Zvorykin left Russia after the Revolution and settled finally in Paris, where he found employment in the publishing house of H. Piazza. At some point in the 1920s, years after the Russia he knew had disappeared, he made the original of this book as a present for his employer, Louis Fricotelle. He translated four Russian fairy tales into French, writing them out in beautiful calligraphy and illustrating them on heavy vellum pages, which he then bound in red Moroccan leather embossed with Russian motifs. It was a gift of gratitude for a new life, celebrating all he valued and missed in the old.Fifty years later Andreas Brown of the Gotham Book MArt brought this luxurious manuscript to the attention of Jacqueline Onassis (who also edited In the Russian Style) and The Viking Press, where it was decided to issue the book in a format that would make it accessible to the public. All the splendid illustrations - vivid in color, detail, and not least of all, whimsy - are reproduced from the original art. The stories - The Firebird, Maria Morevna, The Snow Maiden, and Vassilissa the Fair - spiced with quintessentially Russian images and supernatural beings, are based on existing English translations that have been modified to preserve the flavor of Zvorykin's versions.

    Once there, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people. This 1855 masterpiece combines romance and idealism in an idyllic natural setting.

    Lesser and Zelinsky retell the story of a pair of children lost in the woods who run into a witch with a very tasty house.

    Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

    Alexander wrote a collection of short tales about the land of Prydain. These stories revisit familiar characters and reveal more about the history of this magical land. Here readers will find Dallben, destined to be an enchanter; Angharad, Princess of the House of Lyr; Kadwyr, the rascal crow; and Medwyn, the mystical protector of all animals. They'll learn the grim history of the sword Dyrnwyn and even find out how Fflewdur Fflam came by his enchanted harp. In The Foundling, Lloyd Alexander's land of fantasy and adventure lives on.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    Chelm is a village of fools. The most famous fools—the oldest and the greatest—are the seven Elders. But there are lesser fools too: a silly irresponsible bridegroom; four sisters who mix up their feed in bed one night; a young man who imagines himself dead. Here are seven magical folktales spun by a master storyteller, that speak of fools, devils, schlemiels, and even heroes—like Zlateh the goat.The New York Times called Zlateh the Goat and Other Stories, "beautiful stories for children, written by a master." The New York Book Review said, "This book is a triumph. If you have no older children on your list, buy it for yourself." Singer's extraordinary book of folklore is illustrated by Maurice Sendak, who won a Caldecott Medal for Where the Wild Things Are.Supports the Common Core State Standards

    They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns.The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.

    But will the prince find Cinderella after her ball gown turns back into rags? This classic tale is retold by Ruth Sanderson with the very youngest of readers in mind.

    M. Barrie's Peter Pan!In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do!

    Vivian Vande Velde has wondered too, and she’s come up with these six alternative versions of the old legend. A bevy of miller’s daughters confront their perilous situation in very different ways — sometimes comic, sometimes scary. Most of the time, it’s the daughter who gets off safely, but sometimes, amazingly, Rumpelstiltskin himself wins the day. And in one tale, it is the king who cleverly escapes a quite unexpected fate.

    When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.

    

    Maidens who caught a glimpse of her glory were blessed by enchantment they would never forget. But outside her wondrous realm, dark whispers and rumours carried a message she could not ignore: "Unicorns are gone from the world."Aided by a bumbling magician and an indomitable spinster, she set out to learn the truth. but she feared even her immortal wisdom meant nothing in a world where a mad king's curse and terror incarnate lived only to stalk the last unicorn to her doom...

    These fantastic stories have travelled across cultural borders, and been passed down from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over her long writing career, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich collection of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. She makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.