously unseen sources in multiple languages, Achcar offers a unique mapping of the Arab world, in the process defusing an international propaganda war that has become a major stumbling block in the path of Arab-Western understanding.

    Millions displaced, thousands slaughtered, families divided and redefined, as home became alien land and the unknown became home. So much has been said about it but there is still no writer, storyteller or poet who has been able to explain the madness of Partition. Using the oral narratives of four generations of people - mainly Pakistanis but also some Indians - Anam Zakaria, a Pakistani researcher, attempts to understand how the perception of Partition and the 'other' has evolved over the years. Common sense dictates that the bitter memories of Partition would now be forgotten and new relationships would have been forged over the years, but that is not always the case. The memories of Partition have been repackaged through state narratives, and attitudes have only hardened over the years. Post-Partition events - wars, religious extremism, terrorism - have left new imprints on 1947. This book documents the journey of Partition itself - after Partition.

    A spirited, compelling read."-Azadeh Moaveni, author of Lipstick JihadIf the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text.A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long.

    Said’s main thesis was that the Western image of the East was heavily biased by colonialist attitudes, racism, and more than two centuries of political exploitation. Although Said’s critique was controversial, the impact of his ideas has been a pervasive rethinking of Western perceptions of Eastern cultures, plus a tendency to view all scholarship in Oriental Studies as tainted by considerations of power and prejudice. In this thorough reconsideration of Said’s famous work, Ibn Warraq argues that Said’s case against the West is seriously flawed. Warraq accuses Said of not only willfully misinterpreting the work of many scholars, but also of systematically misrepresenting Western civilization as a whole. With example after example, he shows that ever since the Greeks Western civilization has always had a strand in its very makeup that has accepted non-Westerners with open arms and has ever been open to foreign ideas. The author also criticizes Said for inadequate methodology, incoherent arguments, and a faulty historical understanding. He points out, not only Said’s tendentious interpretations, but historical howlers that would make a sophomore blush. Warraq further looks at the destructive influence of Said's study on the history of Western painting, especially of the 19th century, and shows how, once again, the epigones of Said have succeeded in relegating thousands of first-class paintings to the lofts and storage rooms of major museums. An extended appendix reconsiders the value of 18th- and 19th-century Orientalist scholars and artists, whose work fell into disrepute as a result of Said’s work.

    It contains a careful selection of thirty three magnificent Quranic tales retold in age-appropriate language. A simple text and fabulous colour illustrations, which brings the narratives vividly to life, make the message of the Quran more meaningful for children. The book offers a special dimension to these wonderful goodnight stories, and acts as a foundation on which to build a growing knowledge of the Quran.